Following up on my contribution to the Latour/AIME reading group, I wanted to say a bit more about the confused concept called “matter.” There are many varieties of materialism, but for the sake of time, let’s follow Robert Jackson by dividing them up into two basic categories: 1) that variety of materialism which understands matter as some ultimate stuff that all emergent forms can be reduced to, 2) that which understands matter as some primordial formlessness, or endlessly differentiating movement from out of which all form emerges.
While I’m committed to articulating a realist ontology (my dissertation draws on Schelling and Whitehead in pursuit of what you might call an ontology of organism), I’d argue that to be real is not necessarily to be material, especially if matter is conceived of as a fundamental stuff. If we insist on continuing to employ the words “mind” and “matter” in metaphysical discussions, I’d want to construe them not as separate substances in a dualist ontology, but rather as reciprocal poles in an ontology of becoming, where “matter” signifies the accumulated weight of the stubborn facts of the past, while “mind” signifies the novel forms yearning for realization in the future. Every passing moment, or drop of experience, exists in tension between the two poles, fact and form, or actuality and potentiality. Matter, then, is only half the picture. A universe of only material things would be a universe where everything had already been actualized such that nothing new could ever emerge. All that could occur would be the rearrangement of the same old matter. There are plenty of thinkers who would disagree with me. For example, see Levi Bryant’s recent post.
Bryant seems to want to defend a non-reductive version of the first type of materialism. Contrary to my claim that materialistic atomism makes real emergent novelty impossible, Bryant writes:
…it’s difficult to see how this criticism hits the mark with the atomistic materialism of thinkers such as Democritus, Epicurus, and Lucretius. Lucretius, for example, is quite clear that relations between atoms are every bit as important as the atoms themselves. In example after example he discusses emergent entities that manifest powers (capacities) and properties only when atoms are arranged [or organized] in these particular ways…certain objects are only possible through certain relations.
I’ve probably got much to learn from Bryant about the Greek atomists. So my response here as much a query as a claim. I am aware that the third necessary ingredient in Lucretius’ scheme (aside from atoms and the void) is the clinamen. Atoms have an unexplained tendency to swerve as they fall through the void. According to Lucretius, without the clinamen, “nature would have never produced anything” (ii. 216-224), since no interaction would ever have occurred between atoms to allow for material organization. Leaving aside the equally puzzling question as to where atomic weight comes from or why atoms should be falling, we might also ask what the cause of this swerve, and so of material organization, is. Why do otherwise inert atoms have such a strange inclination for “curved” motion? Why does matter tend to turn in on itself? Lucretius seemed content to say it was simply “chance.” Chance, I suppose, means “for no reason at all.” Perhaps a strange swerving deserves an equally strange story. But we could tell other stories that make more sense. Dante might identify the cause of the clinamen with the Primum Mobile, the final sphere of the heavens whose divinely inspired motion initiates and sustains the motion of all the spheres it encloses (Paradiso, Canto XXVII). Of course, modern cosmology has outgrown Dante’s ancient geocentric imagination. We need a new creation myth to account for the strange inclinations of matter, a story more credible than the rather mechanical cosmos of revolving crystalline spheres first described by Aristotle and Ptolemy. I imagine Bryant would disagree with the need for a story in ontology, but then again, Lucretius articulated his ontology in the form of an epic poem. When it comes down to it, every metaphysician needs to give narrative force to their ontology by way of some ultimate reason(s) for which no reason can be given (other than givenness itself). For Whitehead, the ultimate reasons are aesthetic (Eros, Beauty), while the main characters in his cosmic plot are Creativity and Actuality. For Plato, the ultimate reasons are moral (Goodness, Truth), while his main characters are Nous and Chora.
Bryant says Lucretius finds relations to be as important as atoms. Does this mean relations are just as real as atoms? If so, perhaps the cause of the clinamen, and by proxy of nature’s emergent hierarchy of complexity, has something to do with an inclination to relate. “Chance” seems to me to be a poor explanation for such an inclination. Throwing our hands up by claiming such an all-pervasive swerve is random seems to me to be a rather anti-metaphysical, even anti-scientific, move. The tendency to relate must have a cause. There must be some account we can give of it that aligns with our understanding and coheres with our experience. Such an inclination, or tendency, may be motivated by what Whitehead, after Plato, called Eros. For Dante, Eros is “the love which moves the sun and other stars” (Paradiso, Canto XXXIII, lines 142-145). Love requires freedom, so this story concerning the cause of the clinamen need not neglect the uncertainty of atomic motion. All that I’d want to add to Lucretius’ account of atomic motion is relational emotion. This brings his ontology rather close to Whitehead’s processual atomism. How close depends on whether we are willing to say relations are just as real, and just as primordial, as atoms. Whitehead’s process-relational scheme includes both internal relations and external relations. On Bryant’s reading, Lucretius would seem to leave no room for internal relations: atoms can only collide; they cannot collude (they can only relate externally via efficient causation; they cannot relate internally via erotic play).
I’m hoping Bryant will clear up my queries concerning Lucretius. I’m ready to stand corrected about his lack of a coherent explanation for the clinamen. I would want to argue, however, that Bryant has misunderstood the second type of materialism listed by Jackson. Bryant writes:
Far from materialism being “always deployed against form” [as Jackson claims], materialism is instead the thesis that matter is always structured matter. If materialism is deployed against anything, it would be against the schema offered by Plato in the Timeaus where it is suggested that, on the one hand, there is a formless material chora, and on the other hand a domain of ideal, incorporeal forms, and that a demiurge is required to mold this formless matter into formed matter. What materialism contests is the incorporeality of form and the formlessness of materiality, instead arguing that all matter is structured matter.
Jackson describes the second type of materialism as that which posits an infinitely differentiating pulsation of formless energy at the base of all things. Whitehead’s ultimate principle of Creativity could easily be described this way. He suggests in Adventures of Ideas that Creativity is an adaptation of Plato’s “dark and difficult” concept of the Chora, or Receptacle. Plato describes the Receptacle as formless, but this is hardly the end of the story. The Receptacle is not simply the passive material from which a cosmos will be shaped, but the place within which the cosmos will come to be. Further, it is hardly “passive” at all, since it is abuzz with errant forces winnowing this way and that, grouping trace elements (pre-formed matter?) by their kind like a cosmogenic sieve, only to ceaselessly disturb every attempt at settled placement. When approaching Plato’s Receptacle, Bryant seems to fixate on one descriptor, “formless,” while ignoring the numerous indications in Timaeus that there is more to this choric “matter” than meets the eye. There’s no doubt Plato’s story could use some tweaking given our modern understanding. But let’s not forget he never claimed to be telling anything but a “likely story.” That is all we can hope to do today, even with our improved mathematics and increased data set.
Last night, I watched a short performance called “The Kepler Story” at the Morrison Planetarium in the California Academy of Sciences. The opening scene introduces Kepler’s essay on the crystalline forms of snowflakes. Kepler played with an ingenious pun between the Latin word “nix,” meaning snowflake, and the German word of the same spelling, meaning “nothing.” Is form really “nothing” at all? Kepler didn’t think so. He wondered why all snowflakes have six-sides, despite the fact that each one achieved its six-sidedness in a unique way. He searched for the “formative principle” of snow crystals. He considered the way water vapor evaporates due to heat. He considered the influence of impurities in the clouds where crystals grow.
“There must be a cause why snow has the shape of a six-cornered starlet,” Kepler wrote in his essay, De nive sexangula: “It cannot be chance. Why always six?” His answer: Hexagonal packing provides the tightest possible arrangement of water droplets. Matter has some intrinsic tendency to organize itself, taking great care to achieve geometrical harmony. Kepler’s conjecture only came to be proven basically correct several years ago. As far as Kepler was concerned, the “formative principle” at play giving shape to the water vapor had no purpose whatsoever. From his perspective, nature is “in the habit of playing with the passing moment.” Its reasons for taking shape are purely aesthetic.
- The Universe as a Work of Art: Images of the Cosmos in Plato, Descartes, and Kepler (footnotes2plato.com)
- Reflections on Bruno Latour’s “An Inquiry into Modes of Existence,” Ch. 4: Learning to Make Room (footnotes2plato.com)
- The Role of Imagination in the Science of the Stars (footnotes2plato.com)
- The Poetics of Copernican Cosmology (footnotes2plato.com)
[Contemporary physics embodies] a mechanistic approach to biological phenomena, whose only alternative seems to be a discredited, mystical, unscientific vitalism. [It] supposes biology to be a specialization of something inherently more general than biology itself, and the phenomena of life to be nothing but very special embodiments of more universal laws, which in themselves have nothing to do with life and are already independently known. In this view, whatever problems set biology apart from the rest of science arise precisely because organisms are so special.
One prevailing manifestation of such ideas is the naive reductionism that passes today as the prevailing philosophy underlying empirical approaches to organisms. The very word connotes that living things are special cases of something else, and that we learn everything there is to know about them by reducing them, treating them as mere corollaries of what is more general and more universal.
However, organisms, far from being a special case, an embodiment of more general principles or laws we believe we already know, are indications that these laws themselves are profoundly incomplete. The universe described by these laws is an extremely impoverished, nongeneric one, and one in which life cannot exist. In short, far from being a special case of these laws, and reducible to them, biology provides the most spectacular examples of their inadequacy. The alternative is not vitalism, but rather a more generic view of the scientific world itself, in which it is the mechanistic laws that are the special cases.
-(p. 33-34, Essays on Life itself, 2000).
Schelling, considering nature’s fundamental organization, writes:
the particular successions of causes and effects (that delude us with the appearance of mechanism) disappear as infinitely small straight lines in the universal curvature of the organism in which the world itself persists.
-(p. 70, On the World Soul, trans. Iain Hamilton Grant, Collapse: Philosophical Research and Development VI).
- Life After Darwin (another response to Benjamin Cain) (footnotes2plato.com)
- Schelling’s Metaphysical Ungrounding of Natural Science (footnotes2plato.com)
Something of a response to Levi Bryant/LarvalSubjects on “hylephobia.”
Check out the video from their exchange at Northwestern earlier this year. Below are some of my notes and reflections after watching…
Owen Flanagan argues that physicalism is the only feasible view. Naturalism is the inference to the best explanation. Conscious states are brain states. At some point in evolutionary history, somehow dead matter came to life, and some time later, somehow, life became conscious. There can only be physical solutions to these problems.
Flanagan argues that I can never have another person’s experience, that consciousness is inherently private.
Flanagan quotes the Dalai Lama, who counters physicalism with the claim that, while gross mental states may be physiological, our innate nature–the luminous core of consciousness–is not limited by the brain.
Evan Thompson had four key points: 1) consciousness is primary, 2) physicalism won’t work as metaphysics or methodologically, 3) neuroscience must integrate embodied phenomenology, and 4) contemplative practice can help us with this integration.
1) Primacy of consciousness first established by Kant, elaborated by Husserl… Consciousness is not something we have, it is something we live. If we lost it, we would no longer be. Without consciousness, there is no world, there is no science. This is a horizonal conception of consciousness. It cannot be objectified.
Consciousness has epistemological primacy. Scientific models of the world are distillations of our conscious experience as observers. We never step outside consciousness to see the world from nowhere. It makes no sense to try to reduce consciousness to one or another of our scientific models.
2) Physicalism won’t work as metaphysics or methodology. What is it to be physical, anyway? Let’s try to define it: the physical is what today’s science says it is. But that can’t be right, since there are deep and fundamental problems with current physics, so we have to define the physical by pointing to some future scientific conception of matter… But what if it turns out that the panpsychists are right and it turns out that mental states are as fundamental as material states at the most fundamental scale? Or, what if it turns out there is no fundamental scale?
We need to enlarge our conception of the scientific method if we hope to account for consciousness scientifically.
3) Neuroscience must integrate phenomenology. Science cannot objectify the subjective if it hopes to understand the subjective as such. For Thompson, consciousness requires not only a brain, but a body and a world. Science must therefore approach consciousness intersubjectively. Which is easy, since science is already an intersubjective enterprise guided by peer review. Scientists are always already involved in lived experience and their work is always already phenomenological.
4) Contemplative traditions can teach us about the ontology of consciousness. The training of awareness and emotional response, learning to cognitive reappraise our knee-jerk reactions, etc., may be necessary to understand the underlying nature of experience. Learning to distinguish our narrative sense of self from our present moment experience or embodied sense of self has measurable neurological effects. The science of consciousness requires a circle of hermeneutical exchange between (at least!) neuroscientists, phenomenologists, anthropologists, and contemplative practitioners.
As Thompson describes it: “Whatever counts as ‘nature’ can’t be understood apart from human cognitive practices of investigating nature, and therefore can’t be given absolute explanatory primacy over mind.”
I with him for the same reasons I’m on board with Bruno Latour‘s ontological constructivism. I’m not sure Evan would go so far, however, as he seems to plant his feet firmly on phenomenological ground, and so in some sense his claims about the limits of physicalism are not really metaphysical, but epistemological. I don’t know if Husserl is enough here…
Thompson ends with some questions about the ethics of consciousness studies. He wants us to ask not only “what is consciousness?“, but “what sort of consciousness do we want to cultivate?” This isn’t a question many cognitive scientists seem to be asking…
In his rebuttal, Flanagan acuses Thompson of “romantic rhapsodizing” for claiming that consciousness is “all we are and all we have.” He questions whether we can really take our phenomenological intuitions seriously. He also wonders if even highly refined introspective practices (like Buddhist meditation) aren’t just unnecessarily theoretically front-loading experimental work. Unlike Thompson, Flanagan thinks science can objectify consciousness.
In his response, Thompson clarifies the ontological principles underlying the particular school of Buddhism (Madhyamika) that he thinks is relevant to the scientific study of consciousness. For Mādhyamikas, there is no underlying substance or essence to anything, whether physical or mental, because all apparently separate things are really dependently co-arising phenomena. From this point of view, not only can’t consciousness be objectified, nothing can. Thompson looks to this Buddhist tradition in an attempt to draw Western cognitive scientists into a cross-cultural dialogue, not so we can all become Buddhists, but so we can learn from a tradition that has been studying human mental processes from a first and second person point of view for thousands of years longer than Western science has been studying it from a third person view. And learning from them doesn’t mean we accept bad arguments about the ontology of consciousness.
Thompson agrees with Flanagan that we can objectify the mind, he just doesn’t think we can do so exhaustively. There will always be something left out of an objective account of subjectivity (duh?).
- Responding to comments about Bakker’s “blind brain theory” (footnotes2plato.com)
- Evan Thompson on Autopoiesis and Enactivism (footnotes2plato.com)
Several months ago, Michael (who blogs at Archive Fire and contributes to synthetic_zero) posted a comment on a post of mine about philosophical vitalism.
I’m just now getting around to responding to what for me were really helpful questions as I try to further flesh out my thoughts on etheric imagination.
I like your point about a root image of a root, but from my view I think part of our problem to begin with is that we rely too heavily on metaphors when we should be attending to the particular characteristics of things and strata and complexity as they occur. That is to say, why do we need a root image? What cognitive work gets done by understanding everything as “machines” or “objects” or “organisms” beyond what particular situations express naturally?
My desire to encounter and interact (cope?) more or less directly (in terms of consequence) with the brute actualities of life and the possibility spaces afforded among such contingencies (differences) comes from a deeply unsettling realization of the limits of language and signification. I think there is a philosophy or three of embodiment and ethics that could be gleaned from a closer relationship with matter-energy and its emergent orders as it continues to evolvebeyond the effects and masks and affordances of decisional philosophy.
In response, I suppose I don’t see an alternative to working with the play of metaphor and imagery. It’s not that we need “root images” (Goethe called them Ur-Phänomen; Jung and Hillman called them archetypes; Tarnas calls them planetary aspects), its that we could not do and never have done without such images. It isn’t possible to ‘need’ a root image because we are always already being imagined by the root images of the cosmos. Its a matter of inverting what we usually think has creative agency, of turning the neoliberal concept-wielding subject inside out so that a new kind of non-representational, imaginative cognitive regime comes to discover the way real images (imago vera) are rooted in and grow out of the things themselves. The subject cannot choose root images like it might choose concepts; rather, root images chthonically emerge from the vitality of matter-energy itself.
The ur-images of earth and sky always already encompass us, as the ur-images of light and warmth always already pervade and enliven our bodies, as the ur-image of the (n)one cosmic life, or world egg, expresses itself as this or that particular body. The life of the cosmos is not just The Tree of Life but every single twisting vine, every leaf, every flower, every fallen petal and rotten fruit and freshly planted seed in the soil.
These images are the necessary roots–not only the transcendental but also the physical conditions–of our coming to consciousness of an agential self or a lawful world. How else can a speaking animal understand its sensori-motor intra-enaction with all the other living bodies around and inside it without dwelling in the play of imagery? If it’s the particular characteristics of complexly stratified matter-energy processes that we are hoping to depict accurately and to transact with compassionately, through what medium but imagination could we possibly hope to do so? Is the real creative chaos underlying the ideal cosmos accessible to deductive reason, to scientific observation, to mathematical computation, or even to Zen meditation alone? Perhaps sometimes it is. Perhaps on those occasions, its because reason, or science, or math, or meditation has been mixed with a strong dose of imagination? I would say that without the underlying play of images (whether explicit or unconscious) like “machine” and “organism,” no cognitive work can be done at all, period. Without the play of imagination, the understanding falls limp and goes to sleep. This is Kant’s really important discovery, the discovery it took him three critiques to make.
So I’m all for direct encounter and immediate coping. But not because I think language/signification is limited. Perhaps this is because I don’t think language is primarily a matter of signs and signals. Rather, language is symbolic. Language does not and cannot designate things, though it can pretend to. It is precisely in this pretense that the symbolic intensity of language erupts into physical expression. A symbol points only to itself; it is “tautagorical,” as Coleridge put it. So root images are not propositional signs pointing at things, nor are they transcendental concepts conditioning the categorical possibilities of things. They are not ghostly forms traced upon solid materials or mere human abstractions projected onto earthly realities. The root images described here are not meant to stand in for, or to represent, the flow of actual matter-energy. What I’m claiming is that the spatial flow of matter-energy has a naturally occurring imagistic dimension, and that by experimenting in this mundis imaginalis we may discover new forms of embodied praxis in congruence with the universe, new ways of being-on-the-earth and materially-energetically transacting with one another.
I don’t know what you mean by decisional philosophy, exactly. But I know I try to stay as far away from philosophical decisiveness as I can. I prefer experimental philosophy to decisional philosophy, in the sense that I reserve the right to change my mind about anything at any time if it turns out I was wrong or that a more creative or compassionate response is possible. I’m not here to complete the absolute system or to publish the encyclopedia of philosophy. I’m here to try to uproot the conceptual sources of misplaced concreteness and to re-plant the most resilient image-seeds I can find growing in my earthly habitat (image seeds, or root images, like trees, sunlight, flowing water, etc.).
In chapter V of Difference and Repetition, “The Asymmetrical Synthesis of the Sensible,” Deleuze engages with the various scientific theories of 19th and 20th century thermodynamics, not by identifying his fictions with scientific facts, but by detonating the philosophical idea of “intensive depth” in range of the qualitative extensity studied in terms of the scientific concept of entropy. The scientific concept of entropy, when subject to the dogmatic image of thought, comes to be described as the universe’s smooth and continuous causal transition from an improbably heterogeneous past state into more probable homogeneous future state. Deleuze, it seems to me, wants to save the metaphysical implications of the concept of entropy from the physical reductionism of a still all too Cartesian science.
Some commentators, like Badiou and Joe Hughes (A Reader’s Guide, 2009), insist that Deleuze’s engagement with natural scientific concepts is purely metaphorical and not at all physical. Hughes writes (153):
“We therefore have to be careful about concentrating too much on the scientific notion of intensity. Deleuze is concerned with founding representation, not thermodynamics. He says of Nietzsche at one point in the chapter that ‘[i]t is true that Nietzsche was interested in the energetics of his time, but this was not the scientific nostalgia of the philosopher’ (D&R, 243). The same can be said of Deleuze. In the same way that Deleuze’s theory of Ideas was not fundamentally related to mathematics, his theory of intensity is not tied to thermodynamics (and his theory of individuation is not tied to biology). Deleuze is neither a scientist nor a philosopher of science. Science never leaves the realm of fact, but Deleuze is interested in the constitution of facticity itself. What is at issue in these discussions then is not the nature of intensity as it appears in science, or even of founding the scientific notion, but of drawing inspiration from science in order to develop a philosophical concept. ‘Intensive quantity is a transcendental principle, not a scientific concept’” (D&R, 240-241).
I must disagree with Hughes’ reading here. It is at best a partial reading. Partial because, when Hughes quotes Deleuze as saying that intensive quantity is transcendental and not physical, he shortens Deleuze’s sentence, which actually begins: “Energy or intensive quantity is a transcendental principle…” Deleuze is not just drawing inspiration from science, he is ungrounding representational interpretations of natural science to show that general concepts like “energy” in thermodynamics, “differential” in calculus, “gene” in biology, or “phoneme” in linguistics (D&R, 278) are really virtual intensive quantities which only become recognizable to scientific consciousness after they’ve been covered over by qualities and explicated in extensity. Far from turning to the natural sciences merely to extract their metaphorics, Deleuze critiques the naïve physicalism of these sciences in order to install the genetic power of the transcendental at the heart of nature itself.
Deleuze is trying to provide the natural science of his day with a metaphysics; but like Schelling (see Preface to Ideas for a Philosophy of Nature), he meant his metaphysics to come after physics, and not before it. By engaging with the natural sciences, Deleuze doesn’t mean to undermine them by applying transcendental limits to subjective knowledge; his transcendental empiricism aims to unsettle the clear and distinct categories of scientific representation by pointing to the ceaseless rumbling of a volcanic nature whose groundless ground (Abgrund) constantly disturbs the smooth surface features that allow for lawful generalization. The inner nature of the scientist, with all the truth and good sense of his inductive method, projects an external nature that circles and so repeats lawfully without undue difference. Deleuze’s philosophy of difference is a direct assault upon such a Cartesian science, on the way it covers over the implication of ideal intensities without affirming the virtual processes that remain behind or beneath these coverings, processes which Deleuze argues provide the conditions for the actuality of the qualitative extensities measured by the scientist. Deleuze’s differential concept of nature is spiralic: nature is groundlessly creative; it is eternally recurring but only by repeatedly disguising its own intensive depth; it is always spinning out of the general categories or circles of control posited by the spectating scientific Cogito. There is a ceaseless rumbling in nature that forms cracks in every smooth ground or sufficient reason that might pretend to hold back the transcendental volcano of virtual intensities, a rumbling forever forcing thought to think.
“The function of Reason,” says Whitehead, “is to promote the art of life” (4). Reason thereby becomes primarily an aesthetic concern, a matter of appetition, and of the appetition of appetition with “emphasis upon novelty” (20). Reason is not simply the art of surviving, but of living well, and living better.
If some degree of life is active at every level of nature (the boundary between organic and inorganic being endlessly blurred), selective appetition–or Reason–would also then be active not only in the evolution of earth-bound plants, animals, and humans, but in the formation of the material cosmos itself.
“The material universe has contained in itself, and perhaps still contains, some mysterious impulse for its energy to run upwards,” says Whitehead (24).
What is the “upward trend,” the “counter-agency” that is already necessary to account for the genesis of those organized beings known to science as protons, electrons, molecules, stars, and galaxies? From whence comes the purposiveness of nature, the urge towards higher forms of organization despite the equally real tendency towards decay and fatigue? For Whitehead, the counter-agency to entropy is Reason. “Reason is the special embodiment in us of the disciplined counter-agency which saves the world” (34). Reason is then not only the presupposition of civilized human society and the ground of our scientific knowledge of nature, it is the creative source of the cosmic order itself.
“Mankind has gradually developed from the lowliest forms of life, and must therefore be explained in terms applicable to all such forms. But why construe the later forms by analogy to the earlier forms? Why not reverse the process? … In the course of evolution why should the trend have arrived at mankind, if his activities of Reason remain without influence on his bodily actions?” (15, 27).
Whitehead reverses the typical evolutionary epistemology that would attempt to explain away human consciousness and Reason by reducing them to seemingly inanimate physical and chemical processes. Instead, he attempts to understand the simplest processes of the physical universe in terms applicable to the presuppositions of civilized human life. His cosmologizing begins with what science must assume in all its investigations into nature, namely that human consciousness is capable of rational reflection upon the facts as observed. The human being is the primary instrument of all scientific investigation: we cannot separate the consciousness of the scientist or the purposeful process of his or her research from the scientific knowledge that is produced. The knowledge claimed by materialistic science that life is a mere mechanism governed by physics, chemistry, and the absolutely purposeless pressures of natural selection undermines this science’s own epistemic foundations. If unconscious Reason were not already rooted in every cosmic process, its conscious form could never have flowered in human scientists. To argue otherwise is to fall victim to blatant self-contradiction by denying in theory what no one can deny in practice. “Scientists animated by the purpose of proving that they are purposeless constitute an interesting subject for study,” says Whitehead (16).
- Reflections on Thomas Nagel’s mentions of Schelling and Whitehead in “Mind and Cosmos” (footnotes2plato.com)
- Vitalism in Philosophy: “The stars are the fountain veins of God.” -Böhme (footnotes2plato.com)
- Huffington Post Blogger Appears to Engage in Blatant Confirmation Bias and Scientism (rockandrollphilosopher.wordpress.com)
- Teleology in Science? Purpose in Nature? (footnotes2plato.com)
- Can Reason Be Understood Naturalistically? More Notes on Nagel (maverickphilosopher.typepad.com)
The Sunset of Materialism: Whitehead’s Philosophy of Science
“The sun rose on the flawless brimming sea into a sky all brazen–all one brightening for gods immortal and for mortal men on plow lands kind with grain.” -Homer25
“God invented sight and gave it to us so that we might observe the orbits of intelligence in the universe and apply them to the revolutions of our own understanding.” -Plato26
“When you understand all about the sun and all about the atmosphere and all about the rotation of the earth, you may still miss the radiance of the sunset.” -Whitehead27
For ancient poets like Homer, the sun was a being of tremendous spiritual significance. The immense beauty of its rising and setting brought forth a dramatic display of the abiding moral harmony underlying the cosmos. For ancient philosophers like Plato, the sun was similarly a sign of the highest Good, but its visible light was thought to be only partially responsible for the shower of colors drenching earth and sky. Participating in the sunlit phenomena of the outer world was an inner noumenal light emanating from the eyes. Plato suggested that this inner light flows gently outward through the eyes from a psychic fire kindred to that animating the sun. It meets and coalesces with the light of the sun (or at night, the moon and stars) to bring forth the beauty and splendor of the universe.28 Plato’s was a participatory account of our knowledge of nature, such that soul and world were understood to synergetically intermingle in each act of perception. He considered the eyes the noblest of the senses, “source of supreme benefit to us,”
in that none of our present statements about the universe could ever have been made if we had never seen any stars, sun, or heaven. As it is, however, our ability to see the periods of [the heavens] has lead to the invention of number, and has given us the idea of time and opened the path to inquiry into the nature of the universe.29
Not only was Plato’s cosmology inclusive of perceptual experiences in its definition of nature, it felt divine eros and saw eternal eidos at work throughout the cosmos. The circling stars, sun, and moon were considered to be living gods, humanity’s wisest teachers. In his survey of European history, Whitehead places Plato at the center of the first great period of intellectual development, a period with deep influences on all subsequent thought.30 In the main, Plato’s cosmological scheme and account of visual perception, as articulated most profoundly in the dialogue Timaeus, reigned among Europe’s intelligentsia for more than 1,500 years.31 It was not until the height of the scientific revolution in the 17th century that his participatory premises were rejected by the next wave of great geniuses.
“In the year 1500,” writes Whitehead, “Europe knew less than Archimedes who died in the year 212 BCE.”32 The commonsense assumption of a person living in 1500 was that earth stood stationary at the center of a sacred series of eternally circling heavenly hosts. Below the moon, four elements composed everything; above it, something far subtler was thought to be at work. “Yet in the year 1700,” continues Whitehead, “Newton’s Principia had been written and the world was well started on the modern epoch.”33 The new analytic methods of Descartes, Galileo, and Newton succeeded in breaking the bond between the numinosity of the soul and the phenomenality of the world, bifurcating nature into two distinct substances, the material and the mental. Humanity’s understanding of its relationship with the universe underwent a fundamental transformation.
Three hundred years later, despite the evidences of modern physical science, the average 21st century person still unhesitatingly refers to the setting of the sun, to the red hues of its surrounding sky, and to the waning of its warmth as it sinks beneath the horizon. From the perspective of the well-trained mathematical physicist, such a person’s commonsense is mistaken: the sun does not set, nor is it warm, nor is its ambiance red. Its sinking, like its warmth and color, are only subjective appearances, artifacts of our perception and not facts of nature. “If the living creature were removed,” argued Galileo, the first to formalize nature’s bifurcation in terms of primary physical and secondary psychical characteristics, “all these qualities would be wiped away and annihilated.”34 The warmth and hue of a sunset, continues Galileo, “are no more than mere names so far as the object in which we locate them are concerned.”35 They reside not in the essential nature of the cosmos, but in the arbitrary names of consciousness. Plato’s insight into the erotic coupling of inner/spiritual light with outer/physical light has been degraded into the dualistic modern theory of “two natures…one the conjecture and the other the dream.”36 Scientific materialism, in other words, has come to oppose our personal experience of nature (the dream) to an abstract model of nature theorized to be the impersonal cause of that experience (the conjecture).
Following upon Galileo’s initial bifurcation of nature, Descartes brilliantly articulated the ontological and epistemological underpinnings of modern scientific materialism. The eclipse of the illusory geocentric cosmos by the mathematical elegance of Copernicus’ heliocentric model (as improved upon by Kepler) made it clear to Descartes that sensory perception could not be trusted for scientific purposes. Science was to become the study of the mechanisms of the extended things (res extensa) of nature, a study guided by the exact mathematical measurement of primary qualities like length, width, height, mass, and motion. Religion, on the other hand, was to retain responsibility for shaping the unearthly substance of the soul, providing moral guidance for existentially troubled thinking things (res cogitans) like us. Secondary qualities like color, sound, and taste were left to the free play of artists to be combined and recombined for the purpose of heightening the pleasure of appearances, rather than penetrating deeper into the archetypal dimensions of reality.37
In the intervening years since the scientific revolution, a new civilization guided by the ideals of the Enlightenment has taken root on every continent. By 1850, the values of industrial capitalism, justified by the mechanistic cosmology of scientific materialism, had infected much of the Western world, forever altering traditional forms of agriculture, manufacturing, transportation, communication, and religious practice. “[All] thought concerned with social organization,” writes Whitehead,
expressed itself in terms of material things and of capital. Ultimate values were excluded. They were politely bowed to, and then handed over to the clergy to be kept for Sundays. A creed of competitive business morality was evolved…entirely devoid of consideration for the value of…life. The workmen were conceived as mere hands, drawn from the pool of labor. To God’s question, men gave the answer of Cain– “Am I my brother’s keeper?”; and they incurred Cain’s guilt.38
Today, at the peak (if not the beginning of the decline) of humanity’s technoscientific mastery over nature, a coherent cosmology capable of guiding the adventure of civilization safely into the next millennium is just beginning to take root. Still, our knowledge remains fragmented, our society teetering on the brink of self- and world-destruction. What seemed like the cure for all ignorance in the 17th century has since become a curse. Our technoscientific way of knowing–constructed on the metaphysical assumption of the bifurcation of subject and object, fact and value, meaning and matter–threatens the continued existence of the community of life on earth.
Beginning in the early 1920s, Whitehead interrogated modern science and industrialism, not to dismiss them,39 but to remind them of what they had dismissed. He asks: “What has happened to us?” According to Stengers, this question is not an attempt to condemn scientific materialism for the wayward course of civilization, but is rather
a resource for telling our stories in another way, in a way that situates us otherwise–not as defined by the past, but as able, perhaps, to inherit from it another way.40
Whitehead’s creative retrieval of the history of natural philosophy is organized around a new concept of nature and a novel way of framing the activity of science. Instead of construing the task of science to be that of overcoming subjective illusion in order to reach objective reality, as many modern thinkers have done, Whitehead takes the speculative risk of defining nature otherwise: nature becomes, quite simply, “what we are aware of in perception.”41 “Everything perceived is in nature,” says Whitehead, “We may not pick and choose.”42 This reframing of science’s understanding of nature cannot be judged as “true” or “false” a priori; to judge it fairly, we must first trust it enough to take the “leap of the imagination”43 it implies, waiting eagerly to see in what way it transforms experience. Passing judgment on the veracity of Whitehead’s new concept of nature requires first deploying it, experimenting with its effects in the world, establishing its relevance to the values of actual life. Materialist enemies of his philosophy tend to lack the negative capability44 required to pursue the consequences of Whitehead’s unbifurcated image of the universe; they refuse to pay attention to what Whitehead’s concepts make important. Instead, they remain bound within the limits of the same old poorly composed problems (e.g., “how does the brain secrete consciousness?”, or “what sort of thing is curved space-time?”). Whitehead’s cosmology and philosophy of science require the invention and deployment of novel concepts of space, time, causality, and consciousness. These concepts pose new problems for science, allowing it to become attentive to the relevance of both quantitative patterns and qualitative perceptions in the passage of nature, releasing it from the irrational and polemical desire to replace concrete experience with abstract explanation. In this sense, Whitehead’s scientific method can be compared with Goethe’s “gentle empiricism,” which similarly rejected mechanical explanations, instead pursuing nature’s reasons by learning to participate more fully in the archetypal patterns interwoven with experience itself.45 “The divergence of [scientific] formulae about nature from the appearance of nature,” argues Whitehead, “has robbed the formulae of any explanatory character.”46
Equipped with a new kind of science, we can ask again, “What has happened to us?” We must be sensitive to both what Whitehead’s concept of nature discloses and what it makes recede into shadow. In what way does it transform the adventures of science and civilization? What becomes important when the task of natural philosophy is not to explain away value, meaning, and subjectivity at all costs, but rather to avoid the bifurcation of nature at all costs? Whitehead’s new concept of nature, should we commit ourselves to it, implies that
the red glow of the sunset should be as much part of nature as are the molecules and electric waves by which men of science would explain the phenomenon.47
Whitehead’s reframing of the task of science together with his redefinition of nature should not be construed as the imposition of limitations upon scientific knowledge. His aim is not to restrict what science can know, but to remind science what it already knows, and what its knowledge presupposes. By defining nature as “what we are aware of in perception,” Whitehead explicitly brackets “mind” (i.e., “that which perceives”) from nature. This bracketing is done in order to avoid struggling to answer badly formulated problems, such as the so-called “hard problem” of how the brain produces the mind. Posing such a problem immediately drags science into metaphysics, into reflection upon “both what is perceived and what perceives.”48 Metaphysics seeks after the nature of nature beyond what we are aware of in perception, and so pursuing such questions would negate the speculative wager whose consequences for experience Whitehead’s philosophy of science is trying to spell out. For now, says Whitehead, “we leave to metaphysics the synthesis of the knower and the known.”49 Later in his philosophical career, when he turns to full blown cosmological speculation, Whitehead will be forced to tackle such metaphysical issues; but in his early philosophy of science, he keeps his eye on the prize: a coherent foundation for our scientific knowledge of nature. From Whitehead’s re-imagined point of view, the questions of science “do not enable [it] to formulate the problem of the ‘mind’ because these questions and their answers presuppose it.”50 Science is a way of knowing nature; therefore, the pursuit of knowledge of nature presupposes that there is a knower, i.e., a mind.
Knowledge is ultimate. There can be no explanation of the “why” of knowledge; we can only describe the “what” of knowledge.51
If science is going to commit itself to the pursuit of knowledge of nature, there can be no going behind knowledge to explain it by some more fundamental activity (e.g., neurochemistry). The possibility of scientific explanation cannot itself be scientifically explained. Whitehead’s decision to bracket mind from what we are aware of in perception is not the same as the materialist’s decision to bifurcate nature into primary (physical-scientific) and secondary (psychological-aesthetic) qualities. Instead of turning science against commonsense experience through “heroic feats of explaining away,”52 Whitehead defines the truth of science in terms of its experimental achievements and experiential disclosures.53 The numinous glow of the sunset as experienced by the poet comes again to be rooted in nature, no less an aspect of what we come to be aware of in perception than the wavelengths of the photons detected by the sophisticated instrumentation of the physicist. The data of science, no matter how abstract and seemingly removed from everyday experience, must ultimately be translatable back into some operational technique or direct observation. “If the abstractions [of science] are well-founded,” says Whitehead,
that is to say, if they do not abstract from everything that is important in experience, the scientific thought which confines itself to these abstractions will arrive at a variety of important truths relating to our experience of nature.54
The “photon,” for example, is not just an invention of the physicist, nor is it simply a fact of nature. The photon is what the physicist has come to be aware of in his or her perception of light as a result of certain replicable experiments, laboratory technologies, theoretical images, and mathematical equations. The photon, as a scientific-object, is said to be abstract only in that it cannot be grasped in isolation from the “whole structure of events” or “field of activity” (i.e., the creative advance of nature) to which it belongs and through which it endures.55 From the perspective of Whitehead’s philosophy of science, the abstract will never be able to offer a satisfactory explanation for the concrete.56 The wavelength of a photon does not explain the perception of redness, nor does even a connectionist model of neurochemistry explain the artist’s aesthetic encounter with a beautiful sunset. Whenever scientific materialists try to provide such heroic explanations, they succeed only in offering descriptive commentaries in terms of the scientific objects most fashionable in their time–commentaries that presuppose the very thing they pretend to have explained away: consciousness. The only valid method of explanation from Whitehead’s point of view is the reverse of the materialist’s, an explanation which traces the genesis of abstractions back to the concrete consciousness and perceptual presences from which they emerged.57 A science that seeks to explain the concrete by way of the abstract all too easily falls prey to a form of knowledge production whose adequacy is judged instrumentally, i.e., in terms of its capacity to transform and control nature, rather than ecologically, i.e., in terms of its capacity to understand and relate to nature.
Whitehead’s aim in pursuing the philosophy of science was largely in service of pragmatic experience and commonsense: he sought to leap across and straddle the fissure bifurcating nature into the facts of physical reality on the one side and the values of psychical appearance on the other.58 In order to achieve this end, he struggled to imagine a participatory mode of attending to nature–a nature no longer objectified into the inert stuff instrumentally manipulated by an alienated technoscientific mode of knowing. Instead, Whitehead sought to disclose nature to awareness as a community of relationships shaped by the social desires and individual decisions of living organisms. Organisms cannot be characterized merely by mass, extension, and velocity; they are creatures enjoying the value of their own experience, which itself is initially inherited from the feelings of others. Contrary to Galileo, Descartes, and Newton, Whitehead’s vision of the cosmos is ecological: the final real things are individual living organisms, each dependent on their relationships to others for their continued existence as themselves.
By the late 1920s, Whitehead had given up on the problems that framed his earlier inquiry into the philosophy of science in order to pursue the riskier adventure of metaphysics. “Riskier” because “the recourse to metaphysics is like throwing a match into the powder magazine. It blows up the whole arena.”59 For the later, more explicitly metaphysical Whitehead, “mind” can no longer be bracketed from a neatly delimited “nature.” The imaginative enjoyment of the poet and the intellectual reflection of the theoretician resulting from the beauty of the setting sun must themselves be understood as ingredient in the creative advance of the universe. Mind must find its foothold in the midst of things themselves, an inhabitant of nature and not its transcendental knower. In the next section, I further unpack Whitehead’s venture beyond the philosophy of science into the formidable project of constructing a coherent cosmology justifying the civilized phases of human society.
25 Homer, The Odyssey, trans. Robert Fitzgerald (Garden City, New York: Double Day, 1961), bk. 3, lines 1-4.
26 Plato, Timaeus, 47b-c.
27 Whitehead, Science and the Modern World, 178.
28 Plato, Timaeus, 45a-d.
29 Plato, Timaeus, 47a
30 Whitehead, Science and the Modern World, 38.
31 Arthur Zajonc, Catching the Light: The Entwined History of Light and Mind (New York: Oxford University Press, 1993), 21. Plato’s cosmology’s only serious challenger was Aristotle.
32 Whitehead, Science and the Modern World, 13.
33 Whitehead, Science and the Modern World, 13.
34 Galileo Galilei, The Assayer, transl. Stillman Drake, in Discoveries and Opinions of Galileo (New York: Doubleday, 1623/1957), 274.
35 Galileo, The Assayer, 274.
36 Whitehead, The Concept of Nature (Cambridge: Cambridge University Press, 1920/1964), 31.
37 Prior to the differentiation of art, science and religion in the modern period, art served primarily a religious function as a sort of window from the earthly into the archetypal realm (see Whitehead, Science and the Modern World, 20). Art also served science by mastering perspective, allowing for realistic representations of nature (see ibid., 45).
38 Whitehead, Science and the Modern World, 181.
39 “I assume as an axiom that science is not a fairy tale” (Whitehead, The Concept of Nature, 40).
40 Stengers, Thinking With Whitehead, 14.
41 Whitehead, The Concept of Nature, 28.
42 Whitehead, The Concept of Nature, 29.
43 Whitehead, Process and Reality, 4.
44 See John Keats’ letter to his brothers, December 21, 1817: “Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”
45 Zajonc, Catching the Light, 203.
46 Whitehead, Modes of Thought, 154.
47 Whitehead, Modes of Thought, 154.
48 Stengers, Thinking With Whitehead, 34-36.
49 Whitehead, The Concept of Nature, 28.
50 Stengers, Thinking With Whitehead, 35.
51 Whitehead, The Concept of Nature, 32.
52 Whitehead, Process and Reality, 23.
53 Or in William James’ terms (a major influence on Whitehead), scientific truth becomes subject to the tests of pragmatism and radical empiricism, respectively.
54 Whitehead, Science and the Modern World, 58.
55 Whitehead, The Concept of Nature, 170-171.
56 Stengers, Thinking With Whitehead, 99.
57 Stengers, Thinking With Whitehead, 110.
58 Stengers, Thinking With Whitehead, 38.
59 Whitehead, The Concept of Nature, 29.
Thinking with Whitehead:
The Scientific Revolution and the Bifurcation of Nature
The scientific revolution, beginning perhaps with Copernicus’ rediscovery of the heliocentric model of the solar system early in the 16th century, and culminating perhaps with Newton’s formulation of the laws of motion and universal gravitation towards the end of the 17th century, fundamentally transformed humanity’s sense of its relationship to the universe. “In the year 1500,” writes Whitehead, “Europe knew less than Archimedes who died in the year 212 BCE.”1 The commonsense assumption of a person living in 1500 was that earth stood stationary at the center of a sacred series of eternally circling heavenly hosts. Below the moon, four elements composed everything; above it, something far subtler was thought to be at work. “Yet in the year 1700,” continues Whitehead, “Newton’s Principia had been written and the world was well started on the modern epoch.”2 Earth was thrown into motion, now a planet like any other, a material body wandering through the void of space around the sun. After a mere two centuries of furious intellectual upheaval, the entire theological basis of European civilization, built up over the course of the prior two millennia, was thrashed to pieces. A new civilization, and a new cosmos, was dawning.
Three hundred years later, we find ourselves at or nearing the noon hour of modern industrial civilization. At the highest point of the arc of the modern project, we can see clearly the historical morning behind us, full of even more war and empire than the prior millennia of supposedly un-Enlightened races; and we can see clearly enough before us the inevitable future course leading to our demise: nuclear war, ecosystem collapse, political tyranny. Among academics, the optimistic certainty of our fathers’ deistic-mechanistic image of the world has been succeeded by the cynical irony of postmodern relativism.3 Though the deistic-mechanistic mythos of Galileo, Descartes, and Newton was persuasive to a few educated elites, and though its technological utility would be responsible for unleashing an energy-transformation event unlike any the earth had seen before, it has not provided a meaning-producing, value-imbued cosmological story capable of infecting the social imaginary at a deep enough level to replace that provided to medieval European civilization by Aquinas and Dante.
Despite the evidences of modern physical science, a normal 21st century person still unhesitatingly refers to the setting of the sun, to the red hues of its surrounding sky, and to the waning of its warmth as it sinks beneath the horizon. From the perspective of the well-trained mathematical physicist, such a person’s commonsense is mistaken: the sun does not set, nor is it warm, nor is its ambiance red. Its sinking, like its warmth and color, are only subjective appearances, artifacts of our perception and not facts of nature. “If the living creature were removed,” says Galileo, the first to formalize nature’s bifurcation in terms of primary physical and secondary psychical characteristics, “all these qualities would be wiped away and annihilated.”4 The warmth and hue of a sunset, according to Galileo, “are no more than mere names so far as the object in which we locate them are concerned.”5 They reside not in the essential nature of the cosmos, but in the arbitrary names consciousness.
Following Copernicus’ and Galileo’s astronomical and physical discoveries, Descartes brilliantly articulated the ontological and epistemological underpinnings of modern science. The eclipse of the illusory geocentric cosmos by the mathematical truth of the heliocentric model made it clear to Descartes that sensory perception could not be trusted for scientific purposes. Science was to become the study of the mechanical “how?” of extended things (res extensa), a study guided by the exact mathematical measurement of primary qualities like length, width, height, mass, and motion; religion, on the other hand, was to retain responsibility for shaping the substance of the soul, providing answers to the moral “why?” questions that trouble thinking things (res cogitans). Secondary qualities like color, sound, and taste were left to the free play of artists to be combined and recombined for the purpose of heightening the pleasure of appearances, rather than penetrating deeper into the archetypal sources of reality.6
In the intervening years since the scientific revolution, a new civilization guided by the ideals of the Enlightenment has taken root on every continent. But even today, at the height of humanity’s technoscientific7 mastery over nature, a coherent cosmology has not yet arisen to guide the adventure of civilization safely into the next millennium. Our knowledge remains fragmented, our society teetering on the brink of self- and world-destruction. What seemed like the cure for all ignorance in the 17th century has since become a curse. Our technoscientific way of knowing, with its bifurcation of subjects and objects, facts and values, meaning and matter, is killing humanity and earth alike. As late as 1882, Nietzsche was still one of only a handful with the spiritual courage to confront the cosmic disorientation characteristic of the modern age and to cry out on behalf of life:
…how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning?8
Whitehead came to philosophy in the first quarter of the 20th century with questions very similar to Nietzsche’s. He interrogated modern science and the Enlightenment, not to dismiss them, but to remind them of what they had dismissed. He asks: “What has happened to us?” According to his interpreter, Isabelle Stengers, this question is not an attempt to find some final explanation for the wayward course of civilization, but is rather
a resource for telling our stories in another way, in a way that situates us otherwise–not as defined by the past, but as able, perhaps, to inherit from it another way.9
Whitehead’s creative retrieval of the history of science and philosophy (natural philosophy) is organized around a new concept of nature and a novel way of framing the activity of science. Instead of construing the task of science as that of overcoming subjective illusion in order to reach objective reality, as many modern thinkers have done, Whitehead takes the speculative risk of defining nature differently: nature becomes, quite simply, “what we are aware of in perception.”10 “Everything perceived is in nature,” says Whitehead, “We may not pick and choose.”11 This reframing of science’s understanding of nature cannot be judged as “true” or “false” a priori; to judge it fairly, we must first trust it enough to take the “leap of the imagination”12 it implies, waiting eagerly to see how it transforms experience. Passing judgment on the veracity of Whitehead’s new concept of nature requires first deploying it, experimenting with its effects in the world, establishing its relevance to actual life. The materialist enemies of his philosophy tend to lack the negative capability13 required to pursue the consequences of Whitehead’s unbifurcated image of the universe; they refuse to pay attention to what Whitehead’s concepts make important. Instead, they remain bound within the limits of the same old poorly composed problems (e.g., “how does the brain produce consciousness?”, “what sort of stuff is space-time?”). Whitehead’s cosmology requires the invention and deployment of novel concepts of space, time, and consciousness. These concepts pose new problems for science, allowing it to become attentive to the importance of both mathematical patterns and sensual perceptions in nature, releasing it from the irrational and polemical desire to explain away mental quality by reduction to mathematical quantity.
Equipped with a new kind of science, we can ask again, “What has happened to us?” We must be sensitive to both what Whitehead’s concept of nature discloses and what it makes recede into silence. How does it transform the adventures of science and civilization? What becomes important when the task of natural philosophy is not to explain away value, meaning, and subjectivity at all costs, but rather to avoid the bifurcation of nature at all costs? Whitehead’s new concept of nature, should we commit ourselves to it, implies that
the red glow of the sunset should be as much part of nature as are the molecules and electric waves by which men of science would explain the phenomenon.14
Whitehead’s reframing of the task of science together with his redefinition of nature should not be construed as the imposition of limitations upon scientific knowledge. His aim is not to restrict what science can know, but to remind science what it already knows, and what its knowledge presupposes. By defining nature as “what we are aware of in perception,” Whitehead explicitly brackets “mind” (i.e., “that which perceives”) from nature. This bracketing is done in order to avoid struggling to answer badly formulated problems, such as the problem of how the brain produces the mind. Posing such a problem immediately drags science into metaphysics, into reflection upon “both what is perceived and what perceives.”15 Metaphysics seeks after the nature of nature beyond what we are aware of in perception, and so pursuing such questions would negate the philosophical wager whose consequences for experience Whitehead is trying to discover. Later in his philosophical career, when he turns to full blown cosmological speculation, Whitehead will be forced to tackle such metaphysical issues; but in his early philosophy of science, he keeps his eye on the prize: scientific knowledge of nature. From Whitehead’s reformulated point of view, the questions of science “do not enable [it] to formulate the problem of the ‘mind’ because these questions and their answers presuppose it.”16 Science is a way of knowing nature; therefore, the pursuit of knowledge of nature presupposes that there is a knower, i.e., a mind.
Knowledge is ultimate. There can be no explanation of the “why” of knowledge; we can only describe the “what” of knowledge.17
If science is going to commit itself to the pursuit of knowledge of nature, there can be no going behind knowledge to explain it by some more fundamental activity (e.g., neurochemistry). The possibility of explanation cannot itself be explained. This is not to say that science might not find out a great deal about the mind by studying the brain; its just that it makes no sense to seek a cranial explanation of the mind when it is before the mind itself that science would have to defend its explanation. Whitehead’s decision to bracket mind from what we are aware of in perception is not the same as the materialist’s decision to bifurcate nature into primary (physical-scientific) and secondary (psychological-artistic) qualities. Whitehead’s refusal to drag the scientific concept of nature unknowingly into the metaphysical disputes of philosophy (as materialists do) prevents him from reducing the creative advance of natura naturans to the deterministic mechanisms of natura naturata. Instead of turning science against common sense experience through “heroic feats of explaining away,”18 Whitehead defines the truth of science in terms of its experimental achievements and experiential disclosures.19 The numinous glow of the sunset as experienced by the poet comes again to be rooted in nature, no less an aspect of what we come to be aware of in perception than the wavelengths of the photons detected by the sophisticated instrumentation of the physicist. The data of science, no matter how abstract and seemingly removed from everyday experience, must ultimately be translatable back into some operational technique or direct observation. “If the abstractions [of science] are well-founded,” says Whitehead,
that is to say, if they do not abstract from everything that is important in experience, the scientific thought which confines itself to these abstractions will arrive at a variety of important truths relating to our experience of nature.20
The “photon,” for example, is not just an invention of the physicist, nor is it simply a fact of nature. The “photon” is what the physicist has come to be aware of in his perception of light as a result of certain replicable scientific practices, laboratory situations, theoretical images, and mathematical equations. The “photon,” as a scientific-object, is said to be abstract only in that it cannot be grasped in isolation from the “whole structure of events” or “field of activity” (i.e., the passage of nature) to which it belongs and through which it endures.21 From the perspective of Whitehead’s philosophy of science, the abstract will never be able to offer a satisfactory explanation for the concrete.22 The wavelength of a photon does not explain the perception of redness, nor does even a connectionist model of neurochemistry explain the artist’s encounter with a beautiful sunset. Whenever scientific materialists try to offer such heroic explanations, they succeed only in offering descriptive commentaries in terms of the scientific objects most fashionable in their time–commentaries that presuppose the very thing they pretend to have explained away: consciousness. The only valid method of explanation from Whitehead’s point of view is the reverse of the materialist’s, an explanation which traces the genesis of abstractions back to the concrete consciousness and perceptual presences from which they emerged.23 A science that seeks to explain the concrete by way of the abstract all too easily falls prey to a form of knowledge production whose adequacy is judged economically, i.e., in terms of its capacity to transform and control nature (usually for private profit), rather than ecologically, i.e., in terms of its capacity to understand and relate to nature (for the common good).
Whitehead’s aim in pursuing the philosophy of science was largely in service of pragmatic experience and common sense: he sought to leap across and straddle the fissure bifurcating nature into the facts of physical reality on the one side and the values of psychical appearance on the other.24 In order to achieve this end, he struggled to imagine a new, participatory mode of attending to nature, a nature no longer objectified into the inert stuff instrumentally attended to as in the alienated technoscientific mode of knowing; instead, Whitehead sought to disclose nature to awareness as a community of relationships shaped by the social desires and individual decisions of living organisms. Organisms are beings characterized by more than mass, extension, and velocity; they are beings with presence, prehension, and purpose. Contrary to Galileo, Descartes, and Newton, Whitehead’s vision of the cosmos is ecological: the final real things are each and all alive.
Eventually, Whitehead gave up on the problems that framed his inquiry into science in order to pursue the riskier adventure of metaphysics. Riskier because “the recourse to metaphysics is like throwing a match into the powder magazine. It blows up the whole arena.”25 For the later, more explicitly metaphysical Whitehead, “mind” can no longer be bracketed from a neatly delimited “nature.” Even the aesthetic enjoyment of the poet and the theoretical reflection of the physicist must be understood as ingredient in the creative advance of the universe. Whitehead would venture upon the great work of every true and genuine philosopher-poet: the creation of a coherent cosmology justifying the civilized phases of human society.
1 Alfred North Whitehead, Science and the Modern World (1925/1960), Cambridge: Cambridge University Press, 13.
3 We have only the insufficiently cosmological depth of the great archetypal psychologists to lead us through the maddening maze of “posts” populating the contemporary academic scene (Nietzsche, Freud, Jung, Hillman).
4 Galileo Galilei, The Assayer (1623), translation by Stillman Drake, in Discoveries and Opinions of Galileo (1957), New York: Doubleday, 274.
6 Prior to the differentiation of art, science and religion in the modern period, art served primarily a religious purpose, functioning as a sort of window from the earthly into the archetypal realm. See also Whitehead, Science and the Modern World, 20. Art also served science by mastering perspective, allowing for realistic representations of nature (ibid., 45).
7 Unlike traditional science, still the cousin of philosophy, which sought to “confer an intelligible order on what confronts us,” for technoscience “to understand is to be able to transform” (Isabelle Stengers, Thinking With Whitehead: A Free and Wild Creation of Concepts (2011), Cambridge: Harvard University Press, 11).
8 Friedrich Nietzsche, The Gay Science (1882), sec. 125, translation by Walter Kaufmann, in The Nietzsche Reader (2006), Malden: Blackwell, 224.
9 Stengers, Thinking With Whitehead, 14.
10 Whitehead, The Concept of Nature (1920/1964), Cambridge: Cambridge University Press, 28.
11 Whitehead, The Concept of Nature, 29.
12 Whitehead, Process and Reality (1929/1978), New York: The Free Press, 4.
13 See John Keats’ letter to his brothers, December 21, 1817: “Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”
15 Stengers, Thinking With Whitehead, 34-36.
16 Stengers, Thinking With Whitehead, 35.
17 Whitehead, The Concept of Nature, 32.
18 Whitehead, Process and Reality, 23.
19 Or, in William James’ terms (a major influence on Whitehead), scientific truth becomes subject to the tests of pragmatism and radical empiricism, respectively.
20 Whitehead, Science and the Modern World, 58.
21 Whitehead, The Concept of Nature, 170-171.
22 Stengers, Thinking With Whitehead, 99.
23 Stengers, Thinking With Whitehead, 110.
24 Stengers, Thinking With Whitehead, 38.
25 Whitehead, The Concept of Nature, 29.
Michael/Archive Fire and Adam/Knowledge Ecology are at it again, working to sort through the material, semiotic, and ideational strands of the cosmic mesh to figure out what is real and what isn’t. In both positions, I detect a desire for ecological realism, the sort of realism where Santa Claus, mountain pine beetles, global capitalism, black holes, and strawberries are each considered to be real causal actors, each in its own unique way. But only Michael explicitly argues that a certain set of these actors–ideas–should ultimately be understood as secondary effects of causes operating at a more basic level–that is, (vibrant, dynamic) physicality. I agree with Michael that ideas are embodied and enacted, that they cannot play a causal role in the creative advance of nature without being ingredient in some definite occasion of socially organized experience. But I do not think it follows that this obvious co-relationality between ideas and living bodies implies that ideas, or indeed minds (in some non-Cartesian/post-Whiteheadian sense of the word mind) are epiphenomenal to technologically mediated physiological activity. As Whitehead says, the things which are temporal arise by their participation in the things which are eternal, just as the things which are eternal arise by their participation in the things which are temporal. There is a relation of co-emergence, of dependent origination, between timeless potentials and actual occasions. … Ideas and Minds do not operate independently of material signs and living bodies. They do not exist without leaving symbolic traces and a heat signature. But it does not follow that they are not real things. If anything is a “thing,” ideas are things. I need to take a detour into Whitehead’s account of perception before returning to the thingliness of ideas… (a thing here would be an object in Harman’s lingo). In Whitehead’s lingo, we would say that a given thing (actual entity) withdraws from its prehensions by other things precisely because if it were not in some way withdrawn from these prehensions, there would not be anything definite to distinguish it from other entities to make it “just this entity here-now.” Ideas, in Whitehead’s lingo, are conceptual prehensions. We could also call them abstract feelings of future possibilities. For most occasions of experience, physical feelings of past actualities predominate over conceptual feelings of future possibilities. Still, all occasions include a mix of physical with conceptual feelings: nowhere in the universe are there events unfolding in a purely repetitive way, without any appetitive adjustment. Granted, in the inorganic societies studied by physicists, novelty is negligible enough to ignore in equations describing the behavior of the universe is timespans relevant to human existence. In longer timescales (i.e., more than 13.7 billion years ago), it seems the “laws” of physics can no longer account for visible nature without making room for the possibility of radical novelty/extreme negentropy “before” the “beginning” of time. Even at the level of quantum events, the appetition for novelty is present. If it were not, the universe never would have transformed from superheated plasma into living protoplasm or human minds. The formation of the first atoms, and certainly the first stars, already provides evidence of the universe’s desire to out run the past by incarnating ever new forms of organization. Human consciousness is only a more extreme expression of this same desire. Implanting experience and ideality into the most fundamental features of reality is an attempt to account, in one general metaphysical scheme, for the evolution of the organizational complexity of nature from plasma to person. It is an attempt to avoid the traditional metaphysical bifurcation between appearance and reality that has plagued Western philosophy the formalization of Aristotle’s substance-predicate logic. Bifurcated metaphysics either reduce the person to the plasma (materialism), or the plasma to the person (idealism); either way, half of nature has been lost. For those more complex social canalizations of experiential occasions associated with we thoroughly mediated human souls and our technological societies, prehension is predominantly conceptual, with physical prehension fading into irrelevance. The great danger of unchecked intelligence is that it forgets its bodily roots in the rhythms of the brain, heart, and lungs and its cosmic source in the rhythms of the Milky Way galaxy, the Sun, and the Moon. By forgetting its source in the soil between earth and sky, intelligence dismembers itself and the ecology to which it belongs. Becoming deaf and blind to the material-semiotic flows tenuously tying it to the network of others living within and amongst it, it loses contact with the erotic and aesthetic lifeblood its life depends on. Intelligence is driving our species into extinction, and taking a lot of others with us. I think I can understand why Michael has such a distaste for the notion that ideas are just as real as bodies. He writes:
Giving up on ‘ideas’ as objects helps us understand what Wittgenstein and Derrida and Rorty (and the Buddha and Lao Tsu among others) wanted to teach us, in the sense that conceptuality – and by extension all knowledge – is intrinsically undecidable, unstable and ephemeral. And this insight has some very serious political, existential and philosophical implications.
I agree completely that conceptuality is often undecidable. Reality usually always out runs our everyday descriptions. But on some rare occasions, like those concocted in the laboratory by experimental physicists, the conceptual structure of reality becomes decidable to an uncanny degree of accuracy as formal mathematical descriptions are found to correlate with natural processes. These descriptions remain approximations, of course, since they are never purely conceptual. It needs to be said, to balance Michael’s denial of conceptuality, that sensuality is no less unstable and ephemeral. Prehension, since it always carries a mix of physical and conceptual factors, is necessarily abstraction. If it were not abstraction, each actual entity would contain every other actual entity within itself in such a direct way that there would be no way to tell any two actual occasions apart. Without eternal objects/ideas to mediate between the mutual prehensions of particular actual occasions, their particularity would become meaningless: all time and space would collapse into an instantaneous null-point. Pure conceptual knowledge is as undecidable as pure sensation. It is only when creatively contrasted that something actual can emerge.
- Whitehead’s Divine Function (response to Knowledge Ecology) (footnotes2plato.com)
- [Rough Draft] Wordsworth’s Poetic Vision in Light of Whitehead’s Cosmological Scheme (footnotes2plato.com)
- On reading Plato… (footnotes2plato.com)
- Whitehead and the role of ideas in the universe: a psychedelic experiment (footnotes2plato.com)
For a PDF of the entire essay, click The Re-Emergence of Schelling: Philosophy in a Time of Emergency.
Metaphysically (un)grounding the natural sciences
Schelling’s almost complete absence in Anglophone natural philosophy for more than 150 years (aside from his powerful effects on Coleridge,168 Peirce,169 and Emerson,170 and through the intermediary of Naturphilosoph Alexander von Humboldt, his influence on Darwin171) cannot be accounted for based solely on the popular reception of Hegel’s philosophical caricature of intellectual intuition as “the night in which all cows are black.” The more probable reason for his absence, as Bowie suggests, is that Schelling’s Naturphilosophie “was effectively killed off…as part of the overt praxis of the natural sciences” beginning in the 1840s as these sciences “[began] to fall under the spell of materialism and positivism.”172 Prior to the current resurgence in interest, historians of science tended to dismiss Naturphilosophie as a “strange and nearly impenetrable offshoot of the Romantic movement,” an offshoot that is “safely ignored.”173 So long as postkantian positivism (of the sort that refuses to make organism rather than mechanism constitutive of nature) holds sway over the scientific imagination, Schelling’s thought will continue to languish on the fringes of philosophical activity. Fortunately, “the dangers of a scientistic approach to nature” are becoming increasingly well recognized,174 and alternative histories are being told that challenge the standard Enlightenment account of the dominance of mechanistic physics and biology.175 The fundamental incoherence of the postkantian positivist approach is such that, despite itself resting upon an implicitly postulated speculative dualism between mind and matter, it at the same time denies that there can be any scientific validity to philosophical speculation. “It is only then,” says Arran Gare,
when the original practical engagement as an active force within the world is forgotten, that the illusions of dualism…appear.176
Many natural scientists unpracticed in the methods of philosophy are quick to dismiss Schelling’s speculative physics for what they perceive to be a lack of respect for the empirical facts. Several scholars, including Gare,177 Robert Richards,178 Joseph Esposito,179 Frederick Beiser,180 and Iain Hamilton Grant181 have convincingly argued that Schelling painstakingly studied and significantly contributed to the natural sciences of his day. Richards characterizes Schelling’s natural philosophical works not as the wild frenzy of mystical analogizing that its positivist critics saw, but as “[groaning] with the weight of citations of the most recent, up-to-date experimental work in the sciences.”182 Grant, while he acknowledges Schelling’s Naturphilosophie as a precursor of the new natural sciences of self-organization and complexity, warns us not to
positivistically reduce [Schelling’s] philosophical interventions into nature to a theoretical resource to be raided as and when the natural sciences deem it necessary.183
Keeping Grant’s desire to protect Naturphilosophie from such a positivistic reduction in mind, it is nonetheless interesting to note that Schelling shared the “aether hypothesis” with most of his scientific contemporaries.184 The aether remained the foundation of science’s understanding of electromagnetism until Einstein dismissed it as “an unnecessary burden on space” in 1905.185 The quantum revolution of the early 20th century, with its hypothesis of a non-local field or immaterial quantum vacuum underlying the extended universe, began to raise doubts about Einstein’s dismissal.186 After the recent tentative discovery of the related notion of a Higgs field, it would appear that “a new aether” is front and center again in physical science.187 Where this discovery will lead contemporary physicists remains to be seen, but for Schelling, the elastic properties of the aether were identified with the original duplicity of forces animating the common soul of nature, or World-Soul.188
The two conflicting forces conceived at the same time in conflict and unity, lead to the idea of an organizing principle, forming the world into a system. Perhaps the ancients wished to intimate this with the world-soul.189
In the context of the aether hypothesis, it is important to remember that the main intent of Schelling’s Naturphilosophie was not merely the “application of abstract principles to an already existing empirical science”:
My object, rather, is first to allow natural science itself to arise philosophically, and my philosophy is itself nothing else than natural science. It is true that chemistry teaches us to read the letters, physics the syllables, mathematics Nature; but it ought not to be forgotten that it remains for philosophy to interpret what is read.190
In other words, Schelling’s aim was never to produce hypothetical models of how the hidden mechanisms of phenomenal nature may or may not work. His philosophy of nature is an attempt to re-imagine the metaphysical foundations of natural science, such that the theorizing subject, as part of nature, is understood to be an active factor in the organic construction of the objective facts. For Schelling, the aether was less a scientific hypothesis than it was an organizational principle justifying scientific activity in the first place, since, following the ancient epistemic principle that “like is known by like” (Plato’s “syggeneity”), it granted the human soul participatory knowledge of the invisible substructure of the universe.191 Or, as Schelling put it, “What in us knows is the same as what is known.”192
When Schelling says that “to philosophize about nature means to create nature,”193 it should not be collapsed into the prima facie quite similar statement by Kant, that “He who would know the world must first manufacture it–in his own self, indeed.”194 Kant’s approach to the study of nature is grounded in subjective voluntarism, wherein the philosopher fabricates “nature” as his own object according to the transcendentally deduced categories delimiting his experience.195 Schelling’s Naturphilosophie, on the contrary, re-interprets the epistemic position of the natural scientist: where the postkantian scientist can only grasp himself as thinking about nature from beyond nature, Schelling’s scientific method involves awakening to oneself as “nature itself philosophizing (autophusis philosophia)”196 As Grant describes it, “What thinks in me is what is outside me.”197 If the Naturphilosoph is able to think as nature, she becomes “a new species equipped with new organs of thought.”198 Schelling’s Naturphilosophie is an attempt to know nature unconditionally, i.e., not as the sum total of its created products, but as the creative activity giving rise to them.199 The question is no longer, as it was for Kant, “how do I make finite nature appear?”, but “what is the essence of nature’s infinite activity?”
Schelling’s philosophy of unthinged (Unbedingten) nature is the necessary counter postulate to Fichte’s absolutely free ego, the next logical turn on the dialectical wheel that makes known the presence of an unthought background, a dark abyss (Ungrund) before which the conscious ego can at first only mumble as it meets its long forgotten maker. Schelling’s discovery is that absolute spirit and absolute nature dependently co-arise as the polarized personalities of a natural divinity. The finite human ego is not a priori; rather Absolute nature is prioritized,200 since
Everything that surrounds us refers back to an incredibly deep past. The Earth itself and its mass of images must be ascribed an indeterminably greater age than the species of plants and animals, and these in turn greater than the race of men.201
“Philosophy,” according to Schelling, “is nothing other than a natural history of our mind.”202 The philosopher of nature “treats nature as the transcendental philosopher treats the self”203 by coming to see how
the activity whereby the objective world is produced is originally identical with that which is expressed in volition.204
Schelling’s is akin to an enactive, rather than representational account of scientific cognition. According to Evan Thompson, from an enactive perspective,
a natural cognitive agent–an organism, animal, or person–does not…operate on the basis of internal representations in the subjectivist/objectivist sense. Instead of internally representing an external world in some Cartesian sense, [it] enact[s] an environment inseparable from [its] own structure and actions.205
Schelling’s enactive account of natural science thereby recursively grounds the production of scientific knowledge in the living bodies, funded laboratories, invented technologies, and specialized communities through which it emerges. What science knows is not a passively reflected copy of objective nature as it appears before an aloof subject; rather, the scientist’s experiential facts co-emerge with his experimental acts:
Every experiment is a question put to Nature, to which it is compelled to give a reply. But every question contains an implicit a priori judgment; every experiment that is an experiment is a prophecy.206
That every experimental design contains implicit a priori synthetic judgments (e.g., “every event has a cause,” “nature is an organized system”) is not to say that Schelling believed the natural scientist should try to deduce the structure of nature from a priori principles alone. He maintained that we know nothing except through and by means of experience,207 and therefore that synthetic a priori knowledge, though dialectically constructed, is subject to experimental falsification, theoretical revision, and replacement.208 Whereas for Kant, there exists an unreconcilable opposition between a priori and a posteriori knowledge, for Schelling, acts of cognition and facts of experience recursively condition one another in the endlessly spiraling pursuit of the unconditioned.209
Schelling’s Naturphilosophie is more relevant to contemporary natural science’s vision of a creative cosmos than ever before. The classical mechanistic, entropic paradigm is being replaced by the new sciences of self-organization, which depict the universe as a progressive unfolding of kaleidoscopic activity; given this new context, Schelling’s dynamic evolutionary philosophy of nature can go a long way toward philosophically generating the underlying organizing principles “needed to supplement the laws of physics.”210 Contemporary natural science demands a firmer foundation for its theoretical and empirical discoveries than that given it by 17th century Cartesian metaphysics. Paradoxically, Schelling’s contribution to a more adequate metaphysical foundation for science involves destroying the long held belief that reality has any necessary foundation at all. Schelling’s is a process metaphysics that grounds the visible universe in infinite freedom and creativity.211
Unlike the mechanistic paradigm, which assumes the necessary existence of inert corporeal matter and so cannot explain how creative activity and the emergence of organized form are possible,212 for Schelling, such creative organization is the driving force of nature, inert matter being one of its later products. The source and common medium of nature’s creative activity according to Schelling is universal “sensibility,” making his Naturphilosophie a variety of panexperientialism.213 The ability to feel is what makes all apparently mechanical motion possible, since without such a universal experiential aether, no force could be felt and so exchanged between or across material bodies.214
By making sensibility the ultimate condition of nature’s dynamic organization, Schelling reverses the Kantian and Newtonian prioritization of external relations (i.e., linear mechanism, where causes are always external to effects) and instead understands nature as a holistic system of internal relations (i.e., reciprocal organism, where cause and effect are circular).215 The former externalist approach is unable to account for the origin of motion and activity in nature, since it deals only with secondary mechanical effects.216 Schelling’s dynamical approach does not assume the existence of corporeal bodies that exchange mechanical forces, but describes the construction of these bodies as a side-effect the originally infinite activity of nature’s fundamental forces of organization.217 Viewed from the height of nature’s fundamental organization, according to Schelling,
the particular successions of causes and effects (that delude us with the appearance of mechanism) disappear as infinitely small straight lines in the universal curvature of the organism in which the world itself persists.218
What needs explaining from the perspective of Schelling’s self-organizing aether is not creative activity, but the appearance of inhibition, habit, and permanence.219 Schelling accounts for inhibitions in the cosmic flow by positing an “original duplicity in nature” as two infinitely active forces striving in opposition to one another.220 Nature is, in itself, infinite, and so only it can inhibit itself. Were there no such polarized self-inhibition in nature, space would have immediately expanded into emptiness and all time would have passed in the flash of an instantaneous point.221 The natural products of gradual cosmic evolution–whether atoms, molecules, stars, galaxies, cells, animals, or humans–are the visible expressions of a determinate proportion of these polarized forces, each one a temporary configuration of nature’s infinite process of formation.222 That is, each product is really a recapitulation of one and the same archetypal organism, only inhibited at a different stage of development and made to appear as a finite approximation of the infinite original.223 Nature’s rich variety of organic products only appear to be finite entities, when in reality, they contain within themselves, as though in a mirror image, the infinite whole of living nature’s creative activity:
…a stream flows in a straight line forward as long as it encounters no resistance. Where there is resistance–a whirlpool forms. Every original product of nature is such a whirlpool, every organism. The whirlpool is not something immobilized, it is rather something constantly transforming–but reproduced anew at each moment. Thus no product in nature is fixed, but it is reproduced at each instant through the force of nature entire.224
Schelling’s attempt to ground the emergence of the physical universe in an unstable abyss (Abgrund) of dynamic forces and to re-conceive nature in terms of becoming rather than being makes it a philosophical precursor to Ilya Prigogine’s work on the physics of non-equilibrium processes.225 Prigogine’s Nobel Prize winning discoveries lead him to announce the birth of a new science,
a science that views us and our creativity as part of a fundamental trend present at all levels of nature.226
Like Prigogine, who called for “the end of certainty” and of the Cartesian/Newtonian mechanistic paradigm, Schelling sought to give an account of the physical universe that does not irrevocably separate the human observer from the nature observed. Scientific objectivity, as a merely reflective method, can prove useful; but there is no coherent metaphysical justification for treating the subject-object split as a reality. “I absolutely do not acknowledge two different worlds,” says Schelling,
but rather insist on only one and the same, in which everything, even what common consciousness opposes as nature and mind, is comprehended.227
The natural scientific consequence of insisting on a polar unity between subject and object is that nature can no longer be conceived of as a heap of objects or a giant machine, but becomes rather a universal organism in whose life all finite creatures participate.228 Cartesian science, which searched for objective matters of fact independent of the values of life and society, comes to be replaced by cosmopolitical science, which foregrounds what the Whiteheadian philosopher Bruno Latour has called “matters of concern.”229 Such a replacement re-knits the frayed edges of cosmos and anthropos back together, allowing for the composition of a new planetary constitution more inclusive of the diverse community of species that call earth home. In the next section, the anthropological and political consequences of re-situating the human being within such a universe are unpacked.
168 According to Owen Barfield, “…as the law now stands, Schelling could have sued Coleridge in respect of one or two pages in the Biographia Literaria.” Barfield, What Coleridge Thought, 6.
169 When asked about his influences by William James, Peirce pointed to “all stages of Schelling, but especially his Naturphilosophie.” See 2n2 above.
170 Emerson referred to Schelling as a “hero.” See 14n58 above.
171 Richards, The Romantic Conception of Life, 134, 514.
172 Bowie, Schelling and Modern European Philosophy, 4.
173 Timothy Lenoir, “Generational Factors in the Origin of Romantische Naturphilosophie,” Journal of the History of Biology, 57; Barry Gower, “Speculation in Physics: The History and Practice of Naturphilosophie,” Studies in the History and Philosophy of Science, 320; Snow, Schelling and the End of Idealism, 67.
174 Bowie, Schelling and Modern European Philosophy, 30.
175 See especially Richards, The Romantic Conception of Life.
176 Gare, “From Kant to Schelling to Process Metaphysics,” 58.
177 Gare, “From Kant to Schelling to Process Metaphysics.”
178 Richards, The Romantic Conception of Life.
179 Esposito, Schelling’s Idealism and Philosophy of Nature.
180 Beiser, German Idealism.
181 Grant, Philosophies of Nature After Schelling.
182 Richards, The Romantic Conception of Life, 128.
183 Grant, Philosophies of Nature After Schelling, 11.
184 Grant, “Introduction to Schelling’s On the World Soul,” Collapse: Philosophical Research and Development, VI, 65.
185 Leon Lederman, The God Particle, 101, 375.
186 Paul Davies, The Cosmic Blueprint, 176.
187 Lederman, The God Particle, 375.
188 Miklós Vassányi, Anima Mundi: The Rise of the World Soul Theory in Modern German Philosophy, 143, 384.
189 Schelling, On the World Soul, trans. Grant, Collapse: Philosophical Research and Development VI, 74.
190 Schelling, Ideas for a Philosophy of Nature, trans. Errol E. Harris and Peter Heath, 5.
191 Grant, Philosophies of Nature After Schelling, 126-127, 169.
192 Schelling, On the History of Modern Philosophy, trans. Bowie, 130.
193 Schelling, First Outline of a System of the Philosophy of Nature, trans. Keith Peterson, 14.
194 Immanuel Kant, Opus Postumum, trans. Eckhart Förster, 240.
195 Grant, Philosophies of Nature After Schelling, 2.
196 Schelling, Schellings sämtliche Werke, trans. Grant, 11:258.
197 Grant, Philosophies of Nature After Schelling, 158.
198 Schelling, Einleitung in die Philosophie (1830), trans. Grant, 57.
199 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 14.
200 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 198.
201 Schelling, Die Weltalter: Fragmente, in den Urfassungen von 1811 und 1813, ed. Manfred Schröter, trans. Iain Hamilton Grant, 11-12.
202 Schelling, Ideas for a Philosophy of Nature, trans. Harris and Heath, 30.
203 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 14.
204 Schelling, System of Transcendental Idealism, trans. Peter Heath, 11-12.
205 Evan Thompson, Mind in Life: Biology, Phenomenology, and the Sciences of Mind, 59.
206 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 197.
207 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 198.
208 Gare, “From Kant to Schelling to Process Metaphysics,” 45.
209 Matthews, “Introduction,” The Grounding of Positive Philosophy, 20-21.
210 Davies, The Cosmic Blueprint, 2-5, 203.
211 Gare, “From Kant to Schelling to Process Metaphysics,” 28.
212 Usually, the emergence of life and consciousness are explained by mechanists as random chance occurrences–the opposite of a theoretical explanation, since they are said to emerge for no reason.
213 “Panexperientialism” is a term coined by Whiteheadian philosopher David Ray Griffin to refer to any philosophy of nature that affirms that every actual occasion in the universe enjoys some level of experience; see Griffin, Parapsychology, Philosophy, and Spirituality: A Postmodern Exploration, 99.
214 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 137.
215 Gare, “From Kant to Schelling to Process Metaphysics,” 52.
216 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 195-196.
217 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 196.
218 Schelling, On the World Soul, trans. Iain Hamilton Grant, Collapse: Philosophical Research and Development VI, 70.
219 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 17.
220 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 11.
221 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 17, 187.
222 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 35, 159.
223 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 48-50.
224 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 18.
225 See Davies, The Cosmic Blueprint, 175; Late in his life, Prigogine collaborated with the Whiteheadian philosopher Isabel Stengers regarding the philosophical implications of his work.
226 Prigogine, The End of Certainty: Time, Chaos, and the New Laws of Nature, 7.
227 Schelling, Schellings Sämtliche Werke, trans. Grant, 4/102.
228 Schelling, First Outline of a System of the Philosophy of Nature, trans. Peterson, 138.
229 Adrian Wilding, “Naturphilosophie Redivivus: on Bruno Latour’s ‘Political Ecology,’” Cosmos and History: The Journal of Natural and Social Philosophy, Vol. 6: 2010, 19.; http://cosmosandhistory.org/index.php/journal/article/view/148/278 (retrieved 8/7/2012). Wilding argues that many of Latour’s contributions were prefigured in Schelling’s Naturphilosophie.
Bryant and I have argued in the past about his materialism and its lack of formal and final causality. I’ve been claiming that ideas and purposes are real, while he continues to argue that only corporeal things, their causal interactions, and the void in which they interact constitute real things. From his perspective, what we call qualitative forms or deliberate intentions are either alternative names for what are really entirely material activities (gene transcription, electro-chemo-neural synchronization, economic exchange, information transfer, etc.), or they are nothing.
I side with Whitehead in affirming the reality of eternal forms, not as existing independently of time and materiality, but as always already involved in what we scientifically know and religiously feel to be the process of cosmic animation. Materiality is animality. In every moment this actual universe is repossessed by the past and resurrected into the eternal possibilities of the future. We participate each second in the life divine, a cosmic life with total ethical memory and perfect aesthetic values, even if without demiurgic omnipotence (i.e., the divine that we all are has no transcendent power over a soulless materiality, since the divine simply is the soul of this universe–the divine may be omnipotent in another sense, only because it both affects and is affected by everything else which exists [see Plato’s Sophist, 247e, where he writes that “the definition of being is simply power”).
Our collective existence here on earth beneath the sky (as humans, dogs, cows, rats, snakes, banyans, ants, prokaryotes, proteins, molecules, etc., etc.) participates in more than what is materially present in some simply located separate slice of the Einsteinian space-time loaf. We exist in excess of any mathematically calculable grid. Each moment of actual becoming–each drop of experience–is temporally open to past and future. Each drop is the genetic precipitate of remembered acts called forth beyond habit into the life of everlasting divine forms and values. Every moment arises amidst the ingression of new possibilities given what it has already actualized. The present is pervaded by past and future, the soul linked materially to what it has been and spiritually to what it might become.
Form is not alien to matter, but is its very soul, the fire which animates it. Levi himself recently used the image of fire to describe materiality. This is a metaphor I am willing to follow quite far, so far as to suggest that embodiment acts as the soul’s athanor, and that the intensity of a body’s astrality (its ensoulment) depends upon the temperature to which it can be raised without too quickly consuming itself in the flames of its own metabolism. Bryant draws on the philosopher-poet Lucretius when he describes his ontology as consisting of nothing but material bodies, their interactions, and the void. I’d draw on Böhme and Schelling to suggest, in contrast to Bryant, that creative productivity, rather than this productivity’s arrested products or corporeal excretions (natura naturata), is ontologically fundamental. Productivity (natura naturans) is the ungrounded ground; not a substance or multiplicity of substances, but an unspeakable tension is at the base of all logos and all ontos. Schelling and Böhme describe this groundless source as a triune polarity between gravity and light. The polarity can become balanced, producing a star, a soul. The star shines outward even as it consumes itself from within. It can last for billions of years. This balance is a formal possibility actualized in the time of its shining. It dies when its time runs out, when its light sinks again into darkness. But in its death, the form achieves objective immorality and is passed on in the form of new forms: heavier elements which again, through the tension of gravity and light, come to life in ever new ways. Form is forever infecting everything with novelty.
Update: Bryant responds HERE
I’ve been reading Jason Wirth’s The Conspiracy of Life: Meditations on Schelling and His Time (2003). He describes on page 87 in Schellingian terms what I’ve argued here and in comments under Bryant’s response in Whiteheadian terms: that nature is not designed by a demiurge, since nature itself is the demiurge. Here is a link to p. 87 via Google books.
Michael/Archive Fire has just written a gracious and astute response to my recent comment about Whitehead’s reformed Platonism. He has made me aware of the fact that my referring to Whitehead or to Plato in the hopes that they offer some sort of authoritative disambiguation is insufficient to support the arguments I am trying to make. I cannot expect Michael to read a large portion of Whitehead’s, or Plato’s corpus, nor guarantee that if he were to read these, he’d interpret them in the same way that I do. If I have any hope of adequately responding to Michael, its because I will be able to translate my reformed Platonism into forms of expression that he finds interesting (if I do draw on authority, maybe Schelling’s will be more rhetorically effective… He also is inevitably mixed up in any philosophical pie I may try to bake). Philosophical adequacy means keeping the conversation going, i.e., keeping the logos flowing.
My process philosophy is rheological, like Michael’s; but it is not just that, not just a scientific study of the flow of matter in the world. It is also a love of the way of wisdom in the world. Philosophy–at least as it was known when the word, and the way of life, was brought forth and developed in the pre- and post-Socratic philosophers–is concerned not only with contingent flows but with the “becoming of being,” the way of eternity, the living unity of the temporal universe.
Unity is the first form, the universal archetype, of philosophy; its first task is to express this unity in the multiplicities of its logoi and to discover it in the differentiations of its cosmoi. There are many important philosophical questions, among them (1) Why do things fall apart? Why Chaos? and (2) Why do things rise to attention? Why Order? I would not privilege (1) over (2), not only because both questions lead in interesting directions, keeping the logos flowing, but because I would not know what chaos was unless I had order to compare it with (and vice versa). Natural science itself already assumes the unity of the universe, that it is cosmos despite its chaos, even where it seems to methodologically require that intelligent freedom be kept distinct from a contingent and purposeless reality (i.e., that some mixture of mentality not be assumed to exist already in all materiality). This seeming methodological requirement of a modest witness to objectify neutral matter cannot be metaphysically justified. Philosophy, if it is to be anything more than an apology for nominalistic materialism, is the attempt to think the complex unity of intelligence and nature, to participate in the One Life organizing the whole. Schelling described the character of this complex unity as follows:
“Is it not manifest, that the tendency to posit the infinite in the finite and conversely the later in the former, is dominant in all philosophical speech and investigations? To think this form is [as] eternal as the essence of that which is expressed in it, and it has not just now begun, and nor will it ever cease; it is, as Socrates in Plato says, the immortal, never changing characteristic of every investigation” (from Bruno, Or on the Natural and the Divine Principle of Things (1802), I/4).
But what about Michael’s concern to bring forth a philosophy afresh? He called for “anarchic re-engagement” with tradition to avoid the tried and true pitfalls of ontotheological metaphysics. I share his concerns, even while I find tradition important (even if it is a pre-scientific and aristocratic tradition). When Whitehead wrote that philosophy is a series of footnotes to Plato, I believe he meant to say that he thought in the spirit, if not always in the letter, of Plato. After all, as Whitehead also suggests, most of the best criticisms of what has come to be called Platonic philosophy are in Plato’s own dialogues. Further, though Plato’s political views have come to seem oppressive to us today, in his own time, his critiques of myth and attempt to establish a society based on true merit, rather than tyrannical power, were rather progressive.
I’d prefer not to have this post turn into a defense of Plato, since Michael asked to know what I think, not what I’ve read. But then again, if I’m honest, it is hard to tell where what I’ve read and who I’ve conversed with ends and what I think or who I am begins. A kind of alchemical hermeneutics would seem to be at play here, making it impossible for me to disentangle my identity from my influences.
On to some of Michael’s specific comments:
We only have limited access to the contingencies of nature as they have unfolded so far but there is nothing that leads me to believe that the so-called “laws of nature” won’t change barring some future cosmic event.
Eternity’s participation in time does not imply the erasure of contingencies or the permanence of physical laws. Laws are cosmic habits. They could have been otherwise. What couldn’t have been otherwise is that cosmic memory (i.e., intelligence as it acts in time) would form habits of some kind. Meillassoux’s absolute contingency–hyperchaos–is an interesting thought experiment, but as a cosmological principle I just can’t bring myself to accept it. In reality, there is no pure contingency, just as there is no pure necessity: there is only a mixture of each. Laws, as habits, can and do change, but as a moving image of eternity. Like Harman, I refuse to give up on the principle of sufficient reason, even while I (following Schelling) find it necessary to think reason without the law of non-contradiction (thinking reason with contradiction is where I think a process ontology is most helpful).
Michael goes on to speak of the
“anarchistic expansion, diversification, and complexification…inaugurated by the primordial expression of potency in our cosmos, otherwise known as the ‘big-bang.’”
The “big-bang” theory is surely one of the strangest and most wonderful ideas to emerge from scientific investigation of the universe. Here, I think Michael and I have the most in common, though I’d again emphasize that I am lead by such an idea to a sense of the profound unity of the universe (i.e., all matter-energy and space-time shares a common origin) no less than to its capacity for differentiation.
There remains, finally, an important discussion to be had regarding the nature of qualities and quantities, but alas, I’ve run out of time and energy tonight and will have to take up that challenge later.
- Formal Causality and Materialism (footnotes2plato.com)
- Whitehead, Eternal Objects, and God (footnotes2plato.com)
- The Beginning and the End of Positive Philosophy (footnotes2plato.com)
- Withdrawal: Ancient and Modern Accounts (footnotes2plato.com)
- Time as Creative Potency (footnotes2plato.com)
- Hylomorphism: The Myth of Formlessness (larvalsubjects.wordpress.com)