Quentin Meillassoux is an important philosopher, as Graham Harman notes—not because he is “plausibly right about so many things,” but because his work “offers such a treasury of bold statements ripe for being radicalized or reversed. He is a rich target for many still-unborn intellectual heirs, and this is what gives him the chance to be an important figure.”
Leon Niemoczynski (After Nature) has recently highlighted the theistic implications of Meillassoux’s project, asking why so many Speculative Realists have ignored the religious dimensions of his anti-correlationism. Adam at An und für sich likewise observes that Meillassoux’s ontology of radical contingency—pushed to its limit in The Divine Inexistence—yields a reformed Christian incarnationalism in which human value derives not from a past incarnation but from a hoped-for future resurrection.
In an earlier post, I suggested that Meillassoux “dismisses fideism to re-affirm its object through the apotheosis of reason.” Philosophies of the Absolute cannot avoid inquiry into divinity. Whether explicitly atheistic, as in Ray Brassier’s eliminativism or Levi Bryant’s materialism (Larval Subjects), or explicitly theistic, as in Whitehead’s philosophy of organism, metaphysical systems cannot simply ignore the presence of the divine in the universe. They must either explain away spiritual experience by reducing it to indoctrination—and the persistence of religion to biopolitical, psychological, or ideological factors—or else discover God within cosmogenesis. A scheme that chooses the purely reductive route abandons the aspiration to a comprehensive account of reality in favor of a partial one. It ceases, in that sense, to be properly metaphysical, having prejudicially disqualified the miraculous in favor of the mundane. Metaphysics is the (perhaps endless) attempt to articulate a systematic discourse concerning both the limits (immanent, finite aspects) and the freedom (transcendent, infinite aspect) of the Absolute. Immanence and transcendence are not opposites; transcendence is the superlative of immanence. The infinite does not oppose the finite; it contains and implies it.
Meillassoux’s appeal to the contingency of facticity in After Finitude leads, in The Divine Inexistence, into ethical questions surrounding the contingency of the creative Act itself. If everything is absolutely contingent, then the world-creating Act is gratuitous as well—creatio ex nihilo, creation for no reason whatsoever. Precisely for this reason, everything remains possible, even for our seemingly irredeemable world. Despite the anthropodecentric gesture of After Finitude, The Divine Inexistence appears to affirm, in a way reminiscent of Kant, that the human being “is born to be [nature’s] ultimate end.” Yet, as Kant immediately cautions, “such an end must not be thought in nature” (Critique of Judgment). This tension points toward the divine’s entry into the world—or at least its natal emergence within the incarnate human soul.
Related articles
- Occasionalism in Whitehead and Harman (footnotes2plato.com)
- Harman’s Crucified Objects and Whitehead’s God: More on Withdrawal (footnotes2plato.com)

What do you think?