Relevant links to the argument between me, Levi Bryant, and Graham Harman:
Relevant links to the argument between me, Levi Bryant, and Graham Harman:
I really dig Alexander Bard’s “network-dynamic persepective.” Geometrogenesis is also extremely relevant to my research on Whitehead’s and Rudolf Steiner’s ether theories (the former articulated an alternative to Einstein’s theory of relativity based on an “ether of events”; the later spoke of an etheric dimension of nature mediating between the material and spiritual dimensions). The idea is that space-time is not ultimate, but an emergent product of quantum events (what Whitehead called “actual occasions”). Thanks to Prof. Corey Anton for pointing me to Bard’s lecture.
After a little searching, I’ve turned up this blog post by Bard wherein he makes reference to Whitehead as one of the few philosophers who can survive Nietzsche’s deconstructive hammer. But he seems to distance himself from Whitehead’s process metaphysics because he feels it lacks a proper phenomenological account of the real. Conrta Bard, Whitehead does in fact situate his cosmology in the context of America’s own breed of phenomenology coming out of William James’ radical empiricism.
Bard also discusses Burning Man, syntheism, Silk Road, Simon Critchley’s “faithless faith,” and the “chemical liberation” set off in the 60s by the California counterculture’s use of psychedelics. He finishes with the provocative question: “What if the internet is God?” (the title of his recent Ted Talk).
Thanks to milliern for his commentary on and reflections about an exchange Professor Corey Anton, myself, and others have been having on YouTube. I’m reposting my comment to him below:
I wanted to offer a few clarifications of my own position. I don’t normally think of myself as a “Heideggerian,” though I suppose most people who take the time to really read Heidegger are irrevocably transformed in some way. I’m one of those who has spent considerable time with his texts and ideas. While he has changed the way I think, I’ve nonetheless come to differ with him (as I understand him) in important ways. I’m not at all convinced that ‘human’ being, or Dasein, is the only significant mode of being. Nature, too, is significant. In fact, like Schelling, I would say the significance of human being could only be derived from that of Nature’s original being. Nature is a priori, not mind. Nature generated mind; mind is but a higher potency of Nature’s subjectivity. So I’m more Schellingian than Hedeggerian. If Heidegger spoke of a “groundless ground,” it’s because he was a close reader of Schelling, who more than a century earlier had recorded his encounter with das unvordenkliche (“the unprethinkable”). I don’t think this “groundless ground” should be identified with the Kantian transcendental ego or ding an sich. The groundless ground, the abyss or abgrund (a term Schelling borrowed from the esotericist Böhme), is the mother of both phenomena and noumena. Das Unvordenkliche is not born of the phenomenal-instrumental nature known to physicists and biologist. Nor is it born of the Ego, as in the Fichtean interpretation of Kant. Rather, like Spinoza before him, and Whitehead after him, Schelling distinguished between Natura naturans and Natura naturata. The former is Nature ‘naturing,’ the latter Nature ‘natured.’ The former is process, the latter is product. The former is alive, the latter is dead. Schelling’s Nature is not the external/extended material world of law-abiding physical particles that is supposed to exist by mathematical physicists. His Nature is not a ground, but a creative abyss. To know such a world, you must not march off to explain and control it as though it were entirely made up of plainly visible bodies,–as modern techno-scientific materialism has–, you must humbly seek to understand and communicate with its mostly invisible sensitivities (i.e., with its soul).
Unlike Kant’s mechanized Newtonian universe, Schelling perceived the earth and her creatures, the sun, planets, and other stars–yes as mathematically ordered–, but also as animate gods, as living beings creative of beautiful worlds. Where scientific materialism sees only dead nature (that is, nature natured), organic realism (what I refer to Schelling and Whitehead’s philosophies of nature as) perceives nature naturing. What is unprethinkable about ourselves and about the world is this ongoing creative process–call it “cosmogenesis,” call it “Creativity,” call it “the One and All,” or God, if you want. Whatever “It” is, it’s before subject and object. It is before mind and matter. Schelling is usually lumped in with the idealists, but it was Heidegger himself (in his lectures on Schelling’s 1809 book on human freedom) who first suggested that Schelling’s Naturphilosophie in fact subverted the entire German Idealist project from the inside out. I’d argue he has more in common with the radical empiricist James than with any idealist, and especially with James’ philosophical inheritor at Harvard, the mathematical adept turned cosmologist Alfred North Whitehead.
Speaking of which, I noticed you are interested in Einstein, ether, space-time, etc…. I wonder if you’ve run across Whitehead’s alternative ether theory (the “ether of events” or “extensive continuum”)? I’ve written about it HERE. I’d be curious to know your take on his organic cosmological scheme.
I’ve just submitted my dissertation proposal for review. Click on the title below for the PDF.
I welcome suggestions, critiques, sources, and/or extensions.
Basically, I’m doing a comparative study of the philosopher Friedrich Schelling, the esotericist Rudolf Steiner, and the mathematician and cosmologist Alfred North Whitehead. In particular, I want to interpret their respective “etheric” ontologies (Schelling’s “world-soul/universal organizing principle,” Steiner’s “etheric formative forces,” and Whitehead’s “evental ether/Creativity”) as typical of the process-relational imagination.
The plate above, a painting of the Philosopher’s Tree, is from Splendor Solis, an alchemical treatise published by Solomon Trismosin in 1582.
I realized I posted the same section twice last week, so here is the real historical and overview section of my dissertation proposal.
This dissertation examines the metaphysics of imagination in the process philosophies of Schelling and Whitehead through the hermeneutical lens of a certain stream of Western esotericism. In describing the process-philosophical imagination as etheric, I aim in particular to cross-fertilize the process tradition with 20th century esotericist Rudolf Steiner’s conception of the Ätherleib, or ether body. The concept of an ether body did not originate with Steiner, but he provides an example of a modern hermetic practitioner whose knowledge of natural science and deep familiarity with the esoteric history of philosophy, particularly German Idealism, make him among the best possible candidates for such a comparative project. The exact origins of the Western esoteric tradition are notoriously difficult to trace. According to The Catholic Encyclopedia, esotericism’s beginnings “have long been a matter of controversy and are still largely a subject of research. The more these origins are studied, the farther they seem to recede in the past.”5 In her groundbreaking study of Renaissance hermeticism, Francis Yates argued that it was Issaac Casaubon’s post-Christian dating of hermetic texts supposed by Renaissance magi like Ficino to predate Moses that definitively “shattered at one blow” the entire conceptual edifice of the esoteric prisci theologi.6 In contrast to Yates, Garth Fowden makes the case that these early hermetic texts are more continuous with the Egyptian alchemical tradition than Casaubon realized.7 The question of the origin of any tradition is inherently controversial. The true source of the hermetic tradition is especially contested due in no small part to its penchant for religious hybridization. Rather than try to stake out a position in this controversy, my research into the weird family of esoteric traditions will proceed without any assumption of purity. Steiner is foregrounded only because of his familiarity with Schelling and modern science, not because his Anthroposophy is somehow the most “authentic” expression of esotericism.
In his introduction to The Hermetic Deleuze (2012), Joshua Ramey laments the “general academic-philosophical prejudice” against esotericism, suggesting that this prejudice “constitutes a symptomatic repression of the complexity of both the history of modern philosophy and the stakes of contemporary culture.”8 Ramey’s more pessimistic attitude is tempered by S. J. McGrath, who in the introduction to The Dark Ground of Spirit: Schelling and the Unconscious (2012) suggests that esotericism “is gaining respect in non-foundationalist academic circles” due largely to “the postmodern absence of authoritative arguments for continuing to exclude whole genres of Western literature from more canonically respectable studies in religion and philosophy.”9
Like the esoteric traditions, the process tradition has also found itself on the margins of the Western philosophical canon, and is only more recently being creatively retrieved by a number of academics across multiple disciplines. Most standard readings of the history of modern philosophy consider Schelling to be a mere stepping-stone between Fichte’s subjective and Hegel’s absolute idealism. Though usually characterized along with them as an “idealist” himself, I will follow thinkers like Iain Hamilton Grant10 and Arran Gare11 by situating Schelling within the process tradition as a thinker primarily of nature (be it human, divine, or cosmic nature).
Contemporary Schelling scholar Jason Wirth finds it regrettable that “many have long thought that we are done with Schelling, that he is a ‘dead dog.’”12 It seems that the only respectable academic tasks remaining are to “[dissect] the corpus of Schelling into its various periods and phases,…expose inconsistencies in his thinking, attach various isms to his arguments, [and/or to] situate him in some narrative within the history of philosophy.”13 More recently, however, due in some part to Wirth’s and Grant’s efforts, this sentiment seems to be shifting; as Wirth writes, “after more than a century and a half of neglect, Schelling’s time has come.”14 One of the principle reasons for this emerging Schelling renaissance, I’ll argue, is the relevance of his process-oriented Naturphilosophie to the task of re-thinking the relationship between humanity and earth in light of the planetary ecological crisis.
The longstanding neglect of Schelling, especially in the Anglo-American academy, has not been without reason. There is indeed something strange and extravagant, even occult, about Schelling’s thought, at least when judged from within the intellectual strictures of modern academic philosophy. However, the severity of the ecological crisis has brought many of the foundational assumptions of modern philosophy into doubt,15 opening the way for a reconsideration not only of Schelling’s conception of an ensouled cosmos, but of a whole swathe of previously marginalized esoteric philosophical literature. Schelling’s approach to philosophy was deeply influenced by the theosophy of Jakob Böhme, Friedrich Christoph Oetinger, Philipp Matthäus Hahn, and Franz von Baader, which makes the cross-fertilization of the process and esoteric traditions sought in my dissertation all the more appropriate.
Though somewhat influential among American theologians during the later half of the 20th century, until quite recently Whitehead, like Schelling, has been neglected by academic philosophers. According to Michel Weber and Anderson Weekes, this neglect is largely the fault of Whiteheadians themselves, whose almost total focus on scholastic textual exegesis and lack of interdisciplinary outreach has threatened Whitehead’s ideas with extinction by creating the perception that they are only available “in fossil form.”16 Weber and Weekes’ negative assessment of the last half-century of Whitehead scholarship may be somewhat overstated, especially considering the many examples of interdisciplinary engagement in the work of Whiteheadian theologians like Charles Hartshorne, John Cobb, and David Ray Griffin. Though there may have been an element of “scholasticism” that assumed the superior capacity of Whitehead’s technical system to conduct and translate interdisciplinary disagreement, the more probable reason for process philosophy’s academic marginalization is the fact that it conceives of nature as enchanted and takes notions like panpsychism and the existence of an encosmic divinity seriously.
Whether or not Weber and Weekes’ have overstated the insularity of the first wave of Whitehead scholarship, they represent part of a second wave of outsiders who are, as they put it, “storming the museum.”17 Another second wave Whiteheadian, Isabelle Stengers, argues that the Whiteheadian palette is currently being greatly enriched “by practitioners from the most diverse horizons, from ecology to feminism, practices that unite political struggle and spirituality with the sciences of education…in a singularly lively and tenacious way.”18 Rather than approaching Schelling and Whitehead as a museum curator, my dissertation will aim to breathe new life into their thought, to think with them towards a more imaginative philosophy of mind and of nature enriched by the speculative resources of esoteric wisdom.
According to McGrath, though the esoteric schools represent a diverse set of theories and practices, they are nonetheless “united by a common enemy: the desacralization of nature (material nature, human nature, cosmological nature) by techno-science and capitalist consumerism.”19 He argues that critiques of esotericism as “regressive,” “anti-modern,” and “anti-scientific” are misguided. Although esotericism shares modernity’s “impulse toward human amelioration through science,” it seeks this amelioration through an alternative conception of the human-cosmos relation: “Western esoteric nature-philosophy refuses to follow mainstream natural science and split mind from matter, spirit from animal, finite from infinite…Esoteric modernity is a road not taken in the history of science…a modern approach to nature which was openly rejected in the seventeenth century because it did not grant us the calculative control which techno-science demanded of the Western mind.”20 One of the major goals of this dissertation is to show that, along with Western esotericism, process philosophy also contains the seeds of an alternative conception of modernity no longer bent on the domination of human and earthly nature by alienated modes of theoretical and practical rationality. Both the esoteric and process traditions provide philosophy with a new way of seeing the universe–a way of seeing (i.e., the etheric imagination) which in turn may provide humanity with a new way of living in concert with the wider community of life on earth.
Imagination itself has had a rather tense, even tumultuous, relationship to philosophy going all the way back to Plato, who infamously denied poets entry to his ideal city.21 For many philosophers in the modern Western tradition, its ineffable, largely non-rational and often erotically charged powers were considered deeply suspect, both for epistemological and for ethical reasons–even when imagination played a central role in their own philosophical systems! For example, as Alexander Schlutz argues, even though Descartes “forcefully excludes imagination from his conception of the cogito,”22 he nonetheless draws upon its poetic powers repeatedly in his physical speculations, and even admits during his autobiographical narration in Discourse on the Method (1637) that “doubt itself…is a product of imagination.”23 Similarly, though Kant affirms imagination as an “indispensable function of the human soul,” he also denigrates it as “a potential source of madness, delusion, and mental derangement.”24 I will revisit the paradox of this “double gesturing” by the major figures in the history of philosophy throughout my dissertation, connecting it to the polar, oscillatory dynamism so characteristic of imagination. I will attempt to articulate a less ambiguous, esoterically-inflected approach to the philosophical imagination that is responsive to the challenges made evident by these major figures.
5 The Catholic Encyclopedia, Volume IV: Esotericism and Gnosticism.
6 Yates, Giordano Bruno and the Hermetic Tradition (1964), 400.
7 Fowden, The Egyptian Hermes: A Historical Approach to the Late Pagan Mind (1986), 34-35.
8 Ramey, The Hermetic Deleuze, 6-8.
9 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 21.
10 Philosophies of Nature after Schelling (2006).
11 “From Kant to Schelling to Process Metaphysics: On the Way to Ecological Civilization” in Cosmos and History: The Journal of Natural and Social Philosophy, vol. 7, no. 2, 2011.
12 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1. Wirth here employs the philosopher Gotthold Ephraim Lessing’s epithet originally coined as a reference to Spinoza, a controversial figure in Germany at the turn of the 19th century, as well as a major influence on Schelling.
13 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1-2.
14 Wirth, ed., Schelling Now: Contemporary Readings (2005), 9.
15 Schelling was ahead of his time in this respect, writing in 1809 that “The entire new European philosophy since its beginning (with Descartes) has the common defect that nature is not available for it and that it lacks a living ground” (Philosophical Investigations into the Essence of Human Freedom, 26).
16 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.
17 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.
18 Stengers, Thinking With Whitehead: A Free and Wild Creation of Concepts (2011), 6.
19 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.
20 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.
21 Though of course, Plato’s relationship to imagination and poetry is not so cut and dry. He may have banished the poets from his Republic, but he himself was one of the most imaginative and poetic writers in the history of letters.
22 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.
23 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 77.
24 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.
The following is the “theoretical perspectives” section of my dissertation. It introduces the ether concept I am attempting to imaginally construct with the help of Schelling, Steiner, and Whitehead.
This dissertation argues that philosophical thinking, to eclipse the dualistic dogmas of today’s commonsense, must ally itself with the creative power of the etheric imagination. Why? Because every author is a poet, and to the extent that a philosopher grasps his tongue to speak or his pen to write, he becomes author and artist rather than simply reader or representer of Nature. The universe is not inertly given for representation: Nature, too, participates in varying degrees of animation and I-ness. The processual, or etheric, imagination approaches the task of philosophy primarily as a work of artistic interpretation of Nature’s inner life. Art, as Schelling puts it, becomes “at once the only true and eternal organ and document of philosophy,” while “through the world of sense [Nature], there glimmers, as if through words the meaning, as if through dissolving mists the land of phantasy, of which [the philosopher is] in search.”25 Or as Steiner puts it, the philosopher’s artistic interpretation of Nature “appears as the herald of that lawfulness that the poet has grasped by listening to the world spirit within the depths of nature’s working. At this level, art becomes the interpreter of the mysteries of the world just as science is also, in a different sense.”26 Unlike the poet, who is all artist, the philosopher is also a scientist. The philosopher not only creates art, he discovers nature; he not only inscribes acts of mind, he reads facts of nature.
In describing the power of imagination in the work of Schelling and Whitehead as etheric, I aim not only to cross-fertilize the process tradition with Rudolf Steiner’s esoteric conception of the Ätherleib, or ether body, but to creatively retrieve Schelling and Whitehead’s own cosmological ether theories.
Schelling shared the cosmological ether theory with most of his scientific contemporaries.27 He identified the infinite elasticity of the ether with the original polarity of forces animating both the one soul of the universe and the many souls within it.28 For Schelling, the ether is not just a scientific hypothesis about the natural world, it is the speculative philosophical postulate required to justify the pursuit of scientific knowledge of the physical world in the first place. If there were no organic unity to nature–if nature were not a self-organizing whole, but just a random assemblage of externally related parts–then we could never learn anything by way of natural scientific investigation. Schelling’s ether postulate secures the possibility of natural science by engendering a Naturphilosophie powered by etheric imagination, whereby the spiritual ether “in me” finds its point of indifference with the natural ether “out there.”29 Or as Schelling himself put it, “What in us knows is the same as what is known.”30
The ether remained the foundation of science’s understanding of electromagnetic phenomena until Einstein dismissed it as “an unnecessary burden on space” in 1905.31 In 1919, Whitehead began articulating a cosmological ether theory as a direct response to Einstein’s replacement of the traditional “material ether” with a pre-given “space-time fabric.” In place of Einstein’s static ontology of space-time “tubes” pieced together out of static material instants, Whitehead constructed an “ether of events” on the basis of his own novel process ontology.32 “We must not conceive of events as in a given Time, a given Space, and consisting of changes in given persistent material,” writes Whitehead, because “Time, Space, and Material are adjuncts of events.”33 “On the old theory of relativity,” he continues, “Time and Space are relations between materials; on our theory they are relations between events.”34 Whitehead’s evental ether is not the undetectable “shy ether behind the veil” thought to exist by 19th century physicists; rather, “the ether is exactly the apparent world, neither more nor less.”35 The ether, in other words, is that which gives experiential coherence and causal continuity to “the whole complex of events” constituting the universe.36 For Whitehead, as for Schelling, the ether is no mere scientific hypothesis about the mind-independent external world. Rather, it is a metaphysical principle constructed precisely to avoid “this unfortunate bifurcation” between subjective mind and objective nature by “[construing] our knowledge of the apparent world as being an individual experience of something which is more than personal.”37 “Nature,” Whitehead continues, “is thus a totality including individual experiences, so that we must reject the distinction between nature as it really is and experiences of it which are purely psychological. Our experiences of the apparent world are nature itself.”38
As for the esoteric conception of an ether body, although it did not originate with Steiner, he provides an example of a 20th century hermetic practitioner whose knowledge of modern science, not to mention his deep familiarity with German Idealist philosophy, make him among the best possible candidates for the type of comparative project I am attempting. Steiner, like Schelling and Whitehead, explicitly distinguishes his own use of the concept from the “hypothetical ether of the physicist.”39 The ether body is therefore not best imagined as an invisible gaseous substance floating around the physical body of an organism. To imagine the ether as an extended, three-dimensional body–even if a “subtle” body–is only to fashion an idol, to reflect upon a finished product instead of intuiting the creative process responsible for generating that product. An organism’s Ätherleib is then better imagined as a continually self-generating four-dimensional vortex of Ätherkräfte, or etheric forces. These forces are the non-spatial form-generating and form-remembering “agent-patients” of cosmic evolution.40 They are perceivable only to a self-cultivated (i.e., not innate or given by the birth of the physical body) etheric organ of affective thinking/intuitive intellection: the etheric imagination. The etheric imagination is not generated by the brain, but is rather the conscious expression of an otherwise unconscious morphogenic process that is itself responsible for generating the physical brain and body.41 As a four-dimensional process, the activity of the Ätherkräfte that both generates the body and rises to consciousness as the etheric imagination is best pictured, if it must be pictured at all, as an undulating torus fluidly turning itself inside-out to leave the living organism in its wake.
Picturing the activity of the etheric forces is ultimately impossible (since pictures are derived from sense experience of extended bodies), but the toroidal image seems to me better than imaging some kind of gaseous cloud floating around and guiding an otherwise mechanical physical body.
According to Steiner, “We can only find nature outside us if we first know her within us. What is akin to her within us will be our guide.”42 This statement is nearly identical to those of Schelling and Whitehead above. “So long as I myself am identical with Nature,” says Schelling, “I understand what a living nature is as well as I understand my own life.”43 “As soon, however, as I separate myself, and with me everything ideal from nature,” he continues, “nothing remains to me but a dead object, and I cease to comprehend how a life outside me can be possible.”44 As we’ve seen, Whitehead similarly argues that understanding the life of the actual occasions of nature requires first becoming conscious of, and then imaginatively generalizing the etheric structure-dynamic underlying our own conscious experience too all the individualities of nature. Such generalization allows for the creation of an experiential category applicable to the etheric dimension of any actual occasion.45 Only the etheric imagination can intuit the formative forces flowing through the natural world behind or within its outward sensory surfaces. Such an imaginative thinking represents the individual’s discovery within themselves of the etheric forces of natura naturans, the inner dimension of nature that is always in dynamic motion, sloughing off external nature (natura naturata) like a snake shedding its skin. “Nature alive,” as Whitehead called it,46 never sits still long enough to be caught in the conceptual net of merely reflective sense-bound understanding. “Nature speaks to us the more intelligibly the less we think of her in a merely refelctive way,” writes Schelling.47 To think nature as living, our own thinking must come to life, must become etheric.
According to Owen Barfield, who along with Jonael Schickler will assist my retrieval of Steiner’s work, the forces of the etheric organ of perception can be understood as “imagination operating in reverse…Whereas imagination uses the spatial to get to the non-spatial, what the organic [etheric] force is doing is moving out of the non-spatial realm (the creative logos, if you like) to convert it into space–[it moves out] of the immaterial producing a material, spatial world…What the etheric does is, to put it crudely, convert time into space.”48
Like the “force of imagination” (a literal translation of Einbildungskraft), the formative-force of the etheric organ, when properly cultivated, can release the philosopher from the Kantian restrictions placed on knowing by opening the normally sense-inhered intellect to the sub-sensory “intensive depth” (Bortoft, 1996) or super-sensory “inner infinitude” (Adams and Whicher, 1982) of living Nature, there revealing the invisible creative forces animating her from within-out.
In the terms of Whitehead’s three-fold theory of perception, which my dissertation will explore in relation to the synthetic role of imagination, non-etheric perception of external nature via bare sensory universals and abstract laws is perception “spatialized” in the mode of “presentational immediacy,” while etheric perception of the creative life of the sub-sensory dimension is perception “temporalized” in the mode of “causal efficacy.”49 Whitehead’s third mode of perception, “symbolic reference,” imaginatively synthesizes our intuitions of space and time into the meaningful and coherent world of everyday life. The synthetic work (or play) of the force of imagination can be in service either to the maintenance of the habits of every day conscious experience (commonsense), or else to the creative disruption of those habits in favor of alternative imaginations of the flow of etheric time-space.
The etheric image-forces animating Nature and her organisms are autonomous; that is, they are I-beings in their own right. The etheric imagination which perceives them is then not simply the transcendental ground of the ego’s sensory intuitions of the physical world–it is the genetic principle of the universe itself, the poetic root of all life (more like a creative abyss than a stable ground). Unlike Kant’s transcendental faculties of understanding, reason, and judgment, which provide only the necessary universal conditions of possible (theoretical, ethical, or aesthetic) experience, etheric imagination provides the necessary conditions of actual experience (whether of truth, goodness, or beauty). Etheric imagination schematizes not only the formal or abstract, but the material and concrete dimensions of experiential reality–that is, it not only makes possible the universal and impersonal, it actualizes the unique and individual.
So what is real for the process-philosophical imagination? Following Whitehead, time, space, and causality come to be understood as emergent products of an evolving ecology of organisms. “External” and “internal” are the effect of a distinction drawn in what Coleridge referred to as secondary imagination by an individual living organism. Enveloping the many organisms is the one Cosmic Organism, or primary imagination, the ceaseless yearning for wholeness which is nothing other than Spirit’s abyssal desire for Itself.
The root images, or elemental forces, that for so long grounded the reality of the human organism were earth and sky. But since the Galilean-Newtonian “[cancellation] of the ancient dichotomy between earth and sky in the interest of universally valid laws,” and especially since satellization has technologically realized this once merely theoretical extra-terrestriality, what has become of humanity’s earthly embeddedness?50 Have we not become homeless? This may be the case, unless the once solid ground of earth is understood to have been superseded, not by the en-framing (Ge-stell) of technology, but by the ground-generating forces of etheric imagination, the creative abyss that pre-exists any apparent separation between the finite conditioned things in space and the infinite creativity of time.
25 Schelling, System of Transcendental Idealism (1800), 231.
26 Steiner, Goethean Science, 93.
27 Grant, “Introduction to Schelling’s On the World Soul,” Collapse: Philosophical Research and Development, VI, 65.
28 Miklós Vassányi, Anima Mundi: The Rise of the World Soul Theory in Modern German Philosophy, 143, 384; Frederick Beiser, German Idealism: The Struggle Against Subjectivism, 541-547.
29 According to Frederick Beiser, Schelling thereby “[reintegrates] the transcendental ‘I’ into nature” by showing how human self-consciousness is a more intense expression of nature’s original etheric forces (German Idealism: The Struggle Against Subjectivism, 559).
30 Schelling, On the History of Modern Philosophy, trans. Bowie, 130.
31 Leon Lederman, The God Particle, 101, 375.
32 Whitehead, The Principle of Relativity (New York: Cosimo, 1922/2007), 36-38; Whitehead, The Principles of Natural Knowledge (London: Cambridge University Press, 1919), 25.
33 Whitehead, The Principles of Natural Knowledge, 26.
34 Whitehead, The Principles of Natural Knowledge, 26. For more on Whitehead’s philosophical critique of Einstein’s interpretation of relativity theory, see also my own Physics of the World-Soul: The Relevance of Alfred North Whitehead’s Philosophy of Organism to Contemporary Scientific Cosmology (2013), 35-43 [http://matthewsegall.files.wordpress.com/2010/05/physics-of-the-world-soul-whitehead-and-cosmology.pdf (accessed 5/1/2013)].
35 Whitehead, The Principle of Relativity, 37.
36 Whitehead, The Principles of Natural Knowledge, 66.
37 Whitehead, The Principle of Relativity, 62.
38 Whitehead, The Principle of Relativity, 62.
39 Rudolf Steiner, Theosophy: An Introduction to the Supersensible Knowledge of the World and the Destination of Man, transl. by E. D. S. (Chicago: Rand McNally & Company Publishers, 1910), 28.
40 As “agent-patients,” these etheric forces are akin to Whitehead’s dipolar actual occasions, the “buds of experience” responsible both for the prehension of past form and the ingression of future form in the creative advance of nature.
41 Whitehead’s understanding of the relationship between the physiology of the brain and the ether of events leads him to suggest that the “nature” known to materialistic science “is an abstraction from something more concrete than itself which must also include imagination, thought, and emotion” (Whitehead, The Principle of Relativity, 63).
42 Steiner, Intuitive Thinking as a Spiritual Path: A Philosophy of Freedom, 25.
43 Schelling, Ideas for a Philosophy of Nature, 36.
44 Schelling, Ideas for a Philosophy of Nature, 36.
45 Whitehead, Adventures of Ideas, 221.
46 Whitehead, Modes of Thought (1938)
47 Ideas for a Philosophy of Nature, 35.
48 Towards Interview, 1980, 9.
49 These two modes are akin to Jonael Schickler’s phenomenological account of the life of the concept in terms of physical inherence and etheric metamorphosis, respectively. Schickler’s account is unpacked in the literature review below.
50 See Sallis, Force of Imagination, 160-161
Space-Time in an Ontology of Organism
“The metrical properties associated with space-time should not be defined a priori, but should characterize the pattern of the environment that is inseparable from [the endurance of organisms].” -Stengers141
Whitehead’s amendments to the general theory of evolution follow from his desire to re-construct the theory on the basis of the demands of post-Newtonian physics, as he understands them. As a result of relativity theory, the pre-existent geometrical structure of the spatio-temporal environment can no longer be taken for granted; a further result of relativity is the displacement of static material substances by dynamic energetic processes as fundamental to nature. As a result of quantum theory, the activity of this energy must be understood in terms of the definite values achieved by the momentary synergy of rhythmic vibrations, where the emergence of a complete pulse of energy, or organic bud of experience, requires a stretch of time for its unfolding.142 The abstract point-instants of mechanistic materialism, be they Newtonian or Einsteinian, become concrete actual occasions in Whitehead’s reading of the new physics. The discoveries of the 20th century regarding the nature of space, time, and energy are a warning against the misplaced concreteness that would “abstract from change [in an attempt] to conceive the full reality of nature at an instant.”143
By 1920, Whitehead had already published two books exploring the implications of relativity theory for the philosophy of science.144 In June 1921, Whitehead met and had several in depth conversations with Einstein during the latter’s stay with the philosopher and statesman Richard Haldane in London. Accounts offered by those present suggest that Whitehead made several gentle attempts over the course of two days to convince Einstein “to give up his identification of the [curved] geometry of space-time and the physics of gravitation.”145 Einstein admitted he had difficulty grasping Whitehead’s radically novel metaphysical scheme. It was a little more than a year later, in September of 1922, that Whitehead published The Principle of Relativity in an attempt not only to more fully work out the proper philosophical rendering of Einstein’s scientific discovery, but to provide an alternative set of gravitational field equations no longer based on the notion of curved space-time. The book follows on the heals of the famous debate between Einstein and Henri Bergson, which took place in April of 1922 at the Société Française de Philosophie in Paris. At stake in this debate was not only “the status of philosophy vis à vis physics”–that is, it was not only “a controversy about who could speak for nature and about which of these two disciplines would have the last word.”146 It was also a political debate about the proper roles of science and philosophy in society, especially in regard to international relations. Bergson had recently been appointed president of the International Commission for Intellectual Cooperation, a precursor to UNESCO. Einstein, originally a member of the Commission and a vocal supporter of its internationalist mission, would eventually resign, largely as a result of his disagreement with Bergson concerning relativity.147
Bergson’s tremendous popularity prior to confronting Einstein began to wane, probably due to the perception that he was willing to ignore scientific facts if they contradicted his irrational intuitions. This orthodox narrative, retold most recently by the anti-philosophical physicist Alan Sokal,148 has it that Bergson lost the debate because he did not understand the mathematical physics behind relativity. Following the recent revival of interest in Bergsonism,149 the orthodox narrative is increasingly being called into question.150 The specifics of Bergson’s alleged “mistake” regarding the details of Einstein’s twin paradox are beyond the scope of this discussion, but suffice it to say that, contra Sokal and other scientific critics, Bergson was well aware of the observational facts concerning the comparison of different time-systems.151 His critical approach to relativity theory was based on metaphysical, not physical grounds. Like Whitehead, Bergson was not contesting the general physical validity of Einstein’s theory. Rather, Bergson simply wanted to establish, despite Einstein’s protests, that the scientific confirmation of relativity theory was not the end of the matter regarding the philosophical understanding of time.152
Regardless of whether or not Sokal’s criticisms of Bergson’s alleged misunderstandings are justified, he would have a far more difficult case trying to dismiss Whitehead, whose grasp of the mathematical and physical principles at stake arguably surpassed even Einstein’s.153 “The essence of [the structure formed by space-time],” wrote Whitehead in 1922,
is that it is stratified in many different ways by different time-systems. This is a very peculiar idea which is the product of the speculations of the last 15 years or so. We owe the whole conception notably to Einstein… no one can study the evidence in its detail without becoming convinced that we are in the presence of one of the most profound reorganizations of scientific and philosophic thought. But so many considerations are raised, so diverse in character, that we are not justified in accepting blindfolded the formulation of principles which guided Einstein to his forumlae.154
Whitehead set out in his book on relativity to “[carefully scrutinize] the fundamental ideas of physical science in general and of mathematical physics in particular.”155 As discussed earlier, his reaction to the disorienting discoveries of the new physics lead him to re-assess the philosophical foundations of scientific materialism, which had been assumed with great (instrumental) success since the time of Newton. Though Einstein was initially suspicious of philosophy’s role in physics, as is evidenced both by his debate with Bergson and by his signature of a 1913 anti-metaphysical positivist manifesto,156 he came late in life to respect the importance of philosophical reflection upon the conceptual background of science. In his foreword to physicist and philosopher Max Jammer’s historical study of the concept of space, written in 1953, Einstein admits that
…the scientist makes use of a whole arsenal of concepts which he imbibed practically with his mother’s milk; and seldom is he ever aware of the eternally problematic character of his concepts…He uses these conceptual tools of thought as something…immutably given…which is hardly ever…to be doubted. How could he do otherwise? How would the ascent of a mountain be possible, if the use of hands, legs, and tools had to be sanctioned step by step on the basis of the science of mechanics?157
Here, even though Einstein affirms science’s practical need to take its conceptual tools for granted, he he also seems to approach Whitehead’s characterization of philosophy as “the criticism of abstractions which govern special modes of thought.”158 Further, in 1950, Einstein remarked that every genuine physicist “is a kind of tamed metaphysician,” no matter how much lip service he or she may pay to positivism.159 This taming is achieved, according to Whitehead, by holdings one’s “flight in the thin air of imaginative generalization” accountable, upon landing, to “renewed observation rendered acute by rational interpretation.”160 Unfortunately, Einstein’s more mature views on the proper disciplinary relationship between philosophy and physics have still not been fully digested by contemporary materialistic scientists.
In his debate with Bergson, Einstein insisted that no such thing as “philosophical time,” or what Bergson called “duration,” existed; rather, there was the real “physical time” revealed by natural science, and the illusory “psychological time” experienced by human consciousness.161 Whitehead’s unflinching commitment to an organic philosophy of nature prevented him from accepting Einstein’s blatant bifurcation:
It follows from my refusal to bifurcate nature into individual experience and external cause that we must reject the distinction between psychological time which is personal and impersonal time as it is in nature.162
Whitehead differs from Bergson in that he sought to re-construct science itself on an organic basis, whereas Bergson was content to leave science to its mechanical models and instrumental methods. He conceived of science as the result of “intelligence,” rather than “intuition,” meaning that its approach to nature is necessarily mediated by artificial instruments and laboratory techniques; therefore, science can offer no insight into the immediate life of things.163 “For [natural science’s] object,” writes Bergson, “is not to show us the essence of things, but to furnish us with the best means of acting on them.”164 Though Whitehead does not share Bergson’s dualism between the activity of living organisms and the passivity of material mechanisms (since for Whitehead, all sciences are the study of dipolar organismic occasions), he does share his sense that Einstein’s abstract account of relativity in terms of mechanical clock-time obscures the true import of the theory as regards our experience of concrete temporality (i.e., duration). The time of the physicist, as measured by a clock, “merely exhibits some aspects of the more fundamental fact of the passage of nature,” according to Whitehead. “In this doctrine,” he continues, “I am in full accord with Bergson.”165
The agreement between Whitehead and Bergson concerns the way in which concrete temporality is inevitably spatialized in the process of being translated into the abstractions of physics. Mechanical clocks quite literally flatten the passage of time into discrete units of distance meant to represent seconds, minutes, and hours. So far as it goes, such spatialization is necessary for the coordination of civilized life. But it is important not to forget what this translation obscures when we endeavor to understand the creative advance of the actual universe: the clock itself–like everything else in the universe, from carbon atoms to stars to the person who consults it–is aging. To be aging is to be always in process. In a process ontology like Whitehead’s, an actual entity doesn’t “have” an age, as though it were an accidental property of an underlying substance; rather, the very essence of an entity is to age, to emerge out of a definite past and pass into an indefinite future. In Whitehead’s words:
[To discuss]…present fact apart from reference to past, to concurrent present, and to future, and from reference to the preservation or destruction of forms of creation is to rob the universe of essential importance.166
Even a physicist who has mastered all the mathematical formulas and techniques of measurement cannot avoid the philosophical quandaries which arise from a moment’s reflection upon the fact that his or her conscious presence is necessary in order for the clock, or any measuring instrument, to get itself read.167 Our direct experience of concrete existence–whether we are artists, clergymen, homemakers, or astrophysicists–reveals nature to be an irreversible process of becoming, a creative advance. This fact stands in sharp contrast to Einstein’s incredible remark:
For us believing physicists, the distinction between past, present, and future is only an illusion, even if a stubborn one.168
The philosopher Niels Viggo Hansen boils down what is at stake in the debate between Einstein, Bergson, and Whitehead by asking about the meaning of “fact,” both as it is assumed in our concrete (temporal) experience of a specious present, and as it is assumed in the abstract (spatialized) notations of physics:
If there is any such thing as a fact…then either there are temporal facts (e.g., that you have already read the previous sentence) or there are atemporal facts (e.g., that your reading of it is later than my writing of it)…Bergson was right that…we cannot seriously hold at the same time both that there are concrete facts involving distant simultaneity, and also that such facts cannot exist in the physical universe. Surely one could claim that such immediate facts are eliminated in the production of physical descriptions…but if concrete facts of co-presence are there before clocks…are used, they will still be there in the background when [clocks] are employed.169
Where Bergson goes wrong, according to Hansen, is in claiming that our concrete experience of co-presence, or durational simultaneity, is somehow universal. It is as if he claims to have some special intuitive access to what is happening right now on the surface of Mars, even though all the theoretical and experimental evidence of relativistic physics suggests that distant happenings are not instantaneously communicated to our concrete experience.170 Whitehead’s novel solution to this paradox regarding the irreconcilable notions of “fact” is to construe the concrete simultaneity of an actual occasion’s specious present as a local, rather than a global, fact. Such a construal entails rejecting the often implicit ontologization of the Einsteinian notion of a ready-made 4-dimensional fabric of space-time “out there” within which actual occasions would unfold, or through which the plane of the present would slide as an indication of global simultaneity (as Bergson seems to have believed171). Actual occasions are not to be pictured as if they were bits of matter located in a pre-given spatiotemporal “loaf”; rather, the abstract geometry of space-time described by the Lorentz transformations, or by Whitehead’s alternative tensor equations,172 is derivative from the most general pattern of experience realizable by the actual occasions constitutive of our cosmic epoch. In other words, the geometry of curved space-time itself emerges from the character, taken collectively, of individual drops of experience. These self-creating and other-prehending drops of experience are the final real things of which reality is composed. These processes are what is concrete, while space-time is an abstraction from the concrete. “Whitehead is explicit about the idea,” writes Hansen,
that the concrete dynamism of processes can be understood as the ground of extension rather than the reverse. This is the first element of the Whiteheadian solution to the tension between extension and becoming: the modalities are not really situated in space and time at all, but in the concrete processes whose web of relations gives rise to space and time.173
Metaphysically speaking, that space-time is abstract doesn’t mean it isn’t real, only that it isn’t actual. Space-time is a system of modalities, a configuration of forms, or, in Whitehead’s terms, a definite patterning of eternal objects that has ingressed into the prehensive unifications of actual occasions. Eternal objects, as discussed earlier, have a relational function: their ingression allows for the solidarity, or extensive continuity, of the universe by providing actual occasions with the definite adverbial “how?” characterizing their prehensions of other occasions. This “two-way function” shapes both the private experience, or “subjective form,” of an occasion, and grants this form publicity, so as to offer it as an objective datum for the larger society of occasions within which the occasion becomes and perishes.174 Among the most fundamental set of adverbs characterizing the “how?” of the mutual prehensions of our cosmic epoch is the system of geometrical modalities known to physics as space-time. Also among the most fundamental set of adverbs are the mathematical fields of force known to physics as gravity and electromagnetism.175
These mathematical relations belong to the systematic order of extensiveness which characterizes the cosmic epoch in which we live. The societies of [organisms]–electrons, protons, molecules, material bodies–at once sustain that order and arise out of it. The mathematical relations involved…thus belong equally to the world perceived and to the nature of the percipient. They are, at the same time, public fact and private experience.176
Whitehead’s reference to our “cosmic epoch” is important, since it is a reminder that the 4-dimensional character of space-time as we experience and measure it today is contingent and could change as the creative advance of the universe continues to unfold. The “laws” of nature, and the structure of space-time, are not eternal, nor necessarily universal.177 They are the result of widespread, habitual forms of organization achieved by the mutual prehensions of the most encompassing society of actual occasions which communicate with our experience.178 “How do we know,” asks Whitehead, “that only one geometry is relevant to the complex happenings of nature?” He continues:
…this planet, or this nebula in which our sun is placed, may be gradually advancing towards a change in the general character of its spatial relations. Perhaps in the dim future mankind, if it then exists, will look back to the queer, contracted three-dimensional universe from which the nobler, wider existence has emerged.179
The cosmic habits called “laws of nature” by contemporary physicists are extremely stable relative to the individual novelty achievable by high-grade, conscious occasions (like multicellular animals) because they are derived from the decisions of very simple, low-grade actual occasions (like electrons). The “mental pole” of these occasions is negligible: they are statistically dominated by the habitual “physical feelings” of their environment, and so almost always reproduce the systematic order of the eternal objects characterizing that environment with little in the way of autonomous flashes of creativity.180
To sum up, Whitehead’s reformed principle of relativity is based on the metaphysical priority of actual facts, or occasions of experience, from which the geometrical order of spatiotemporal extension is derived.181 Through an abstractive process of logical construction rooted in the coordination of the somewhat fragmentary nature of individual occasions of experience, the general character of space-time holding true for our cosmic epoch can be produced.182 While Einstein’s proposal of a universal and a priori space-time implies a taut, already fully woven fabric whose spatial curvature is modified by the material bodies situated within it, Whitehead’s alternative theory of a coordinated plurality of space-times implies a fraying fabric always in the process of being repaired by the dipolar physical-mental concrescences of organismic occasions of experience. In this sense, Whitehead translates many of the properties that Einstein’s general relativity defines a priori into empirical, or a posteriori facts.183 Instead of privileging the misplaced concreteness of an abstract space-time that would “[separate] an organism from its environment” such that “the endurance of the former and the patience of the latter [is defined] in terms of right [or “law”], not of fact,” Whitehead emphasizes the contingency of the evolved habits currently holding sway over the ecology of organisms shaping our cosmic epoch, no matter how general or universal they may appear at this time.184
Whitehead terms the general character of space-time “the uniformity of the texture of experience.”185 “The physical world [i.e., the extensive continuum of space-time],” he goes on, is,
in some general sense of the term, a deduced concept. Our problem is, in fact, to fit the world to our perceptions, and not our perceptions to the world.186
Here, Whitehead directly contradicts Einstein’s famous statement that our immediate experience of temporality, while perhaps necessary for civilized life, is in reality nothing but a persistent illusion no longer to be believed in by professional physicists. Whitehead’s reconstruction of relativity theory so as to avoid the social and ecological perils of the bifurcation of nature is not based on a denial of Einstein’s physical formulations, but a denial of the unconscious imaginative background shaping Einstein’s metaphysical interpretation of these formulations. Following Stengers, it can be said that Whitehead’s philosophy of organism aims not to belittle or deny the abstractions of the scientific intellect, as Bergson seems to, but rather to articulate an
ecology of abstraction…that creates the possibility of a mutual aesthetic appreciation between specialists of precision and adventurers of generalization.187
141 Stengers, Thinking With Whitehead, 168-169.
142 Whitehead, Science and the Modern World, 122.
143 Whitehead, Modes of Thought, 145.
144 An Enquiry Concerning the Principles of Natural Knowledge (New York: Dover Publications, 1919/1982) and The Concept of Nature (Cambridge: Cambridge University Press, 1920/1964).
145 Ronald Desmet, “Did Whitehead and Einstein Actually Meet?” in Researching With Whitehead: System and Adventure, eds. Franz Riffert and Hans-Joachim Sander (Freiburg: Verlag Karl Alber, 2008), 154.
146 Jimena Canales, “Einstein, Bergson, and the Experiment that Failed: Intellectual Cooperation at the League of Nations,” in Modern Language Notes, Vol. 120 (Baltimore: Johns Hopkins University Press, 2005), 1169; http://www.fas.harvard.edu/~hsdept/bios/docs/canales-Einstein,%20Bergson%20and%20the%20Experiment%20that%20Failed.pdf (accessed 11/18/2012).
147 Canales, “Einstein, Bergson, and the Experiment that Failed,” 1175.
148 See Sokal and Jean Bricmont. Intellectual Impostures: Postmodern Philosophers’ Abuse of Science (London: Profile Books, 1998).
149 Largely a result of the influence of Gilles Deleuze (see http://plato.stanford.edu/entries/bergson/#7 [accessed 11/18/2012]).
150 See Canales (2005) and Val Dusek’s review of Sokal’s Intellectual Impostures in the journal Metascience, Vol. 9, Issue 3 (2000); http://www.physics.nyu.edu/sokal/dusek.html (accessed 11/18/2012).
151 See Canales, “Einstein, Bergson, and the Experiment that Failed,” 1170-1171.
152 Bergson, “Discussion avec Einstein,” in Mélanges (Paris: Presses Universitaires de France, 1972), 1345.
153 “Professor Whitehead seems to me to have brought out the character of space and time in his treatment of relativity more thoroughly than Einstein or even Minkowski himself has done” -Richard Haldane, The Reign of Relativity (New Haven: Yale University Press, 1921), 110. See also letters exchanged between Einstein and his first wife Mileva Einstein-Maric, herself an accomplished mathematician, which suggest that Einstein required her help with some of the more difficult aspects of his equations (“Did Einstein’s Wife Contribute to His Theories?”, in New York Times [March 27, 1990]; http://www.nytimes.com/1990/03/27/science/did-einstein-s-wife-contribute-to-his-theories.html [accessed 11/18/2012]).
154 Whitehead, The Principle of Relativity, 59, 67.
155 Whitehead, The Principle of Relativity, 40.
156 Stanley Jaki, The Road of Science and the Ways to God (Edinburgh: Scottish Academic Press, 1978), 182.
157 Einstein, Foreward to Max Jammer, Concepts of Space: The History of Theories of Space in Physics (Mineola: Dover, 1993), xiii-xiv.
158 Whitehead, Modes of Thought, 49.
159 Einstein, “On the Generalized Theory of Gravitation,” in Scientific American, Vol. 182, Issue 4, April 1950.
160 Whitehead, Process and Reality, 5.
161 Bergson, “Discussion avec Einstein,” 1346
162 Whitehead, The Principle of Relativity, 66.
163 C. F. Delaney, “Bergson on Science and Philosophy, in Process Studies, Vol. 2, Issue 1 (1972), 29-43.
164 Henri Bergson, Creative Evolution (New York: Henry Holt and Company, 1911), 93.
165 Whitehead, The Concept of Nature, 54.
166 Whitehead, Modes of Thought, 84.
167 See Canales, “Einstein, Bergson, and the Experiment that Failed,” 1176-1177.
168 Einstein to Vero and Mrs. Bice, March 21, 1955. Einstein Archive, reel 7-245; reprinted in Albert Einstein-Michele Besso Correspondence 1903-1955 (Paris: Harmann, 1972), 537-538.
169 N. V. Hansen, “Spacetime and Becoming: Overcoming the Contradiction Between Special Relativity and the Passage of Time,” in Physics and Whitehead: Quantum, Process, and Experience, ed. Timothy Eastman and Hank Keeton (New York: State University of New York, 2003), 150.
170 It takes anywhere between 4 and 20 minutes for light to travel from Mars to Earth, depending on our relative orbital locations. It is important to note here that the non-local effects of quantum physics makes the issue of instantaneous communicability more complicated. I explore this issue below, but suffice it to say for now that Whitehead’s account of the ingression of eternal objects into actual occasions allows for a coherent integration of the relativistic limits placed on efficient causality with the non-local formal causality of quantum physics.
171 See Gilles Deleuze, Bergsonism, transl. Hugh Tomlinson and Barbara Habberjam (New York: Zone Books, 1991), 82.
172 See Whitehead, The Principle of Relativity, 139cf.
173 Hansen, “Spacetime and Becoming,” 154.
174 Whitehead, Process and Reality, 164.
175 Unlike Einstein, whose conception of a ready-made “fabric” of space-time allowed him to explain gravity as a pseudo-force which really results from the warping of the fabric due to presence of massive objects, Whitehead described gravity as a genuine physical force, like electromagnetism (Whitehead, The Principle of Relativity, 91cf).
176 Whitehead, Process and Reality, 326.
177 Stengers, Thinking With Whitehead, 168.
178 Whitehead, Process and Reality, 98.
179 Whitehead, Modes of Thought, 57.
180 Whitehead, Process and Reality, 245.
181 Epperson, Quantum Mechanics, 5.
182 Whitehead, “Space, Time, and Relativity,” in The Aims of Education (New York: The Free Press, 1929/1957), 162-163.
183 Stengers, Thinking With Whitehead, 168.
184 Stengers, Thinking With Whitehead, 169.
185 Whitehead, “Space, Time, and Relativity,” 163.
186 Whitehead, “Space, Time, and Relativity,” 165.
187 Stengers, Thinking With Whitehead, 141.
Here’s a hyperlinked outline of a long essay on Whitehead and scientific cosmology that I’ll post in sections. Here is a link to a PDF of the complete essay: Physics of the World-Soul: The Relevance of A. N. Whitehead’s Philosophy of Organism to Contemporary Scientific Cosmology
Table of Contents
Bergson suggested that the Absolute had to be approached from two sides, the scientific and the metaphysical. Science/Intellect considers the universe according to a series of states. Metaphysics/Intuition considers the universe according to the self-differentiation of a whole.
Here is a video creating/communicating the thoughts of Tom McDonald on Deleuze’s Philosophy of Cinema:
Here is Arthur Young speaking about Bergson and his argument with Einstein about the nature of time:
Young speaks of the photon’s quantum of action at the microcosmic level being productive of time. He counts it as the primordial cycle of learning, the first instance when matter finds itself mixed with memory, perception mixed with recollection.
Young suggests that natural science/physics needs to take into consideration not only the objective and inanimate, but the projective and active aspect of physical nature: i.e., light. Only then will science be able to account for perceptive life and subjective mind further up the scale of cosmic complexity.
For a PDF of the entire essay, click The Re-Emergence of Schelling: Philosophy in a Time of Emergency.
Metaphysically (un)grounding the natural sciences
Schelling’s almost complete absence in Anglophone natural philosophy for more than 150 years (aside from his powerful effects on Coleridge,168 Peirce,169 and Emerson,170 and through the intermediary of Naturphilosoph Alexander von Humboldt, his influence on Darwin171) cannot be accounted for based solely on the popular reception of Hegel’s philosophical caricature of intellectual intuition as “the night in which all cows are black.” The more probable reason for his absence, as Bowie suggests, is that Schelling’s Naturphilosophie “was effectively killed off…as part of the overt praxis of the natural sciences” beginning in the 1840s as these sciences “[began] to fall under the spell of materialism and positivism.”172 Prior to the current resurgence in interest, historians of science tended to dismiss Naturphilosophie as a “strange and nearly impenetrable offshoot of the Romantic movement,” an offshoot that is “safely ignored.”173 So long as postkantian positivism (of the sort that refuses to make organism rather than mechanism constitutive of nature) holds sway over the scientific imagination, Schelling’s thought will continue to languish on the fringes of philosophical activity. Fortunately, “the dangers of a scientistic approach to nature” are becoming increasingly well recognized,174 and alternative histories are being told that challenge the standard Enlightenment account of the dominance of mechanistic physics and biology.175 The fundamental incoherence of the postkantian positivist approach is such that, despite itself resting upon an implicitly postulated speculative dualism between mind and matter, it at the same time denies that there can be any scientific validity to philosophical speculation. “It is only then,” says Arran Gare,
when the original practical engagement as an active force within the world is forgotten, that the illusions of dualism…appear.176
Many natural scientists unpracticed in the methods of philosophy are quick to dismiss Schelling’s speculative physics for what they perceive to be a lack of respect for the empirical facts. Several scholars, including Gare,177 Robert Richards,178 Joseph Esposito,179 Frederick Beiser,180 and Iain Hamilton Grant181 have convincingly argued that Schelling painstakingly studied and significantly contributed to the natural sciences of his day. Richards characterizes Schelling’s natural philosophical works not as the wild frenzy of mystical analogizing that its positivist critics saw, but as “[groaning] with the weight of citations of the most recent, up-to-date experimental work in the sciences.”182 Grant, while he acknowledges Schelling’s Naturphilosophie as a precursor of the new natural sciences of self-organization and complexity, warns us not to
positivistically reduce [Schelling’s] philosophical interventions into nature to a theoretical resource to be raided as and when the natural sciences deem it necessary.183
Keeping Grant’s desire to protect Naturphilosophie from such a positivistic reduction in mind, it is nonetheless interesting to note that Schelling shared the “aether hypothesis” with most of his scientific contemporaries.184 The aether remained the foundation of science’s understanding of electromagnetism until Einstein dismissed it as “an unnecessary burden on space” in 1905.185 The quantum revolution of the early 20th century, with its hypothesis of a non-local field or immaterial quantum vacuum underlying the extended universe, began to raise doubts about Einstein’s dismissal.186 After the recent tentative discovery of the related notion of a Higgs field, it would appear that “a new aether” is front and center again in physical science.187 Where this discovery will lead contemporary physicists remains to be seen, but for Schelling, the elastic properties of the aether were identified with the original duplicity of forces animating the common soul of nature, or World-Soul.188
The two conflicting forces conceived at the same time in conflict and unity, lead to the idea of an organizing principle, forming the world into a system. Perhaps the ancients wished to intimate this with the world-soul.189
In the context of the aether hypothesis, it is important to remember that the main intent of Schelling’s Naturphilosophie was not merely the “application of abstract principles to an already existing empirical science”:
My object, rather, is first to allow natural science itself to arise philosophically, and my philosophy is itself nothing else than natural science. It is true that chemistry teaches us to read the letters, physics the syllables, mathematics Nature; but it ought not to be forgotten that it remains for philosophy to interpret what is read.190
In other words, Schelling’s aim was never to produce hypothetical models of how the hidden mechanisms of phenomenal nature may or may not work. His philosophy of nature is an attempt to re-imagine the metaphysical foundations of natural science, such that the theorizing subject, as part of nature, is understood to be an active factor in the organic construction of the objective facts. For Schelling, the aether was less a scientific hypothesis than it was an organizational principle justifying scientific activity in the first place, since, following the ancient epistemic principle that “like is known by like” (Plato’s “syggeneity”), it granted the human soul participatory knowledge of the invisible substructure of the universe.191 Or, as Schelling put it, “What in us knows is the same as what is known.”192
When Schelling says that “to philosophize about nature means to create nature,”193 it should not be collapsed into the prima facie quite similar statement by Kant, that “He who would know the world must first manufacture it–in his own self, indeed.”194 Kant’s approach to the study of nature is grounded in subjective voluntarism, wherein the philosopher fabricates “nature” as his own object according to the transcendentally deduced categories delimiting his experience.195 Schelling’s Naturphilosophie, on the contrary, re-interprets the epistemic position of the natural scientist: where the postkantian scientist can only grasp himself as thinking about nature from beyond nature, Schelling’s scientific method involves awakening to oneself as “nature itself philosophizing (autophusis philosophia)”196 As Grant describes it, “What thinks in me is what is outside me.”197 If the Naturphilosoph is able to think as nature, she becomes “a new species equipped with new organs of thought.”198 Schelling’s Naturphilosophie is an attempt to know nature unconditionally, i.e., not as the sum total of its created products, but as the creative activity giving rise to them.199 The question is no longer, as it was for Kant, “how do I make finite nature appear?”, but “what is the essence of nature’s infinite activity?”
Schelling’s philosophy of unthinged (Unbedingten) nature is the necessary counter postulate to Fichte’s absolutely free ego, the next logical turn on the dialectical wheel that makes known the presence of an unthought background, a dark abyss (Ungrund) before which the conscious ego can at first only mumble as it meets its long forgotten maker. Schelling’s discovery is that absolute spirit and absolute nature dependently co-arise as the polarized personalities of a natural divinity. The finite human ego is not a priori; rather Absolute nature is prioritized,200 since
Everything that surrounds us refers back to an incredibly deep past. The Earth itself and its mass of images must be ascribed an indeterminably greater age than the species of plants and animals, and these in turn greater than the race of men.201
“Philosophy,” according to Schelling, “is nothing other than a natural history of our mind.”202 The philosopher of nature “treats nature as the transcendental philosopher treats the self”203 by coming to see how
the activity whereby the objective world is produced is originally identical with that which is expressed in volition.204
Schelling’s is akin to an enactive, rather than representational account of scientific cognition. According to Evan Thompson, from an enactive perspective,
a natural cognitive agent–an organism, animal, or person–does not…operate on the basis of internal representations in the subjectivist/objectivist sense. Instead of internally representing an external world in some Cartesian sense, [it] enact[s] an environment inseparable from [its] own structure and actions.205
Schelling’s enactive account of natural science thereby recursively grounds the production of scientific knowledge in the living bodies, funded laboratories, invented technologies, and specialized communities through which it emerges. What science knows is not a passively reflected copy of objective nature as it appears before an aloof subject; rather, the scientist’s experiential facts co-emerge with his experimental acts:
Every experiment is a question put to Nature, to which it is compelled to give a reply. But every question contains an implicit a priori judgment; every experiment that is an experiment is a prophecy.206
That every experimental design contains implicit a priori synthetic judgments (e.g., “every event has a cause,” “nature is an organized system”) is not to say that Schelling believed the natural scientist should try to deduce the structure of nature from a priori principles alone. He maintained that we know nothing except through and by means of experience,207 and therefore that synthetic a priori knowledge, though dialectically constructed, is subject to experimental falsification, theoretical revision, and replacement.208 Whereas for Kant, there exists an unreconcilable opposition between a priori and a posteriori knowledge, for Schelling, acts of cognition and facts of experience recursively condition one another in the endlessly spiraling pursuit of the unconditioned.209
Schelling’s Naturphilosophie is more relevant to contemporary natural science’s vision of a creative cosmos than ever before. The classical mechanistic, entropic paradigm is being replaced by the new sciences of self-organization, which depict the universe as a progressive unfolding of kaleidoscopic activity; given this new context, Schelling’s dynamic evolutionary philosophy of nature can go a long way toward philosophically generating the underlying organizing principles “needed to supplement the laws of physics.”210 Contemporary natural science demands a firmer foundation for its theoretical and empirical discoveries than that given it by 17th century Cartesian metaphysics. Paradoxically, Schelling’s contribution to a more adequate metaphysical foundation for science involves destroying the long held belief that reality has any necessary foundation at all. Schelling’s is a process metaphysics that grounds the visible universe in infinite freedom and creativity.211
Unlike the mechanistic paradigm, which assumes the necessary existence of inert corporeal matter and so cannot explain how creative activity and the emergence of organized form are possible,212 for Schelling, such creative organization is the driving force of nature, inert matter being one of its later products. The source and common medium of nature’s creative activity according to Schelling is universal “sensibility,” making his Naturphilosophie a variety of panexperientialism.213 The ability to feel is what makes all apparently mechanical motion possible, since without such a universal experiential aether, no force could be felt and so exchanged between or across material bodies.214
By making sensibility the ultimate condition of nature’s dynamic organization, Schelling reverses the Kantian and Newtonian prioritization of external relations (i.e., linear mechanism, where causes are always external to effects) and instead understands nature as a holistic system of internal relations (i.e., reciprocal organism, where cause and effect are circular).215 The former externalist approach is unable to account for the origin of motion and activity in nature, since it deals only with secondary mechanical effects.216 Schelling’s dynamical approach does not assume the existence of corporeal bodies that exchange mechanical forces, but describes the construction of these bodies as a side-effect the originally infinite activity of nature’s fundamental forces of organization.217 Viewed from the height of nature’s fundamental organization, according to Schelling,
the particular successions of causes and effects (that delude us with the appearance of mechanism) disappear as infinitely small straight lines in the universal curvature of the organism in which the world itself persists.218
What needs explaining from the perspective of Schelling’s self-organizing aether is not creative activity, but the appearance of inhibition, habit, and permanence.219 Schelling accounts for inhibitions in the cosmic flow by positing an “original duplicity in nature” as two infinitely active forces striving in opposition to one another.220 Nature is, in itself, infinite, and so only it can inhibit itself. Were there no such polarized self-inhibition in nature, space would have immediately expanded into emptiness and all time would have passed in the flash of an instantaneous point.221 The natural products of gradual cosmic evolution–whether atoms, molecules, stars, galaxies, cells, animals, or humans–are the visible expressions of a determinate proportion of these polarized forces, each one a temporary configuration of nature’s infinite process of formation.222 That is, each product is really a recapitulation of one and the same archetypal organism, only inhibited at a different stage of development and made to appear as a finite approximation of the infinite original.223 Nature’s rich variety of organic products only appear to be finite entities, when in reality, they contain within themselves, as though in a mirror image, the infinite whole of living nature’s creative activity:
…a stream flows in a straight line forward as long as it encounters no resistance. Where there is resistance–a whirlpool forms. Every original product of nature is such a whirlpool, every organism. The whirlpool is not something immobilized, it is rather something constantly transforming–but reproduced anew at each moment. Thus no product in nature is fixed, but it is reproduced at each instant through the force of nature entire.224
Schelling’s attempt to ground the emergence of the physical universe in an unstable abyss (Abgrund) of dynamic forces and to re-conceive nature in terms of becoming rather than being makes it a philosophical precursor to Ilya Prigogine’s work on the physics of non-equilibrium processes.225 Prigogine’s Nobel Prize winning discoveries lead him to announce the birth of a new science,
a science that views us and our creativity as part of a fundamental trend present at all levels of nature.226
Like Prigogine, who called for “the end of certainty” and of the Cartesian/Newtonian mechanistic paradigm, Schelling sought to give an account of the physical universe that does not irrevocably separate the human observer from the nature observed. Scientific objectivity, as a merely reflective method, can prove useful; but there is no coherent metaphysical justification for treating the subject-object split as a reality. “I absolutely do not acknowledge two different worlds,” says Schelling,
but rather insist on only one and the same, in which everything, even what common consciousness opposes as nature and mind, is comprehended.227
The natural scientific consequence of insisting on a polar unity between subject and object is that nature can no longer be conceived of as a heap of objects or a giant machine, but becomes rather a universal organism in whose life all finite creatures participate.228 Cartesian science, which searched for objective matters of fact independent of the values of life and society, comes to be replaced by cosmopolitical science, which foregrounds what the Whiteheadian philosopher Bruno Latour has called “matters of concern.”229 Such a replacement re-knits the frayed edges of cosmos and anthropos back together, allowing for the composition of a new planetary constitution more inclusive of the diverse community of species that call earth home. In the next section, the anthropological and political consequences of re-situating the human being within such a universe are unpacked.
168 According to Owen Barfield, “…as the law now stands, Schelling could have sued Coleridge in respect of one or two pages in the Biographia Literaria.” Barfield, What Coleridge Thought, 6.
169 When asked about his influences by William James, Peirce pointed to “all stages of Schelling, but especially his Naturphilosophie.” See 2n2 above.
170 Emerson referred to Schelling as a “hero.” See 14n58 above.
171 Richards, The Romantic Conception of Life, 134, 514.
172 Bowie, Schelling and Modern European Philosophy, 4.
173 Timothy Lenoir, “Generational Factors in the Origin of Romantische Naturphilosophie,” Journal of the History of Biology, 57; Barry Gower, “Speculation in Physics: The History and Practice of Naturphilosophie,” Studies in the History and Philosophy of Science, 320; Snow, Schelling and the End of Idealism, 67.
174 Bowie, Schelling and Modern European Philosophy, 30.
175 See especially Richards, The Romantic Conception of Life.
176 Gare, “From Kant to Schelling to Process Metaphysics,” 58.
177 Gare, “From Kant to Schelling to Process Metaphysics.”
178 Richards, The Romantic Conception of Life.
179 Esposito, Schelling’s Idealism and Philosophy of Nature.
180 Beiser, German Idealism.
181 Grant, Philosophies of Nature After Schelling.
182 Richards, The Romantic Conception of Life, 128.
183 Grant, Philosophies of Nature After Schelling, 11.
184 Grant, “Introduction to Schelling’s On the World Soul,” Collapse: Philosophical Research and Development, VI, 65.
185 Leon Lederman, The God Particle, 101, 375.
186 Paul Davies, The Cosmic Blueprint, 176.
187 Lederman, The God Particle, 375.
188 Miklós Vassányi, Anima Mundi: The Rise of the World Soul Theory in Modern German Philosophy, 143, 384.
189 Schelling, On the World Soul, trans. Grant, Collapse: Philosophical Research and Development VI, 74.
190 Schelling, Ideas for a Philosophy of Nature, trans. Errol E. Harris and Peter Heath, 5.
191 Grant, Philosophies of Nature After Schelling, 126-127, 169.
192 Schelling, On the History of Modern Philosophy, trans. Bowie, 130.
193 Schelling, First Outline of a System of the Philosophy of Nature, trans. Keith Peterson, 14.
194 Immanuel Kant, Opus Postumum, trans. Eckhart Förster, 240.
195 Grant, Philosophies of Nature After Schelling, 2.
196 Schelling, Schellings sämtliche Werke, trans. Grant, 11:258.
197 Grant, Philosophies of Nature After Schelling, 158.
198 Schelling, Einleitung in die Philosophie (1830), trans. Grant, 57.
199 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 14.
200 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 198.
201 Schelling, Die Weltalter: Fragmente, in den Urfassungen von 1811 und 1813, ed. Manfred Schröter, trans. Iain Hamilton Grant, 11-12.
202 Schelling, Ideas for a Philosophy of Nature, trans. Harris and Heath, 30.
203 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 14.
204 Schelling, System of Transcendental Idealism, trans. Peter Heath, 11-12.
205 Evan Thompson, Mind in Life: Biology, Phenomenology, and the Sciences of Mind, 59.
206 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 197.
207 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 198.
208 Gare, “From Kant to Schelling to Process Metaphysics,” 45.
209 Matthews, “Introduction,” The Grounding of Positive Philosophy, 20-21.
210 Davies, The Cosmic Blueprint, 2-5, 203.
211 Gare, “From Kant to Schelling to Process Metaphysics,” 28.
212 Usually, the emergence of life and consciousness are explained by mechanists as random chance occurrences–the opposite of a theoretical explanation, since they are said to emerge for no reason.
213 “Panexperientialism” is a term coined by Whiteheadian philosopher David Ray Griffin to refer to any philosophy of nature that affirms that every actual occasion in the universe enjoys some level of experience; see Griffin, Parapsychology, Philosophy, and Spirituality: A Postmodern Exploration, 99.
214 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 137.
215 Gare, “From Kant to Schelling to Process Metaphysics,” 52.
216 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 195-196.
217 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 196.
218 Schelling, On the World Soul, trans. Iain Hamilton Grant, Collapse: Philosophical Research and Development VI, 70.
219 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 17.
220 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 11.
221 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 17, 187.
222 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 35, 159.
223 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 48-50.
224 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 18.
225 See Davies, The Cosmic Blueprint, 175; Late in his life, Prigogine collaborated with the Whiteheadian philosopher Isabel Stengers regarding the philosophical implications of his work.
226 Prigogine, The End of Certainty: Time, Chaos, and the New Laws of Nature, 7.
227 Schelling, Schellings Sämtliche Werke, trans. Grant, 4/102.
228 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 138.
229 Adrian Wilding, “Naturphilosophie Redivivus: on Bruno Latour’s ‘Political Ecology,’” Cosmos and History: The Journal of Natural and Social Philosophy, Vol. 6: 2010, 19.; http://cosmosandhistory.org/index.php/journal/article/view/148/278 (retrieved 8/7/2012). Wilding argues that many of Latour’s contributions were prefigured in Schelling’s Naturphilosophie.
Contrapoints made this video to open up his history of philosophy series.
Here is my response.
Bryant and I have argued in the past about his materialism and its lack of formal and final causality. I’ve been claiming that ideas and purposes are real, while he continues to argue that only corporeal things, their causal interactions, and the void in which they interact constitute real things. From his perspective, what we call qualitative forms or deliberate intentions are either alternative names for what are really entirely material activities (gene transcription, electro-chemo-neural synchronization, economic exchange, information transfer, etc.), or they are nothing.
I side with Whitehead in affirming the reality of eternal forms, not as existing independently of time and materiality, but as always already involved in what we scientifically know and religiously feel to be the process of cosmic animation. Materiality is animality. In every moment this actual universe is repossessed by the past and resurrected into the eternal possibilities of the future. We participate each second in the life divine, a cosmic life with total ethical memory and perfect aesthetic values, even if without demiurgic omnipotence (i.e., the divine that we all are has no transcendent power over a soulless materiality, since the divine simply is the soul of this universe–the divine may be omnipotent in another sense, only because it both affects and is affected by everything else which exists [see Plato’s Sophist, 247e, where he writes that “the definition of being is simply power”).
Our collective existence here on earth beneath the sky (as humans, dogs, cows, rats, snakes, banyans, ants, prokaryotes, proteins, molecules, etc., etc.) participates in more than what is materially present in some simply located separate slice of the Einsteinian space-time loaf. We exist in excess of any mathematically calculable grid. Each moment of actual becoming–each drop of experience–is temporally open to past and future. Each drop is the genetic precipitate of remembered acts called forth beyond habit into the life of everlasting divine forms and values. Every moment arises amidst the ingression of new possibilities given what it has already actualized. The present is pervaded by past and future, the soul linked materially to what it has been and spiritually to what it might become.
Form is not alien to matter, but is its very soul, the fire which animates it. Levi himself recently used the image of fire to describe materiality. This is a metaphor I am willing to follow quite far, so far as to suggest that embodiment acts as the soul’s athanor, and that the intensity of a body’s astrality (its ensoulment) depends upon the temperature to which it can be raised without too quickly consuming itself in the flames of its own metabolism. Bryant draws on the philosopher-poet Lucretius when he describes his ontology as consisting of nothing but material bodies, their interactions, and the void. I’d draw on Böhme and Schelling to suggest, in contrast to Bryant, that creative productivity, rather than this productivity’s arrested products or corporeal excretions (natura naturata), is ontologically fundamental. Productivity (natura naturans) is the ungrounded ground; not a substance or multiplicity of substances, but an unspeakable tension is at the base of all logos and all ontos. Schelling and Böhme describe this groundless source as a triune polarity between gravity and light. The polarity can become balanced, producing a star, a soul. The star shines outward even as it consumes itself from within. It can last for billions of years. This balance is a formal possibility actualized in the time of its shining. It dies when its time runs out, when its light sinks again into darkness. But in its death, the form achieves objective immorality and is passed on in the form of new forms: heavier elements which again, through the tension of gravity and light, come to life in ever new ways. Form is forever infecting everything with novelty.
Update: Bryant responds HERE
I’ve been reading Jason Wirth’s The Conspiracy of Life: Meditations on Schelling and His Time (2003). He describes on page 87 in Schellingian terms what I’ve argued here and in comments under Bryant’s response in Whiteheadian terms: that nature is not designed by a demiurge, since nature itself is the demiurge. Here is a link to p. 87 via Google books.
Thanks to Adam for bringing this video to my attention.
Bruno Latour speaks above about how contemporary philosophy should re-interpret the verdict of the 1922 exchange between the metaphysician Henri Bergson and the physicist Albert Einstein. He finds a re-interpretation of this debate important especially in light of the new ecological constraints upon 21st century thinking.
Traditionally, it is reported that Einstein won out over Bergson, dealing a swift scientific blow to the authority of philosophical intuition in cosmological discussions. Most came away from the exchange between these early 20th century thinkers of “time” believing that Bergson had been unveiled as a psychologist or an artist pretending to understand science. For Einstein, there is no such thing as “philosopher’s time”–the living duration in which subject and object co-emerge, as Bergson might say; instead, Einstein marks two kinds of time: psychological time, which is a subjective illusion generated by relative motion, and physical time, which is objective reality existing eternally in the mind of God. He does exactly what Latour urges us not to: that is, he opposes theory to lived experience, the universal to the local.
The asymmetrical time of conscious existence, where egg shells only shatter and never reassemble, is deemed by Einstein to be illusory. The flow of physical time is deemed reversible, no matter what the psyche seems to suggest about the steady aging of the body and the inevitable approach of death. From Einstein’s geometer God’s perspective, the regret of living bodies in response to their past, and the anxiety in the face of their future, is for naught: the truth is, the future has already taken place, and at no moment along the way did a “hesitation” or a “decision” ever occur.
There is no “life” in Einstein’s cosmos: no possibility of growth toward novelty and no actuality of achieved habituality or decay; there is only the illusion of freedom amidst the stasis of eternity. Latour argues that Einstein represents a renewed attempt at Cartesian reductionism of nature, just this time with a more complex coordinate geometry of curved time-space. Einstein didn’t want to admit that the bifurcation he enacted between psyche and cosmos constitutes a set of metaphysical wagers. He backgrounded the metaphysical commitments of techno-science, since it was necessary to appear properly disinterested in an age of positivistic hyperbole. Nowadays, under the constraints of our ecological crisis, where the facts of nature and the values of psyche cannot be so easily separated, philosophy can regain its authority relative to techno-science by foregrounding the bifurcation of nature enacted by the latter and attempting to construct viable–by which I quite literally mean to say livable–metaphysical alternatives.
A relevant paper on Bergson’s argument with Einstein concerning special relativity and perception.
A.N. Whitehead, another process thinker heavily influenced by Bergson, also critiqued Einstein’s interpretation of relativity. For more on this, see the section on space-time in my essay on contemporary physical cosmology (HERE: “Physics of the World-Soul”).