“Two things fill the mind with ever-renewing wonder and awe, the more often and the more intensely the mind is drawn to think of them: the starry heavens above me and the moral law within me.” So says Kant in the preface to his Critique of Practical Reason. He goes on to explain that neither the sky above him nor the freedom within him should be considered mere conjectures. Neither is beyond the horizon of conscious experience. We sense the celestial lights above through our eyes, and we sense the moral freedom within through our heart, the innermost source of our self-hood. Kant continues: “The former view of a countless multitude of worlds annihilates my importance as an animal creature, which after it has been for a short time provided with vital power, one knows not how, must again give back the matter of which it was formed to the planet it inhabits (a mere speck in the universe). The second, on the contrary, infinitely elevates my worth as an intelligence by my personality, in which the moral law reveals to me a life independent of animality and even of the whole sensible world, at least so far as may be inferred from the destination assigned to my existence by this law, a destination not restricted to the conditions and limits of this life, but reaching into the infinite.”
I started thinking about Kant’s accounts of beauty, sublimity, and morality after reading Levi Bryant’s recent post on beauty as an absolute value. An absolute value, in Bryant’s sense, is a value that we hold for its own sake as an end in itself. He discusses beauty as one example of such a value and wonders what role it might play in resisting the instrumentalizing tendency of neoliberal capitalism, whereby every aspect of life comes to be valued only in terms of its usefulness or profitability. Bryant suggests that the earlier theological understanding of beauty (i.e., beauty as an index of a divine Creator) must be replaced by an immanent, naturalistic account. He writes:
The question then becomes that of why we find the beautiful beautiful, of why we encounter the beautiful at all. This is not a question– at least at first –of what we find beautiful. In other words, it is not a question where discussions of harmony, pattern, and proportion would be appropriate answers. Again, the question here is not what is beautiful, but why such things would be beautiful to us at all. What is the ground of the ability to have, as Kant put it, “disinterested pleasure” or the ability to find things beautiful?
To phrase the question in Kantian terms opens the door to a sort of transcendental compromise between earlier dogmatic accounts of beauty as the work of a transcendent Creator and later materialist accounts in terms of evolutionary survival value. It is clear enough to me (and of course to Bryant) that a transcendent Creator offers us little in the way of a rational explanation for beauty. It is just as clear that an account of beauty in terms of its survival value won’t do, either, and for precisely the reasons that Bryant articulates: such an explanation must first translate beauty into instrumental terms as a means to the end of survival. Darwinian accounts of sexual selection help us understand part of the reason male peacock feathers are so ornate, but the underlying causal efficacy of an organism’s perception of and response to beauty remains an unexplained explainer. A further problem is that many interpretations of naturalism forbid the idea of organismic agency or purposiveness, making the perception of beauty underlying sexual selection an even bigger mystery.
There are other interpretations of naturalism, of course. From a Whiteheadian point of view, wherein beauty is the very teleology of the universe, the locus and valence of mystery are shifted elsewhere. Mystery is no longer a problem to be explained, but a reality to be experienced (to paraphrase Frank Herbert). Whitehead’s is an aesthetic ontology, which is to say that aesthetic achievement is the very essence of reality. All order is aesthetic order. To “understand” this order means nothing more or less than to experience its beauty.
Returning to Kant’s famous statement about the starry heavens above and the moral law within, I think we can validate the physical feeling he is attempting to express even if we are forced to reject the metaphysical conclusions he draws from it. If human beings have any moral freedom and worth, it must be the freedom and worth we share with animals. For we are animals. Accepting our creatureliness and our dependence on the ecological networks of Earth doesn’t require that we deny our participation in the infinite. It is our intuition of the infinite, both outside and within ourselves, that generates beauty. Instead of, like Kant, sharply dividing animal aesthesis from moral or spiritual noesis, we can recognize the sublime heights of the heavens and the sublime depths of the heart as equally aesthetic in nature.
Beauty, then, is an end in itself precisely because of its infinite sources. We cannot reach beyond or behind its inner and outer appearances. In this sense, this is an immanent account of beauty. When we try to peer beyond the cosmos outside us, or plumb the psyche within us, we find only more appearances, an infinite progression of appearances. When the intellect tries to grasp the infinity of aesthesis, it slips into an infinite regression. It fails to find an original ground or fundamental reason for the ongoing aesthetic genesis of reality. Only the imagination can intuit the meaning of the infinite aesthetic progression of beauty.
I realize I am disrespecting the differences Kant sought to establish in his Critique of Judgment between the beautiful and the sublime. But part of what an aesthetic ontology requires is that the sublime be de-Kantianized. Kant took the aesthetic “too muchness” of encounters with the sublime (like the starry night) and tried to redeploy them as evidence of humanity’s moral superiority over nature. He comes so close to decentering the human in the face of the sublime depths of the cosmos, and then backs away into artificial moralizing. There is so much more that could be said about all this, but for now I can only muster an ellipsis (and a link some thoughts of mine from several years ago about the links between ethics and aesthetics)…
A talk I gave at my graduate program’s retreat at Esalen a few weeks ago.
A comment by media theorist and professor of communication Corey Anton about what I say around the 3 minute mark of part 2 about the death/rebirth mystery of cosmogenesis:
Hi Matt, Thanks again.
A question for me comes at about 3:25 [of part 2]. Will the whole universe “die” and/or be reborn? What, exactly, would that mean? How would that be similar or not similar to human death? Does the cosmos have any “sense” of its finitude? I mean, humans can know that they will die, and that seems to be a main condition for certain kinds of meaningfulness–an articulation of the whole of their lives. Are you suggesting something like reincarnation for either individuals or the cosmos itself? Would you find intelligible some kind of notion of postmortem memories or postmortem experience, for either individual or cosmos? It seems quite slippery at the human level because my own death then appears not as the ending of my life but as a movement to a different mode of life for me in some form (assuming, of course, that the universe itself is not dying simultaneously) but, also, at the cosmos level, when “the cosmos ‘dies,'” does it have postmortem ‘experience’? Is there any ground prior to, or outside of, some kind of “experience”?
Corey, The universe does have a sense of its (in)finitude. This is not the same as having human consciousness of finitude. Symbolic consciousness is not just sense, but the sense of sense. I do the cute thing with the parentheses there because sensing finitude immediately implies that finitude has been and continues to be operated upon by infinitude. Neither we nor the universe are simply finite. To be a dying being is not simply to be a finite being. Our being-toward-death is precisely our infinitude, our openness to what waits beyond, to the imponderable future full of infinite possibilities. We and the rest of the universe are undergoing what Whitehead called a “creative advance into novelty.” Contrary to the materialist sermonizers, there is no inevitable state of entropic equilibrium awaiting us at the end of time because time is unending. Time is a moving image of eternity as Plato said. Pure difference, absolute disequilibrium, reigns. The death of the body is the birth of the soul and the death of the soul is the birth of the body. Really, we are never one or the other (a soul or a body), but always caught somewhere in-between, in-between incarnational embrace of waking life and withdrawal toward dreamy death. We breathe. All things breathe together. Life is not the opposite of death but includes it.
Below is my lecture on German Idealism and Romanticism given yesterday (Sept. 30) for MA students enrolled in an Introduction to Philosophy, Cosmology, and Consciousness course at CIIS.
In preparation for a lecture on mind and nature in German Idealism, I’m working my way through Kant’s third of three critiques, the Critique of the Power of Judgment (1790). Prior to this sitting, I’ve only ever spent time with small sections of this text. For example, sections 75 and 76 in the second part on teleological judgment were major catalysts driving my earliest attempts to counter mechanistic biology by replacing it with an alternative theory of organism (for example, this essay written between 2008 and 2009). At that point, I had paid almost no attention to the first part on aesthetic judgment. Having read over that part twice now in the past few weeks, I realize that I had not fully understood what was at stake in Kant’s attempt to articulate a critical philosophy of biology, i.e., a transcendental study of life itself. The key take away for me was Kant’s denial of scientific genius. Only artists, and especially poets, can be considered geniuses. A genius is nature appearing in the form of the human being giving the rule to art. A genius is someone who, without following explicit rules and so according to a method mysterious even to themselves, is able to give artistic expression to the formative forces of nature. Without the slightest contrivance, as though they emerged merely from the free play of the imagination, genius is able to produce beautiful works that, for those with cultivated taste at least, are suggestive of supersensible ideas and cosmic intelligences.
But the notion of a scientific genius is a contradiction in terms, since for Kant natural science presupposes the lawful system of categories imposed universally upon our experience of nature by the understanding. Science produces conceptually determinant knowledge about nature, principally in the form of synthetic a priori logical and mathematical constructions (which if they cannot be known a priori are sorted according to the sieve of experiment). If a scientist cannot tell you with precision exactly how she came to know what she knows, then she doesn’t know anything. Knowledge production is always such that anyone with sufficient training should be able to grasp it and to reproduce it. Artistic genius, however, cannot be taught. Its products remain forever beyond the reach of mere skill or education. Artistic geniuses gain aesthetic insight into nature, but fail to provide any scientific knowledge of nature. Scientists, according to Kant, can catch no cognitive sight (i.e., they have no intellectual intuition) of the hidden cause of nature’s self-organizing processes.
“It is quite certain,” writes Kant,
“that we can never adequately come to know the organized beings and their internal possibility in accordance with merely mechanical principles of nature, let alone explain them; and indeed this is so certain that we can boldly say that it would be absurd for humans even to make such an attempt or to hope that there may yet arise a Newton who could make comprehensible even the generation of a blade of grass according to natural laws that no intention has ordered; rather, we must absolutely deny this insight to human beings” (section 75).
When it comes to our power to judge whether the apparently teleological or end-seeking aspects of nature (in its products and as a whole) are real causes or merely illusory intuitions, Kant resolves what would otherwise remain an antinomy for reason by denying natural science any knowledge one way or the other. We simply cannot know scientifically, argues Kant, whether nature is truly mechanical or whether higher ends are shaping its products and processes. Science can neither affirm an intelligent cause behind nature, nor deny that, at least for us as human knowers, such a cause may be necessary to explain the unity of nature. The concept of unity, of course, provides the very condition for the possibility of any natural science at all, and so for Kant, although we cannot know whether nature is objectively purposive, we are justified in our subjective assertions of such a purposiveness because our cognitive powers of imagination, understanding, and reason cannot find internal harmony without operating as though this purposiveness was real.
My own work on etheric imagination is an attempt to push Kant’s transcendental aesthetics a bit further than he was willing into a fully blown ontology of organism. That he was unwilling (per his devotion to the Good) to allow aesthetic feeling (the Beautiful) or scientific knowledge (the True) an equal share in critical philosophy’s transcendental foundation follows from his desire to ground the higher faculties of thinking (the Understanding) and feeling (Taste or Judgment) in that of willing (Reason). The moral law derived from his critique of practical reason was Kant’s trump card. He denied knowledge of nature in order to make room for moral freedom.
In my own work, I hope to show that any search for grounds or foundations always begins and ends in imagination (which contains its own sort of freedom, though not always moral). Once we acknowledge the peripheral centrality of imagination in philosophy (we find ourselves always in the middle of it, especially when we have tried most to escape from it), the search for foundations is transformed from means to end, which is to say philosophy returns to its generative roots in the groundlessness of Creativity. We become philosophers once again: lovers of wisdom instead of sophists claiming to be wise; careful inquirers rather than foolhardy instrumentalizers of nature. Attuned to imagination, we become the spiritual soil for nature’s creative expression. Genius becomes the norm instead of the exception. Supposedly common human beings are returned their birthright. We realize, as Hillman described it, the poetic basis of mind. Genius cannot be taught; it can only be remembered (though exemplars can help provoke our memories). Through genius–through the feeling and expression of nature become conscious in us as beauty–we gain access to goodness and truth.
First, a few orientating quotations from the thinkers I will be boiling together in the alchemical vessel of my dissertation.
“…if we had the choice between empiricism and the all-oppressing necessity of thought of a rationalism which had been driven to the highest point, no free spirit would be able to object to deciding in favor of empiricism. Empiricism itself, then, allows a higher way of looking at things, or can be grasped from a higher perspective than the received, or, at least since Kant, the usual concept grasps it, which expels everything intelligible not only beyond the concepts of the understanding, but originally and first of all beyond all experience. Hence the now usual explanation that empiricism denies everything supernatural, but this is not the case. Because it is empiricism, it does not necessarily for that reason deny the supernatural, neither does it assume the legal and moral laws and the content of religion as something merely contingent, namely in the sense that it reduces everything to mere feelings, which themselves would only be the product of education and habit, as Hume admittedly did, who, by the way, asserted the same thing in relation to the sort of necessity with which we link cause and effect in our thoughts. There is even a higher and a lower concept of empiricism. For if the highest goal, which philosophy can, by general consent even of those who up to now think differently, certainly reach, is precisely to grasp the world as freely produced and created, then philosophy, with regard to the main thing it can achieve, or precisely by reaching its highest goal, would be a science of experience; I do not mean in the formal sense, but I do mean in the material sense, that what is highest for it would itself be something experiential in nature. If up to now, then, that national difference with regard to philosophy really exists, then this rift initially only shows that the philosophy in which humankind could recognize itself, the truly universal philosophy, does not yet exist. The truly universal philosophy cannot possibly be the property of a single nation, and as long as any philosophy does not go beyond the borders of a single people one can be safe in assuming that it is not yet the true philosophy, even if it is perhaps on the way to it…It would be wrong, really wrong, then, to want to call back those other [French and English speaking] nations from the doctrine of empiricism which they pursue to such great advantage in other areas; for them this would indeed be a retrograde movement. It is not up to them, it is up to us Germans, who, since the existence of Naturphilosophie, have emerged from the sad alternative of a metaphysics which floats in the air, lacking any foundation (that they rightly make fun of) and an infertile, arid psychology–it is up to us, I say, to develop the system, which we may hope to grasp and to reach, the positive system whose principle, precisely because of its absolute positivity cannot itself be knowable a priori any more, but only a posteriori, to the point where it will flow together with that empiricism which has been expanded and purified to the same extent” -F. W. J. Schelling, last lines from On the History of Modern Philosophy (~1833).
“Our bodily experience is the basis of existence. How is it to be characterized? In the first place, it is not primarily an experience of sense data, in the clear and distinct sense of that term. The internal functioning of a healthy body provides singularly few sense data, primarily associated with itself. When such sense data appear, we send fro a doctor. They are mostly aches and pains. And yet our feeling of bodily unity is a primary experience. It is an experience so habitual and so completely a matter of course that we rarely mention it. No one ever says, Here am I, and I have brought my body with me. In what does this intimacy of relationship consist? The body is the basis of our emotional and purposive experience. It determines the way in which we react to the clear sensa. It determines the fact that we enjoy sensa. But the eye strain in sight is not the eye sight. We see with our eyes; we do not see our eyes. The body is that portion of nature with which each moment of human experience cooperates. There is an inflow and outflow of factors between the bodily actuality and the human experience, so that each shares in the existence of the other. The human body provides our closest experience of the interplay of actualities in nature…So long as nature was conceived in terms of the passive, instantaneous existence of bits of matter, according to Newton or Democritus, a difficulty arises. For there is an essential distinction between matter at an instant and the agitations of experience. But this conception of matter has not been swept away. Analogous notions of activity, and of forms of transition, apply to human experience and to the human body. Thus bodily activities and forms of experience can be construed in terms of each other. Also the body is part of nature. Thus we finally construe the world in terms of the type of activities disclosed in our intimate experience. This conclusion must not be distorted. The fallacious notion of passive matter has by a reaction led to a distorted account of human experience. Human nature has been described in terms of its vivid accidents, and not its existential essence. The description of its essence must apply to the unborn child, to the baby in its cradle, to the state of sleep, and to that vast background of feeling hardly touched by consciousness. Clear, conscious discrimination is an accident of human existence. It makes us human. But it does not make us exist. It is of the essence of our humanity. But it is an accident of our existence. What is our primary experience which lies below and gives its meaning to our conscious analysis of qualitative detail? In our analysis of detail we are presupposing a background which supplies a meaning. These vivid accidents accentuate something which is already there. We require to describe that factor in our experience which, being a matter of course, does not enter prominently into conversation. There is no need to mention it. For this reason language is very ineffective for the exposition of metaphysics. Our enjoyment of actuality is a realization of worth, good or bad. It is a value experience. Its basic expression is–Have a care, here is something that matters! Yes–that is the best phrase–the primary glimmering of consciousness reveals, something that matters. This experience provokes attention, dim and, all but, subconscious. Attention yields a three-fold character in the “Something that matters.” “Totality,” “Externality,” and “Internality” are the primary characterizations of “that which matters.” They are not to be conceived as clear, analytic concepts. Experience awakes with these dim presuppositions to guide its rising clarity of detailed analysis. They are presuppositions in the sense of expressing the sort of obviousness which experience exhibits. There is the totality of actual fact; there is the externality of many facts; there is the internality of this experiencing which lies within the totality. These three divisions are on a level. No one in any sense precedes the other. There is the whole fact containing within itself my fact and the other facts. Also the dim meaning of fact–or actuality–is intrinsic importance for itself, for the others, and for the whole. Of course all our terms of speech are too special, and refer too explicitly to higher stages of experience. For this reason, philosophy is analogous to imaginative art. It suggests meaning beyond its mere statements. On the whole, elaborate phrases enshrine the more primitive meanings.” -A. N. Whitehead, Modes of Thought, p. 114-118
“What I am essentially protesting against is the bifurcation of nature into two systems of reality, which, in so far as they are real, are real in different senses. One reality would be the entities such as electrons which are the study of speculative physics. This would be the reality which is there for knowledge; although on this theory it is never known. For what is known is the other sort of reality, which is the byplay of the mind. Thus there would be two natures, one is the conjecture and the other is the dream.
Another way of phrasing this theory which I am arguing against is to bifurcate nature into two divisions,
namely into the nature apprehended in awareness and the nature which is the cause of awareness. The nature which is the fact apprehended in awareness holds within it the greenness of the trees, the song of the birds, the warmth of the sun, the hardness of the chairs, and the feel of the velvet. The nature which is the cause of awareness is the conjectured system of molecules and electrons which so affects the mind as to produce the awareness of apparent nature. The meeting point of these two natures is the mind, the causal nature being influent and the apparent nature being effluent.” -A. N. Whitehead, The Concept of Nature, ch. 2.
“Our earth today has a quite particular configuration and form. Let us go back in the evolution of the earth. It once had a completely different form. Let us immerse ourselves…still further back: we come there to ever higher temperatures, in which metals were able to flow all around as water runs along today. All the metals have become these veins in the earth because they first flowed along in streams. Just as lead is hard today and quicksilver is fluid, so lead was at one time fluid and quicksilver will one day become a solid metal. Thus the earth is changeable, but man has always participated in these various evolutions. In the ages of which we have spoken, physical man as yet was not in existence. But the etheric body and astral body were there; they could live in the higher temperatures of that time. The sheaths gradually began to form with the cooling process, enveloping man. While something new was always being formed in man during the earth’s evolution, something correspondingly new had also been formed outside in nature. The rudiments of the human eye had first arisen in the Sun evolution. First the etheric body formed itself and this again formed the human physical eye. As a piece of ice freezes out of water, so are the physical organs formed out of the finer etheric body. The physical organs were formed within man while outside the earth became solid. In every age the formation of a human organ took place parallel with the formation of a particular configuration outside in nature…One only understands man when one can recognize the connections between the human being and the forces of nature. ” -Rudolf Steiner
My aim in this dissertation is to draw indications from each of these thinkers in an attempt to articulate an alternative ontology unhampered by the bifurcation of nature plaguing modern thought. Modernity need not be rejected; rather, an alternative form of modernity is possible, rooted not in Kantian skepticism or Hegelian idealism, but in Schellingian naturalism and Whiteheadian radical empiricism. Drawing on Steiner and the Western esoteric tradition, I will argue that the Kantian limits placed on human understanding and experience can be overcome through the cultivation of new organs of perception. The ontological insights of a process-relational ontology of organism are achieved through the higher speculative empiricism of the etheric imagination. Etheric imagination grants the process philosopher perceptual access to the formative forces unfolding organized beings from the inside out. Etheric imagination is in this sense not in the business of fantasy or make believe, but is an organ of genuine conceptual and perceptual import in tune with natural processes that unfold below the level of ordinary rational waking consciousness. The mechanical ontology underlying scientific materialism stems from misplaced concreteness, whereby abstract models of physical activity are made to fill in for the experienced reality of said activity. Such a scientific materialism, though it claims to be empirical, is really a confused idealism, in that it dismisses experiential reality as a mere dream, replacing it with an explanation based on the conjectured mechanical processes lying beneath experience that somehow cause it.
Along with Schelling, Steiner, and Whitehead, I plan to draw on several other thinkers, including Gilles Deleuze , John Sallis, Bruno Latour, and Michael Marder.
Rough breakdown of dissertation
1. Historical Outline on emergence of bifurcated image of nature in modern philosophy beginning with Descartes (through Spinoza, Leibniz, Hume, Locke, Kant, Fichte, Hegel). Argue for alternative modernity building on Bruno, Cusa, and other esoteric thinkers discussed by Steiner in Mystics After Modernism.
2. Epistemology of etheric imagination as an esoteric organ of perception. Build on phenomenology, enactivism, and participatory theory as epistemic first steps toward an ecological ontology, or ontology of organism.
3. Ontology of organism reveals the plant-like (or etheric) texture of experiential reality. Build on Marder’s vegetal metaphysics, Whitehead’s panexperientialism, and Sallis’ elemental phenomenology of earth and sky.
4. Cosmological significance of etheric forces underlying physical phenomena. Unpack Schelling’s, Steiner’s, and Whitehead’s ether theories.
Below, I’ve copied an email thread with Dan Dettloff, who blogs at Re(-)petitions. I thought some of our other readers might want to chime in. Actually, I’d really like to hear other people’s responses to Dan’s question. I’ve not arrived at a satisfying answer to it, but I do think getting past “the problem of evil” will require a far more radical re-conceptualization of God’s nature than that offered by any ontotheology. On the other hand, there is more to religion than concepts. If, as the religious believe, God actually exists, then God is not simply an idea. God is real. After Kant–for whom God became merely a regulative idea necessary “for us” as rational thinkers but for all that not necessary for being “in itself”–the problem of evil became more acute, since it was re-located from the transcendent to the transcendental, from the universal to the individual: what had been an abstract problem for God to work out before the creation of the universe became a concrete problem for each human person to work out before theorizing about or acting within the world. Theology was no longer ontologically relevant, was not a science of divinity, but nonetheless remained crucially important for phenomenological knowledge and practical affairs, for free and responsible action among others. Without the regulative idea of God, or the Kingdom of Ends, human freedom would spin free of its gravitational center and unwind into blind willing. We would be incapable of good or evil action, incapable of loving. We would be as nothing.
Dean has been busy trying to think Christianity in the context of Speculative Realism and the “New Story” of evolutionary cosmology. Some of my own thoughts on these topoi were collected in this essay “Towards a Christological Realism.”
I’ll be brief, as I’m sure you’re busy, and I to you with what may turn out to be a bit of a heady question. I have followed your blog from time to time, and I admire your ability to bring various strands of thinking together. In fact, your writing prompted me to take a course on eco-theology with Dennis O’Hara in Toronto. I come from continental philosophy and identify as a Christian with the usual string of philosophical qualifiers. Convicted by Speculative Realism and a general growing interest in science, I have been hard at work trying to bring together the theological visions, which have ontological ramifications, of religious traditions (most specifically Christianity). Perhaps a year or so ago, Levi Bryant made a post at larval subjects calling out folks like Caputo for reducing religion to a sort of poetic overlay on the world, suggesting this cuts its legitimate, if (on Bryant’s view) misguided, ontological claims.
I share Bryant’s criticism, but, naturally, not his atheism, and as such have been exploring just what those ontological claims of Christianity might be, especially given the new cosmology. I’ve read The Universe Story by Brian Swimme and Thomas Berry and Berry’s The Great Work, along with a myriad of articles (and I have some formal theological training, most specifically with Moltmann). While I’m not novice to theology, I recognize that this is a new arena for me, or at least I’m coming to it with new sets of questions.
Let me cut to the chase. I’m having trouble finding a satisfactory answer to the problems of creative destruction in the universe story, especially as it pertains to the kind of vision of a God of love present in most religious traditions. The argument is likely not foreign to you, but so we’re on the same page it goes something like: if God is so loving, as revealed in figures like, for example, Jesus Christ (though one could obviously choose others, but perhaps staying Christocentric will give us a little bit of a particular ground to work with), and God reveals that humans are called to enact radical love, forgiveness, and peace in the world, why would God create a universe which can only seem to create itself via loads of natural evil? In other words, when God incarnates into the person of Christ, God essentially becomes not just a human but inherits the sacrifice of millions of suffering creatures who, as part of the universe story, have given rise to this particular conscious being we call Jesus. Jesus then explores an ethic of love which runs precisely counter to the pre-human logic of cosmogenesis (or at least biogenesis).
Solutions to this issue usually take the form of some kind of libertarian notion of freedom for creation. God steps back and allows creation to realize itself. But this, too, is at odds with plenty of religious definitions of freedom, and, of course, autonomy is hardly synonymous with freedom. So what gives? Are we forced to affirm some kind of strange, perverse religious ontology which suggests God creates a universe which creates itself, only to tell the universe it was messing up the whole time? Do you know of any ways out of this predicament?Thanks in advance, Matthew. I hope all is well, and thank you, again, for your work. I’ve personally benefited quite a bit from it and look forward to reading more.
Thanks for your email. You’ve raised a question that has been on my mind lately, actually. I just finished a book by Matthew Stewart called The Courtier and the Heretic: Spinoza, Leibniz, and the Fate of God in the Modern World. It goes into the different theological positions of Spinoza and Leibniz.
For Spinoza (a pantheist), there is no such thing as good and evil from God’s all-inclusive perspective. Further, God has no freedom, since God is identical to the natural world, which was conceived by Spinoza along Newtonian lines as deterministic and law-abiding.
For Spinoza, the problem of evil is really just an illusion resulting from our limited perspective on things. Things are the way they are because they couldn’t have been any other way. God had no choice in the matter.
Leibniz was deeply influenced by Spinoza, but fought against his conclusions. Leibniz wanted to defend a conception of God as both apart from and internal to the universe, as both free and as necessary. In his Theodicy, he asked “why is there something, rather than nothing?” He imagined God deliberating with Himself prior to creating the universe: “Is such an endeavor worth it?,” Leibniz imagines God asking Himself. Leibniz then distinguishes between the divine understanding (God’s mind, if you will) and the divine will (God’s heart). The divine understanding, in creating a universe, must obey the logical principles of identity and non-contradiction. The divine will, given these restrictions, desires to create the best of all possible worlds. So the finite created world we know, according to Leibniz, contains the least amount of evil that it possibly could contain. God did His best, in other words. He decided it was worth creating the world for the good that would result, even if this good was won at the cost of some degree of evil and suffering.
My own response to the problem of evil comes largely out of Whitehead’s process theology. Whitehead (dis)solves the problem in a way that may be unacceptable to some orthodox Christians, in that he denies God’s omnipotence. Leibniz also limited God’s power in some sense (in that he required God to obey logic–Descartes is an example of someone who conceived of God as so powerful that He could even make 2+2=5 if He wanted). But Whitehead’s denial is more radical. God is no longer an all-powerful dictator who created out of nothing a finite and contingent universe. Rather, God is a creature of Creativity, part of cosmogenesis like you and I, not a distant unmoved mover but”a fellow sufferer who understands.” His only power derives from “the worship He inspires.” He is not capable of coercing creation to obey his commands, but works gently by way of erotic, moral, and aesthetic persuasion.
I presented a paper recently that further fleshes out Whitehead’s psychocosmotheology called “Worldly Religion in Whitehead and Deleuze: Steps Toward an Incarnational Philosophy” that further develops his process theology.
In short, for Whitehead, evil is not God’s fault, but is a side effect of creative process/evolutionary becoming. Evil is “creativity in the wrong season,” as he puts it.I’m also influenced by Schelling’s treatment of these issues… He would probably invert the Whiteheadianism that “evil is not God’s fault.” For Schelling, evil is precisely the fault or fissure in God between hiddenness and revelation, between wrathful withdrawal and radiant love.
Hope that clarifies some things for you somewhat… I welcome further dialogue about all this. Would you mind if I post your question and my response on my blog? I think others would enjoy thinking alongside us.
Thanks so much for your timely and thorough response. You’re welcome to post it on your blog, and feel free to edit whatever you’d like. I’m not much a stickler on those sorts of things.
Your presentation of Whitehead is a useful way of cutting through Spinoza and Leibniz. I wonder, though, if this response moves the problem around rather than solving it (I recognize that “theodicy” may very well be an impossible thing to “solve,” but it remains the nagging problem of the universe story and, I fear, threatens it as a viable interpretive option). While I would happily deny God’s classical omnipotence, the question remains as to how God could not have created a universe which creates itself without all the violence. The Judeo-Christian writings get out of the problem by basically affirming that God creates a universe which is open to further development under a primordial goodness, and evil/suffering end up having a radically anthropocentric cause. This older cosmological mythos doesn’t explain suffering, of course, but it gets God off the hook. With the new cosmology, I, like you, find it necessary to deny a strong Providence, but we end up running into the usual problems of process theism, namely that it seems to encourage us to modify the concept of God so significantly that the God who comes out on the other side seems totally alien to the impulses of most world religions. God ends up sort of being shoe-horned into a certain cosmological model rather than setting the terms of the discourse, and thus process theology runs the risk of re-establishing another God of the philosophers and committing the sin of ontotheology.
Bringing this back to the problem of evil, the process paradigm, while still (I think) a God of the philosophers, is an improvement on the classical paradigm, but it fails to name the origin of evil other than to say it is structurally present in the very processes of the universe. It would be hard, I think, to hold that God creates the universe out of love as a result. We would need to posit the usual Boehme-Hegel-Moltmann-zimzum models, which come loaded with their own structural instabilities just as the classical models do.
But perhaps I’ve missed something somewhere along the way. I’ve sort of assumed a lot of things about these models in a slow disclosure of how I feel about them, and I certainly don’t want to pin anything on you that you don’t wish to be saying. My apologies for any presumptions or errors.
Thanks again for your time, Matt.
I suppose it comes down to whether or not we are persons of faith, for whom God’s nature and existence are attested by way of spiritual revelation. If we cannot simply affirm this or that sort of God by way of an inner faith or an acceptance of outer religious authority, then we are forced to consider the physico-cosmological revelation instead by asking: What can God be like, given what we know of the physical universe? This question seems absurd, even abhorrent, for evangelical Christians, since what we’ve learned about biological evolution (which marches forward mostly by way of the satanic Great Selectors: sex and death) suggests we’d do better not ask the question at all, since if such a universe of continual carnage does have a Creator, its not the sort of God that would be worth loving. Better to be an atheist than to admit the existence of a deity who thought billions of years of rape and slaughter were worth the effort of creation…
I think process theism, whether we’re talking about Whitehead’s version, or Schelling’s Böhmean version, forces us to consider the darkness, the wrath, and the unconsciousness of God, as much as we may prefer only to look at His conscious light and love. If the life of God is an eternal process of incarnation, then the classical sort of religion that would have provided its adherents with hope for some sort of escape hatch to a better world beyond this one must be regarded as nothing more than the illusion of a death fearing primate struggling desperately to cope. God is here with us, part of us, living and dying with us. God isn’t trying to escape this world, but to become more and more mixed up with it. Creation wasn’t something God undertook by choice, as far as I can tell.
“God,” said Whitehead to Lucien Price, “is in the world, or nowhere, creating continually in us and around us. This creative principle is everywhere, in animate and so-called inanimate matter, in the ether, water, earth, human hearts…In so far as man partakes of this creative process does he partake of the divine, of God, and that participation is his immortality, reducing the question of whether his individuality survives death…to…irrelevancy. His true destiny as co-creator in the universe is his dignity and his grandeur.”
I came across this article in The Atlantic penned by Whitehead in 1925 called “Science and Religion.” Much of it seems to be excerpted from his lecture published as Religion in the Making. Thought it might be relevant to quote at length:
“Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realized; something which is a remote possibility, and yet the greatest of present facts; something which gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest. The immediate reaction of human nature to the religious vision is worship. Religion has emerged into human experience mixed with the crudest fancies of barbaric imagination. Gradually, slowly, steadily, the vision recurs in history under nobler form and with clearer expression. It is the one element in human experience which persistently shows an upward trend. It fades and then recurs. But when it renews its force it recurs with an added richness and purity of content. The fact of the religious vision, and its history of persistent expansion, is our one ground for optimism. Apart from it, human life is a flash of occasional enjoyments lighting up a mass of pain and misery, a bagatelle of transient experience.
The vision claims nothing but worship; and worship is a surrender to the claim for assimilation, urged with the motive force of mutual love. The vision never overrules. It is always there, and it has the power of love presenting the one purpose whose fulfillment is eternal harmony. Such order as we find in nature is never force — it presents itself as the one harmonious adjustment of complex detail. Evil is the brute motive force of fragmentary purpose, disregarding the eternal vision. Evil is overruling, retarding, hurting. The power of God is the worship He inspires. That religion is strong which in its ritual and its modes of thought evokes an apprehension of the commanding vision. The worship of God is not a rule of safety—it is an adventure of the spirit, a flight after the unattainable. The death of religion comes with the repression of the high hope of adventure.”
Brian Swimme on “The New Story” in cosmology:
Update: By chance, I noticed this opinion piece in the Sunday New York Times: “A Rationalist’s Mystical Moment” by Barbara Ehrenreich. Her discussion of Rudolf Otto‘s psychology of religion is certainly relevant.
After speaking at the 9th International Whitehead Conference last fall in Krakow, Poland, I was invited to help organize a track for the 2015 IWC in Claremont, CA next summer (June 4-7). The 2015 conference is called “Seizing an Alternative: Towards an Ecological Civilization” and is largely the brain child of process theologian and environmental philosopher John Cobb, Jr. Plenary speakers include Cobb, Bill McKibben, Vandana Shiva, Brian Swimme, Catherine Keller, Herman Daly, and David Ray Griffin. The conference will be divided into 12 topical sections, with each section including 4 or 5 tracks. My track is in section 3, “Alienation from Nature: How It Arose,” and is called “Late Modernity and Its Reductive Monism.” For a brief description of the proposed focus of this section and its sub-tracks written by Cobb, click HERE.
In his proposal for my track, Cobb writes:
Rene Descartes, who developed the Enlightenment vision most profoundly and influentially, is known especially for his radical dualism of the human soul, on one side, and mere matter in motion on the other. Although this carried the alienation from nature to its extreme, it gave dignity to human beings. It supported the ideas of human rights and even of a fundamental equality of all. However, in the nineteenth century, Charles Darwin showed that human beings are a product of evolution, so that they are fully part of nature. This opened the door to re-thinking nature as having some of the properties Descartes attributed to the human soul. But the commitment of the sciences to methods associated with nature’s purely objective existence was very strong. Instead of changing the approach to the rest of the natural world, scientists chose to study humans in the way they had previously studied the objects of human experience. Enlightenment dualism was replaced in late modernity by reductionist monism. The Enlightenment led people to understand themselves as responsible citizens. The new reductionistic monism represents us as laborers in the service of the economic system.
To re-phrase, my track will focus on the way that the classical Enlightenment dualism between morally responsible human souls and a morally neutral mechanical nature has, in the late modern period, been replaced by a pseudo-materialistic monism. Descartes was the first to articulate this dualism in its modern form. His attempt at a clean break from traditional dogmas by re-grounding human rationality on our own self-evident powers of reflective self-consciousness was an essential factor in the Western world’s later revolutionary struggles for individual political freedom. Without Descartes and those who followed in his wake (especially Locke and Kant) there would be no Modern philosophy, obviously, but nor would there have been a French or American Revolution. The dualistic ontology of spiritual human vs. mechanical matter, though unsuited for (and in some sense the cause of) our present ecological nightmare, was for an earlier epoch a catalyst for democratic liberation from the oppressive theocratic monarchies of the medieval world. Nowadays, since the dominant ontology has devolved into a confused monist materialism (which Latour deconstructs and re-assembles in AIME), the democratic political ideals of the Enlightenment are increasingly being called into question by neoliberal economists and reductive neurobiologists, among others. If there is no such thing as a soul, there is no such thing as freedom, no such thing as moral responsibility to other human souls, and so no real justification for democratic self-governance. If we are really just selfish desire-machines blindly designed by the Darwinian struggle for consumption and reproduction called Natural Selection (nature’s “invisible hand”), then, following the neoliberal capitalist approach, the best form of governance is that orchestrated by well-trained technocrats and social engineers, those who know how best to keep the civilizational machine running smoothly.
The discoveries of deep time and biological evolution that emerged during the course of the 18th and 19th centuries dealt the death blow to substance dualism, forcing humanity to make a fateful ontological decision: either, as Cobb puts it, (1) re-imagine nature as in some way ensouled, or (2) re-think the human soul as somehow mechanical. In the 20th century, Western techno-science committed itself to the second project: human society and the earth itself were to be re-made in the image of the machine (if ancient cosmologies suffered from anthropomorphism, modern cosmologies suffer from mechanomorphism). Our early 21st century world, with its exploding economic inequality and ecological unraveling, is the near ruin lying in the wake of that decision.
Whitehead stands out among 20th century philosophers, not for his revolt against techno-scientific reductionism (certainly, Heidegger and Merleau-Ponty were just as dedicated to resisting it), but for his decision to have a go at project #1. As I describe in my essay on Whitehead’s relevance to contemporary cosmology Physics of the World-Soul (2013), Whitehead’s response, not only to 19th century evolutionary theory, but to 20th century quantum and relativity theories, was to re-imagine, in process-relational terms, the relationship between the interior psychical and exterior physical worlds. That conscious human experience is continuous with the rest of an evolved nature is clear enough; but Whitehead argues that we cannot think coherently of this continuum in an eliminatively materialist way, as though consciousness could be explained by reduction to something entirely dumb and numb, unintelligent and unfeeling. If we are to remain civilized, we must take knowledge and love seriously as having a real effects on the course of human history. To take human knowledge and love seriously requires that we root these powers ontologically, that we ground them in the energies of cosmogenesis itself. Otherwise they are mere passing fantasies, cultural figments to be reduced to the neurotic mechanics of our brains and controlled by techno-scientific specialists.
The results of the modern world deciding in favor of project #2 are detailed by Whitehead toward the end of Science and the Modern World (1925):
[All] thought concerned with social organization expressed itself in terms of material things and of capital. Ultimate values were excluded. They were politely bowed to, and then handed over to the clergy to be kept for Sundays. A creed of competitive business morality was evolved…entirely devoid of consideration for the value of…life. The workmen were conceived as mere hands, drawn from the pool of labor. To God’s question, men gave the answer of Cain– “Am I my brother’s keeper?”; and they incurred Cain’s guilt (181).
Participants in my track will have an opportunity to draw on Whitehead, as well as other congenial thinkers, in an effort to both critique late modernity’s reductive monism and to re-construct a more viable ontology for a future ecological civilization. I’ll continue to post updates about the shape of the track as the conference date approaches.
Below is the introductory lecture of a 10-week undergraduate course called “Mind and Nature in German Idealism” that I’m hoping will run this coming Fall (2014) for the University of Philosophical Research. If you’re an undergrad looking for an independent study, let me know.
I really dig Alexander Bard’s “network-dynamic persepective.” Geometrogenesis is also extremely relevant to my research on Whitehead’s and Rudolf Steiner’s ether theories (the former articulated an alternative to Einstein’s theory of relativity based on an “ether of events”; the later spoke of an etheric dimension of nature mediating between the material and spiritual dimensions). The idea is that space-time is not ultimate, but an emergent product of quantum events (what Whitehead called “actual occasions”). Thanks to Prof. Corey Anton for pointing me to Bard’s lecture.
After a little searching, I’ve turned up this blog post by Bard wherein he makes reference to Whitehead as one of the few philosophers who can survive Nietzsche’s deconstructive hammer. But he seems to distance himself from Whitehead’s process metaphysics because he feels it lacks a proper phenomenological account of the real. Conrta Bard, Whitehead does in fact situate his cosmology in the context of America’s own breed of phenomenology coming out of William James’ radical empiricism.
Bard also discusses Burning Man, syntheism, Silk Road, Simon Critchley’s “faithless faith,” and the “chemical liberation” set off in the 60s by the California counterculture’s use of psychedelics. He finishes with the provocative question: “What if the internet is God?” (the title of his recent Ted Talk).
Thanks to milliern for his commentary on and reflections about an exchange Professor Corey Anton, myself, and others have been having on YouTube. I’m reposting my comment to him below:
I wanted to offer a few clarifications of my own position. I don’t normally think of myself as a “Heideggerian,” though I suppose most people who take the time to really read Heidegger are irrevocably transformed in some way. I’m one of those who has spent considerable time with his texts and ideas. While he has changed the way I think, I’ve nonetheless come to differ with him (as I understand him) in important ways. I’m not at all convinced that ‘human’ being, or Dasein, is the only significant mode of being. Nature, too, is significant. In fact, like Schelling, I would say the significance of human being could only be derived from that of Nature’s original being. Nature is a priori, not mind. Nature generated mind; mind is but a higher potency of Nature’s subjectivity. So I’m more Schellingian than Hedeggerian. If Heidegger spoke of a “groundless ground,” it’s because he was a close reader of Schelling, who more than a century earlier had recorded his encounter with das unvordenkliche (“the unprethinkable”). I don’t think this “groundless ground” should be identified with the Kantian transcendental ego or ding an sich. The groundless ground, the abyss or abgrund (a term Schelling borrowed from the esotericist Böhme), is the mother of both phenomena and noumena. Das Unvordenkliche is not born of the phenomenal-instrumental nature known to physicists and biologist. Nor is it born of the Ego, as in the Fichtean interpretation of Kant. Rather, like Spinoza before him, and Whitehead after him, Schelling distinguished between Natura naturans and Natura naturata. The former is Nature ‘naturing,’ the latter Nature ‘natured.’ The former is process, the latter is product. The former is alive, the latter is dead. Schelling’s Nature is not the external/extended material world of law-abiding physical particles that is supposed to exist by mathematical physicists. His Nature is not a ground, but a creative abyss. To know such a world, you must not march off to explain and control it as though it were entirely made up of plainly visible bodies,–as modern techno-scientific materialism has–, you must humbly seek to understand and communicate with its mostly invisible sensitivities (i.e., with its soul).
Unlike Kant’s mechanized Newtonian universe, Schelling perceived the earth and her creatures, the sun, planets, and other stars–yes as mathematically ordered–, but also as animate gods, as living beings creative of beautiful worlds. Where scientific materialism sees only dead nature (that is, nature natured), organic realism (what I refer to Schelling and Whitehead’s philosophies of nature as) perceives nature naturing. What is unprethinkable about ourselves and about the world is this ongoing creative process–call it “cosmogenesis,” call it “Creativity,” call it “the One and All,” or God, if you want. Whatever “It” is, it’s before subject and object. It is before mind and matter. Schelling is usually lumped in with the idealists, but it was Heidegger himself (in his lectures on Schelling’s 1809 book on human freedom) who first suggested that Schelling’s Naturphilosophie in fact subverted the entire German Idealist project from the inside out. I’d argue he has more in common with the radical empiricist James than with any idealist, and especially with James’ philosophical inheritor at Harvard, the mathematical adept turned cosmologist Alfred North Whitehead.
Speaking of which, I noticed you are interested in Einstein, ether, space-time, etc…. I wonder if you’ve run across Whitehead’s alternative ether theory (the “ether of events” or “extensive continuum”)? I’ve written about it HERE. I’d be curious to know your take on his organic cosmological scheme.
I’ve just submitted my dissertation proposal for review. Click on the title below for the PDF.
I welcome suggestions, critiques, sources, and/or extensions.
Basically, I’m doing a comparative study of the philosopher Friedrich Schelling, the esotericist Rudolf Steiner, and the mathematician and cosmologist Alfred North Whitehead. In particular, I want to interpret their respective “etheric” ontologies (Schelling’s “world-soul/universal organizing principle,” Steiner’s “etheric formative forces,” and Whitehead’s “evental ether/Creativity”) as typical of the process-relational imagination.
The plate above, a painting of the Philosopher’s Tree, is from Splendor Solis, an alchemical treatise published by Solomon Trismosin in 1582.
Recorded on Monday, Oct. 28, 2013 at Esalen Institute in Big Sur, CA.
A lecture I gave earlier this week in a class at CIIS on Spirit and Nature.