Video of my lecture: an introduction to German Idealism/Romanticism

Below is my lecture on German Idealism and Romanticism given yesterday (Sept. 30) for MA students enrolled in an Introduction to Philosophy, Cosmology, and Consciousness course at CIIS.

Returning to Whitehead…

After finishing my first comprehensive exam on Schelling, its now time to dive back into Whitehead. For starters, Adam over at the new minimalist Knowledge Ecology has recently been posting brilliant snippets of what I believe is a longer tract he is writing about the ecology of ideas. Here is one titled “The Alien Light“:

On an earth without humans the elephants are mourning their dead and the stars are burning with an alien light. Bees and wasps are swarming from flower to flower, targeting pollinated landing pads rich with colors of a unique visible spectrum; their buzzing messengers return with good news for the rest of the hive. Bacteria move along chemical gradients, seeking out the sugary sweetness of glucose; plankton float in the water before being consumed by baleen whales. Ancient trees cast long shadows, forcing young saplings to sprout leaves in new directions; the shadows themselves are real. The universe does not beget qualities through the emergence of the human alone; the tangled bank of the ecosystem is already filled with the rustling of leaves, croaking of frogs, and thrashing of salmon. Red, gold, and turquoise are carvings of things made by human eyes and minds, but they represent only a small diorama of the available spectrum of aesthetic experiences, an aesthetic dimension unfolding for billions of years before the arrival of the human.

A commenter asked Adam what exactly the meaning of “available” is in the context of the aesthetic experiences of the cosmos. Adam responds by saying “available” may be the wrong word, since he doesn’t think

there are something like “available qualities” just floating around, pre-existing their experience by some organism that enacts them. The problem would be that this would imply that there is something like a standing reserve of pre-existing qualities just waiting to be discovered.

I responded as follows:

I wonder where Whitehead’s eternal objects fit in to this question concerning the “availability” of qualities. These qualities are not actual until experienced by an organism, but they are nonetheless at least potentially real without these organisms. These potencies are the aesthetic lures of Whitehead’s creative cosmos. They are mediated by the divine organism, or anima mundi, who envisages an ordered totality of possibile qualities capable of shaping a given cosmic epoch. Without this divine mediation, the potential for qualitative valuation and so cosmic ordering would be infinite, which means there would be no value or cosmos at all, just a flood of pure relentless chaotic creativity.

So eternal objects aren’t exactly a “standing reserve” of pre-existing qualities, though they seem to be something like this at first. They aren’t exactly this, though, since they in no way pre-existper Whitehead’s ontological principle. Eternal objects are potentials for experience, not actualities. They are only somewhat like a standing reserve in that some finite set of eternal objects is prehended by God in order to get a cosmos to emerge out of chaotic creativity. But it doesn’t seem quite right to conceive of God as a mere store house of ideas. God is an organism, which is to say God is concerned about the ideas he/she/it envisions.

The Politics of Renaissance Hermeticism, and the Magic of Science

I’ve been reading Frances Yates’ Giordano Bruno and the Hermetic Tradition (1964). Part of her project is to dispel the myth that Bruno was burnt at the stake primarily for his heliocentrism and generally scientific and materialist attitude. This was certainly one of the Roman Inquisitions many accusations, but the real reasons the Church lit his public pyre were political.

…the legend that Bruno was prosecuted as a philosophical thinker, was burned for his daring views on innumerable worlds or on the movement of the earth, can no longer stand…little attention was paid to philosophical or scientific questions in the interrogation…[instead, stress was laid] on Bruno’s religious mission. (p. 355)

His religious mission was to attend to the creation of the City of the Sun on Earth, which involved practicing the Hermetic arts of magic, astrology, and what after Jung we might call active imagination. This mission also had a political dimension, leading Bruno to ally with the likes of Henry of Navarro, who was to become King Henry IV of France. Bruno saw the potential for a universal reform of the Catholic religion in France, which was fresh off King Henry’s victory against the Spanish-backed Catholic League. Many heretical thinkers in 16th century Europe with more liberal views on religion were hoping Henry would bring peace to a continent ravaged by wars of intolerance. The Catholic Church, of course, had no interest in ceding its power to such a movement. The counter-Reformation was in full force.

Yates also tells the story of Tommaso Campanella, another Hermetic Magus who followed in Bruno’s footsteps by seeking to create the City of the Sun. Campanella lead a rebellion of Dominican monks against Catholic reformers in 1599.

But what did Bruno and Campanella’s religious mission have to do with new scientific ways of thinking and with the Copernican heliocentric theory? Campanella “praises Ptolemaeus and [admires] Copernicus, although Aristarchus and Philolaus were before him (in teaching heliocentricity)” (transl. Yates, p. 372). Both geocentric and heliocentric systems are upheld as worthy of study. Bruno’s primary reasons for holding to the heliocentric perspective were not mathematical or scientific (Ptolemy’s system was still more accurate than Copernicus’ at this point), but magico-symbolic and politico-religious. The return of the heliocentric theory was read by Bruno as an omen, a sign in the sky sent from God, prophesying the coming Golden Age when Europe would be ruled by Philosopher-Magi skilled in calling the winds of justice down to earth from the heavens.

What interests me in Yates’ historical account is the way Bruno was both modern and non-modern in his Hermetic religion: modern in that he affirmed the infinite reality of the universe; non-modern in that an infinite cosmos is the necessary counter-postulate to an infinitely real God. Modern in that he saw the moral necessity of religious freedom, but non-modern in that he felt the universe (or earth-heaven continuum) must be inter-woven throughout with astral spirits and permeated by an anima mundi (or world soul). All the beings in the universe are magically linked through the soul of the world to one another, and also to the One God, who is beyond being. The One beyond being, infinite in itself, is necessarily in relation to the beings of Being. This relation takes place through a series of revelations, beginning with the heavens. God’s infinite Speech/Word is “stepped-down” into the songs of the spiraling stars and dancing planets, which Plato identified with the Cosmic Intelligence of the World Soul. This revelation of the One through and to the many continues through every individual creature of earth, which in its individuality contains in hologrammatic form the entirety of the cosmos. As an earlier Hermetic thinker, Nicholas of Cusa, had intuited, the universe, as a reflection of God, “is a sphere of which the center is everywhere and the circumference nowhere.”

Yates ends his study on Renaissance magic by asking why it was that the scientific revolution of the 17th century began when it did. She speculates that the Renaissance Hermeticist’s new attitude concerning the place of the human being in the natural world re-directed the will, such that penetrating the secrets of the universe and coming to have mastery over nature no longer seemed so far fetched.

Behind the emergence of modern science there was a new direction of the will towards the world, its marvels, and mysterious workings, a new longing and determination to understand those workings and to operate with them. (Yates, p. 448)

Compare this attitude with that of the 3rd century Church father Tertulian, who argued that those interested in the workings of nature:

persist in applying their studies to a vain purpose, since they indulge their curiosity on natural objects, which they ought rather [direct] to their Creator and Governor.

There is a vast difference between the mechanism and mathematics of thinkers like Mersenne and Descartes and the animism and magic of thinkers like Bruno, Campanella, and Robert Fludd. But the transition between the two is not as clear cut as it would seem from our modern perspective. Like Bruno, many of the supposed fathers of the scientific revolution were deeply interested in occult knowledge. On Nov. 10th, 1619, while still a young man striving to discover a new foundation for knowledge, Descartes had a series of dreams and visions that he believed came from a higher source (Yates, p. 452). He began searching for the elusive Rosicrucian order (a Hermetic society) in Germany in the hope that they might help interpret his visions of a universal science of nature. He finally gave up in 1623 and returned to Paris, though some speculate that he actually did make contact with the secret society and had been initiated into the brotherhood. Kepler was also a rather transitional figure, having studied the Corpus Hermeticum quite closely alongside his astronomical research. Then there is the importance of alchemy to Isaac Newton, which is increasingly well-known: see especially Phillip Fanning’s recent book Isaac Newton and the Transmutation of Alchemy: An Alternative View of the Scientific Revolution (2009).

Yates points out that the early mechanists attempt to distance themselves from the magicians left them with a rather embarrassing problem: if nature was all mechanics, where did the knowing mind of the scientist fit in? The problem was especially pronounced and given its clearest formulation in Descartes infamous dualism between the res cogitans and the res extensa. “This bad start of the problem of knowledge,” writes Yates, “has never been quite made up” (p. 454).

Yates goes on:

[The mechanists] may have discarded notions on mind and matter which, however strangely formulated, may be in essence less remote than their own conceptions from some of the thought of today. (p. 455)

Writing in the early 60s, she was well-aware of the paradigm shift continuing to unfold as a result of the quantum revolution:

It may be illuminating to view the scientific revolution as in two phases, the first phase consisting of an animistic universe operated by magic, the second phase of a mathematical universe operated by mechanics. An enquiry into both phases, and their interactions, may be a more fruitful line of historical approach to the problems raised by the science of today than the line which concentrates only on the seventeenth-century triumph. Is not all science a gnosis, an insight into the nature of the All, which proceeds by successive revelations? (p. 452)

Might there be room in contemporary science for the return of the anima mundi?

More Reflections on James Hillman’s Archetypal Psychology

Building on what was said here last week:

 

View of Mont Ventoux from Mirabel-aux-Baronnies.

Mont Ventoux

James Hillman’s psychology, above all else, aims to remind the modern Western psyche of its roots in the Renaissance. To illustrate his methods, he dwells upon the lives of Renaissance figures like Petrarch, “the first modern man…perhaps…the first psychological man.”1 Most cultural historians focus on Petrarch’s ascent of Mt. Ventoux in 1336 as the symbolic beginning of the Renaissance resulting from his discovery of the spirit of “Man.” Jean Gebser, for example, marks the moment as the dawning of humanity’s conscious mastery of extended, perspectival space as over and against an increasingly interiorized soul life.2 Hillman, who has little patience for often inflated “peak experiences” championed by the humanistic psychologist Abe Maslow, draws attention instead to the significance of Petrarch’s descent. It is not a result of “highs,” but rather the survival of depressive “lows” that determines the true worth of a person.3

Upon reaching the summit, Petrarch opens Augustine’s Confessions randomly and reads the lines:

“And men go abroad to admire the heights of mountains…the compass of the ocean, and the circuits of the stars, and pass themselves by…”4

Stunned by the synchronicity, Petrarch realizes his calling in life is to look inward so as to “know thyself,” as Thales put it many centuries before Augustine. Most historians here refer to the decisive shift to the study of “Man,” to the beginning of the humanities as a distinct discipline separate from theology or natural philosophy. Hillman’s psychological project, on the other hand, is founded upon the dehumanization of the Renaissance. Despite the fact that Petrarch uses the Latin animus when recounting his experience on Mt. Ventoux,5 Hillman insists that it was essentially a deepening into soul. He points to an earlier sentence in the same section of the Confessions which discusses the infinite depths of memory, “the soul’s imaginative faculty,” and argues that

“The revelation on Mont Ventoux opened Petrarch’s eyes to the complexity and mystery of the man-psyche relationship and moved him to write of the marvel of the soul, not the marvel of man.”6

In light of the diverse array of scholarly interpretations of Petrarch’s transformative experience atop Mt. Ventoux, it seems all that can be said for certain is that it generated within him an irresolvable, yet creative, tension between spiritual transcendence and soulful immanence. He felt, perhaps more powerfully than anyone alive around him or before him, the smallness of his ego in relation to the depths of psyche and of cosmos.

English: Illustration of Petrarch's Triumph of...

Petrarch's triumph of death

There is a certain tragedy in Petrarch’s discovery, a certain dis-ease, since after the mutation in consciousness he initiated, the soul became vulnerable to a whole new set of pathologies. No longer swallowed whole by the earth and sky, the human soul began to feel utterly unlike the world around it. More than anything else, Renaissance philosophers like Petrarch, and later, Ficino, contemplated death.

“Yet the more occupied with death, the more these humanists thought, built, wrote, painted, sang.”7

Death became their muse, and in this way Renaissance philosophers hearkened back to Socrates and Plato, who rather than empiricizing or biologizing the soul like Aristotle, sought to dwell upon the shadows cast by the living body, to descend into the underworld in search of metempsychotic transformation. The soul was identified with the death principle instead of the life principle, and in that way “the first metaphor of human existence” was seen through: “that we are not real.”8 The “skin encapsulated ego” (as Alan Watts put it) is a fantasy of soul.

“No longer is it a question of whether I believe in soul, but whether soul believes in me, grants me the capacity to have faith in it, in psychic reality.”9

If Hillman were a metaphysician, he’d have to say that the final real things are images, fantasies of soul. Not facts, but fictions are the stuff out of which reality is woven. Or at least, if facts be our focus, they must be psychologized into acts, the poetic creations of soul. Like Teilhard de Chardin in the preface to The Human Phenomenon (itself a profound metaphysical work), Hillman dubiously claims early in Re-Visioning Psychology that he is not a metaphysician. In fairness, perhaps it would be truer to his intentions to call him a “meta-psychologist” always in search of an ensouled cosmology. After all, his skepticism regarding metaphysics as it has been articulated in the modern West is well-founded. The Cartesian ego’s paranoid search for absolute certainty and formulaic Truth leads to the repression of the ambiguities and paradoxes of soul-making in the valleys of the world.

His emphases upon death and depth are not simply a matter of coming down to earth from the heights of the sky, however, since for Hillman the planets are gods “by means of which every element of our experience can be interpreted.”10 His turn away from the methods of the modern metaphysician to the therapy of the ancient “Doctors of Soul” is not a retreat from the cosmos, but the longing for the renewal of “relations with archetypal principles personified by the planets of the pagan pantheon.”11 Like Plato, Hillman longed to relate to the universe as a living creature, a being ensouled. His dwelling upon individual death is meant to remind the living soul of its embeddedness in and dependence upon the anima mundi, the soul of the world.

“If we could reoriginate psychology at its Western source in Florence, a way might open again toward a meta-psychology that is a cosmology, a poetic vision of the cosmos which fulfills the soul’s need for placing itself in the vast scheme of things.”12

The problem for the disenchanted metaphysician is not that Truth is “merely” fiction–that the real is forever beyond the mind’s conceptual grasp–but that the world’s meaning is immense, immeasurable. There is too much meaning! The literalistic mind’s attempt to explain the real can never be completed. It is for this reason that the metaphysician has so often failed the polyphonic psyche by repressing its desire for soul-making. The philosopher’s search for system, for some Grand Synthesis or Theory of Everything, is all too easily psychologized:

“Western metaphysics, with its inherently world-denying, abstractive tendencies has been thought mostly by men…who did not wed, who did not spawn, who touched the world with mind in such a way that its existence became a ‘problem.’”13

Hillman, then, seeks to return metaphysics to the world, to think the real in service of soul-making. He is after a “metaphysical praxis,” a “psychological metaphysics” closely bound up with the practice of therapeia.14 Existence then becomes, not a problem to be solved, but a pathos to be deepened into in search of insight.

Hillman demands that we stay close to the practical effects of our abstractions by paying attention to the power of archetypes to recursively shape both the creation of theories and the discovery of facts: an archetype is both a way of seeing and a thing seen. True to the etymological meaning of “fact” (from the Latin facere: “to do”), Hillman implores us to ask: What do ideas do to soul, to world? Sticking close to the effects of metaphysical pronouncements means asking of their Truths, “True for who?”

The metaphysician must situate himself in the mythic context of psychic life, where everything is personified and speaks through the masks of image and symbol. Truth is not “mere” fiction if the deeper structure of the universe is semiotic: The Truth is story; theory is a special kind of myth. Where literalisms (whether of the metaphysically scientific or religious sort) would replace–or paste over–the given with their favored abstractions, a psychological metaphysics (or meta-psychology) drops the bottom out of the given by forestalling the paranoid rush to formulaic certainty. Metaphysical knowledge is here checked by–not the limits of–but the infinity of metaphor.

“We practice an alchemical metaphysics: ‘account for the unknown in terms of the more unknown.’”15

Hillman has always defended the poetic basis of mind. In making his imaginative psychology cosmological, he is forced to posit as well a poetic basis of the universe.16 He affirms the inherent intelligibility of things: “The cosmos has a logos.”17 He then asks why this intelligibility has become obscured to the modern mode of intelligence, concluding that we have lost the perceptual capacity to connect soul to world and world to soul. We lack the requisite organ of perception: the “imaginational heart.”18

“A living sense of world requires a corresponding living organ of soul by means of which a living world can be perceived.”19

The heart is no mere pump. Neither is the heart the organ of personal sentiment or subjective feeling. For Hillman, the heart is the seat of the imagination, the microcosmic Sun around which all the world’s meaning revolves.20 It is through the heart that the individual finds their point of entry into the anima mundi. To perceive with the heart is to “[hear] the confession of the anima mundi in the speaking of things.”21 This is a form of aesthesis, of “breathing in” the world, that un-Lockes perception from the chains of prosaic empiricism and places the soul’s horses22 before Descartes’ rationalistic reductionism.

1 Re-Visioning Psychology, 195

2 The Ever-Present Origin, 12-15

3 Re-Visioning Psychology, 66

4 X,8

5 Richard Tarnas, personal correspondence, 12/29/2011

6 Re-Visioning Psychology, 196

7 Re-Visioning Psychology, 206

8 Re-Visioning Psychology, 209

9 Re-Visioning Psychology, 50

10 Archetypal Process, 220

11 Re-Visioning Psychology, 202

12 Anima Mundi, 110

13 Archetypal Process, 218

14 (ibid.)

15 Archetypal Process, 220

16 Archetypal Process, 221

17 Archetypal Process, 225

18 The Thought of the Heart, 7

19 Archetypal Process, 225

20 The Thought of the Heart, 28

21 The Thought of the Heart, 48

22 See Plato’s Chariot Allegory in Phaedrus

The Copernican Odyssey: From Kantian Skepticism to Tarnasian Participation, or from the Dawn of Modern Science to the Wisdom of the Midnight Sun

The following is a rough draft of a presentation I will be giving next week as part of a panel discussion on the philosopher Richard Tarnas’   Archetypal Cosmology. Tarnas’ essay entitled Two Suitors: A Parable may aid the reader’s comprehension of what I articulate below.

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The Copernican Odyssey: From Copernican Illumination through Kantian Skepticism to Tarnasian Participation, or the Dawn of Modern Science to the Wisdom of the Midnight Sun

The 20th Century philosopher, Samuel Alexander (a major influence on Whitehead) articulated what could be said to be the basic metaphysical formula underlying archetypal cosmology: “Time is the Mind of Space.”

Time, for Plato, is a “moving image of eternity,” a living copy of God. Like Alexander, Plato often related Time to the World-Soul, that intermediating matrix that allows invisible eternal forms, or archetypes, smooth passage into the visible motions of the animated physical world. When Plato looked to the heavens he perceived in their hidden harmony the very source and destiny of cosmic history. Time, he intuited, must be created and ordered by the movement of the spheres. Even two thousand years later, planetary motions and qualitative time were still seen to be intimately connected: Copernicus only began his reform of astronomy as a result of being asked by the Church to reform the calendar for liturgical purposes. Without an accurate calendrical sense of the rhythms of time, religious rituals could not tap into and participate in the life cycles of the cosmos and so could not keep humanity synced up with the sky.

By the death of Newton(about 200 years later in 1727), cosmic time was well on its way to being reduced to a uniform mathematical magnitude devoid of all texture and qualitative meaning. Newton himself went to a lot of trouble attempting to calculate the exact date of the crucifixion and of end of days, which suggests that the calendar had already lost its deeper cosmic significance by becoming over-literalized (though to be fair, he did still think it had something to do with lunar cycles). When it came down to it, time, for Newton, was just a constant background rate of change against which the rate of all motion could be measured. Time was t, an algebraic function in a differential equation.

Less than a century later, Kant, who today remains so influential that we might simply refer to him as The Philosopher (as the ancients referred to Aristotle) preserved qualitative time from total annihilation, but only by sequestering in within human subjectivity as a form of inner intuition. Plato’s forms, once living cosmic powers, became for Kant fixed concepts within the human mind with no intrinsic relationship to the dead material objects they supposedly represented. Human consciousness was meaningful, qualitatively rich, and intelligent; but the soulless world upon which it gazed-whether it looked vertically to the sky or horizontally around the earth-was thought purely in terms of mechanism.

The picture painted by Kant is not so clear cut, however; he never suggested that the universe actually is a giant machine. He only argued that the human mind is unequipped to grasp it intellectually in any other way. He speculated, especially in the Critique of Judgment, about the possibilities of some supersensible substratum responsible for the organic formation of the visible world (e.g., the World-Soul), but remained in the end unable to defend such a view with the science and logic available in his day.

By the first few decades of the 20th century, things had changed dramatically: relativity and quantum theories destroyed the Newtonian clock-work universe with even more force than Copernicus’ discovery had shattered the static crystalline spheres of the ancient world.

Physicist Sir James Jeans remarked late in his life that

“Today there is a wide measure of agreement, which on the physical side of science approaches unanimity, that the stream of knowledge is heading towards a non-mechanical reality; the universe begins to look more like a great thought than a great machine. Mind no longer appears to be an accidental intruder into the realm of matter; we are beginning to suspect that we ought rather to hail it as the creator and governor of the realm of matter.”

The quantum revolution, in this sense, overturned the mechanistic pretensions of Newtonian science and made possible new forms of empirical, experimental, and experiential participation in the cosmos.

The Western mind has thus come full circle, such that the true spiritual meaning of Copernicus’ heliocentric theory now becomes clear. By astronomically de-centering the earth, Copernicus initiated a mutation in consciousness that simultaneously severed humanity from and sutured it to the solar logos—severed by exiling us from the cyclical-seasonal rhythms of the cosmic womb of geocentrically arrayed constellations; and sutured by lifting the earth into heaven in order to perceive its and the other planet’s motions from the perspective of the Sun. Both the light and the shadow of modernity here come into focus: the excellence of our intelligence was finally able to solve the millennia-old problem of the planets; but as a result of this solution, the Sun no longer could be understood to die into the underworld each night and each winter or to be reborn each morning and each spring. The synchronistic stories within which earth was embedded, especially the death and rebirth of the Sun and Moon, were revealed to be a hoax, an illusion of the senses. Instead, the Sun remained a hero undescended and unrisen; an invincible god unburdened by (e)motion of any kind; a distant, objective observer. This provides a telling analogy for the hubris of the newly empowered solar ego whose great flash of insight had lead it to forget or repress its shadow by pushing the death-rebirth mystery into unconsciousness.

This repression is cosmic in extent, and so requires humanity to enter into a form of personal and collective psychoplanetary therapy, which is just another name for archetypal cosmology. We must rediscover the Soul of Time in the archetypal rhythms of the planetary spheres. Unlike the skeptical Kantian consciousness which we are attempting to transform, ideas must no longer be hidden away in the private recesses of the human mind. The ideas, the forms, the archeptypes and ordering patterns of the visible world, are not projected upon that world by our consciousness, but discovered there in the motion of the heavens, in the growth of plants, in the flight of birds, and the songs of poets. But the planets in particular are the most potent communicative organs of the invisible because all-encompassing World-Soul; they distill the meaning of the Archetype, the Idea, most clearly, since they circle overhead providing a universal background for our particular earthly endeavors. They are the closest image humans have of the Transcendent, the Pleroma, Reality.

In order to correct our characteristically modern hubristic over-emphasis on the Sun (an important but not all-determining influence), the archetypal significance of the outer, transpersonal planets is especially important.

Uranus is in one sense is misnamed, reflecting its role as trickster (i.e., Prometheus), but in another sense is aptly named, since only with its discovery did the human soul breakthrough the threshold of personal death (i.e., Saturn) in order to be initiated into the libratory and immortal wisdom of heaven. The discovery of Uranus, the patron saint of astrology, represents the cutting of the 7 strings of the planetary marionette, and the release of the puppet: from that point forward, the human spirit was free to dance, or not, with the song of the spheres.

Neptune reminds the alienated ego that, despite all its frightened and anxious thrashing, it remains embedded in a nurturing cosmic womb of untold proportions.

And Pluto, the furthest planet from the Sun, is no less powerful for its great distance: it communicates the death-rebirth mystery that the heliocentric re-orientation had temporarily hidden from view, thereby correcting the hubris of the conscious ego by bringing it back into touch with its chthonic source.

Earth, too, must not be forgotten, since she is the planet whose destiny it is to reconcile the others, to integrate their powers into one Self. Consider the strange synchronicity expressed by solar eclipses: the Sun and Moon are the same size, but only from the perspective of Earth. Perhaps this is why Plato elevated geometry above all other sciences, since Earth truly is the measure of all things.

In closing, I will leave you with a short excerpt from one of Kepler’s works on astrology:

“There is a much more noble and miraculous unity of the sky and the earth than the material one. This unity is incapable of doing anything material. It is formal. It moves through forms in this world below, and it does not do so simply through the mute forms, as are found in stone and bone, but rather through the spiritual powers, through soul, through reason — indeed through the grasping of the most subtle things that are present in the whole geometry of things. For earthly creatures are so constituted, that they might thus be capable of channeling the celestial realm.”

Archetypally, astrology is the science of the Night, while astronomy is the science of the Day. Geometry, in the Platonic sense, can unite the two by reminding the sun-worshipping astronomer of the meaning of their embodied earthly perspective. Astrology is concerned more with Wisdom than with Knowledge; it involves participation in what could be called the non-ordinary reality of playful spirit. Knowledge, on the other hand, is concerned with the ordinary time and space of the toiling body, where energy (the cause of motion, and so of time) is defined as the ability to do work. From an astrological perspective, energy is not, or at least not only, work, but, as Blake said, is also “eternal delight.” Energy as eternal delight reflects a cosmic process that is ensouled and archetypally alive.

In Defense of Wonder: A response to Naught Thought on Whitehead’s Philosophy of Dawn

I cannot, without much hesitation, identify myself as either a “prickly” or a “gooey” philosopher. It depends on who my interlocutors are. If I am in a philosophical conversation with, say, a professional biochemist with a reductionistic orientation, my attempt to wipe away and retrace the horizons of their world will inevitably come off as vague, pretentious, and mystical. If I enter into discussion with a musician or poet, my need to reflect upon and conceptualize the beats and flows of lived experience will probably upset their vibe.

Naught Thought/Ben Woodard recently posted about the “rhetorical disadvantages” of process philosophy resulting from its habit of embracing “ontological fuzziness.” He does nonetheless ally himself with the process perspective, speaking approvingly of Grant’s and Meillassoux’s philosophies of becoming by defending them from Harman’s worry about the “mining” of objects. The point of Woodward’s post, it seems to me, is to encourage the process wing of Speculative Realism to tidy up and formalize its rhetorical style:

“Too many thinkers who work with becoming or process are okay with operating in the twilight of becoming…this allows for becoming to be utilized as an escape hatch in argumentation.”

I definitely appreciate any call to clarify my philosophical position. While I guess I am one of the “process-relational folks” (Woodard’s phrase), in the sense that I have participated in some PR blogalogues recently, I probably wouldn’t employ the phrase to describe myself. Whitehead is one of my most significant philosophical influences at this point in my short philosophical career, but I don’t think the term “process-relational” quiet works for him, either. If pressed, I’d be more likely to describe myself as a Christian Hermeticist. I’m all about “process,” but my heart and mind lead me to affirm that the cosmic process is evolutionary in the teleogenic sense. On a purely metaphysical level, I agree that hyper-chaos/creativity reigns; but on a cosmological level, God’s Love guides physical processes toward an increasingly intense harmonization of aesthetic contrasts, which is Whitehead-speak for Beauty.

Whitehead, like James, is a metaphysician of experience as much as process. Granted, he holds that, ontologically, only becoming is real; but physically, which is to say experientially, becoming is atomized. As James’ put it, experiential reality is both “substantive,” consisting of discrete and unified buds, and “transitive,” with buds flowing out of and into one another as a continuous stream. James suggested that the transitive phase of experience unfolds on the “fringe” of consciousness; it is made conscious only in non-ordinary situations (like that generated by nitrous oxide, in James’ case), and then only with great difficulty. Consciousness of the flow between buds is difficult because, as soon as consciousness attends to the multitude of feelings unfolding on the edges of experience, it transforms them into a unified drop of experience with a new center of subjective identity withdrawn from a new circumference of mostly occluded processes. But still, these flows are only mostly occluded, and many of our commonsense beliefs about the world depend upon our taking for granted that true relation is possible, that each discrete moment of private consciousness is causally bound up (and so continuous) with public processes.

I disagree with Woodard that process philosophy, at least that of the Whiteheadian variety, does violence to commonsense. On the contrary, Whitehead’s metaphysical scheme is an attempt to cosmologize the commonsensical ethical arguments of David Hume. Whitehead’s Jamesian inheritance leads him to elevate experiential adequacy to the very top of his philosophical priority list. His is a scientifically informed plea for re-enchantment, a spirited defense of human freedom and creativity against the radically non-commonsensical reductionisms of mechanistic materialism.

The more I begin to grasp Meillassoux’s process approach the more strikingly similar it becomes to Whitehead’s. The only major difference (and I still have to read The Divine Inexistence for myself) seems to me to be that Meillassoux focuses almost exclusively on (at least the future possibility of) the consequent pole of God’s experience, denying any primordial element. There is no reason at all for the way the universe is, despite its aesthetic beauty and mathematical intelligibility, and there would be no reason at all if a God capable of world redemption were one day to emerge. Whitehead, on the other hand, adheres to the Principle of Sufficient Reason. He does so without separating thinking and feeling such that the intellect is forced to disenchant and mechanize the cosmos in spite of the heart’s protests. God, the eminent actuality and chief exemplar of Whitehead’s occasionalist ontology, is the dipolar embodiment of Reason; that which is responsible for experiencing both Reason’s eternal potentiality and its temporal actualization. Creativity remains Whitehead’s ultimate category, but absent God’s valuation and enjoyment, there can be no Cosmos. It is not a given that there is a Cosmos, but if we aspire to bring forth order and harmony in the world (i.e., if we aspire to cosmologize), then we do so under the assumption that a World Soul exists beyond our own soul to hold it all together.

Whitehead has been called a “philosopher for the muddleheaded,” and there is no doubt that he is an eccentric and complicated thinker. But I don’t think this implies that those philosophers (like myself) who share his attitude toward the real are necessarily at a rhetorical disadvantage. It all depends how one construes the end of philosophy. Some think philosophy, while it may begin in wonder, should end in precise understanding. This is not how Whitehead judges the success or failure of speculative metaphysics. For him, metaphysics should begin and end in wonder.

Bertrand Russell, about as prickly a philosopher as they come, recalls that Whitehead once remarked to him that:

“You think the world is what it looks like in fine weather at noon day; I think it is what it seems like in the early morning when one first wakes from deep sleep.”

Woodard’s comment about the “twilight of becoming” certainly seems accurate given this candid statement by Whitehead himself. I see his “philosophy of dawn,” not as a liability, but as perhaps his most important attitudinal contribution to intellectual culture. Unlike Woodard, I think metaphysical speculation is necessarily affective and existential. Philosophy must be involved  in the ethical complexities of everyday life among others, since it is only in response to these complexities that thinking emerges at all. If affect and ethics are not properly “metaphysical” topics, then I say to hell with metaphysics.

The Universe as a Work of Art: Images of the Cosmos in Plato, Descartes, and Kepler

In his lecture series become book, Art as Experience (1934), John Dewey defines imagination, not as a specific faculty alongside others, but as “that which holds all other elements in solution” (p. 275). Imagination, according to Dewey, is a uniquely human power, rendering experience conscious through the mutually transforming fusion of old meanings with new situations.

“For while the roots of every experience are found in the interaction of a live creature with its environment, that experience becomes conscious, a matter of perception, only when meanings enter it that are derived from prior experiences. Imagination is the only gateway through which these meanings can find their way into a present interaction; or rather,…the conscious adjustment of the new and the old is imagination…There is always a gap between the here and now of direct interaction and the past interactions whose funded result constitutes the meanings with which we grasp and understand what is now occurring” (ibid.).

In preparation for a talk I’m giving at Burning Man in two weeks on “Platonic astrosophy,” I want to attempt to use Dewey’s understanding of the role of imagination in perception to make Plato’s vision of the Cosmos more accessible to the contemporary mind.

In the Republic, Plato ranks imagination quite low on his hierarchy of knowledge, since it is partially derived from sensory experience. For similar reasons, even though he praises astronomy for “[compelling] the soul to look upwards [leading it] from this world to another,” he nonetheless tells astronomers to “let the [visible] heavens alone” if they hope to “approach the subject in the right way” (book 8). This is because the Plato of the Republic chose to elevate the study of invisible geometrical harmonies known only by the intellect over and above the study of the motion of visible bodies through space. He recognized the same gap described by Dewey between direct perception and meaningful conception, or between sensing and thinking, but instead of calling upon imagination to bridge the gap, Plato often emphasized the difference. In the ancient world, a solution to the difficult problem of the planets had not yet been imagined. Plato was therefore skeptical of the merits of empirical observation in comparison to geometrical reasoning.

In Timaeus, he writes:

“That which is apprehended by intelligence and reason is always in the same state; but that which is conceived by opinion with the help of sensation and without reason, is always in a process of becoming and perishing and never really is.”

Despite his seeming desire to affirm an experiential gap, rather than an imaginal bridge, the Plato of Timaeus goes on to offer a “likely story,” or mythopoeic narrative, concerning the generation of the heavens. Given Plato’s doctrine of anemnesis, discussed at length in Meno and Phaedo, I want to suggest that Plato actually did articulate an imaginal function meant to bridge the cognitive gap between appearance and reality.

The soul, according to Plato, is “the oldest and most divine of all things” (Laws). It participates in the eternal, and so all the soul’s learning while incarnated in an earthly body is really a form of remembrance of knowledge that was already present in it from eternity.

The soul is said to forget its divine origins as a result of the trauma of physical birth. During birth, the soul descends from eternity to earth through the heavenly spheres of time. Once on earth, the now embodied and half-aware soul gazes back into the sky in awesome wonder. From childhood on, the soul dimly intuits its true birthplace in the stars, but only a lifelong dedication to the philosophical contemplation of the geometric motions of the stars and planets can finally cure the soul’s forgetfulness. This is why Plato praises the study of the stars as a divine science (let us call it “astrosophy”).

Just as Dewey suggests that the imagination unites the old with the new, the already experienced with present experience, Plato’s doctrine of anamnesis allows the embodied experience of the beauty of the present sky to act on the soul so as to remind it of the knowledge lying dormant in it from eternity.

Plato’s reasoning goes something like this: if the visible universe is intelligible, then it must be a work of art. Its beauty is thus the sensible sign of its creation by an invisible intelligence. In Timaeus, Plato seems to hold to two contradictory opinions on the nature of the creation and its creator. He suggests on the one hand that the universe is a “living thing” continually birthed out of a formless maternal Receptacle, or World Soul. On the other hand, he suggests that the universe is a “crafted thing,” the mere imitation or copy of an Idea, formed by a paternal demiurge into a “moving image of eternity.” The universe is conceived of as having both a mother and a father, both an immanent bearer who participates in its coming-to-life and a craftsman who orchestrates it from beyond; it remains unclear, however, how the two are to be married.

At this point, I’m forced to agree with Ralph Waldo Emerson, that even “the acutest searcher, the lovingest disciple could never tell what Platonism was; indeed admirable texts can be quoted on both sides of every great question, from him” (journal entry, Oct. 1845).

Instead of looking to Plato for a further account of the maternal and paternal aspects of creation, let us turn to two early modern thinkers influenced, in the own way, by Plato: Descartes and Kepler. Their differences as regards the proper study of the Cosmos may provide us with a way forward. Both were Platonic in the sense that they believed in the transcendent origin of mathematics, but the similarity ends here. Descartes invented a way to translate geometric figures into algebraic equations, thereby enabling abstract measurement of the geometrically continuous by way of the numerically discrete. Kepler, on the other hand, did not think algebra was relevant to the study of cosmology:

“I do not treat these matters by numbers or by Algebra, but by the investigation of Spirit; my interest in these matters is not for keeping a ledger but for explaining the cause of things” (Harmonices mundi, 1619).

Descartes, aligning himself more with Plato’s paternal notion of creation, found evidence of a transcendent cause in his innate knowledge of geometric form. His own cognitive activity as a mathematician, in other words, was understood to be the effect of his having been created in the image of a divine craftsman. Kepler’s approach, in contrast, suggests a more maternal notion of creation, where participation in the archetypal pattern given expression by the heavens reminds the human soul of its embeddedness in the World Soul. For Kepler, the musical harmony of the spheres grounds geometry in the experience of beauty rather than in the intelligibility of abstract numbers.

In short, while Descartes thought the universe was an imitation of mathematical formalisms in the mind of an absent demiurge, Kepler saw it as the body of God, a living symbol of divinity. Philosophical contemplation of the heavens, for Descartes, leads to demonstrative knowledge of their eternal algebraic form; for Kepler, it leads to generative participation in the same life presently animating them…

I hope this admittedly oversimplified characterization of these thinkers was at least somewhat illustrative of the tension inherent in the Platonic worldview. I think a more developed account of the ontological role of imagination will help to marry the masculine and feminine poles of Plato’s cosmology.

Plato and Astrosophy: The Wisdom of the Sky

The School of Athens (detail). Fresco, Stanza ...

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Scholarship has been unable to determine who the true writer of Epinomis was, but it is generally assumed that the text available to us today is either what remains of an unfinished wax-tablet manuscript left behind by Plato at his death in 347 BCE, or is an extra chapter added later by a student of Plato’s, the astronomer Philip of Opus, who is known to have transcribed the first 12 books of Laws after his teacher’s death. Whatever the case may be, we can at least say that the dialogue provides us with perhaps the earliest example of a Platonic answer to the central question of philosophy: what must a mortal know in order to be wise?

In the dialogue, a Cretan, a Spartan, and an Athenian are said to come together to discuss that which is more important than their respective forms of political organization: namely, Wisdom. Epinomis seems more than just a clerical, but a highly significant title for a Platonic dialogue, since certainly what should come after (“éπι”) the laws (“νομίς”) of one’s local polis is a discussion of the universal principles from which all human laws are derived by way of feeble mimicry.

Plato wrote the Laws only after the political utopia he outlined in the Republic had failed to materialize in 4th century Syracuse. It represents the opinion of an older, more cynical thinker for whom the notion of rule by virtuous philosopher-kings came to be replaced by the “second-best” rule of constitutional law. With the addition of the Epinomis as a 13th chapter, Plato’s younger idealism is allowed to shine through the wear and tear of age. In it, he (or his student) points to the importance of an understanding of the harmonious motions of the heavens, because they transcend the petty disagreements of earthly men and so provide all with a publicly apparent source of Wisdom.

The Athenian begins the dialogue by offering an insight articulated by Gautama Buddha more than a century earlier (483 BCE), that, basically, life is suffering:

“I say it is impossible for men to be blessed and happy, except a few ; that is, so long as we are living : I limit it to that. But one may rightly hope to attain after death all the things for whose sake one may strive both in life to live as nobly as one can and in death to find a noble end. What I say is [973d] no subtle doctrine, but a thing that all of us, Greeks and foreigners alike, in some way perceive — that from the beginning existence is difficult for every living creature : first, partaking of the state of an embryo, then again, being born, and further, being reared and educated — all these processes involve a vast amount of toil, [974a] we all agree.”

Wisdom, then, begins to dawn upon the human soul only after she has realized that life is full of suffering, that happiness and blessedness are impossible until she has dealt squarely and honestly with the traumas of birth and death. The death-rebirth mysteries at Eleusis into which Plato was initiated provided the ancient Greek soul with an opportunity to die in spirit before dying in flesh. The philosopher’s task upon being reborn is to integrate the vision of heaven and immortality with their participation in political life on earth. This is no easy task.

The Athenian continues:

“the soul firmly believes and divines that in some fashion she has [Wisdom], [974c] but what it is that she has, or when, or how, she is quite unable to discover. Is not this a fair picture of our puzzle about wisdom and the inquiry that we have to make?”

As Plato articulates in the 7th letter, wherein he reflects on his failed experiment in Syracuse, Wisdom cannot be finally attained through verbal discussion of names, through written formula, or through sensory experience of any kind. All that can be said for certain is that the soul knows that Wisdom is possible for herself, that it is asleep within her and can sometimes be awakened through the application of the proper technique (i.e., philosophy).

The Athenian then runs through the various technologies employed by human intelligence: the cultivation of land and the production of food, the building of homes and the smithing of various tools and weapons, artistic reproduction like poetry and painting, the arts of sailing and of medicine. He concludes that none of them are productive of wisdom, since each deals only in conjecture and opinion. The only technique productive of Wisdom–the only way to become “a wise and good citizen, at once a just ruler and subject of his city, in tune with himself and the world as well”–is the study of the heavens, of the stars and the cosmos, the ordered motion of which is responsible for “[giving] number to the whole race of mortals [976d].”
The Athenian suggests that the rhythmical motions of the sun, the moon, and the planets through the sky taught the human soul to count and to record time. Modern paleoanthropology lends some support to this idea, since one of the earliest known forms of writing consisted of notches carved into bone fragments to record the phases of the moon. This science of seasonal time learned by contemplating the motions of the heavens, he argues, provides the foundation of every other technique that has subsequently been acquired through the exercise of human intelligence. “Thanks to these celestial events,” he says,

“we have crops, the earth bears food for all living things, and the winds that blow and the rains that fall are not violent or without measure. If on the contrary anything turns out for the worse, we must not blame God [who orders the heavens and provides for their participation in earthly events], but humans, for not rightly managing their own lives [by living in harmony with the seasonal motions of the planets] [979a].”

At this point in their search for Wisdom, the Athenian, the Cretan, and the Spartan agree that they will need to pray for the guidance of God himself if they hope to understand the true meaning of the planetary spheres and the process of their generation. Philosophy here becomes beholden to the power of faith. The seekers of wisdom pray that they might be granted Her council, that the Soul of the World might speak within their humble and open hearts.

The Athenian then says, “as a whole, soul is older than any body. Do you recall? You surely must remember.” He adds to his anamnesiac appeal that the celestial spheres are to be considered “living things…endowed with the finest body and the best and happiest soul [980d].” Either these spheres are indestructible, or “each of them is content to possess such a vast length of life that they could never possibly demand more [982a].”

Wisdom, the Soul of the World whose voice is made audible in the Song of the Spheres, is embodied by Plato’s Fifth element, also mentioned in Timaeus and his 7th letter. Soul is without name or color or shape or weight, no more made of fire than it is earth; rather, it is the invisible intelligent force underlying the harmonious activity of the other Four elements.

“Let us suppose,” suggests the Athenian,

“that [the divine stars and the creatures of the earth] are two kinds of living things, that both are visible, the one made entirely, as it might seem, of fire, the other of earth, and that the earthly kind moves in disorder, while the one of fire moves in perfect order. Now what moves in disorder (which is exactly how the kind of living things around us behave for the most part) we ought to consider unintelligent. But if something has an orderly path in the heavens we should treat that as powerful evidence of its intelligence. For if it always proceeds in its course uniformly and without variation, and always acts and is affected in the same way, it gives ample evidence of intelligent life. The necessity of the soul that possesses intelligence is by far the most powerful of all necessities. For it is a ruler, not a subject, and so ordains its decrees. When a soul reaches the best decision in accordance with the best intelligence, the result, which is truly to its mind, is perfectly unalterable…Humans should admit as evidence of the intelligence of the stars and this entire movement of theirs, the fact that they always do the same things, because they are doing what was decided an astonishingly long time ago and do not change their decision back and forth, sometimes doing one thing and at others doing something else, wandering and changing their orbits. This opinion of ours is the exact opposite of what most people believe–that because they do the same things uniformly they do not possess soul. The crowd has followed the fools in supposing that the human race is intelligent and alive because it undergoes change, whereas the divine is unintelligent because it remains in the same orbits. But in fact a person can adopt views that are finer, better and acceptable, and could have understood that whatever always operates uniformly, without variation, and through the same causes is for that very reason to be regarded as intelligent. Such a person could also understand that this is the nature of the stars, the finest of all things to behold, and further that moving through their march and dance, the finest and most magnificent dance there is, they bring to pass what all living things need [982a-e].”

The Athenian establishes that one Life moves through all things earthly and astral, that a single invisible Soul animates each and all. Even if the visible planetary spheres are but the elemental images of Wisdom, rather than the eternal gods themselves, still “no other image will appear more beautiful or more widely shared by all humans than these [984b].” He goes on to discuss the role of various atmospheric mediators, or daemons (i.e., angels and demons), who facilitate communication between gods and humans:

“…some of them have had various types of encounters with humans, whether through dreams in sleep or in audible communications through divine voices or prophecies to certain people whether healthy or ill or even at the point of death. The resulting beliefs affect both individuals and communities and have been the origin of many religious rites for many people and will be in the future as well [985c].”

Religious revelation, in this sense, is true, a fact about the Universe that reason must take into its consideration of the whole. But revelation must be checked through comparison to the meanings of the visible motion of the stars and planets, since “the worst people are those that do not dare to declare to us the gods that really do appear to us [985d].” Private, inner revelation is not enough. The words of God’s messengers must be plainly present for all to see and hear. The sun, moon, and other planets are these words, publicly available to all with ears to hear and eyes to see. Each one of them “contributes to the perfection of the visible cosmos established by the most divine law of all [986c].” In this way, the science of the heavens, astrology (which is not other than astronomy for Plato), is said to have provided humanity with God’s true revelation of Wisdom.

The Athenian summarizes what Plato treats more fully in Timaeus concerning the character of the 8 “powers,” or “orbits.” The first 7 appear to move to the right (from East to West), while the 8th, the cosmic sphere of fixed stars, appears to move to the left (from West to East). By holding together and harmonizing the different movements of the 7 inner spheres with the stable identity of the outer 8th, the World Soul creates time, perpetually birthing the visible Universe as “a moving image of eternity.” Through the unifying animation of the World Soul, all things in heaven and earth are made full of gods (991d).

Without the study of the heavens, according to the Athenian, “no one in cities will ever become happy [992a].” A true participatory democracy, where every person is both ruler of themselves and subject of their civilization–each full members of the Nocturnal Council capable of contemplating the true meaning of the morning sun–requires that all be initiates into the Mysteries of the Sky.

“Let no Greek ever fear that being mortal we should not concern ourselves with the divine Universe. We should have quite the opposite thought; the divine [i.e., the Cosmos] is never without intelligence nor is it at all ignorant of human nature, but it knows that if it teaches we will follow along and learn what we are taught [988b].”

De Anima Mundi

Some questions have emerged about what the hell (or heaven) I might be talking about in my last essay about death and the soul. These questions provide me with an opportunity to reflect on my own writing in an attempt to more fully articulate the vision behind it. I don’t already have answers to these questions, but now that they have been asked, I will try my best to respond to them.

Most of the questions inquire into the nature of the World-Soul. I’ll answer each in turn.

1) What is the relation between the World-Soul and the individual soul?

The relation is that between a Macrocosm and a Microcosm. The individual soul is the World-Soul in miniature, its holographic or fractal recapitulation on a different scale or level. Logically, there is no way to coherently prove that something infinite and eternal is related to something finite and temporal; it appears to be a blatant contradiction. The best medieval neo-Platonist theologians argued endlessly about how God might be related to man, always trying to avoid describing man as too close in nature to the divine, an obvious heresy (at least if you ignore most of what Jesus is reported to have taught about the relation between the Father and His Children), or placing man too far away from divinity, such that all communication between Creator and creature (even revelation) is made impossible. Even if its nature cannot be precisely formulated by the human tongue, somehow the World-Soul (as Plato describes it in the Timaeus) is able to reconcile or mediate between creature and Creator (or between Difference and Identity, Time and Eternity, the Good and the World). I can only offer a likely story about how and why this is so. Tell the tale in whatever way you’d like, somehow or other the One becomes Many, remaining One despite being in each of the Many. The differentiation of the One is not just an accident, but of its very nature. The One becomes Many. God creates. To say “God” is already to speak God’s Word, which is the creation of worlds. The Creator cannot exist without the creation and the creature.

2) What is the relation between the World-Soul, Wisdom, and the shadows of human history? 

If there were a complete and simple identity between the perfection of the World-Soul and the events of human history, it would seem to be well hidden beneath the violent warfare, economic pettiness, and ecological ignorance of our kings, generals, corporations and  nations. Clearly, there is a clog in the pipelines from heaven. I think opening this portal requires that human beings engage with the universe religiously and spiritually, especially through the sorts of initiatory rites practiced by the world’s Mystery schools, where the death-rebirth experience is ritually reproduced. Initiates into such traditions encounter Wisdom first hand, which is the only way, since Wisdom cannot be taught verbally by others. Hegel wrote about the World-Spirit, which was the particular human community that most fully incarnated the Idea at any given point in history. This is very controversial, raising questions about the ethics of thinking race, culture, and/or gender, since in speaking about the World-Spirit, Hegel implies that the German people of his time were providing Spirit the clearest portal into world history. Hegel also claimed he was not a philosopher, since he no longer loved wisdom but had attained it. I can’t speak for his claim, but even if he had Wisdom then, he doesn’t any longer!

3) Why is the soul normally depicted as feminine? What is the relation between body and soul? 

I depict the Soul as feminine because my consciousness is masculine. It is a bit like a mirror, this psyche of mine, and so whenever I attempt to feel for her I find what ever it is in me that is not doing the feeling. The soul is not a body that can be seen, but my own body deeply felt (which, it turns out, is not other than the whole world). Her beauty is not in appearance only, but it is not despite appearance, either. It is not independent of the body, but nor are the two, body and soul, simply identical. You could say our individual bodies are modes of the World-Soul, but this would bring up all sorts of parallels with Spinoza that I’m not sure are appropriate (or at least that I can’t explore fully at the moment). I think Beauty is not an idea at all, but a relationship. Beauty is that which is produced when soul and body are in resonance with each other, when the one is able to recognize the other as a friend.

4) Is the World-Soul “heavy,” or is it the lightness of being? What is the difference between mass and energy/matter and light? 

If Wisdom is light, the World-Soul is matter. The World-Soul is that which underlies the animate materiality of the world. Matter is everywhere self-organizing, and it does so out of the power of the World-Soul to unify identity and difference, or eternity and time. Individual souls, animate beings, are heavy, because they each inevitably die. They are bodily beings: they are born, they age, and they die. The universal being, cosmic animal, or Living Thing spoken of in Plato’s Timaeus, is supposed by Plato to be eternal. But perhaps this World and its Soul will die, just like us. I tend to think that the physical universe known to contemporary science will indeed die, in some sense, but that this death will only be an opening onto a universe whose dimensions we (consciousness, Spirit) cannot yet fathom while still on this side of the 13.7 billion light year expanse of space surrounding us.  Intuitively, it seems as though there is no outside to this universe, that is has no biggest body that includes all others as organs. Rather, it is an infinitely nested fractal of creative expression dying and being reborn forever and always. A visionary participation in this fractal provides the lightness of Wisdom that counteracts the heaviness of the inevitable death that will remind us again of our source in the World-Soul.