Introduction to Process Philosophy

Below is a lecture recorded for the online course PARP 6060 02 – Introduction to Philosophy, Cosmology, and Consciousness at

I first discuss the meaning of philosophy from a Whiteheadian perspective, then run through a brief history of philosophy as relevant to process thought (Parmenides, Heraclitus, Plato, Aristotle, Copernicus, Descartes, Newton, Kant and his immediate successors), and finish by offering a few key perspectives from Whitehead’s cosmological scheme.

Many streams of thought flow into and give shape to PCC’s perspective on the Universe and our human place within it. One of these streams is the process-relational tradition. This tradition is most often associated with the 20th century mathematician and philosopher Alfred North Whitehead (1861-1947), but many of Whitehead’s core insights can be traced back to the beginnings of Western philosophy in ancient Greece, and were carried forward and brilliantly developed by the German Idealists in the early 19th century. 

I hope my lecture helped give you some sense for the philosophical lineage that Whitehead drew upon and entered into dialogue with when he articulated his post-relativistic, post-quantum cosmological scheme in the 1920s and 30s. I have a feeling you agree, after reading the chapters I assigned from his book Modes of Thought (1938), that Whitehead is not an easy thinker to understand. But as someone who has been studying his work for almost a decade now, I can assure you it is well worth the effort to get to know the intimacies of his metaphysical scheme. Almost always it takes multiple readings to grok what he’s on about. All scientists employ instruments to aid them in their study. Philosophy’s instrument of inquiry, according to Whitehead, is language itself. Just like telescopes and microscopes, it takes a bit of practice to learn how to see with them. I encourage you to take Whitehead’s experiments in language seriously, even if they at first seem confusing. 

Whitehead boldly re-affirmed the grand tradition of speculative cosmology at a time when most academic philosophers were retreating from metaphysics into reductionistic materialism and logical positivism. Whitehead summed up the situation of his contemporaries: “…the science of nature stands opposed to the presuppositions of humanism. Where some conciliation is attempted, it often assumes some sort of mysticism. But in general there is no conciliation” (MoT 136). Modern science tells us we are matter in motion, while modern humanism insists we are free agents enjoying profound emotions. While the positivists busied themselves analyzing linguistic puzzles, pretending not to be metaphysical by ignoring the mind/matter dualism implicit in all their reasonings, Whitehead sought insight into creative depths as yet unspoken. Logical positivism attempted to reduce philosophy to the safety of settled science; Whitehead sought instead to engage philosophy as a poetic adventure in world-making. 

“In my view the creation of the world is the first unconscious act of speculative thought; and the first task of a self-conscious philosophy is to explain how it has been done” (Aims of Education 164).

Whitehead’s cosmological vision is bold, but he may also deserve the title of humblest philosopher in history. “Philosophy begins in wonder,” he tells us. “And, at the end, when philosophy has done its best, the wonder remains” (MoT 168). “How shallow, puny, and imperfect are efforts to sound the depths in the nature of things,” he tells us elsewhere. “In philosophical discussion, the merest hint of dogmatic certainty as to finality of statement is an exhibition of folly” (PR xiv). For Whitehead, philosophy’s aim is to purify emotion by eliciting some increase of understanding, to correct the initial excess of subjectivity in our consciousness so as to grant us a more cosmic perspective on reality. “Purifying” emotion doesn’t mean eliminating it by replacing it with logic; even knowledge, for Whitehead, is a complex form of feeling. The goal of “knowing” is not to explain the All once and for all (impossible in the open-ended, creative cosmos Whitehead imagines), but to elucidate our experience so as to bring more of the Great Mystery’s beauty into our awareness. 

Philosophy is akin to imaginative art, Whitehead tells us. It is the endeavor to creatively reframe naive experience so as to intensify our enjoyment of the meaning and potential of our existence. None of this is to say that Whitehead ignores the importance of science: “I assume as an axiom that science is not a fairy tale” (The Concept of Nature 40). Whitehead turned to philosophical cosmology late in his life (after a illustrious 30 year career as a Royal Society elected mathematician) precisely in order to save 20th century natural science from incoherence. He wanted to provide physics with a new and more adequate metaphysical foundation after quantum and relativity theories spelled the end of the Newtonian paradigm.

“In the present-day reconstruction of physics fragments of the Newtonian concepts are stubbornly retained. The result is to reduce modern physics to a sort of mystic chant over an unintelligible Universe. This chant has the exact merits of the old magic ceremonies which flourished in ancient Mesopotamia and later in Europe. One of the earliest fragments of writing which has survived is a report from a Babylonian astrologer to the King, stating the favorable days to turn cattle into the fields, as deduced by his observations of the stars. This mystic relation of observation, theory, and practice, is exactly the present position of science in modern life, according to the prevalent scientific philosophy. The notion of empty space, the mere vehicle of spatial interconnections, has been eliminated from recent science. The whole spatial universe is a field of force, or in other words, a field of incessant activity. The mathematical formulae of physics express the mathematical relations realized in this activity. The unexpected result has been the elimination of bits of matter, as the self-identical supports for physical properties. At first, throughout the nineteenth century, the notion of matter was extended. The empty space was conceived as filled with ether…The more recent revolution which has culminated in the physics of the present day has only carried one step further this trend of nineteenth century science…Matter has been identified with energy, and energy is sheer activity; the passive substratum composed of self-identical enduring bits of matter has been abandoned, so far as concerns any fundamental description…The modern point of view is expressed in terms of energy, activity, and the vibratory differentiations of space-time. Any local agitation shakes the whole universe. The distant effects are minute, but they are there. The concept of matter presupposed simple location. Each bit of matter was self-contained, localized in a region with a passive, static network of spatial relations, entwined in a uniform relational system from infinity to infinity and from eternity to eternity. But in the modern concept the group of agitations which we term matter is fused into its environment. There is no possibility of a detached, self-contained local existence. The environment enters into the nature of each thing” (MoT 138).

Whitehead’s process-relational philosophy is an attempt to integrate the latest scientific evidence with our moral, aesthetic, and spiritual intuitions regarding the ultimate nature of the Universe. Whitehead envisions the Universe as a creative becoming, a cosmogenesis. The creatures who inhabit his world are bound up together in an infinite web of evolving relations. Reason has often functioned to alienate humanity from its relations, but Whitehead offers another possibility. Whiteheadian rationality is guided by its commitment to relationality, whereby “there is an essence to the universe which forbids relationships beyond itself” (PR 4). To search for a “beyond” is to violate the rationality of cosmic relationality. Any truth philosophy may seek can only ever be found here among us. 

Diagramming German Idealism

I’m teaching an online graduate course called Mind and Nature in German Idealism this semester. Below I am sharing several diagrams that I’ve developed to depict Kant’s transcendental method as it evolves through the first three critiques, as well as Fichte’s radicalization of the Kantian project. I hope to continue developing this diagram to elucidate Schelling, Goethe, and Hegel’s approaches, but I’m not entirely sure what that will look like yet!

Mind and Nature in German Idealism, a graduate course


I’m very excited to teach a 10-week online course at CIIS next semester (Spring 2017, running from Jan – Mar) called Mind and Nature in German Idealism. The course includes readings and lectures on Kant, Fichte, Goethe, Hegel, and Schelling. Note that you do not need to be enrolled in a graduate program at CIIS in order to take the course. You can also apply for “special student” status (if you want the 2 units of credit), or you can audit (if you don’t care about the academic credit). Contact me if you have any questions (

Here is the tentative syllabus.

Pre-Defense Dissertation Draft Completed

My dissertation defense is on Monday morning. I’ve just finished the “pre-defense” draft. I have until April 11th to finalize the published version. Below are the abstract, table of contents, and acknowledgements. 


  • Jacob Sherman, PhD, Chair
    Associate Professor, Philosophy and Religion Department, California Institute of Integral Studies


  • Sean Kelly, PhD
    Professor, Philosophy and Religion Department, California Institute of Integral Studies



  • Frederick Amrine, PhD
    Arthur F. Thurnau Professor, German Department, University of Michigan




In this dissertation, I lure the process philosophies of F.W.J Schelling and A.N. Whitehead into orbit together around the transcendental philosophy of Immanuel Kant. I argue that Schelling and Whitehead’s descendental aesthetic ontology provides a way across the epistemological chasm that Kant’s critiques opened up between experience and reality. While Kant’s problematic scission between phenomena and the thing-in-itself remains an essential phase in the maturation of the human mind, it need not be the full realization of mind’s potential in relation to Nature. I contrast Schelling and Whitehead’s descendental philosophy with Kant’s transcendentalism by showing how their inverted method bridges the chasm—not by resolving the structure of reality into clear and distinct concepts—but by replanting cognition in the aesthetic processes from which it arises. Hidden at the generative root of our seemingly separate human capacities for corporeal sensation and intellectual reflection is the same universally distributed creative power underlying star formation and blooming flowers. Human consciousness is not an anomaly but is a product of the Earth and wider universe, as natural as leaves on a tree. Through a creative interweaving of their process-relational orientations, I show how the power of imagination so evident in Schelling and Whitehead’s thought can provide philosophy with genuine experiential insight into cosmos, theos, and anthropos in the aftermath of the Kantian revolution. The two—anthropos and cosmos—are perceived as one by a common sense described in this dissertation as etheric imagination. This etheric sense puts us in touch with the divine life of Nature, which the ancients personified as the ψυχὴ του κόσμου or anima mundi.

Table of Contents

Abstract iv
Acknowledgements vii
Prologue — Imagining Cosmos, Theos, and Anthropos in Post-Kantian Process Philosophy 2
Chapter 1 — Kant as Guardian of the Threshold of Imagination 9
1.1 Whitehead, Schelling, and the Aftermath of Kant 16
1.2 The Kantian Mode of Thought 24
1.2.1 Thinking 27
1.2.2 Desiring 38
1.2.3 Feeling 42
Chapter 2 — Descendental Philosophy and Aesthetic Ontology: Reimagining the Kantian Mode of Thought 55
2.1 Aesthetic Ontology and Nietzsche’s Confrontation with Nihilism 70
2.2 Aesthetic Ontology in Sallis’ Elemental Phenomenology 95
2.3 Aesthetic Ontology in Deleuze’s Transcendental Empiricism 99
Chiasmus — Schelling and Whitehead’s Descendental Aesthetic: Crossing the Kantian Threshold 111
Chapter 3 — The Inversion of Kant: From a Mechanistic to an Organic Cosmology 132
3.1 The Refutation of Kant’s “Refutation of Idealism”: From Subject-Substance Correlation to Process-Relational Creativity 150
3.2 From Geometric Conditions of Possibility to Genetic Conditions of Actuality 167
Chapter 4 — Etheric Imagination in Naturphilosophie: Toward a Physics of the World-Soul 177
4.1 Traces of the Ether in Kant’s Opus Postumum 181
4.2 Etheric Imagination in Schelling and Whitehead 192
4.3 Nature Philosophy as “Spiritual Sensation” 201
4.4 Etheric Imagination and Vegetal Metaphysics 209
Epilogue — Incarnational Process Philosophy in the Worldly Religion of Schelling, Whitehead, and Deleuze 230
References 254


Without the intellectual encouragement and personal friendships of Jake Sherman, Sean Kelly, Fred Amrine, Brian Swimme, Robert McDermott, Eric Weiss, Elizabeth Allison, and Rick Tarnas, this dissertation could not have been written. Thanks to each of them, and also to the entire community of students in the Philosophy, Cosmology, and Consciousness Program for sharing their philosophical passion and for the conversations that helped spark many of the ideas expressed in what follows. Thank you, finally, to my fiancée Becca for her inspiring imagination, for her encouragement, and for her patience as I labored over drafts of this text for so many consecutive weeks.

Schelling’s Descendental Philosophy (and its Whiteheadian resonances)

Much of the rather fragmentary thoughts to follow were spurred by my reading of Jason Wirth’s wondrous little essay in the HUGE Palgrave Companion to German Idealism (2014), “Nature of Imagination: At the Heart of Schelling’s Thinking.” Based on the subtitle of his newly published book Schelling’s Practice of the Wild: Time, Art, and Imagination (2015), it looks like he continues to unpack many of the themes of this essay there. I would’ve read it already, but I’m hoping it will become more affordable (hardcover is $70 on Amazon).

Schelling has commonly been labeled an “objective idealist” and made historically relevant only as the stepping stone between Fichte’s “subjective” and Hegel’s “absolute idealism.” More recently, his work is being creatively retrieved by a number of thinkers who describe it as running distinctly against the idealistic grain of Fichte’s and Hegel’s philosophizing. These thinkers include Wirth, Iain Hamilton Grant, Ben Woodard, and Bruce Matthews.

Wirth claims in the second sentence of his essay that “one cannot do philosophy only by doing philosophy.” The philosopher, he says, must be in conversation with natural science, art, history, and religion. I agree that philosophy has no object unless it finds itself in dialogue with these other modes of thought, but this does not rule out the possibility that philosophy has a subject all its own. That is to say, philosophy as such has no object other than itself, the subject doing the philosophizing. The subject, the Self, is of course no ordinary thing or object–if it can be so labeled at all. The Self–the protagonist of all idealisms–is described by Fichte as an unconditioned (unbedingte) act rather than an objective fact. It is literally unthingable (un-ding-able), the transcendental ground of all conditioned things.


Schelling does not deny the transcendental approach to philosophy. He only relativizes its claims to the Absolute by articulating a complementary approach that we might call descendental philosophy. Wirth deploys Deleuzo-Guattarian lingo to argue that, for Schelling, “Nature [is] the image of thought as such.” Recall that for D&G, the confrontation with Chaos is the precondition of philosophy. In Schelling, Chaos becomes the “abyss of freedom,” the “dark precursor” of thought, “that which is absolutely mobile…which is continually an Other, which cannot be held on to for a moment” (On The History of Modern Philosophy, 152). For Schelling, then, the prime subject-object of philosophical thought is not the Self, but the incomprehensible groundlessness preceding volitional egoity and objectified physicality alike. This groundlessness, this abyss, is unprethinkable (unvordenklichen). Whitehead referred to it as Creativity. This creative abyss before Self and Nature provides the groundless ground of Reason. The philosopher comes into contact with it in the sensuous world, the realm of aesthesis, hence the early Schelling’s claim that an “aesthetic act” provides the keystone of philosophy and the late Schelling’s defense of what he termed “metaphysical” or “higher empiricism.” According to Schelling, despite the fact that “everything in the sensuous world is grasped in number and measure,” this “does not therefore mean that geometry or arithmetic explain the sensuous world” (HMP, 147). Whitehead similarly argues that “The general principle of empiricism depends upon the doctrine that there is a principle of concretion which is not discoverable by abstract reason” (Science and the Modern World, 179). The “higher empiricism” Schelling alludes to is not at all the positivistic empiricism of much modern science, wherein through “servile imitation” a reflective mind attempts to represent the forms of Nature as though these forms were “still born,” as Wirth puts it. Schelling’s is not a “high altitude” view of nature as a collection of objects mechanically governed by arbitrarily imposed mathematical laws. Rather, Schelling, like Whitehead, returns the philosopher to his or her concrete aesthetic encounter with Nature (to our prehension of Nature, in Whitehead’s terms). It is here that Nature’s natality, her creativity, shines through the superficial appearance of objective finitude. Our sensory experience, attended to in earnest, reveals itself to be infinite, sublime; it is only after reflective consciousness has manufactured for us a finite, ordered world that this infinity is obscured, covered over. In attempting to descend below the veil of intellectual reflection into the depths of the sensible, the philosopher puts their sanity at risk. According to Wirth, for Schelling “philosophy is the negotiation of madness, reason’s ongoing encounter with what resists reason.” In this way, Schelling reverses the typical orientation of philosophy toward the intelligible. Or at least he affirms that a certain kind of madness lurks within or behind intellect itself, giving it life. Intellect absent all madness would be mere mechanical understanding. Like Whitehead, Schelling is more concerned with keeping thought alive than with repeating stale truths of the merely logical sort (as Whitehead puts it, “in the real world, it is more important that a proposition be interesting than that it be true”).  

Schelling’s approach could also be called an empiricism of imagination. As Wirth says, “Schelling is through and through a thinker of the problem of imagination, of the emergence into image of that which itself has no image.” His aesthetic (un)grounding of philosophy destabilizes the Hegelian notion that philosophy ought to overcome itself by arriving at a finished “system of science.” Schelling’s Naturphilosophie is an infinite creative task, not a finished system. Naturphilosophie is not a philosophy about nature but “Nature itself philosophizing” (autophusis philosophia). “None of our spiritual thoughts transcend the earth,” says Schelling. Unlike so much modern philosophy, Schelling puts Nature, rather than Mind, at the center of thought. Where modern philosophy put the human subject at the center, Schelling realized that the true subject of humanity is Nature herself: “Nature is a priori.” The human being is unique among earthly creatures in that it knows reality’s ground is incomprehensible. With this knowledge, we can either use our new found freedom to flee upwards by way of anti-physical idealistic transcendentalism, or we can fall deeper in love with cosmogenesis via a naturephilosophical descendentalism. The former option, freedom without love, quickly devolves into alienation. Idealists like Kant and Fichte tried to overcome this devolution by privileging practical over theoretical philosophy. To save the possibility of love between humans they had to deny the possibility of a loving knowledge of Nature. Schelling moved away from modern technoscience’s conception of knowledge as power in favor of what Goethe termed a “gentle empiricism,” or what might be called a loving knowledge. Rather than recoiling from the abyss of the sensible to a supposedly stable intelligible ground, as critical philosophy does, Schelling dives heart first into its radiant darkness. His is a creative, rather than a critical philosophy. Critical philosophy is not to be rejected, however. It is indispensable for clearing the way, for preparing thought for its encounter with the Real. But Reason alone cannot take us all the way. Schelling is clear on this point: “Without intellectual intuition, no philosophy!” The capacity for this sort of intuition, akin to artistic genius or mystical experience, depends on a certain character trait, Schelling tells us. As such, it cannot be taught to just anyone, as geometry or arithmetic can; it can, however, be developed in those with a heartfelt sense for the “nullity” of all finite knowledge. Because of his tendency to rest philosophical insight on the capacity for genius or mystical sensitivity, Schelling may fall victim to what Hegel referred to as the “Sunday’s Children” problem. Mystical experience (Greek: musterion) is “secret” experience, experience known only silently. As such it is difficult if not impossible to communicate about to those who have not encountered it for themselves. Whitehead similarly likens philosophy to “imaginative art,” implying that it is only a unique personality who can philosophize creatively (just as it takes a certain inborn ability to write inspired poetry or play beautiful music). Despite Hegel’s critique and insistence that philosophy must rest on a universal and easily teachable method (which itself may sway too far in the opposite direction), both Schelling and Whitehead were rigorous thinkers committed to sharing ideas in public. They simply rejected the idea that the creative abyss at the heart of Nature could be finally described or explained. As Merleau-Ponty suggested in his late lecture course on Whitehead, “Nature is always new in each perception,” even while it is “never without a past.” An ever-new Nature cannot be captured once and for all by any verbal statement or logical formula, no matter how dialectically sophisticated. As is said of Isis, Goddess of Nature: “I am all that has been, and is, and shall be, and my veil no mortal has yet uncovered.”

Schelling and Whitehead share an intuition about eternity’s participation in time, and about God’s participation in Nature. “Nothing comes into being in time,” writes Schelling. “Rather, in each thing time comes into being immediately from eternity into the new…The beginning of time is in each thing, and, indeed, each thing is the same as the eternal beginning. Each particular comes into being through this cision through which the world comes into being” (Weltalter, 79). Like Whitehead, Schelling sees each actual entity as inwardly resonant with eternity, or what Whitehead called the primordial nature of God. The primordial nature is the original rhythm or first song sung by the divine poet that still resounds within each temporal being. It is through our intellectual intuition that we can hear this silent song–“silent” because it provides the ground-tone for our entire existence, its humble humming hardly noticeable but for special moments of mystical insight. God is “the poet of the world,” as Whitehead puts it, the cosmic myth-maker or speaker of secrets gently guiding us toward Nature’s hidden meaning. Whitehead’s primordial nature of God is what is most ancient in Nature and what reveals itself in the present as the promise of a future. According to Wirth, “Nature is the life of imagination.” I’m reminded of William Blake’s statement “to the eyes of the man of imagination, Nature is imagination itself.” Blake also describes imagination as “spiritual sensation,” which might be a helpful way of rendering “intellectual intuition” in English. In Schelling, imagination (Einbildungskraft) is the movement of the infinite into the finite (and back again). 

response to R. Scott Bakker on transcendental phenomenology and BBT

Anyone who posits some form of efficacy or constraint outside the natural order on the basis of some kind of interpretation of ‘experience’ has the same argumentative burden to discharge: How do you know? What justifies such an extraordinary (supernatural) posit?…What makes the question so pressing now is that their instrument, reflection, has finally found itself on the coroner’s table. -R. Scott Baker

There is nothing “outside” the natural order. In this sense, I am opposed to the transcendentalist’s move to remove Reason or the reflective understanding from physical reality. There is indeed a supernaturalist residue in much transcendental and phenomenological philosophy. This is why my project has always been to theorize “the natural order” as itself always already creative, aesthetic, interpretational, experiential (mine is a naturalized transcendental (Schelling’s “Nature is a priori”)). There is no “other” world from which the causal efficacy of our world derives. With our universe, the cause is internal to the effect, which is another way of saying our universe is primarily organic (with mechanism as a secondary appearance). This is why I follow Whitehead in the endeavor to construct an ontology of organism, wherein: 1) Physics is the study of the evolutionary development of particles, stars, galaxies, and other micro- and macro- organisms-in-ecologies; 2) Biology is the study of the evolutionary development of single cells, plants, and animals in their meso-cosmic ecologies; 3) Philosophy, anthropology, and theology are different aspects of the study of the evolutionary development of languages, myths, and ideas in their noetic ecologies. The organism-environment field becomes the metaphysical metaphor guiding our theorizing, rather than the machine.

Now, when I say “my project has always been to theorize…”, I should qualify that “theory” in the context of an open-ended, evolving cosmos such as ours can never pretend to certainty or finality. Theory is not the construction of a disinterested, reflective ego (at least, no valuable theory is). Theory always remains dependent on the speculative leap of some metaphor or another. Theory is imaginative construction requiring equal doses of aesthetic taste and logical clarity. Our theories are always as much science fiction as they are science fact.

I agree with Bakker than cognition of the real just isn’t possible. But we must distinguish between cognition on the one hand, and sensation, feeling, and intuition on the other. If an intuition of the real is our goal, using the reflective instrument is like shining a flashlight in search of darkness. Reflective cognition is like King Midas, turning everything it touches into noetic gold. It transforms everything not-I into food for itself, digesting the world and defecating whatever it can’t assimilate as waste. It does’t seem to me much of a stretch to say that modernity’s exclusive reliance on reflective cognition is one of the main factors leading to the ecological crisis.

Let me be clear that, while I defend transcendental phenomenology from Bakker’s eliminativist meta-critique, my own philosophical home base is process-relational ontology. I have major issues with transcendental phenomenology as a philosophical resting place. It remains too anthropocentric, too concerned with issues of human access and not attentive enough to solar nucleosynthesis, cellular mitosis, and atmospheric levels of CH4. But still, I just don’t understand how, having grasped the power of transcendental critique–as critique–one could fail to see eliminativist arguments like BBT as anything but dogmatic materialism (materialism has today become the new School Philosophy, though it pretends to be the ultimate critic of all metaphysics). Where I leave transcendentalism behind is in my pursuit of a constructive, cosmologically-rooted philosophy, something the phenomenological approach just cannot provide.


It is clear Bakker has done his philosophical homework. I don’t think it is fair of him to lump everyone into the same transcendentalist clown car, though. Phenomenology was born out of the intense debates between Fichte, Schelling, and Hegel, all of whom accused Kant of not having cleared his vision of dogmatist residues. They all recognized the possibility and the fact of neglect, and even of the neglect of neglect. But for these post-Kantians (with the possible exception of Hegel), the transcendental project was an infinite one by definition, meaning there would never be a point when the a priori structures were finally reached and could be clearly and distinctly spelled out once and for all. Fichte grounded the transcendental historically in the ethical development of humankind, describing philosophy as an attempt to asymptotically approach absolute metacognition as an ideal while never in fact being able to reach it. Schelling went further and grounded the transcendental in the creative developmental arc of the cosmos itself. For Schelling (and here he converges with Whitehead), not even God knows the a priori conditions of experiential reality: the divine is just as caught in the chaotic turmoil of historical becoming as any creature is. None of these thinkers, with the possible exception of Fichte when he is sloppy, thought that impersonal natural systems could be cognized in terms of their own 1st person experience.

Here is Schelling mulling over this exact problem, for ex.:

“I could conceive of that being perhaps as something that, initially blind, struggles through every level of becoming toward consciousness, and humanity would then arise precisely at that moment, at that point in which the previously blind nature would reach self-consciousness. But this cannot be, since our self-consciousness is not at all the consciousness of that nature that permeates everything: it is just *our* consciousness and hardly encompasses within itself a science of becoming applicable to all things. This universal becoming remains just as foreign and opaque to us as if it had never had a bearing on us at all. Therefore, if this becoming has achieved any kind of purpose it is achieved only through humanity, but not for humanity; for the consciousness of humanity does not = equal the consciousness of nature” (The Grounding of Positive Philosophy, 1841).

In other words, 1st person reflective ego consciousness is largely a sham. It can tell us little if anything about the unconscious natural ground from which it emerges. Of course, Schelling (like Whitehead) argued that the field of experience extends beyond mere 1st person ego consciousness. My argument with Bakker has always been: why reduce the experiential field that is open to us to 1st person ego consciousness? Most of our daily and nightly experience is not egoic! Most of the time we are flowing through other experiential states more akin to animals, plants, and even minerals. So in a sense mine is also a post-human manifesto. We have never been human, if you want.