Beyond Materialism and Idealism, a Philosophy of Organism?

Levi Bryant offered some ideas about materialism earlier this week over at Larval Subjects. I read and commented on his post while screeching through the BART transbay tube on my commute home from work. My comment, asking about “ontological constructivism,” was rushed and ill formed. Now that I’m moving more slowly, and have a keyboard large enough for all ten of my fingers, I wanted to take the time to further expand and contextualize my question.

Bryant’s reflections on the paradoxes of materialism spoke precisely to some of the problematics emerging recently in a reading group I’m participating in at CIIS with Adam Robbert and others. We just finished Mark Taylor’s reader Deconstruction in Context: Literature and Philosophy. Prior to DiC we read Kant’s Critique of Pure Reason, and prior to that Deleuze’s Difference and Repetition. (Next is Deleuze and Guatari’s What Is Philosophy?). Bryant’s materialism is meant as a direct challenge to the authors excerpted in Taylor’s anthology. With Kant (with whom the reader begins), there began a line of thinkers committed to transcendental philosophy. This lineage has more recently been pejoratively renamed correlational philosophy by Meillassoux and other Speculative Realists. It may not be entirely fair to identify Derrida (with whom Taylor’s reader ends) as a transcendental thinker. But I do think I can say that, as a careful reader of Husserl’s transcendental phenomenology, his work must be understood as a respectful but nonetheless critical response to this tradition. You could almost say that Derrida’s texts were an attempt to out critique the critical (or transcendental) philosophers by bringing to attention that which is even more a priori than concepts and intuitions: namely, writing. As Derrida wrote in Of Grammatology, “il n’y a pas de hors-texte”–usually translated as “there is nothing outside of the text,” but perhaps best translated as “there is no outside-text.” For object-oriented thinkers like Graham Harman and Bryant, Derrida is public enemy number one (though for slightly different reasons). For Bryant, Derrida must be read as a linguistic correlationist, as one who denies the reality of anything outside the contextual domain of semiogenesis. We must, of course, remember that the play of différance prevents an author from finally fixing the meaning of the text (I almost said “of their text,” but textual ownership is precisely what Derrida is taking issue with). Derrida’s correlationalism is not, then, the sort that would place all objects in relation to a transcendental subject, since as I understand his deconstruction of traditional metaphysics, the subject itself (along with the objects it represents) only becomes possible in and through writing. Nonetheless, meaningful signs, even if infinitely contextual, for precisely this reason only ever point to themselves. There is no “Great Outdoors,” as Meillassoux says, that writing might grant us cognition of.

Derrida owes much to Saussure’s binary semiotic theory. I prefer a different starting point in regard to meaning-making: the semiotic theory of Charles Sanders Peirce. Peirce’s triadic semiotics redistributes meaning beyond human signs, inviting us to consider the various ways other beings interpret and refer to themselves independently of us. Peirce, and other thinkers in his lineage like James and Whitehead, seem to me to stand outside the framework of Bryant’s post. These thinkers qualify as what I called “ontological constructionists” in my original comment. Unlike “social constructionists,” it is not merely we human beings who create all meaning. Rather, all beings, in becoming-with one another (and so becoming-other than themselves), are generative of meaning. For this reason, Whitehead generalized the notion of “society” such that it included organized collectivities of any kind (not just humankind).


As Bryant frames the correlational paradox, any thinker claiming to be a materialist necessarily “proceeds through concepts.” This despite the fact that materialists understand themselves to be “[attempting] to grasp that which is other than the concept.” Bryant wants to place matter beyond and before all thought as “absolutely exterior” and unrepresentable. This is all fine and well. The clear and distinct concepts of reflective self-consciousness cannot in any way touch the darkness of materiality. But I’d like to suggest that attending to the imaginal tides of affect and aesthesis as they flow to-and-fro across the fractal edges of conscious experience may help bridge the otherwise gaping chasm between mind and matter. Attending only to thought and conceptuality, or to transcendental structures of intentional directedness toward the eidos of appearing objects, artificially widens the gap. Dwelling instead upon the way emotional vectors vibrate through and between bodies, we begin to realize that the old abstract categories of mind and matter no longer hold any water. They leak. By entering into an aesthetic–or better, poetic–rather than a conceptual time-space, we no longer need to shroud matter behind the representational mirages projected onto it by a mind which, as materialism would have it, can only be conceptualized in absentia, as not present, as somehow both identical with and yet alien to materiality. I qualified the term “aesthetic” with “poetic” above, because it is all too easy to define aesthesis according to the misplaced concreteness, so prevalent among modern philosophers of both the empirical and rational schools, which has it that our primary form of sensory experience is of bare patches of qualia free of all relations. Whitehead called this mode of perception “presentational immediacy,” contrasting it with the more foundational mode of “causal efficacy.” When I refer to entering an aesthetic or poetic time-space, I mean attending again to the causality of sensuality, to the way aesthesis links us up with real currents of energy in our cosmic, biotic, and psychic environs. This is James’ radical empiricism, adapted by Whitehead following his protest against the bifurcation of nature. I’ve written about this in a short essay on the importance of Wordsworth’s nature poetry for Whitehead’s account of perception. For Whitehead, nature is “what we are aware of in perception” (The Concept of Nature):

“For natural philosophy everything perceived is in nature. We may not pick and choose. For us the red glow of the sunset should be as much part of nature as are the molecules and electric waves by which men of science would explain the phenomenon. It is for natural philosophy to analyze how these various elements of nature are connected.

In making this demand I conceive myself as adopting our immediate instinctive attitude towards perceptual knowledge which is only abandoned under the influence of theory. We are instinctively willing to believe that by due attention, more can be found in nature than that which is observed at first sight. But we will not be content with less. What we ask from the philosophy of science is some account of the coherence of things perceptively known.

This means a refusal to countenance any theory of psychic additions to the object known in perception. For example, what is given in perception is the green grass. This is an object which we know as an ingredient in nature. The theory of psychic additions would treat the greenness as a psychic addition furnished by the perceiving mind, and would leave to nature merely the molecules and the radiant energy which influence the mind towards that perception. My argument is that this dragging in of the mind as making additions of its own to the thing posited for knowledge by sense-awareness is merely a way of shirking the problem of natural philosophy. That problem is to discuss the relations inter se of things known, abstracted from the bare fact that they are known. Natural philosophy should never ask, what is in the mind and what is in nature. To do so is a confession that it has failed to express relations between things perceptively known, namely to express those natural relations whose expression is natural philosophy. It may be that the task is too hard for us, that the relations are too complex and too various for our apprehension, or are too trivial to be worth the trouble of exposition. It is indeed true that we have gone but a very small way in the adequate formulation of such relations. But at least do not let us endeavor to conceal failure under a theory of the byplay of the perceiving mind.

What I am essentially protesting against is the bifurcation of nature into two systems of reality, which, in so far as they are real, are real in different senses. One reality would be the entities such as electrons which are the study of speculative physics. This would be the reality which is there for knowledge; although on this theory it is never known. For what is known is the other sort of reality, which is the byplay of the mind. Thus there would be two natures, one is the conjecture and the other is the dream” (29-30).

The post-Jungian psychologist James Hillman treats this issue brilliantly in Emotion: A Comprehensive Phenomenology of Theories and Their Meaning for Therapy

“If energy were the underlying substrate of the universe, i.e., its ‘truth,’ and if emotion were the way in which it manifested itself to the mind, then the creative artist through his emotion would be apprehending this truth from within” (68).

So in summary, while I agree with Bryant’s criticism of the variety of transcendental, phenomenological, and (Saussurean) semiological philosophies of access for the way they reduce the mode of being of the non-human to that of the human, I do not think his bifurcated materialistic alternative provides us with a more coherent ontology. We’re left, instead, with irresolvable paradoxes (like the hard problem of consciousness, for example).

Speculative Realism, Dead or Alive.

Steven Shaviro’s new book The Universe of Things: On Speculative Realism arrived on my doorstep a few days ago courtesy of the University of Minnesota Press. I’m going to provide a bit of context in this post before diving into a review of the text in subsequent posts.


The press release U of M included in the package describes the book as “an up-to-the-moment critique of a recent turn in philosophical thought.” “Up-to-the-moment” it is not, since Shaviro has been testing much of the book’s content on his blog and at conferences since at least 2010. There will always be an important place for books in academic philosophy, but the principle procedural lesson of Speculative Realism (leaving aside its conceptual contributions for now) is that blogs must be an essential ingredient in any future academic philosophy hopes to carve out for itself. I strike out “academic” here because it is as yet unclear to me whether philosophy has much of a future in academia. If it is to survive the rise of the neoliberal university, philosophy may have to migrate into media ecologies more suited to free ranging public discourse and genuine learning (learning as an end in itself rather than preparation for the industrial workforce). Sometimes I think the blogosphere is able to provide this. Other times, not so much. Back in 2011, Ray Brassier (ironically the originator of the movement’s name and organizer of its first conference back in 2007) dismissed Speculative Realism as nothing more than “an online orgy of stupidity” cooked up to exploit impressionable graduate students. Since then, several dozen books have been published on the subject, including six titles in the past few weeks alone by Peter Gratton, Tom Sparrow, Peter Wolfendale, Dylan Trigg, Markus Gabriel, and Roland Faber and Andrew Goffey (eds.). If we include the last 6 or 7 months, there have also been publications by Levi Bryant and Tristan Garcia. Obviously, there is more to SR than the late night blog musings of a few overzealous graduate students. In Brassier’s defense, however, it is equally obvious that much of the recent activity in the SR blogosphere has been a total waste of bandwidth. It’s a lot of posturing and very little if any philosophizing.

Much of the controversy of late has centered around Wolfendale’s Object-Oriented Ontology: The Noumenon’s New Clothes, which violently attacks the philosophy of Graham Harman. I haven’t and won’t read the 400-page tome, but word on the street is Wolfendale ends up diagnosing OOO as a symptom of some sort of philosophical pathology (it seems the disease infects both admirers and despisers of OOO—why else would Wolfendale write 400-pages on it?).  Brassier makes a cameo appearance in the book’s afterward only to once again announce the nonexistence of the SR movement. Harman has responded to the recent dust-up, somehow managing to keep his cool despite Wolfendale’s accusation that he employs some sort of (in Harman’s words) “devious brainwashing mind-control charisma” to popularize his philosophy.

“I’m not aware of having any such power,” continues Harman, “nor am I aware of having ruthlessly crushed a thousand-flowers-blooming SR blogosphere, as Wolfendale bizarrely contends.”

In preparation for my review of Shaviro’s book, which engages with Harman more intimately than any other SR thinker, I recently re-read the last chapter of his early book Guerrilla Metaphysics: Phenomenology and the Carpentry of Things (2005). His style really is infectious. And because of the aesthetic roots of his ontology, it is not at all incidental to his arguments. “A style,” according to Harman, “is never visibly present, but enters the world like a concealed emperor and dominates certain regions of our perception” (55). There is nothing naked about his prose. Reading him is perhaps best described as a psychedelic experience.

Like Shaviro, I have certain conceptual qualms with Harman’s substance ontology, as well as with what I believe to be his misreading of Whitehead’s process ontology. But I am fundamentally in agreement with the spirit in which he engages philosophy. His call for less critique and more invention couldn’t come at a more crucial juncture in the history of ideas and the evolution of (post)human consciousness. Echoing other speculative thinkers like Bruno Latour and Isabelle Stengers, he calls for turn toward a more constructive and less anthropocentric mode of thinking: “We seek a form of invention no different in kind from the blossoming of cherry trees or the compression of carbon into diamond” (241). He warns us that “progress [in metaphysics] is constantly threatened with relapse into critique, that most deeply rooted intellectual habit of our time”(237-8), and contrasts critique with curiosity and the capacity for surprise, even going so far as to equate the latter with wisdom itself: “Wisdom means the ability to be surprised because only this ability shows sufficient integrity to listen to the voice of the world instead of our own prejudice about the world, a goal that eludes even the wisest of humans a good deal of the time” (239).

It is in this same spirit that Whitehead endeavored to philosophize, and in “rediscovering” him (as U of M’s press release puts it), Shaviro carries this spirit forward in a constructive way. Harman thanks Shaviro on the back cover for avoiding prose full of “rancor and backstabbing ambition” and praises him as “the most dignified and helpful of Speculative Realism’s critics.” I’ve also often found his work helpful. Particularly helpful was his earlier book Without Criteria: Kant, Whitehead, Deleuze and Aesthetics (2009), which was basically my introduction to Deleuze. Also key for my understanding of the stakes of speculative thinking has been his insistence upon the philosophical fork in the road between panpsychism and eliminativism (an issue he takes up again in The Universe of Things). 

I’ll begin my review of Shaviro’s new book in subsequent posts over the next several days…

Process, Relationality, and Individuality: Graham Harman and Alfred Norht Whitehead (response to Jonathan Cobb)

Relevant links to the argument between me, Levi Bryant, and Graham Harman:

Levi Bryant Mis-reading Whitehead?

Harman’s response to me

Whitehead’s Process Atomism (Response to Graham Harman)

Object as subject-superject, or why Harman is wrong about Whitehead

Occasionalism in Whitehead and Harman

Harman’s Crucified Objects and Whitehead’s God: More on Withdrawal



Letters on Cosmology and Theodicy

Below, I’ve copied an email thread with Dan Dettloff, who blogs at Re(-)petitions. I thought some of our other readers might want to chime in. Actually, I’d really like to hear other people’s responses to Dan’s question. I’ve not arrived at a satisfying answer to it, but I do think getting past “the problem of evil” will require a far more radical re-conceptualization of God’s nature than that offered by any ontotheology. On the other hand, there is more to religion than concepts. If, as the religious believe, God actually exists, then God is not simply an idea. God is real. After Kant–for whom God became merely a regulative idea necessary “for us” as rational thinkers but for all that not necessary for being “in itself”–the problem of evil became more acute, since it was re-located from the transcendent to the transcendental, from the universal to the individual: what had been an abstract problem for God to work out before the creation of the universe became a concrete problem for each human person to work out before theorizing about or acting within the world. Theology was no longer ontologically relevant, was not a science of divinity, but nonetheless remained crucially important for phenomenological knowledge and practical affairs, for free and responsible action among others. Without the regulative idea of God, or the Kingdom of Ends, human freedom would spin free of its gravitational center and unwind into blind willing. We would be incapable of good or evil action, incapable of loving. We would be as nothing.

Dean has been busy trying to think Christianity in the context of Speculative Realism and the “New Story” of evolutionary cosmology. Some of my own thoughts on these topoi were collected in this essay “Towards a Christological Realism.”


I’ll be brief, as I’m sure you’re busy, and I to you with what may turn out to be a bit of a heady question. I have followed your blog from time to time, and I admire your ability to bring various strands of thinking together. In fact, your writing prompted me to take a course on eco-theology with Dennis O’Hara in Toronto. I come from continental philosophy and identify as a Christian with the usual string of philosophical qualifiers. Convicted by Speculative Realism and a general growing interest in science, I have been hard at work trying to bring together the theological visions, which have ontological ramifications, of religious traditions (most specifically Christianity). Perhaps a year or so ago, Levi Bryant made a post at larval subjects calling out folks like Caputo for reducing religion to a sort of poetic overlay on the world, suggesting this cuts its legitimate, if (on Bryant’s view) misguided, ontological claims.

I share Bryant’s criticism, but, naturally, not his atheism, and as such have been exploring just what those ontological claims of Christianity might be, especially given the new cosmology. I’ve read The Universe Story by Brian Swimme and Thomas Berry and Berry’s The Great Work, along with a myriad of articles (and I have some formal theological training, most specifically with Moltmann). While I’m not novice to theology, I recognize that this is a new arena for me, or at least I’m coming to it with new sets of questions.

Let me cut to the chase. I’m having trouble finding a satisfactory answer to the problems of creative destruction in the universe story, especially as it pertains to the kind of vision of a God of love present in most religious traditions. The argument is likely not foreign to you, but so we’re on the same page it goes something like: if God is so loving, as revealed in figures like, for example, Jesus Christ (though one could obviously choose others, but perhaps staying Christocentric will give us a little bit of a particular ground to work with), and God reveals that humans are called to enact radical love, forgiveness, and peace in the world, why would God create a universe which can only seem to create itself via loads of natural evil? In other words, when God incarnates into the person of Christ, God essentially becomes not just a human but inherits the sacrifice of millions of suffering creatures who, as part of the universe story, have given rise to this particular conscious being we call Jesus. Jesus then explores an ethic of love which runs precisely counter to the pre-human logic of cosmogenesis (or at least biogenesis).

Solutions to this issue usually take the form of some kind of libertarian notion of freedom for creation. God steps back and allows creation to realize itself. But this, too, is at odds with plenty of religious definitions of freedom, and, of course, autonomy is hardly synonymous with freedom. So what gives? Are we forced to affirm some kind of strange, perverse religious ontology which suggests God creates a universe which creates itself, only to tell the universe it was messing up the whole time? Do you know of any ways out of this predicament?Thanks in advance, Matthew. I hope all is well, and thank you, again, for your work. I’ve personally benefited quite a bit from it and look forward to reading more.



Hi Dean,

Thanks for your email. You’ve raised a question that has been on my mind lately, actually. I just finished a book by Matthew Stewart called The Courtier and the Heretic: Spinoza, Leibniz, and the Fate of God in the Modern World. It goes into the different theological positions of Spinoza and Leibniz.

For Spinoza (a pantheist), there is no such thing as good and evil from God’s all-inclusive perspective. Further, God has no freedom, since God is identical to the natural world, which was conceived by Spinoza along Newtonian lines as deterministic and law-abiding.

For Spinoza, the problem of evil is really just an illusion resulting from our limited perspective on things. Things are the way they are because they couldn’t have been any other way. God had no choice in the matter.

Leibniz was deeply influenced by Spinoza, but fought against his conclusions. Leibniz wanted to defend a conception of God as both apart from and internal to the universe, as both free and as necessary. In his Theodicy, he asked “why is there something, rather than nothing?” He imagined God deliberating with Himself prior to creating the universe: “Is such an endeavor worth it?,” Leibniz imagines God asking Himself. Leibniz then distinguishes between the divine understanding (God’s mind, if you will) and the divine will (God’s heart). The divine understanding, in creating a universe, must obey the logical principles of identity and non-contradiction. The divine will, given these restrictions, desires to create the best of all possible worlds. So the finite created world we know, according to Leibniz, contains the least amount of evil that it possibly could contain. God did His best, in other words. He decided it was worth creating the world for the good that would result, even if this good was won at the cost of some degree of evil and suffering.

My own response to the problem of evil comes largely out of Whitehead’s process theology. Whitehead (dis)solves the problem in a way that may be unacceptable to some orthodox Christians, in that he denies God’s omnipotence. Leibniz also limited God’s power in some sense (in that he required God to obey logic–Descartes is an example of someone who conceived of God as so powerful that He could even make 2+2=5 if He wanted). But Whitehead’s denial is more radical. God is no longer an all-powerful dictator who created out of nothing a finite and contingent universe. Rather, God is a creature of Creativity, part of cosmogenesis like you and I, not a distant unmoved mover but”a fellow sufferer who understands.” His only power derives from “the worship He inspires.” He is not capable of coercing creation to obey his commands, but works gently by way of erotic, moral, and aesthetic persuasion.

I presented a paper recently that further fleshes out Whitehead’s psychocosmotheology called “Worldly Religion in Whitehead and Deleuze: Steps Toward an Incarnational Philosophy” that further develops his process theology.

In short, for Whitehead, evil is not God’s fault, but is a side effect of creative process/evolutionary becoming. Evil is “creativity in the wrong season,” as he puts it.I’m also influenced by Schelling’s treatment of these issues… He would probably invert the Whiteheadianism that “evil is not God’s fault.” For Schelling, evil is precisely the fault or fissure in God between hiddenness and revelation, between wrathful withdrawal and radiant love.

Hope that clarifies some things for you somewhat… I welcome further dialogue about all this. Would you mind if I post your question and my response on my blog? I think others would enjoy thinking alongside us.


Thanks so much for your timely and thorough response. You’re welcome to post it on your blog, and feel free to edit whatever you’d like. I’m not much a stickler on those sorts of things.

Your presentation of Whitehead is a useful way of cutting through Spinoza and Leibniz. I wonder, though, if this response moves the problem around rather than solving it (I recognize that “theodicy” may very well be an impossible thing to “solve,” but it remains the nagging problem of the universe story and, I fear, threatens it as a viable interpretive option). While I would happily deny God’s classical omnipotence, the question remains as to how God could not have created a universe which creates itself without all the violence. The Judeo-Christian writings get out of the problem by basically affirming that God creates a universe which is open to further development under a primordial goodness, and evil/suffering end up having a radically anthropocentric cause. This older cosmological mythos doesn’t explain suffering, of course, but it gets God off the hook. With the new cosmology, I, like you, find it necessary to deny a strong Providence, but we end up running into the usual problems of process theism, namely that it seems to encourage us to modify the concept of God so significantly that the God who comes out on the other side seems totally alien to the impulses of most world religions. God ends up sort of being shoe-horned into a certain cosmological model rather than setting the terms of the discourse, and thus process theology runs the risk of re-establishing another God of the philosophers and committing the sin of ontotheology.

Bringing this back to the problem of evil, the process paradigm, while still (I think) a God of the philosophers, is an improvement on the classical paradigm, but it fails to name the origin of evil other than to say it is structurally present in the very processes of the universe. It would be hard, I think, to hold that God creates the universe out of love as a result. We would need to posit the usual Boehme-Hegel-Moltmann-zimzum models, which come loaded with their own structural instabilities just as the classical models do.

But perhaps I’ve missed something somewhere along the way. I’ve sort of assumed a lot of things about these models in a slow disclosure of how I feel about them, and I certainly don’t want to pin anything on you that you don’t wish to be saying. My apologies for any presumptions or errors.

Thanks again for your time, Matt.




I suppose it comes down to whether or not we are persons of faith, for whom God’s nature and existence are attested by way of spiritual revelation. If we cannot simply affirm this or that sort of God by way of an inner faith or an acceptance of outer religious authority, then we are forced to consider the physico-cosmological revelation instead by asking: What can God be like, given what we know of the physical universe? This question seems absurd, even abhorrent, for evangelical Christians, since what we’ve learned about biological evolution (which marches forward mostly by way of the satanic Great Selectors: sex and death) suggests we’d do better not ask the question at all, since if such a universe of continual carnage does have a Creator, its not the sort of God that would be worth loving. Better to be an atheist than to admit the existence of a deity who thought billions of years of rape and slaughter were worth the effort of creation…

I think process theism, whether we’re talking about Whitehead’s version, or Schelling’s Böhmean version, forces us to consider the darkness, the wrath, and the unconsciousness of God, as much as we may prefer only to look at His conscious light and love. If the life of God is an eternal process of incarnation, then the classical sort of religion that would have provided its adherents with hope for some sort of escape hatch to a better world beyond this one must be regarded as nothing more than the illusion of a death fearing primate struggling desperately to cope. God is here with us, part of us, living and dying with us. God isn’t trying to escape this world, but to become more and more mixed up with it. Creation wasn’t something God undertook by choice, as far as I can tell.

“God,” said Whitehead to Lucien Price, “is in the world, or nowhere, creating continually in us and around us. This creative principle is everywhere, in animate and so-called inanimate matter, in the ether, water, earth, human hearts…In so far as man partakes of this creative process does he partake of the divine, of God, and that participation is his immortality, reducing the question of whether his individuality survives death…to…irrelevancy. His true destiny as co-creator in the universe is his dignity and his grandeur.”

I came across this article in The Atlantic penned by Whitehead in 1925 called “Science and Religion.” Much of it seems to be excerpted from his lecture published as Religion in the Making. Thought it might be relevant to quote at length:

“Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realized; something which is a remote possibility, and yet the greatest of present facts; something which gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest. The immediate reaction of human nature to the religious vision is worship. Religion has emerged into human experience mixed with the crudest fancies of barbaric imagination. Gradually, slowly, steadily, the vision recurs in history under nobler form and with clearer expression. It is the one element in human experience which persistently shows an upward trend. It fades and then recurs. But when it renews its force it recurs with an added richness and purity of content. The fact of the religious vision, and its history of persistent expansion, is our one ground for optimism. Apart from it, human life is a flash of occasional enjoyments lighting up a mass of pain and misery, a bagatelle of transient experience.


The vision claims nothing but worship; and worship is a surrender to the claim for assimilation, urged with the motive force of mutual love. The vision never overrules. It is always there, and it has the power of love presenting the one purpose whose fulfillment is eternal harmony. Such order as we find in nature is never force — it presents itself as the one harmonious adjustment of complex detail. Evil is the brute motive force of fragmentary purpose, disregarding the eternal vision. Evil is overruling, retarding, hurting. The power of God is the worship He inspires. That religion is strong which in its ritual and its modes of thought evokes an apprehension of the commanding vision. The worship of God is not a rule of safety—it is an adventure of the spirit, a flight after the unattainable. The death of religion comes with the repression of the high hope of adventure.”



Brian Swimme on “The New Story” in cosmology:

Update: By chance, I noticed this opinion piece in the Sunday New York Times: “A Rationalist’s Mystical Moment” by Barbara Ehrenreich. Her discussion of Rudolf Otto‘s psychology of religion is certainly relevant.

Life in the Pluriverse: Towards a Realistic Pluralism

Levi Bryant recently called for a cross-blog discussion concerning what he perceives to be the problematic relationship between ethnographic pluralism and ontological realism. His call was instigated by Jeremy Trombley’s post on the so-called “ontological turn” in contemporary anthropology and ethnography. Trombley articulated what might be described as an ontology of the concept, wherein concepts are not representational frames that mirror (or fail to mirror) the world, but participatory interventions that dis- and/or re-assemble our thoughts and practices. Trombley writes:

“a concept or conceptual assemblage – ontology, feminism, queer theory, post-colonial theory, etc. – enables us to understand differently, and in understanding differently, it enables us to also be differently… What the ontological turn does is…[allow] us to reflect not only on the way we represent, but on the way that we exist and the kinds of relations we compose through our practices.”

Before I get into what such an anti-representationalist ontology of concepts does to our understanding of Truth (hint: Truth is not pre-given but enacted), I should mention a few other bloggers who have already jumped into the conversation. Phillip of the blog Circling Squares (which I need to explore more!) responded to Bryant’s original post by pointing out that thinkers like Latour and Stengers (and Whitehead before them) have been articulating a rather robust form of pluralistic realism for some time now (i.e., cosmopolitics). Terence Blake of Agent Swarm also chimed in, arguing that Bryant’s “realism” seems to be no more than old-school scientism, so it shouldn’t come as a surprise that it is so difficult to square with pluralism.

Bryant believes that the social constructionist turn of the 90s was politically valuable in that it improved the social standing of many oppressed minorities. But he rejects what he perceives to be the extension of such constructionism beyond politics into ontology. Bryant writes:

“In arguing that everything is a social construction, the pluralist undermines the possibility of public deliberation about truth. Everything becomes an optional narrative or story about the world, an optional picture of reality, where we are free to choose among the various options that most suit our taste.  It’s not a surprise that so much of the philosophy during the 90s in both phenomenology and post-structuralism culminated in a theological turn.  For where everything, including science, is just a narrative or story about what being is, why not just go ahead and take a leap of faith?”

I’m not sure if Bryant intends to include cosmopolitical thinkers like Latour and Stengers in his punching bag category “social constructionist.” I don’t understand how he could. If he does insist on labeling them as such (which seems to me to just obscure their true positions–but if he insists…), then, building on Whitehead’s categoreal scheme, I’d retort that “society” for these cosmopolitical thinkers has to be understood in the most general sense as an ontological category, not simply a human “construct.” The human organism is already a society of cells, each of which is itself a society of organelles, each of which is a society of molecules, each of which is a society of atoms, each of which is a society of protons, neutrons, and electrons, and so on… Realities are decomposed and recomposed by associations between and among actual occasions–occasions which are never simple unities but are always multiple and so always “in the making.” Which brings me to the concept of “construction”: if we are working within a process ontology, construction also needs to be ontologized. Biological evolution is a gradual process of construction wherein what begins as psychological desire later becomes physiological reality (to take the example of evolution by sexual selection). The physical world is itself continually constructed by what physicists are now calling “geometrogenesis.” This is not to say that the physical world is a human construct, mind you. The picture that is beginning to become clear as a result of contemporary physical cosmology is that space and time are the co-emergent products of the real activity of pure energy, something both non-human and pre-physical/pre-extended (Whitehead called it Creativity; physicists call it the quantum vacuum). If the physical world (as described by contemporary physics) is a network of relations always “in the making,” and not some collection of pre-given particles obeying eternal laws, then a “true” understanding of it must also always remain open-ended. There is no Science or Universal Reason that might once and for all pronounce upon the nature of the Real. There are many sciences, many methods, many rationalities. Science as it is actually practiced now and in the past has always already been a pluralistic enterprise. As Latour showed in Science in Action, what ends up being called “Nature” is always a consequence of some more or less temporary settlement of controversies. Every new generation of scientists stirs up new controversies about what the aging generation thought was settled.

The cosmopolitical perspective that I’d want to defend certainly does not “undermine the possibility of public deliberation about truth”–it is (once we accept an enactivist account of truth) the condition of its possibility! It is Bryant’s position that rules out such public deliberation by insisting on declaring war on all those human societies that reject materialism. Latour has plenty to say about the vacuity of the notion of “matter,” which I’ve discussed elsewhere and won’t get into here.  Accepting a cosmopolitical form of ontological pluralism doesn’t at all require that we think of all beliefs and belief-systems as created equal. Nor does it imply that social groups “freely choose” their beliefs simply as a matter of “taste.” The ontological commitments of any given society typically emerge out of long multi-generational processes of historical development. They aren’t just made-up on a whim by individual members. Further, the world view of a social group is as integral to their their livelihood and well-being as their food, shelter, and water, not simply an optional aesthetic veneer. As Trombley suggested, belief-systems enact ways of being and are not just representations.

Ontological pluralism is a commitment to multiple realities, many of which overlap, but some of which remain (at least for now) irreconcilable. It is not a commitment to tolerance of multiple perspectives on a single reality. This latter option, as Bryant points out, would be a rather trivial form of pluralism. It is also a rather colonialist and scientistic take on the Real. Anyone trying to argue that contemporary science has somehow provided us with a unified account of an objective reality that holds true for all people in all places and times has their work cut out for them. Several hundred years of “modern” science has only succeeded in making the world stranger, more dangerous, and more multifarious than it was for ancient and medieval peoples.

Am I saying that a ayahuasca shaman’s encounter with the spirit of the jaguar is just as real as the particle physicist’s encounter with the Higgs boson? Yes, most definitely. In fact, the shaman’s encounter is way more concrete and direct than the physicist’s, since the latter has to wait for a world-wide network of supercomputers to process the information for him, which only after many repeated trials, journal publications, and so on becomes what most (but not every!) physicist will agree is something like a Higgs boson. Even after all this painstakingly detailed mediation (“science in the making”), the Higgs boson remains now and forever a theoretical construct. The ayahuasqueros’ encounter with the jaguar spirit is anything but. Sure, a cognitive neuroscientist might claim to be able to explain the shaman’s experience as a “brain malfunction” brought on by the ingestion of a psychedelic plant brew. But this remains a reductive etic description and not a complete explanation. The neuroscientist should participate in an ayahuasca ceremony for himself before he goes declaring war on the shaman. At least, this is what a pluralist ethics would entail. Such shamanic practices have functioned quite well in their own tribal context for thousands of years. Instead of assuming from the get go that anyone who doesn’t describe the world in your favored language is deluded, try to get to know them, to understand not only what their world is like, but how their world is brought forth. Follow the injunctions through which they enact their world. Then, once you’ve explored it from the inside, by all means judge their enactment, contest it, translate its features into other terms to show why it is unethical, dangerous, or misguided.

I’ll leave you with an excerpt from an essay of mine on the ethical implications of enactivism and the need for a pluralistic planetary mythos (Logos of a Living Earth):

One consequence of the enactive approach is that the Cartesian quest for epistemological certainty becomes but the expression of a particular cognitive domain made possible by the abstract languages of mathematics, precise measurements of machine technologies, and controlled laboratory environment. If the nervous system is operationally closed, its function cannot be to modestly mirror an external, objective reality, even if the modest witnesses are highly trained scientists allied with powerful instruments that extend their sensory reach. The operational closure of the nervous system forestalls a representational account of its activity, as its role is maintaining coherence, rather than correspondence, between organism and environment. New techniques may open up previously hidden worlds, as when Galileo first turned a telescope to the sky and revealed the moons of Jupiter in 1610, or Hooke first recognized cells through a microscope in 1665, but one cannot speak of finally discovering the real as if it existed independently of our bodily and inter-bodily experience of its meaning.

As Haraway has suggested (p. 199, 1997), “…objectivity is less about realism than about intersubjectivity.” She yearns for us to come to see objectivity as a way of “forming ties across wide distances” (ibid.), instead of as the privileged and modest perspective of self-invisible European men who remain somehow unpolluted by their ambiguously situated bodies (p. 23-32, ibid.). If science can claim relative epistemological privilege, it is not the result of transcending culture, but of the ever-accelerating, ever-expanding mobility and combinability of the traces scientists and their cyborg surrogates have constructed within their networks. Outside of these special networks of labs, machines, shared languages, and centrally controlled policy initiatives, scientific facts have little relevance. As Latour put it, “we might compare scientific facts to frozen fish: the cold chain that keeps them fresh must not be interrupted, however briefly” (p. 119, Latour, 1993).

John Caputo on Speculative Realism

Thanks to Adam/Knowledge-Ecology for pointing me to this one.

I really dig what he says about physics and science…

These posts are relevant to some of what Caputo has to say about correlationism, the philosophy of religion, and physical reality:

Unnecessary Mechanism: A Reply to R. Scott Bakker

“The machinery of the brain does all the work–after all, what else is there? What [Cain] calls ‘thinking of science in normative terms’ is a mechanistic enterprise, something our brains do. Since metacognition is all but blind to the mechanistic nature of the brain, it cognizes cognition otherwise, in nonmechanical, acausal, magical terms. Normative judgements, intentional relations, and so on: these are simply ways our brain naturally mischaracterizes its own activity.” -R. Scott Bakker


“Scientists animated by the purpose of proving that they are purposeless constitute an interesting subject for study.” -Alfred North Whitehead, The Function of Reason (16).

Those who have been tracking my last few posts (HERE and HERE) will know I’ve been enjoying Ben Cain’s philosophy blog Rants Within the Undead God. It was in a guest post on fantasy author R. Scott Bakker‘s blog Three Pound Brain that I first encountered Cain’s mind. Bakker has just published a critical reply to Cain’s guest post a few days ago on the philosophical difficulties facing scientism. I’m as new to Bakker’s “blind brain theory” (BBT) as I am to Cain’s “existential cosmicism,” but I’ve been reading Cain and Bakker’s recent exchange concerning the ontological status of consciousness in our scientific age with tremendous interest. I agree with Bakker that we ought to be extremely disturbed and existentially unsettled by BBT’s implications, just not for the reasons he thinks.

Like Cain, I find Bakker’s BBT threatening not because it is true in some matter of fact sense, but because it is becoming increasingly true (in the American pragmatist sense) as the values of techno-scientific imperialism continue to infect secular societies (techno-capitalism has done a fabulous job marketing these values thus far). It is indeed becoming increasingly more difficult to distinguish ourselves from machines. As Cain suggests:

 Maybe our imagination, emotion, intuition, and creativity will atrophy as our habits continue to be shaped by our artificial environments. Then again, we’d be looking not so much at a scientific revelation of what we’ve always really been, but at a transformation of human nature for the worse.

While Bakker cognitively mobilizes unexplained explainers like “scientific accuracy” (achieved by a disinterested res cogitans?) and “natural mechanism” (mathematizable res extensa?), I’d prefer to call upon the non-modern powers of creative imagination and cosmogenesis in my speculative fantasies (in Hillman’s sense of fantasy). I take my speculative risks on behalf of philosophical inquiry and creative intuition attempting to attune with the logos of the chaosmos. This is an infinite task, it must be admitted. But then philosophy is full of infinite tasks, as Husserl taught us“Scientific accuracy” is also an infinite task, is it not? I suppose only if the universe is an infinite fact. 

Bakker is not happy about the loaded labels of “scientism” and “absolutism” fired at him by Cain. I think its true that these labels tend to carry negative connotations, but I’m surprised that Bakker doesn’t just own up to BBT’s philosophical allegiance to those very connotations (i.e., science as the only valid way of knowing because philosophical intuition is bosh, etc.). Neuroscientists like the “hardheaded devotee of aggressive-exterminative scientism” (as Graham Harman referred to himThomas Metzinger and eliminativist philosophers like Ray Brassier don’t shy away from the term but seem rather to wear it as a badge of honor.

The Varieties of Naturalistic Philosophy

If a pushy philosopher were to back me into a corner and force me to choose one or the other, naturalism or supernaturalism, I would choose naturalism. But I’d find myself wanting to ask, as Socrates might, what is meant by “nature”?

Physics becomes metaphysics as soon as the word–”nature”–is pronounced. The logos of language of its own accord compels conscious creatures like us to ask the fateful question: “What is nature?” I’ve heard many definitions, each with its own interesting implications for any attempt to interpret experiential reality. Plato suggested that nature was the life of the All. Aristotle posited that nature was the sum total of phenomenal/physical beings. Descartes thought it was energetic vortexes circling in an extended plenum. Newton thought it was atoms colliding in the void of space (space, meanwhile, he considered to be the omniscient sensorium of God).

We might also reframe the question by asking about the proper relationship between the logos which asks and the nature which responds. From this there may emerge important epistemological, aesthetic, and ethical queries, none of which are anything like the pursuits of the specialized natural sciences. These methods of inquiry pose their own kinds of problems and devise their own kinds of solutions, solutions which, though they are relevant (we hope!), still differ greatly from the kinds of solutions sought out by physicists and chemists.

“The recourse to metaphysics,” says Whitehead, “is like throwing a match into the powder magazine. It blows up the whole arena” (The Concept of Nature, 29).

Once the question of nature has been asked, it seems we come to find ourselves in a strange and imaginal land. Appearances can no longer be taken for granted as real. Knowledge comes to seem unfounded. Plato wrote from such a mythical place of not-knowing in the Timaeus, even daring to offer several names for it including chora, matrixreceptacle, nurse, and nurturer. He depicted this matrix hovering between the being of invisible forms and the becoming of visible matter, able to take on any definite form and thereby grant it birth into the physical realm, while itself always remaining formless. I interpret Plato’s nurturing “third kind” between the eidos and chaos not as a fantasy land, but as the event-place of reality’s eruption into concrete experience. Necessary ideas and contingent matter are both abstractions from the real. The real comes to be always in-between.

To even frame a polemic around the dichotomy “naturalism v. supernaturalism,” no matter whether one’s aim to choose the atheistic or theological option, is already to implicate oneself in a logic of transcendence, since each term is defined only by its exclusion of the other. A more friendly inquiry (born out of intellectual philia rather than intellectual polemos) was that of Spinoza, who thought not in the exclusive terms of either God or Nature, but in the integral terms of both God and Nature.

Approaching the metaphysical problems posed by naturalism philosophically, rather than polemically, allows one to delight in the multiplication of possibilities and in the intensification of wonder, rather than in the rush to simplify and explain.

Levi Bryant recently offered some thoughts, and some fighting words, on behalf of the naturalistic interpretation of reality (Skholiast has responded in a way that contextualized Bryant’s remarks for me quite nicely). Bryant’s real enemy in these posts is the Continental tradition of philosophy, which he suggests was founded in the 19th century as an anthropocentric reaction against the tremendously technologically successful (but psychologically traumatizing) scientific naturalism first developed in the 16th century. Bryant’s naturalism has three major requirements: 1) no supernatural causes, 2) no metaphysical telos, 3) culture must be natural. A implication of these requirements is that materiality and insensate efficient forces are to be the only real factors operating anywhere in the natural world. Bryant also rejects the idea of nature constructed in the imaginations of reductionists, eliminativists, and positivists, preferring his own “machine-oriented ontology.”

As I said at the beginning, if the dilemma were posed as such, I’d also want to pursue naturalist over supernaturalist accounts of reality. I think Bryant has rightly avoided the blunders of the other ideas of nature floating around among materialists. His alternative materialist ontology is of great interest to me, if only because on some level I do enjoy the creativity that can be unleashed by polemic (“War is the father of all things…” Heraclitus). For the past four of five years of my graduate study at CIIS, I have had a handful of guides helping to shape my initial approach to questions concerning the nature of nature. Of this handful, I’ve grown most familiar with the voices of Alfred North Whitehead and Friedrich Joseph Schelling. As far as naturalisms go, I’d toss as many of their books into my metaphysical wagon as my horses are able to carry. Spare me your universal acids and logics of extinction, I’ll take an originally duplicitous nature animated by a mytho-logic of creativity.

Of course,  the journey through the dessert of the real cannot be completed only by imbibing the spilt ink of dead names. Thoughts must boil up from out of the heat of my own blood and words must be uttered from out of the air of my own lungs. I’m working on it… But let us not forget this is also a conspiracy. Though we wage war with symbolic soldiers on paper battlefields, we still think our thoughts, breathe our words, and take our earthly steps together. There need be no polemic between a machine- and an organic-orientation toward reality if we are able to approach their proper relation in a friendly (i.e., a philosophical) way. Schelling’s Naturphilosophie is an attempt to account for both the appearance of mechanism and the reality of organism. He writes:

the particular successions of causes and effects (that delude us with the appearance of mechanism) disappear as infinitely small straight lines in the universal curvature of the organism in which the world itself persists (On the World Soul, trans. Iain Hamilton Grant, Collapse: Philosophical Research and DevelopmentVI, 70.)

Similarly, from the perspective of Whitehead’s philosophy of organism, physics and chemistry do not study the non-living components of living ecologies; rather, they are themselves the study of living ecologies at scales other than the biological, tracking the migratory behavior of electrons and protons rather than gnats and zebras. I hearken back to the original meaning of the Greek word physis here, which did not refer to the motion of dead stuff through empty space, but to the growth of living form in teleological time. “Life,” in the context of the organism-oriented ontology I’m trying to construct, is not bios but zoö, where the latter comes to designate existence as such. What exists as such are living organisms.

Bryant denies to naturalism anything but material and efficient causality. I am not aware of any coherent interpretation of quantum physics based solely on material and efficient causation. Nor am I aware of any coherent explanation for biological phylo- or ontogenesis that does not employ at least formal if not also final causes. Unless we are willing to ignore much of “what we are aware of in perception” (Whitehead’s definition of the nature studied by science), it is hard not to grant more than the blind conveyance of forces to nature. To be fair, Bryant does think biological purposes can emerge on accident out of the evolutionary algorithm. Human ideals are emergent realities, new features of the world. I’d argue that telos is no accident, but rather, like life, it is of the very essence of existence. To exist is to be a reason. Nature is not aimless, but nor is its telos designed by a transcendent demiurge. Nature is a creative process of birth and perishing persuaded into enduring patterns of harmony by a participating Eros. Harmony is not a metaphysical necessity, though both Creativity and Eros are. Cosmic harmony is an achievement, the contingent result of the values of a society of organisms characteristic of a particular cosmic epoch. Cosmos need not always emerge from chaos; yet it tends to.

Bryant leaves open the possibility that the world’s great religious teachers might have important metaphysical lessons to teach us. One of my projects has been to try to argue for the relevance of religious imaginaries in combatting precisely the sort of anthropocentrism that Bryant claims naturalism vanquishes (see for example this essay on a Christian spiritual response to the social and ecological crises of our day).

Whitehead’s Process Atomism (response to Graham Harman)

Graham Harman has jumped in offering his own response to my recent comment directed at Levi Bryant regarding his interpretation of Whitehead.

The core issue, for Harman, is whether Whitehead’s position is ultimately reducible to some form of relationism, wherein an actual occasion is no more than the sum of its prehensions, or whether Whitehead’s accounts of an occasion’s self-creation and self-enjoyment are enough to preserve some sort of individual withdrawal, thereby allowing genuine novelty to erupt in the course of cosmogenesis. Without such withdrawal, says Harman, there could be no change at all, much less novelty, since each actual occasion would always already be related to every other actual occasion. Without points of rupture in the continuum of relations, nothing new, nothing different, could ever emerge. Harman writes:

Change obviously occurs, and in my view Whitehead has a surprisingly difficult time accounting for it, despite the common impression that he is a philosopher of process and change (he is actually a remorseless philosopher of static instants, just like Heidegger– another philosopher who is wrongly viewed as a thinker of time). You can’t just say “of course Whitehead knows that things change,” and then hypostatize that awareness by positing concepts such as “concrescence” and “enjoyment” and dodging the question of whether they are prehensional or something more than prehensional (both of which lead to severe problems for Whitehead).

I’m honestly not sure what Harman is getting at by saying Whitehead is a remorseless philosopher of static instants. As far as I’m aware, Whitehead is a process philosopher, such that the relational flux of the cosmic nexūs is the foreground of his cosmology. His understanding of the universe of classical physics is similar to Bergson’s: physical science had become increasingly adept at spatializing time, allowing it to view nature denuded of value, quality, and duration. This lead to all sorts of metaphysical paradoxes, the results of badly analyzed composites and abstract bifurcations.

On the other hand, Whitehead was unwilling to follow Bergson’s anti-intellectualism. Picking up where Bergson left off (with his important critique of the philosophical tradition’s habit of backgrounding fluency in favor of the clear and distinct stasis of abstract categories like “extension”), Whitehead employs his own form of intellectual intuition to further differentiate fluency into two kinds (PR, 210):

1) concrescence (=”the real internal constitution of a particular existent”; i.e., the individual final causes of the universe), and 2) transition (=the perishing of a particular existent’s process, thereby “constituting that existent as an original element in the constitutions of other particular existences elicited by repetitions of process”; i.e., the transfer of inherited efficient causes through the universe). The continuity of the universe is preserved by the process of transition, while the withdrawal of individual occasions, and therefore the potential for novelty, is preserved by the process of concrescence. Unlike transition, concrescence is not simply prehensional. “Each actual occasion defines its own actual world from which it originates. No two occasions can have identical actual worlds” (210). Concrescence is the process by which any given actual occasion prehends the many occasions of its extensive continuum into some new definite form of unity (=achievement of subjective value) to be added to the ongoing advance of nature.

This differentiation between concrescence and transition allows Whitehead’s metaphysical scheme, despite its generally processual orientation, to remain nonetheless explicitly atomic. This comes through clearly enough in Process and Reality, where Whitehead writes: “the ultimate metaphysical truth is atomism” (35). He is lead to this conclusion largely as a result of the discoveries of quantum and relativity theories concerning the nature of time. 20th century science was forced to reject two ideas that had long provided its metaphysical first principles: 1) the idea of nature at an instant, and 2) the idea that the universe had a single continuous time flow.

On this point, Whitehead writes (35):

“There is a becoming of continuity, but no continuity of becoming. The actual occasions are the creatures which become, and they constitute a continuously extensive world. In other words, extensiveness becomes, but ‘becoming’ is not itself extensive.”

He concludes, as I quoted above, that atomic discontinuity is an ultimate metaphysical truth. The continuously extensive world with its universal relationality he considers an accident, not a metaphysical necessity: “continuity is a special condition arising from the society of creatures which constitute our immediate epoch” (36). The advance of nature involves an inheritance of rhythmic pattern from one concrescent occasion to the next. Between occasional beats, intervals are opened up, leaving room for improvisation.

Let me just add that, while I’ve obviously been influenced a tremendous amount by attempting to think with Whitehead, I realize that he is not infallible. My disagreement with Harman’s and Bryant’s critique is not a result of my wanting to protect a sacred cow from blasphemers; it is rather a result of wanting to be clear about the specifics of the metaphysical scheme that Whitehead has left us. I’m all for finding flaws and hacking the system to make improvements and to keep it relevant. But in this particular case, I just don’t think it is at all fair to Whitehead’s scheme to claim he reduces individuals to the flux. It seems like a simple mistake to me, easy enough to correct with a moderately careful reading his texts. Perhaps there is something deeper to the critique that Harman and Bryant are leveling, but they seem to have aimed it poorly; at least, I haven’t felt the force of the blow yet…

P.S.- Aside from Process and Reality, another good place to turn for Whitehead’s account of “forms of unity” and the relationship between the two kinds of fluency is chapter 5 of Modes of Thought, “Forms of Process.”


Margulis and the Psychedelic Eucharist

Here is Prof. Corey Anton lecturing on the recently deceased Lynn Margulis’ bio-philosophy.

Towards the end of her book (co-authored with Dorian Sagan) What Is Life?, Margulis offers an  analysis of the role of psilocybin in the evolution of mammalian consciousness.

She brings up the usage of psychedelic fungi in ancient mystery cults just after sharing Socrates’ warnings about the drug-like effects of writing. I’ve written about the relationship between psychedelic (al)chemistry and Plato’s/Socrates’ views on language as a pharmakon recently. I draw on Richard Doyle’s thesis in Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere that psychedelics have functioned as “rhetorical adjuncts” in the history of human evolution, carrying natural selection and sexual attraction beyond themselves into religion, and from religion on into scientific discovery and artistic creation. Altered states of consciousness have always been at the generative core of human civilization. Art, religion, and science are novel modes of production never before seen in the history of earth. Humans are doing something new now. Which doesn’t mean we aren’t still things. We are things with powers unheard of in the world until now. We are the thing that thinks things (science) and things thinking (art), and that can, under special circumstances, think itself thinging. Almost always, we remain unable to think ourselves thinging, unable to catch the “I” in the act of  “am-ing.” We simply act without knowing how or why, making up our reason for acting afterwards depending on the moods and emotions that happens to be coursing through us when the need (social/legal or moral/psychological) for a justification of some past action arises. Much institutional religion (in its modern forms, Christian televangelism and the civil religion of 24-hour cable news) seems to function sociologically by providing us with hope and solace despite the existential shame and guilt we feel as a result of knowing we don’t know how or why we act the way we do. We are each of us liars since the first words that came out of our mouths. “I am”? But who am I? The special circumstances that allow the “I am” to experientially concresce (that is, allow the substantial self to emerge and dissolve fluidly–to flow through and across its own and others boundaries freely) are cultivated by carrying ourselves into philosophical modes of mind. Philosophy is a way of life and a way of writing. Increasingly, due to the invisible divine hand of the market, it has been reduced to a way of writing without life, publishing for pay. And often we don’t even get to own our own writing! Philosophers are lucky enough even to finds jobs at all in these waning days of capital.

Yes, we are still things. But we are not just heads of cattle, not just anything. Nothing is just anything. A cow, a blade of grass, a clump of soil, a star in heaven–each is radically different and yet still rhyzomatically the same. Nobody knows what a thing is, how it works, or why it works that way. “No-one knows what a body can do” (Deleuze‘s Spinozist formula).

Margulis quites Maurice Blanchot on page 189 of What is Life?:

Yes, happily language is a thing. It is a written thing, a bit of bark, a sliver of rock, a fragment of clay in which the reality of the earth continues to exist.

Schelling on Nature, Humanity, and God (re-reading Iain Hamilton Grant)

Last year, some colleagues and I at CIIS participated in a panel discussion on Speculative Realism called “Here Comes Everything.” My lecture drew primarily upon Grant’s text Philosophies of Nature After Schelling (2006). This summer, I’ve been doing research for a comprehensive exam on the recent resurgence of Schellingian philosophy (HERE is my reading list). I saved Grant’s book until last, since I think it provides the strongest case for Schelling’s contemporary relevance by foregrounding the extent to which his long life of philosophical creativity remained, from beginning to end, focused on the problem of nature.

What is the problem of nature? Grant locates this problematic in the Kantian revolution, when the transcendental gap between freedom and nature reduced nature to mere appearance, a phenomenal ghost lying in wait for the practical projects of human industrialism. “The whole of modern European philosophy has this common deficiency,” wrote Schelling in 1809, “that nature does not exist for it.” Grant suggests that, in adopting Aristotle’s “physics of all things,” rather than Plato’s “physics of the All,” Kant made it impossible to ground his transcendentalism in anything but the anthropocentric ethical projects of practical reason (p. 7). From Schelling’s perspective, this is hardly a ground at all, since the transcendental subject cannot account for the genesis of its own subjectivity. Kant isn’t blind to this problem, but is forced to posit a logical concept of ground as the supersensible substrate underlying both nature and freedom. Schelling is not satisfied with a merely logical ground, so he retreats from Kant’s Aristotelian approach to physics (what Grant calls somaticism) to pursue Plato’s physics of the All. Instead of conceiving of ground as an underlying substrate or substance, Schelling, following Plato, grounds subjectivity in the dynamic activity of matter itself. Schelling here inaugurates a form of process ontology that will later be picked up by Whitehead, though the latter seems unaware of the former’s contributions to his own project. Whitehead bypassed any explicit acknowledgement of Schelling’s naturphilosophie, going back to Plato himself to find in the Timaeus the same possibility for a physics of becoming that Schelling did.

“Nature is subject,” says Schelling, which is not to say that nature necessarily conforms to the transcendental structure of the human mind (a form of anthropomorphism), but rather that the human mind is a recapitulation of the uncanny subjectivity of nature. Where Kant says we can’t know nature in itself, Schelling turns us back upon the strangeness of our own humanity to ask “do we really know what we are?”

In his celebrated 1809 text, Philosophical Investigations into the Essence of Human Freedom, Schelling delves into traditional theological, cosmological, and anthropological problems only to re-emerge, not with new answers, but with surprising new questions. Schelling discovers that human reason is itself a recapitulation of the sublime tension of cosmogenesis itself: the eternal struggle between darkness and light. Our human freedom to choose good or evil, according to Schelling, irrevocably separates us from the animal kingdom. Evil isn’t an obedience to brute instincts that might draw us back into animality; no, evil is unmistakably spiritual in origin. Schelling draws approvingly upon the work of his theosophical calibrator Fr. Baader: “…it would be desirable that the corruption in man were only to go so far as his becoming animal; unfortunately, however, man can stand only below or above animals” (40/373).

This spiritual freedom of humanity should not be confused with a “capacity” for freedom, as this characterization would entirely miss the literally decisive importance of freedom. Freedom is not a capacity, since this implies some more original subjectivity which would employ freedom as a means. Freedom is the very ground of subjectivity, the abyss from which subjectivity first emerges. I am the freedom to choose good or evil, and nothing besides. There is no me behind or before the spiritual crisis of freedom. My personality just is the decision between good and evil, a decision made eternally time and time again. This is not some special human difference, some special capacity, as though our essence was just to be some other kind or species of natural being. Our uniqueness as humans is that we recapitulate the very being of nature itself self-consciously, while other organisms remain submerged in the unity of natural becoming. Like the divine, humanity is eternally beginning, always deciding anew to erotically reproduce ourselves in relation to some irreducible otherness within ourselves (i.e., evil). But unlike the divine, there is no necessary assurance that love will overcome evil, that the otherness will be dynamically engaged in the sacred marriage of eternal circulation. Hence the fall into history, the rise of the state, and the suffering and confusion of earthly human life wherein evil is constantly externalized and projected. Evil appears real precisely when a human being denies the evil in themselves to wage war against it in others. Schelling saw no hope in national politics, since the state is merely an evil made necessary by the fall. True human salvation lies elsewhere, in a democracy of spirits who freely chose the Good out of love, not due to fear of secular or religious punishment.

[final draft] Poetic Imagination in the Speculative Philosophies of Plato, Schelling, and Whitehead

Poetic Imagination in the Speculative Philosophies of Plato, Schelling, Whitehead

The Garden of Eden and Expulsion from the Garden by Thomas Cole

“I am convinced that the supreme act of reason, because it embraces all ideas, is an aesthetic act; and that only in beauty are truth and goodness akin.–The philosopher must possess as much aesthetic force as the poet…Monotheism of reason and of the heart, polytheism of imagination and art, that is what we need!” -F.W.J. Schelling1

“[Philosophy has] to rescue the facts as they are from the facts as they appear…we view the sky at noon on a fine day. It is blue, flooded by the light of the sun. The direct fact of observation is the sun as the sole origin of light, and the bare heavens. Conceive the myth of Adam and Eve in the Garden on the first day of human life. They watch the sunset, the stars appear:–‘And, Lo!, creation widened to man’s view.’ The excess of light discloses facts and also conceals them.” -A. N. Whitehead2


The aim of this essay is to sketch the striking similarities running through the thought of Plato (423-348 BCE), Friedrich Wilhelm Joseph Schelling (1775-1854), and Alfred North Whitehead (1861-1947), especially as they relate to the power of poetic imagination. At first glance, Schelling and Whitehead would seem to be representatives of disparate schools of philosophy: the former is normally considered an idealist, the latter, a realist. But this would be a superficial reading that misses the underlying unity of their reformed Platonism. As will become clear, the stated desire of each is to think the sensory manifold as a single universe; to wed Space and Time in the Thought of Eternity; to ground reality and ideality in one mediating power. Like Plato, Schelling and Whitehead crowned philosophy the science of sciences and the art of arts, the creative core of all civilization. What finally distinguishes the philosopher from the sophist, according to Whitehead (summarizing Plato), is the philosopher’s “resolute attempt to reconcile conflicting doctrines, each with its own solid ground of support.”3 But as will also become clear, both Schelling and Whitehead reformed Plato in imaginative ways, adding other voices to his corpus of dialogues as a goad to their spiritual renewal.

To begin with, it is not at all obvious that Schelling’s philosophy, taken as a whole, deserves the title of “idealism.” Martin Heidegger, for example, suggests that Schelling “drives German idealism from within right past its own fundamental position.”4 More recently, Dalia Nassar,5 Iain Hamilton Grant,6 and Jason Wirth7 have all contended that, despite his early allegiance to Johann Gottlieb Fichte’s transcendental idealism, Schelling remains, in Wirth’s words, “first and foremost a thinker of the question of Nature.”8

As for Whitehead, Grant mentions him alongside Schelling as a promising example of speculative thinking “beyond the epistemological concerns of the philosophy of science,”9 an issue to which I will return below.10 George R. Lucas further cements this speculative affinity by reading Schelling’s Naturphilosophie as a historical precursor to Whitehead’s philosophy of organism.11 Though Whitehead never read much of the German idealists directly,12 he was deeply influenced by the British idealists John McTaggart and F. H. Bradley, going so far as to suggest that his own cosmology might be considered “a transformation of some main doctrines of Absolute Idealism onto a realistic basis.”13 Furthermore, Antoon Braeckman has indirectly linked Whitehead’s philosophical scheme to Schelling’s through the intermediary of the Schellingian philosopher-poet Samuel Taylor Coleridge, whose role in the formation of William Wordsworth’s aesthetic vision of nature is well known.14 Though he was familiar with Coleridge,15 the deepest impact on Whitehead came through the poetry of Wordsworth, which he study throughout his life. According to his daughter’s testimony, he would read The Prelude almost daily “as if it were the Bible, pouring over the meaning of various passages.”16

The philosophies of Schelling and Whitehead, then, seem to spiral around a common intuition, namely that the division between the real and the ideal can and should be overcome through an act of poetic imagination. Before further unpacking the commonalities of their imaginative schemes, I will briefly outline the role of imagination in speculative philosophy as over and against critical philosophy.


Cosmological and Transcendental Imagination

Speculative, or cosmological imagination has been clearly differentiated from critical, or transcendental imagination, by contemporary Whiteheadian philosopher Isabelle Stengers.17 For Stengers, there are two basic approaches open for the questioning postkantian philosopher. The first is to ask, “What do I know?”; the second, “What can I know?”18 Answering the former question requires the spark of imaginative speculation, which leaps across the gap in the circuit of perception between mind and matter in an attempt to see into the sea of relationships within which one swims. The philosopher-seer risks propositions regarding the reality of nature’s ideality, hedging her bets on the synechological19 affinity of mind and nature. Given the precursive trust20 of the speculative philosopher, these cosmological propositions are liable to infect common sense experience, allowing new worlds to take shape in the social imagination.

The latter question (“What can I know?) characterizes the critical approach. It separates the knower from its object, directing attention almost exclusively to one’s own subjective reflection upon an external world. Questions of epistemology take center stage, questions of the a priori conditions of conscious experience that shape and make possible any perception or understanding of the phenomenal manifold corresponding to the external world. These are important questions to ask, but in the modern period, they have been over-emphasized, resulting in the solipsistic positivism of scientific materialism.21 Because the positivist has lost all precursive trust, what the world is in itself, the realist’s question, is dismissed as a grandiose search for God’s view of the cosmos.

To further differentiate the cosmological from the transcendental imagination, it may be helpful to personify each mode by linking it with its foremost historical exemplar. Plato’s philosophy, as interpreted by Schelling and Whitehead, is rooted in a cosmological conception of imagination, while the philosophy of Immanuel Kant is rooted in a transcendental conception of imagination.

Although, in Republic, Plato explicitly places “imagination” (eikasia) below the line dividing the soul’s cognitive powers,22 the straightforward translation of eikasia as “imagination” can be misleading in light of Schelling and Whitehead’s use of the idea. Eikasia is etymologically related to eikon, usually translated as “icon” or “image” in the context of Greek culture, but can also be translated as “idol” in the Biblical context. Eikasia could then better be called the power of “imaging,” of seeing images, in either of two modes: as images of things or as things themselves. Plato’s placement of eikasia below the divided line is meant to be a critique of idolatrous imagination, that which has fallen into duality, mistaking opinions regarding appearances of “what comes to be and passes away, but never really is”23 for the truth of what really is. Schelling would call this fallen mode of eikasia the merely reflective understanding, perceptually isolated from reality and so only able to relate to abstract concepts and finite sensory particulars.24

However, when the “imaging” soul is wise to Plato’s teaching in Sophist concerning “non-being”–that non-being is a kind of being–25 philosophical imagination can express itself through the poetic art of iconography, what neoplatonists like Proclus and Iamblichus will later call theurgy. Theurgy is a ritual technology capable of re-shaping the soul though the power of magical symbols.

Whitehead refers to Plato’s teaching of the being of non-being as “at once an extreme instance of the breakdown of language, and the enunciation of a profound metaphysical truth.”26 The difficult phrase points to the way linguistic propositions generate meaning, not only through discontinuous antinomies, but through constructive contrasts: words are not things, but nevertheless, the symbolic assembly of a string of words can illuminate the relations between things in unforeseen ways. Plato is himself skilled in poetic ritual, as is evident in the many mythopoeic “likely stories” articulated in his dialogues. Each such story is an image meant to be transformative of the soul’s erotic commerce with eternal Ideas. They function as initiatory rites revealing the inner nature of the divine imagination. In Timaeus, for example, Plato narrates the genesis of the universe as “a moving image of eternity,” inviting the individual psyche to be reminded of its analogical participation in the ever-lasting life and motion of the world-soul.27 The speculative imagination sees the moving image of the visible heavens and knows it to be the mirror of an invisible source.28

Plato’s was also a cosmomorphic imagination, seeking to transform experience of the sensible world by actively bringing it into harmony with the intelligence of Ideas. Schelling identifies this speculative mode of imagination with reason rather than the understanding, since it participates freely in both the finite and the infinite, and indeed, discovers the infinite in the finite.29 Speculative imagination is neither above nor below the divided line, but is the very power responsible for making the division in the first place. Imagination draws the line, being both productivity and product, activity and artifact.30

Even from Kant’s transcendental perspective, imagination is the most indispensable of the soul’s cognitive powers, mysteriously generating both sensibility and understanding.31 But for him, imagination emerges from a depth unreachable by the light of conscious will. Ideas of imagination are therefore reduced to determinate concepts of the merely reflective (i.e., unproductive) understanding,32 leading to “those insoluble contradictions which Kant set forth under the name of the antinomies.”33 These antinomies forbid the soul real knowledge concerning God, the cosmos, or even its own freedom, since in each case, critical reflection alone leads only to an aporia inherent to sense-bound understanding. The understanding, says Kant, “stretches its wings in vain, if it tries to soar beyond the world of sense by the mere power of speculation.”34

Schelling understands this alienation of the critical soul from the world as a “necessary evil,” a means to an end, since only through such a trial by separation can the soul become conscious of its imaginative power.35 Only if sense-bound conceptuality is treated as an end in itself does it become an “intellectual sickness.”36 The transcendental imagination, then, is not simply to be rejected as a false mode of mentality, but passed through as the first phase in the advance toward genuine philosophical knowledge.

In the next section, I will continue to explore the reformed Platonism of Schelling and Whitehead as it relates to the cosmological imagination, focusing more explicitly on the affinity of their respective philosophical schemes.


The Platonic Imagination in Schelling and Whitehead

It should already be clear that Schelling and Whitehead each owe a huge intellectual debt to Plato. Whitehead characterizes the European philosophical tradition as “a series of footnotes to Plato,” and suggests that his own philosophy of organism is best understood as a contemporary rendering of Plato’s general point of view.37 Schelling studied Plato’s dialogues in the original Greek during his teenage years at seminary in Tübingen, dedicating many notebooks to their elucidation in which he creatively translated Plato’s words into his own. According to Bruce Matthews, these notebooks indicate “the determinative role this philosopher plays in the young Schelling’s intellectual world.”38

At other times, Schelling and Whitehead are also critical of Plato’s tendency to overplay the separation of the transcendent ideal from the immanent reality. Schelling tentatively agrees with Aristotle’s reproach of Plato’s merely logical formulation of the doctrine of participation,39 as if the doctrine could explain the actual coming into being of living things.40 Whitehead also admits that Plato tended to waver between the doctrine of participation by the persuasion of divine Eros and the doctrine of the imposition of “static, frozen, and lifeless” Ideas upon mute materiality according to the plan of an omnipotent divine Craftsman.41

Despite this wavering, Whitehead points to the genius of Plato’s definitive statement that “anything that affects or is affected by another has real existence.”42 Plato here sides with the doctrine of participation of Ideas as dynamically entertained by an immanent world-soul, a real medium, “connecting the eternality of being with the fluency of becoming.”43 This mediating principle is “the way in which Plato conceived the many actualities of the physical world as components in each other’s natures.”44 The medium is otherwise called the Receptacle, the “third kind” between universal Ideas and sensory particulars, the “wetnurse” providing a formless locus for Ideas to temporally incarnate.45 As Whitehead describes it, the Receptacle is “the matrix for all begetting… [transforming] the manifoldness of the many into the unity of the one.”46

This description suggests that Whitehead conceived of the ultimate notion of his own philosophy of organism, Creativity, as a result of dwelling upon Plato’s difficult but important notion of the Receptacle. Creativity is “that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively.”47

The one feature distinguishing Creativity from the Receptacle is that “it is divested of the notion of passive receptivity.”48 This distinction is due to Whitehead’s preference for the doctrine of Ideas as “lures of feeling,” rather than as molds forcibly stamped upon neutral and emotionless matter. In the jargon of his philosophical scheme, incarnate actual occasions, not abstract eternal objects, are ultimately responsible for deciding on the subjective form of their own concrescence.49

“It is to be noted,” says Whitehead,

that every actual entity, including God, is something individual for its own sake; and thereby transcends the rest of actuality. And also it is to be noted that every actual entity, including God, is a creature transcended by the creativity which it qualifies.50

The substance of each actual occasion, and of each individualizing society of occasions (i.e., each organism), is a creative power, a harmonization of a diversity of inherited forces seeking satisfaction in a definite ideal future. “The definition of being,” says Plato, “is simply power.”51 That being is essentially power implies that to be is to be in between.52 To be is to become together, to concresce. Nothing in the universe is external to anything else, since all occasions are internally related. Even the universal occasion, the world-soul or divine imagination, is not “a transcendent emanation,” but “a component in common” with the living bodies of the actual world.53

Creativity, like the Receptacle, provides “a unity [for] the events of Nature…by reason of their community of locus.”54 But unlike Plato’s Receptacle, which is essentially passive and formless, Whitehead’s Creativity contains its own forces of formation.

Schelling re-imagines the participatory moments of Plato’s dialogues for his own creative purposes, distilling them into what he calls Plato’s organic Urform. Like imagination’s mediation of the senses and the understanding, this Urform provides a “formula for thinking the productive relationship that holds between a unity and its parts.”55 The Urform is “not simply a form of our subjective understanding that we project onto the world, but…the productive structure of objective nature itself.”56 It could be likened to Goethe’s Urpflanze, raised from the botanical to the spiritual dimension. It is “the secret band” linking the individual soul’s imagination to the divine imagination of the world-soul.57 Schelling points to Plato’s articulation of the Urform in Philebus as “a gift of the Gods”58 granting human creatures participation in the divine intellectus archetypus.59 Schelling’s translation of Philebus 16c-e is as follows:

…the ancients (greater men and closer to the gods than us) have left the story behind, that everything which has ever [existed] emerged out of unity and multiplicity, in that it united within itself the unlimited and the limit: that thus we too in light of this arrangement of things should presuppose and search [in] every object [for] one idea.60

Schelling’s conception of the cosmos as the product of two dynamically polarized forces, one expansive and the other contractive, is the offspring of the Platonic Urform.61 These cosmogenic forces, the keystone of his entire Naturphilosophie, are alternatively characterized by Schelling in terms of the polarity between natura naturans (nature as subject, as productivity) and natura naturata (nature as object, as product).62 Whitehead marks an identical difference between “nature alive” and “nature lifeless.”63 The latter is nature viewed through a film of abstraction as mere extension lacking all quality and value. It is nature according to what Whitehead calls “presentational immediacy,” a barren and solipsistic mode of sense-perception perfected by self-conscious human beings and mistaken by most philosophers for the most fundamental mode of perception. This mistake is Whitehead’s famous “fallacy of misplaced concreteness.”64 “Presentational immediacy” is the product of imagination in service of the reified “object-concepts” of the understanding.65 “Causal efficacy” is Whitehead’s term for the more fundamental mode of perception through directly bodily inheritance of nature’s emotional energies.66 Here imagination is productive and impossible to mistake for its finished products. Schelling would similarly see “nature lifeless” as nature filtered through the merely ideal concepts of the reflective understanding, with its limited perception by way of superficial sensation. For Schelling, “[nothing] is actual in the absence of imagination,” which is the power of productive intuition and absolute reason.67 “Nature lifeless” is then entirely deficient in actuality, an empty idol.

“Nature alive” is nature viewed with imaginative sympathy as permeated with emotional intensities and aesthetic aims. As a participant in living nature, the percipient occasion no longer simply experiences the universe’s beauty, but itself becomes an expression of this beauty. Natura naturans is nature before the Kantian epistemological bifurcation of its being into the mechanism of matter over and against the freedom of mind. At their generative core, each actual occasion, whether mineral, vegetable, animal, or human, “includes that which in cognitive experience takes the form of memory, anticipation, imagination, and thought.”68 Mentality, in other words, is not the unique possession of human beings, but participates in all actual occasions (or “actants” as Schelling calls them), to greater or lesser degree depending on the complexity of each occasion’s form of individualized organization.69

In the next section of this essay, I will attempt to display the alchemical power of poetry in the process ontology of Schelling and Whitehead.


Towards a Poetic Form of Philosophy

Whitehead points to Percy Shelley and Wordsworth as the most emphatic witnesses of the Romantic reaction against the scientific materialism that divorced aesthetic values from nature. These values, “[arising] from…the brooding presence of the whole on to its various parts,” were reduced by mechanistic natural philosophy to merely secondary qualities accidentally inhering in some more primary collection of material particles.70 Shelley’s and Wordsworth’s reaction was to apotheosize imagination and its poetic expressions.71

According to Shelley, poetry is

the center and circumference of knowledge, the root and blossom of all other systems of thought…that which, if blighted, denies the fruit and the seed, and withholds from the barren world the nourishment and the succession of the scions of the tree of life.72

Contemporary speculative philosopher and scholar of Romanticism, Timothy Morton, was recently asked where poetry begins.73 In answering, he turned Shelley’s metaphor upside down by suggesting that “rooting and blossoming are themselves a kind of poem.” Poetry doesn’t begin with human art, but in nature (natura naturans) itself. Human poetry is the flowering of earth. Said otherwise, imagination is an “elemental power,” “not ‘mine’…but…an alien ‘force’ in me.”74

“What we speak of as nature,” says Schelling, continuing the alchemical metaphor,

is a poem lying pent in a mysterious script. Yet the riddle could reveal itself, were we to recognize in it the odyssey of the spirit, which marvelously deluded, seeks itself, and in seeking, flies from itself.75

The alchemical Magnum Opus involves precisely such a circulatory psychophysical movement between seeking and fleeing, fusing and separating, assimilation and differentiation, eventually culminating in the purified Philosopher’s Stone, the coincidentia oppositorum.76 The alchemist’s soul becomes the a mirror of material processes, “always [manifesting] itself indirectly, as something other than itself.”77 Schelling’s philosophical scheme, according to Matthews, is founded upon “a decentered Self” whose consciousness is rooted in the genetic history of the larger totality of geological strata.78 This totality represents an “unprethinkable”79 past of subterranean forces, whose structure, though it cannot be logically demonstrated, can be imaginatively (re)generated. Schelling’s approach to philosophy is not demonstrative, but generative, in that it abandons traditional philosophical pretensions to deductive proof and formulaic certainty. “To philosophize about nature,” says Schelling, “means to create nature,” that is, to create after the manner of nature as subject (natura naturans).80 Or as Grant puts it, when “I” think nature, “what thinks in me is what is outside me.”81

Whitehead also abandons the pursuit of the abstract demonstration of truth: “…philosophy, in any proper sense of the term, cannot be proved. For proof is based on abstraction.”82 The role of philosophy, instead, is “to find a conventional phraseology for the vivid suggestiveness of the poet,” and thereby to “increase our penetration” even where “we can never fully understand.”83 Ultimately, “the aim of philosophy is sheer disclosure” and the production of “self-evidence.”84 Philosophy, for Whitehead, as for Schelling, begins and ends in a wonder at “the fact of creation and existence itself,” a fact best expressed poetically.85

“There is the one all-embracing fact,” says Whitehead, “which is the advancing history of the one Universe.”86 The one advancing Universe is simultaneously a social fact concerning the novel togetherness of the community of actual occasions. In Schelling’s terms, “there is but one absolute work of art, which may indeed exist in altogether different versions, yet it is still only one, even though it should not yet exist in its most ultimate form.”87 It should not yet exist in its ultimate form because the universe as a whole is an ongoing creative process, a cosmopoiesis, rather than an already finished product. The Universe, itself a poem, “is the very image of life expressed in its eternal truth.”88

Schelling and Whitehead both forged their philosophical imaginations by reading the dialogues of Plato. Despite the “old quarrel between poetry and philosophy,”89 Plato’s infamous ban of Homeric poetry from his ideal republic was not based on a rejection of poetry as such, but on a distaste for lyric and epic poetry that depicted the Gods as immoral. Plato’s true desire was simply to replace traditional poetry with his own novel form of theoretical poetry, consisting of hymns to the gods and eulogies to good people.90 Shelley said of Plato the poet that “the truth and splendor of his imagery, and the melody of his language, are the most intense that it is possible to conceive.”91 The aim of Plato’s poetry was to “kindle a harmony” in imagination by reminding the soul of the measured rhythms of reason asleep within in. “What is commonly called theoretical reason,” says Schelling, “is nothing else but imagination in the service of freedom.”92 Plato recognized that poetry is an indispensable element in the formation of a free society’s values. Similarly, Whitehead suggests that “both [philosophy and poetry] seek to express that ultimate good sense which we term civilization.”93

In the context of his own age, Whitehead looked in particular to the nature poetry of the Romantics, which, like philosophy, functions primarily as a critic of specialized scientific abstractions on behalf of common sense and concrete experience:

Remembering the poetic rendering of our concrete experience, we see at once that the element of value…of being an end in itself…must not be omitted in any account of an event as the most concrete actual something. ‘Value’ is the word I use for the intrinsic reality of an event. Value is an element which permeates through and through the poetic view of nature. We have only to transfer to the very texture of realization in itself that value which we recognize so readily in terms of human life. This is the secret of Wordsworth’s worship of nature.94

From Schelling’s perspective, poetry and philosophy are also akin, but they should not be simply identified. Like philosophers, poets and other creative artists may sometimes be “in possession of the idea of absolute truth and beauty,” but unlike philosophers, they remain unconscious of this fact “precisely because they are possessed by it.”95 Schelling refers to poets and creative artists as mouthpieces of the Gods, but suggests they only display Ideas in particular external things, like poems and paintings, while philosophers “exhibit the archetypes of things in and for themselves…in an inward way.”96

It would seem, then, that traditional poets, like the polytheistic myths they sung, were still largely embedded in an unconscious nature. Though this universe is undoubtedly vibrantly glimmering with the values of intrinsic reality, it has not yet become the conscious poetry of spirit. It has not yet attained philosophy, “the poetic gift…reiterated to its highest power.”97



For Schelling, “a system is completed when it is lead back to its starting point.”98 If, as Plato suggests, philosophy begins in wonder, then, “at the end, when philosophic thought has done its best, the wonder remains.”99 Schelling called for a new philosophical mythology, a “likely story” capable of directing the aesthetic and moral aims of human civilization.100 Whitehead, too, recognized the need for myth, since “there is no escape” from the inherited societal customs which form the given facts of human experience.101 As Plato realized, human beings are capable of no more than likely stories, since we are “like” God, made in the divine image, and not Godself. This likeness still grants us a tremendous degree of imaginative freedom. Though “there is no such fact as absolute freedom,” since as both Whitehead and Schelling argue, freedom presupposes necessity,102 the self-consciousness of human beings nonetheless “rises to the peak of free imagination, in which the conceptual novelties search through a universe in which they are not datively exemplified.”103 Every grade of actual occasion is both “in time” and “out of time” by virtue of its physical and mental poles, but self-conscious human occasions participate more fully in God’s primordial envisagement of the Eternal Ideas.104 “The importance of [the human] as the supreme example of a living organism is beyond question,” says Whitehead.105 But even so, the goal of philosophy is not to further alienate humanity from its earthly garden, but to heal the human soul’s self-inflicted wound. The redemption of the soul through the skilled application of the medicine of true poetry is the Romantic project for philosophy. By consciously enacting the magical power of poetry, the philosopher is, like the alchemical physician, able to “[operate] not only on his patients’ bodies but on their imaginations.”106

“Philosophy,” says Schelling, “was born and nourished by poetry in the infancy of knowledge,” and upon rising to the heights of self-conscious spirit, will “flow back like so many individual streams into the universal ocean of poetry from which [it] took [its] source.”107 The only difference between the original and final forms of the philosophical imagination is that, after the long labour of its journey into alienation has ended, the final form carries with it the hard won knowledge of “The feeling of life endless, the great thought/By which we live, Infinity and God.”108 Along with its original innocence, the imagination has in the end what it did not possess in the beginning: self-knowledge and moral freedom. The evil of alienation–“of nature and history rent asunder”109–works as an athanor, or alchemical fire, upon the soul, transmuting the mercury of intellectuality into the gold of spiritual love,110 a love, according to Wordsworth,

Which acts, nor can exist/Without Imagination, which in truth,/Is but another name for absolute strength/And clearest insight, amplitude of mind,/And reason in her most exalted mood.111

In the imaginative philosophies of Schelling and Whitehead, Plato’s speculative Urform of unity in multiplicity is rediscovered to again become the “eternal unchanging characteristic of every investigation.”112 This intuition of the unity of the real and the ideal, of the infinite in the finite, brought to fruition, not only redeems the human soul of its internal strife; the rekindled imagination becomes also the Redeemer113 of the external114 universe:

For the anxious longing of the creation waits eagerly for the revealing of the sons of God…in hope…that [it] will also be set free from its slavery to corruption into the freedom of the glory of the children of God…the whole of creation groans and suffers the pains of childbirth together until now.115


1 F.W.J. Schelling, “The Oldest Program toward a System in German Idealism,” qtd. and tranl. by David Krell, The Tragic Absolute: German Idealism and the Languishing of God (Bloomignton: Indiana University Press, 2005), 24-25.

2 Alfred North Whitehead, Adventures of Ideas (New York: The Free Press, 1933), 155.

3 Whitehead, Adventures of Ideas, 120.

4 Martin Heidegger, trans. Joan Stambaugh, Schelling’s Treatise on the Essence of Human Freedom (Athens: Ohio University Press, 1985), 4.

5 Dalia Nassar, “From a Philosophy of Self to a Philosophy of Nature: Goethe and the Development of Schelling’s Naturphilosophie,” in Archiv für Geschichte der Philosophie 92:3 (2010), 304-321. Nassar suggests that Schelling broke with Fichte largely as a result of Johann Wolfgang von Goethe’s influence.

6 Iain Hamilton Grant, Philosophies of Nature After Schelling (New York: Continuum, 2008). Grant complains that contemporary scholarship on Schelling’s philosophy pays “scant attention…to the deep vein of naturephilosophy running through it” (3).

7 Jason Wirth, “Schelling’s Contemporary Resurgence,” in Philosophy Compass 6/9 (2011), 585-598.

8 Wirth, “Resurgence,” 594n6.

9 Grant, After Schelling, vii, ix.

10 See p. 5.

11 George R. Lucas, Jr., The Rehabilitation of Whitehead: An Analytic and Historical Assessment of Process Philosophy (New York: State University of New York, 1989), 25-26.

12 Alfred North Whitehead, Essays in Science and Philosophy (New York: Greenwood Press, 1969), 116.

13 Alfred North Whitehead, Process and Reality: An Essay in Cosmology (New York: The Free Press, 1978), xiii.

14 Antoon Braeckman, “Whitehead and German Idealism: A Poetic Heritage,” in Process Studies 14:4 (1985), 265-286.

15 See Alfred North Whitehead, Science and the Modern World (New York: Macmillan, 1925), 79.

16 Mary A Wyman, “Whitehead’s Philosophy of Science in Light of Wordsworth’s Poetry,” in Philosophy of Science 23 (1956), 283.

17 Isabelle Stengers, “Serializing Realism,” a talk at the Fourth International Conference of the Whitehead Research Project, entitled “Metaphysics and Things: New Forms of Speculative Thought,” at Claremont Graduate University on 12/2/2010.

18 See also Whitehead, Adventures of Ideas, 224.

19 See C.S. Peirce, ed. Justin Buchler, Philosophical Writings of Peirce (Mineda: Dover, 2011), 354. “Synechism is that tendency of philosophical thought which insists upon the idea of continuity as of prime importance in phillosophy.”

20 See William James, ed. by John J. McDermott, “Ethical and Religious Dimensions of Radical Empiricism,” in The Writings of William James: A Comprehensive Edition (Chicago: University of Chicago, 1977), 740.

21 See Whitehead, Adventures of Ideas, 125-130

22 Ch. IV. Eikasia is below the divided line because it relates only to sensory appearances in the world of becoming, remaining ignorant of the ideal realm of eternal being.

23 Timaeus 28a.

24 F.W.J. Schelling, transl. Peter Heath, System of Transcendental Idealism (Charlottesville: University Press of Virginia, 1978), 73.

25 Sophist 241d.

26 Whitehead, Adventures of Ideas, 222.

27 Timaeus 37c-e. See also the Hermetic analogy: “As above, so below.”

28 “Mirror,” in Latin, is speculum.

29 Schelling, System of Transcendental Idealism, 176.

30 See Schelling, System of Transcendental Idealism, 29, 145. “Geometry proceeds, in that it sets out, not from theorems, but from postulates…it demands that reflection itself bring forth [the line] in productive intuition, which it certainly would not do if the genesis of a line could be conveyed through concepts.”

31 See Critique of Pure Reason, in The Essential Kant (Chicago, University of Chicago, 1970), 96.

32 See Immanuel Kant, Critique of Judgment (New York: Dover, 2005), 59, 142.

33 Schelling, System of Transcendental Idealism, 176.

34 Kant, Critique of Pure Reason, 287.

35 F.W.J. Schelling, transl. Bruce Matthews, The Grounding of Positive Philosophy: The Berlin Lectures, transl. Bruce Matthews (New York: State University of New York, 2007), 17-18.

36 Schelling, Schellings Sämtliche Werke I/2, ed. K.F.A. Schelling (Stuttgart-Augsberg: J.G. Cotta, 1856-64), 14. Transl. by Bruce Matthews.

37 Whitehead, Process and Reality, 39.

38 Matthews, Schelling’s Organic Form of Philosophy (New York: State University of New York, 2011), 21.

39 See Parmenides.

40 Schelling, Positive Philosophy, 159-160.

41 Whitehead, Adventures of Ideas, 147-148.

42 Sophist, 247. Quoted in Whitehead, Adventures of Ideas, 119.

43 Whitehead, Adventures of Ideas, 120.

44 Whitehead, Adventures of Ideas, 134.

45 Timaeus, 49a.

46 Whitehead, Adventures of Ideas, 150.

47 Whitehead, Process and Reality, 21.

48 Whitehead, Process and Reality, 31.

49 Whitehead, Process and Reality, 88.

50 Whitehead, Process and Reality, 88.

51 Sophist, 247e.

52 See Symposium 202 on metaxy and Eros.

53 Whitehead, Adventures of Ideas, 130.

54 Whitehead, Process and Reality, 187.

55 Matthews, Schelling’s Organic Form of Philosophy, 22.

56 Matthews, Schelling’s Organic Form of Philosophy, 131.

57 Schelling, Schellings Sämtliche Werke I/2, 55.

58 Philebus 16c.

59 Matthews, Schelling’s Organic Form of Philosophy, 132.

60 Quoted in Matthews, Schelling’s Organic Form of Philosophy, 23.

61 Matthews, Schelling’s Organic Form of Philosophy, 132.

62 F.W.J. Schelling, transl. Keith R Peterson, First Outline of a System of the Philosophy of Nature (New York: State University of New York, 2004), 202.

63 Alfred North Whitehead, Modes of Thought (New York: The Free Press, 1966), 127-169.

64 Whitehead, Science and the Modern World, 51-55.

65 See Wolfgang Smith, Science and Myth: What We Are Never Told (San Rafael: Sophia Perennis, 2010), 58.

66 Whitehead, Process and Reality, 122.

67 Schelling, System of Transcendental Idealism, 72.

68 Whitehead, Science and the Modern World, 154.

69 Schelling, Philosophy of Nature, 5-6, 39-40.

70 Whitehead, Science and the Modern World, 81-84.

71 See Percy Shelley, “A Defense of Poetry,” and William Wordsworth, The Prelude. 

72 Shelley, “A Defense of Poetry.”

73 “Interview with Timothy Morton” on 2/25/12, (accessed 5/8/12).

74 Susanna Lindberg, “On the Night of the Elemental Imaginary,” in Research in Phenomenology 41 (2011), 157.

75 Schelling, System of Transcendental Idealism, 232.

76 See Patrick Harpur, The Philosopher’s Secret Fire: A History of the Imagination (London: Penguin, 2002), 135-154.

77 Harpur, The Philosopher’s Secret Fire, 143.

78 Matthews, Schelling’s Organic Form of Philosophy, 28.

79 See F.W.J. Schelling, transl. Jason Wirth, The Ages of the World: (fragment) from the Handwritten Remains: Third Version (c. 1815) (New York: State University of New York, 2000), 12.

80 Quoted in Grant, After Schelling, 1.

81 Grant, After Nature, 158.

82 Whitehead, Modes of Thought, 49.

83 Whitehead, Modes of Thought, 50-51.

84 Whitehead, Modes of Thought, 49.

85 Whitehead, Modes of Thought, 168 and Positive Philosophy, 73.

86 Whitehead, Adventures of Ideas, 150.

87 Schelling, Transcendental Idealism, 231.

88 Shelley, “A Defense of Poetry.”

89 Republic, 607b.

90 See Robert Bellah, Religion in Human Evolution: From the Paleolithic to the Axial Age (Cambridge: Harvard University Press, 2011), 389-395.

91 Shelly, “A Defense of Poetry.”

92 Schelling, Transcendental Idealism, 176.

93 Whitehead, Modes of Thought, 174.

94 Whitehead, Science and the Modern World, 89.

95 F.W.J. Schelling, Bruno, or On the Natural and Divine Principle of Things (New York: State University of New York, 1984), 132. See also Plato’s Apology 22c-e.

96 Schelling, Bruno, 132.

97 Schelling, Transcendental Idealism, 230-231.

98 Schelling, Transcendental Idealism, 232.

99 Whitehead, Modes of Thought, 168. See also Plato’s Theaeteus 155d.

100 Schelling, Transcendental Idealism, 232-233.

101 Whitehead, Adventures of Ideas, 63.

102 Whitehead, Process and Reality, 133; Schelling, Transcendental Idealism, 203-204.

103 Whitehead, Process and Reality, 161.

104 Whitehead, Process and Reality, 248.

105 Whitehead, Adventures of Ideas, 24.

106 Francis Yates, Giordano Bruno and the Hermetic Tradition (Chicago: Chicago University Press, 1964), 151.

107 Schelling, Transcendental Idealism, 232.

108 Wordsworth, The Prelude XIII, quoted in M.H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: Norton, 1971), 118.

109 Schelling, Transcendental Idealism, 231.

110 Valentin Tomberg, Meditations on the Tarot: A Journey into Christian Hermeticism, transl. by Robert Powell (New York: Penguin, 2002), 194.

111 Wordsworth, The Prelude XIV, quoted in Abrams, Natural Supernaturalism, 118.

112 Philebus 15d.

113 See Abrams, Natural Supernaturalism, 119-122.

114 The redeemed universe is the universe understood according to Whitehead’s doctrine of internal relations (see p. 10 above).

115 Romans 8:19-22.

In Defense of Wonder: A response to Naught Thought on Whitehead’s Philosophy of Dawn

I cannot, without much hesitation, identify myself as either a “prickly” or a “gooey” philosopher. It depends on who my interlocutors are. If I am in a philosophical conversation with, say, a professional biochemist with a reductionistic orientation, my attempt to wipe away and retrace the horizons of their world will inevitably come off as vague, pretentious, and mystical. If I enter into discussion with a musician or poet, my need to reflect upon and conceptualize the beats and flows of lived experience will probably upset their vibe.

Naught Thought/Ben Woodard recently posted about the “rhetorical disadvantages” of process philosophy resulting from its habit of embracing “ontological fuzziness.” He does nonetheless ally himself with the process perspective, speaking approvingly of Grant’s and Meillassoux’s philosophies of becoming by defending them from Harman’s worry about the “mining” of objects. The point of Woodward’s post, it seems to me, is to encourage the process wing of Speculative Realism to tidy up and formalize its rhetorical style:

“Too many thinkers who work with becoming or process are okay with operating in the twilight of becoming…this allows for becoming to be utilized as an escape hatch in argumentation.”

I definitely appreciate any call to clarify my philosophical position. While I guess I am one of the “process-relational folks” (Woodard’s phrase), in the sense that I have participated in some PR blogalogues recently, I probably wouldn’t employ the phrase to describe myself. Whitehead is one of my most significant philosophical influences at this point in my short philosophical career, but I don’t think the term “process-relational” quiet works for him, either. If pressed, I’d be more likely to describe myself as a Christian Hermeticist. I’m all about “process,” but my heart and mind lead me to affirm that the cosmic process is evolutionary in the teleogenic sense. On a purely metaphysical level, I agree that hyper-chaos/creativity reigns; but on a cosmological level, God’s Love guides physical processes toward an increasingly intense harmonization of aesthetic contrasts, which is Whitehead-speak for Beauty.

Whitehead, like James, is a metaphysician of experience as much as process. Granted, he holds that, ontologically, only becoming is real; but physically, which is to say experientially, becoming is atomized. As James’ put it, experiential reality is both “substantive,” consisting of discrete and unified buds, and “transitive,” with buds flowing out of and into one another as a continuous stream. James suggested that the transitive phase of experience unfolds on the “fringe” of consciousness; it is made conscious only in non-ordinary situations (like that generated by nitrous oxide, in James’ case), and then only with great difficulty. Consciousness of the flow between buds is difficult because, as soon as consciousness attends to the multitude of feelings unfolding on the edges of experience, it transforms them into a unified drop of experience with a new center of subjective identity withdrawn from a new circumference of mostly occluded processes. But still, these flows are only mostly occluded, and many of our commonsense beliefs about the world depend upon our taking for granted that true relation is possible, that each discrete moment of private consciousness is causally bound up (and so continuous) with public processes.

I disagree with Woodard that process philosophy, at least that of the Whiteheadian variety, does violence to commonsense. On the contrary, Whitehead’s metaphysical scheme is an attempt to cosmologize the commonsensical ethical arguments of David Hume. Whitehead’s Jamesian inheritance leads him to elevate experiential adequacy to the very top of his philosophical priority list. His is a scientifically informed plea for re-enchantment, a spirited defense of human freedom and creativity against the radically non-commonsensical reductionisms of mechanistic materialism.

The more I begin to grasp Meillassoux’s process approach the more strikingly similar it becomes to Whitehead’s. The only major difference (and I still have to read The Divine Inexistence for myself) seems to me to be that Meillassoux focuses almost exclusively on (at least the future possibility of) the consequent pole of God’s experience, denying any primordial element. There is no reason at all for the way the universe is, despite its aesthetic beauty and mathematical intelligibility, and there would be no reason at all if a God capable of world redemption were one day to emerge. Whitehead, on the other hand, adheres to the Principle of Sufficient Reason. He does so without separating thinking and feeling such that the intellect is forced to disenchant and mechanize the cosmos in spite of the heart’s protests. God, the eminent actuality and chief exemplar of Whitehead’s occasionalist ontology, is the dipolar embodiment of Reason; that which is responsible for experiencing both Reason’s eternal potentiality and its temporal actualization. Creativity remains Whitehead’s ultimate category, but absent God’s valuation and enjoyment, there can be no Cosmos. It is not a given that there is a Cosmos, but if we aspire to bring forth order and harmony in the world (i.e., if we aspire to cosmologize), then we do so under the assumption that a World Soul exists beyond our own soul to hold it all together.

Whitehead has been called a “philosopher for the muddleheaded,” and there is no doubt that he is an eccentric and complicated thinker. But I don’t think this implies that those philosophers (like myself) who share his attitude toward the real are necessarily at a rhetorical disadvantage. It all depends how one construes the end of philosophy. Some think philosophy, while it may begin in wonder, should end in precise understanding. This is not how Whitehead judges the success or failure of speculative metaphysics. For him, metaphysics should begin and end in wonder.

Bertrand Russell, about as prickly a philosopher as they come, recalls that Whitehead once remarked to him that:

“You think the world is what it looks like in fine weather at noon day; I think it is what it seems like in the early morning when one first wakes from deep sleep.”

Woodard’s comment about the “twilight of becoming” certainly seems accurate given this candid statement by Whitehead himself. I see his “philosophy of dawn,” not as a liability, but as perhaps his most important attitudinal contribution to intellectual culture. Unlike Woodard, I think metaphysical speculation is necessarily affective and existential. Philosophy must be involved  in the ethical complexities of everyday life among others, since it is only in response to these complexities that thinking emerges at all. If affect and ethics are not properly “metaphysical” topics, then I say to hell with metaphysics.

Philosophy Blogging, OOO/SR, Nihilism, and God

It is difficult to describe the effects of the blogosphere on consciousness, especially when the information communicated via blogs pretends to be philosophical. The blog, as a medium, has not yet been swallowed as radio by TV, or the printed word by the digital hyperlink, and so gaining perspective on its effects remains difficult. We’re still in it, like a child in her mother’s womb. I think by the graces of, and so cannot yet understand, this electronic medium. I think the obscurity of the blogosphere’s effects are magnified for academic philosophers, since there are no disciplinary boundaries carving it up in order to assure that interlocutors play the same language games (which is what always happens at university conferences). Academic philosophy, as practiced at conferences and published in journals, is usually myopically specialized. Arguments take place within some narrow field of relevance, while the truly important questions of life on earth remain backgrounded. This is, of course, a caricature. But so long as we are caricaturing, let us hear from Alan Watts:

“This is the current movement in philosophy: logical analysis says you mustn’t think about existence. It’s a meaningless concept. Therefore philosophy has become the discussion of trivia. No good philosopher lays awake nights worrying about the destiny of man and the nature of God and all that sort of thing. A philosopher today is a practical fellow who comes to the university with a briefcase at 9 and leaves at 5. He does philosophy during the day—which is discussing whether certain sentences have meaning and if so what. He would come to work in a white coat if he thought he could get away with it.”

Even where philosophy begins not with pretense, but with the love of wonder and the desire to know the nature of things, it remains subject to the effects on consciousness of the variety of species of media used to communicate it. Modern consciousness, despite its claim to have dropped sophistry for science,  learns to think only given the cognitive augmentation provided by the alphabet.* Postmodern consciousness, similarly, thinks by the graces of the blogosphere, the apogee of the electronic medium. The democratization of information has now become at least technologically feasible, if not politically actual. I don’t think the rise of the blog signals the end of the university (or at least I should hope not), but it does mean that the individual is now shouldering a good deal more of the weight of human knowledge than before.

I am in graduate school myself, though I attend CIIS, an academically marginalized school started by an Indian yogi in the middle of the New Age capital of the world (Watts was once on the faculty). It is impossible for me to escape this context, even though I aim to think individually much in the spirit of Ralph Waldo Emerson.

“To believe your own thought, to believe that what is true for you in your private heart is true for all men, — that is genius. Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost,—and our first thought is rendered back to us by the trumpets of the Last Judgment…” -Self-Reliance

Thought does not take place in a vacuum, however. Philosophy is not best done alone in the woods. Institutions, with all due respect to the likes of Emerson and Thoreau, are an indispensable part of the evolution of consciousness. The blogosphere is alluring to me because it is both individualizing and institutionalizing. It is a distributed institution of localized individuals, each capable of participating in the co-production of a planetary ecology of ideas, images, and symbols unhindered by the disciplinary boundaries of traditional universities.

This is the ideal, at least. All of this meta-reflection on philosophy blogging is by way of introduction to some final thoughts in response to what is by now old news, namely the discussion surrounding nihilism and theology that took place earlier this month amongst OOOers. Graham Harman, Levi Bryant, Tim Morton, Adam RobbertJason Hills, Tom SparrowLeon Niemoczynski, and others all took part.

More recently, Kris Coffield over at Fractured Politics has posted a summary and some suggestions. I wanted to clarify some assumptions he makes regarding my position.

I have argued that, without some divine function (whether of the theist, pantheist, or panentheist variety), ideas and meanings can have no reality in the universe. I make this claim in order to remain metaphysically consistent, not because I think atheism is immoral. Obviously, atheists can still be ethical people, operating in the world with meaning, purpose, and even humanitarian idealism. I would never dispute this. What I have argued is that atheists who are also scientific materialists/naturalists risk falling into blatant contradiction unless they are able to articulate how thinking, feeling, and willing (faculties normally associated with consciousness) remain possible despite their metaphysical commitment to a thoroughly non-teleological, disenchanted cosmology. If it is the case that the universe operates according to efficient causality alone (as most materialists traditionally assert), then how is it that human beings are capable of entertaining ideas and engaging in meaningful projects? The validity of scientific knowledge rests upon the assumption that the thoughts and purposes of scientists are real. The atheistic materialist is left with two options in order to remain consistent with this assumption: either ideas and meanings are uniquely human capacities not present in the rest of the universe, or human consciousness itself is an epiphenomenal illusion that neuroscience will eventually explain in mechanistic terms. I think both of these options are inadequate: emergentist dualism is too anthropocentric, and eliminativist monism is too mechanomorpic. I maintain that the human soul is not ontologically distinct from the rest of the universe because the universe is ensouled. Whitehead’s panentheist conception of God functions in a way similar to the World-Soul as described in Timaeus; only, instead of actively shaping passive matter as Plato’s demiurge, Whitehead’s dipolar God bends the infinitely diversifying flow of Creativity into the finite occasions of a unifying Cosmos (and is bent, in turn, by these same occasions).

Coffield argues that, despite my apparent support of the anthrodecentric tendencies of OOO, I am “ultimately unable to escape” a human-centric ontology. He continues:

“Even if the noosphere is more putatively sophisticated than the nonhuman objectsphere (a debatable point), it does not follow, from an object-orientation, that the relations of the former should be given precedence over the latter. Instead, as Levi Bryant has previously indicated, existence entails perpetual differentiation, such that to be is to differ. Thus, the very concept of a singular noosphere or inanimate objectsphere is conceptually shaky, and any entity inserted to bridge the sides of this infinitely regressive binary—God, game, golden goose, or Gandalf—is rendered, to borrow Morton’s word, irrelevant.”

Much of the philosophizing I do on this blog reflects my struggle to steer clear of all binaries by weaving Wisdom’s wandering story into a differentiated whole. There are many objects, many perspectives, both human-related and not. In calling them all objects, I aim to think the Absolute, or the identity of identity and difference. My philosophizing is a cosmologizing, and in that sense, all my thinking is in the service of anthropogenesis. I aim to cosmologize the human by anthropomorphizing the Cosmos. Perhaps this sounds tautological, but if we think in terms of process or genesis instead of being or ontos, the Anthropic Principle becomes among the most profound of metaphysical insights. Anthropos is already implicit in Cosmos, not because our particular species represents the supreme achievement of the universe, but because thinking has always been a more than human activity rooted in the nature of reality itself.

“The forces which are at work inside my body”, suggests Rudolf Steiner,

“…are the same as those which exist outside. Therefore I am really identical with the objects; not, however, “I” in so far as I am a perception of myself as subject, but “I” in so far as I am a part of the universal world process […] The universal, primordial Being permeating all humanity thus takes hold of us through our thinking. Life within reality, filled with thought content, is at the same time life in God.” -Intuitive Thinking as a Spiritual Path, p. 98 and 236

I do not think that the noösphere should take precedence over the non-human universe, because I do not conceive of the universe as lacking in νοῦς or ψυχή. The noösphere is a cosmic event, something the whole of Gaia is doing in conjunction with the solar system and galaxy within which it is nested. God, or the World-Soul (ψυχή κόσμου), is not irrelevant to philosophy if the philosopher hopes to think the Cosmos. If, as Bryant suggests, “to be is to differ,” then it is nihilism, indeed, that we are left with. Not that I want to homogenize the individualities of reality; I would just rephrase Bryant’s important insight: “to become is to differ.” Process philosophy is then an attempt to identify and re-enact the divine aim of creative differentiation, to participate in its latent holotropic tendencies by uncovering the divine presence in all temporal things. Only then does the Universe become a reality.

Coffield continues:

“If nihilism fears really are concerns over the implications of anthrodecentrism (a clever term coined by Segall) for value judgement, then demonstrating the capacity for deriving value under realist conditions may allay anxiety about affirmations of meaninglessness, making the more radical articulations of object-oriented ontology mare palatable. Crafting a coherent variant of anthrodecentric normativity can be accomplished, in one sense, through an appeal to naturalistic realism…[or] a radically flattened version of natural selection [productive of] moral norms consonant with an instrumental social rationality, wherein moral arrangements that impede group interests animate the potential for unrest, creating feedback that promotes the development of norms aligned with social rationality.”

In order to avoid being misunderstood as advocating subject-centrism over object-centrism, or unity over variety, or hierarchy over ecology, I should further unpack my cosmotheandrism. Attempts to naturalize our moral needs/wants in this way seems to me to be a form of greedy reductionism neglectful of the extent to which the ultimate values of the Universe pre-exist the species level, since it is these values (like Beauty, Goodness, and Truth) that provide the metaphysical condition for the possibility of local accomplishments of normativity. Reducing morality to an accident of social and/or natural selection does not lead to moral realism, but to relativism. If we seek an object-orientation in ethics, then value must be rooted in the world process itself. Our human characteristics are microcosmic inflections of the divine character of the macrocosm.

This microcosm-macrocosm relation is not deterministic or coercive, such that God becomes responsible for every decision made by human beings or any other organism. The World-Soul is not a universal tyrant, but a poet, who, “with tender patience [leads] it by his vision of truth, beauty, and goodness” (Process and Reality, p. 346).

Whitehead goes on:

“God and the World are the contrasted opposites in terms of which Creativity achieves its supreme task of transforming disjoined multiplicity, with its diversities in opposition, into concrescent unity, with its diversities in contrast […] God and the World stand over against each other, expressing the final metaphysical truth that appetitive vision and physical enjoyment have equal claim to priority in creation. But no two actualities can be torn apart: each is all in all. Thus each temporal occasion embodies God, and is embodied in God. In God’s nature, permanence is primordial and flux is derivative from the World: in the World’s nature, flux is primordial and permanence is derivative from God. Also the World’s nature is a primordial datum for God; and God’s nature is a primordial datum for the World. Creation achieves the reconciliation of permanence and flux when it has reached its final term which is everlastingness—the Apotheosis of the World. Opposed elements stand to each other in mutual requirement. In their unity, they inhibit or contrast. God and the World stand to each other in this op-posed requirement. God is the infinite ground of all mentality, the unity of vision seeking physical multiplicity. The World is the multiplicity of finites, actualities seeking a perfected unity. Neither God, nor the World, reaches static completion. Both are in the grip of the ultimate metaphysical ground, the creative advance into novelty” (ibid., p. 348-349).


*The alphabet begins with A. A is for aleph, א, which to a mystic’s ear symbolizes to the polar unity (or Trinitarity) of God:

“The letter can been seen as being composed of [1] an upper yud, [2] a lower yud, and [3] a vav leaning on a diagonal. [1]The upper yud represents the hidden and ineffible aspects of God while [2]the lower yud represents God’s revelation and presence in the world. [3]The vav (“hook”) connects the two realms.” -Wikipedia

Religion and Philosophy: The God Problem

The discussion continues over on Levi Bryant’s blog.

Bryant agrees with me that Whitehead’s conception of God does not fall prey to many of the ethical and epistemological criticisms he levels against traditional theism. But he fails to understand the problem that Whitehead’s God is purported to have solved.

Whitehead’s style of philosophizing has much to do with his understanding of history. From his perspective, the history of religious experience is a fact about the Cosmos that must be taken up and integrated by speculative philosophy. I don’t think Bryant would necessarily disagree with this, but he might add that the way this fact is to be integrated by philosophy is through some sort of sociological or neurological reduction (i.e., the content of religious experiences is entirely culturally or cranially constructed).

Whitehead integrates the fact of humanity’s religious inheritance (which is both experiential and scriptural–and these two sources are inextricably bound up in my opinion) in a different way. He abides by what Bruno Latour has since come to call the principle of irreduction: a phenomenon can sometimes be translated into a related phenomenon, but never explained by reference to anything other than its own internal reasons. Instead of reducing the content of religious experience to something merely cultural or merely neural that must be rejected wholesale as superstition, Whitehead accepts the cultural habits he has inherited as the “imaginative background” constituting the condition for the possibility of his own speculative flights into conceptual novelty. He sees no other choice but to think with the historical milieu in which he is embedded, even if this thinking leads eventually to a creative revisioning of his culture’s fundamental assumptions. As Latour and Stengers later articulated, Whitehead’s cosmology is not separable from his politics. Nor is his ontology separable from his sociology. Human experience is to be understood based upon the same criteria of explanation and existence as the experience of any other organism. If the vast majority of the earth’s human inhabitants currently find the concept of God meaningful in some ultimate sense, this is a cosmic fact Whitehead cannot afford to dismiss.

Bryant and other atheists may not find this at all compelling. That a majority of humanity holds certain beliefs about God is no evidence whatsoever as to the validity of those beliefs. Whitehead, however, is a pragmatist; for him, the truth of an idea is not a matter of correspondence to some pre-given reality; or at least if truth is correspondence, it is not very interesting to him. What matters to Whitehead is how our conceptual propositions create novel contrasts in our interpretation of experience in order to further the Universe’s adventure of ideas. In a Universe that relates to itself sensually (i.e., via prehensions), interesting lies are often more effective–more productive of value–than boring or obvious truths (at least if adventure is our goal).

It all comes down to how we construe the relationship between philosophy and religion. Hegel argued that the content of each was the same. Whitehead agrees. The role of philosophy is always to be the critic of abstractions, whether they be scientific or religious in origin. Scientific abstractions tend to be derived from empirico-mathematical (i.e., theoretical) cognitions, while religious abstractions tend to be derived from ethico-scriptural (i.e., practical) emotions. Philosophy’s role is to bring our thinking and our feeling into constructive harmony: the abstractions employed by science and religion are systematized by philosophy so as to presuppose one another such that in isolation they are meaningless.

It is perhaps a mistake to use the descriptor “Christianity,” since this will only invite the knee-jerk dismissal of what I am about to say; but nonetheless, I think the archetypal meaning of the Christ event is highly relevant in any discussion of the relationship between religion and philosophy. The history of Christian theology represents a sort of unhappy compromise between Hebraic eschatology and Greek cosmology. We should not underestimate the profound transformation that the God of the Old Testament had to go through in order to become the God of the Gospels. I think Christianity, whose central figure is purported to have accomplished the complete synthesis of spirit and matter, eternity and time, myth and history, creator and creation, etc., still has a significant role to play in the unfolding of our civilization. In fact, I think (like Rudolf Steiner and Teilhard de Chardin) that we’ve only just begun to feel the cosmohistorical repercussions of the Christ event.