Below is the draft of a foreword I’ve coauthored with Robert McDermott. The book, Twelve Ways of Seeing the World by Mario Betti, should be out later this year via Hawthorn Press. Betti’s book builds fruitfully upon the ideas of Rudolf Steiner. You can read Steiner’s original lectures on the topic of the 12 human worldviews here: https://wn.rsarchive.org/Lectures/GA151/English/RSP1991/HCT991_index.html


DRAFT

Foreword to Mario Betti, Twelve Ways of Seeing the World

By Robert McDermott and Matthew T. Segall

February 4, 2019

 

Rudolf Steiner was one of the 20th century’s few true Renaissance men. While modern science, art, religion, politics, and philosophy continued to fall into increasing specialization, fragmentation, deconstruction, and narrow-minded conflict, Steiner labored tirelessly to create new integral approaches to education, agriculture, medicine, architecture, social reform, banking, visual and performance art, esotericism, and more, all inspired by a deep commitment to humanity’s spiritual potential. Mario Betti, a lifelong practitioner of Steiner’s anthroposophical method, has written a book that succeeds not only in its clear interpretation of a sometimes enigmatic thinker’s ideas but in its brilliant amplifications and applications of these ideas to our present day circumstances.

Betti offers his book as a stimulus or seed to support the growth of a still fledgling pluralistic society. Achieving a planetary humanity guided by freedom and love out of the ashes of the modern pathologies of fascism, totalitarianism, nationalism, oligarchism, and terrorism (the list goes on) will require more than a shallow, relativistic multiculturalism that settles for mere tolerance. Betti draws on Goethe to remind us that tolerance can only be a temporary position. Genuine pluralism, Betti shows, requires more than toleration: it requires a willingness to engage the whole of our being in deep communication with and mutual affirmation of other worldviews. We must strive to reach across our differences through an inner development that is capable of seeing their holistic interdependence. Betti’s amplification of Steiner’s twelve worldviews is a profound aid in this effort of inner development. Significantly, it shows the dignity and merit of each way of seeing the world at the same time that it reveals the danger of exclusivism. Every worldview becomes false the moment it claims to be the whole of the world.

Albert William Levy’s Philosophy and the Modern World, a particularly expert and readable account of 20th century philosophies, summarizes our present situation well:

…philosophical movements of the recent past are to be viewed as waves of successive reform beating upon an infinite shore, with each group of partisans committed to a conception of philosophy which assure them a virtual monopoly of its legitimate practice.… And to pragmatists, logical empiricists, and linguistic analysts alike, any alternative conception of what philosophy is rests upon a tragic mistake.1

Who would dare an attempt to overcome such differences of opinion, each supported by knowledge and powerful arguments? An ideal candidate would be a teacher whose thinking is lifted by creative pedagogy and artistic imagination. Mario Betti would appear to be such a teacher. Every page of this book reveals an author who teaches thinking as a contribution to individual lives, to relationships, and to a sane society. He is invested not in scoring philosophical points but rather in helping his readers cope with intellectual confusion and conflict.

Betti succeeds in his purpose by giving a positive account of twelve worldviews. He takes as his model Goethe who held in one view both universal harmony and plurality (8). We are led to appreciate that each worldview is convincing up to a point. His treatment of Idealism, for example, invites the reader to see that all reality is, or at least emerges from, ideas, from a realm that Plato described so convincingly. But then Betti draws on Aristotle, an equally brilliant and equally influential philosopher, to show the need for a more positive account of particulars, whether moments, thoughts, or objects. Betti refers to this combination of Plato’s and Aristotle’s philosophy as Realism, the philosophy that occupies the topmost spot on the philosophical compass (more on this below).

In a similar way, the way of showing polarities, Betti makes a case for Rationalism, the philosophy of ethical order and proportion, and then shows how it virtually solicits its polar complement, the philosophy of Dynamism: structure needs process to be effective and process, in order to avoid chaos, needs structure. As an introvert needs at least a little extroversion to get through the day, and as melancholic and phlegmatic temperaments need at least a touch of choleric and sanguine temperaments, so does Psychism, a philosophy ready-made for psychology, need a little Phenomenalism, a philosophy that emphasizes the reality of external objects and events but is not sufficiently affirmative of the interior depths of the soul. “Psychism is the inner version of phenomenalism” (110). These pairs, furthermore, are not only complementary, as in two static halves that make a whole; rather, they need and benefit each other but also oppose each other—like individual and community, inner and outer, and of course, like gender. The twelve views are also like gender in that they exist not only as pairs of clearly demarcated opposites but as a spectrum with fluid boundaries, a perspective that contemporary social justice movements have made increasingly clear (134).

In addition to an emphasis on the conflict of worldviews, Betti emphasizes the importance of mutually enhancing polarities: “Each worldview is both a genuine opposite and an enhancement of its opposite” (110). By plunging downward into the domain of gravity, the Materialist worldview has produced marvels of human understanding like the periodic table of elements, just as the Spiritualist worldview has revealed its own “’levitating’ periodic table of spiritual elements”: the angelic hierarchies (151). While Materialism risks digging itself ever deeper into the sand like a crab, Spiritualism risks fleeing the Earth entirely. Such polar tensions are the engine of the evolutionary adventure that has produced all that we see around us and feel within us.

As was mentioned above, despite insisting on the equal value of each of the twelve views, Betti follows Steiner in giving pride of place to Realism. “All worldviews rest like a bud within [it],” as it is “the fundamental human outlook par excellence” (197). “Cognition,” Steiner tells us in his autobiography, “is not the depiction of intrinsic being but rather the soul living its way into this intrinsic being” (quoted by Betti on 205). In other words, an act of knowing is not an internal mental representation of an external physical world; rather, knowing is a participatory event that is immanent to the world-process itself. “If knowledge did not exist,” Steiner continues, “the world would remain incomplete” (quoted by Betti on 206). This is obviously not a naïve realism: it is a higher realization rooted in Steiner’s participatory approach to knowledge and reality. This higher or participatory Realism is a developmental culmination of the other eleven worldviews, whereby through a sort of alchemical transfiguration the distinct capacities of thinking, feeling, sensing, and willing (each emphasized by their respective worldviews) are etherialized into what Betti calls “a new earth substance” (209). In this primordial etheric life substance, Betti tells us, the opposition between spirit and matter is overcome so that human consciousness can be raised and transubstantiated by the power of the Logos-Christ.

Some readers may have trouble following Betti and Steiner at this point, as these are rather mysterious matters, to say the least. But Betti’s book succeeds at least in leading all spiritually striving individuals to the point where they are able to perceive the intrinsic value of all worldviews. At that point, it is up to each of us to discover the true integral potential of our human existence. “The whole world, apart from the human being, is an enigma,” Steiner tells us. “And the human being is its solution” (quoted in Betti on 206).

Footnote

1 Albert William Levy, Philosophy and the Modern World (Bloomington, IN: Indiana University Press, 1959), 444-45. 

 

“Our central idea is that concrete existence explains the abstract aspects of experience and not vice-versa.”
-Auxier and Herstein

“So long as necessity is taken to be the guarantor of rationality, the conception of rationality advocated will be as useless to science as it is to practical life.”
-Auxier and Herstein

Those looking for a proper review of their book should read George Lucas’ in NDPR. My thoughts are somewhat self-referential, as I am trying to sort through the intellectual earthquake unleashed within my mind as a result of reading this text.

Auxier and Herstein’s book has been on my radar for several years. I first read small sections of the unpublished manuscript in late 2016 as I was finishing my dissertation. The book was published last year by Routledge, unfortunately in highly abridged form. I just finished reading the published text in its entirety. It is nothing short of marvelous.  

Not since Isabelle Stengers’ Thinking With Whitehead: A Free and Wild Creation of Concepts (2011) has there been such a significant contribution to Whitehead studies. Some might question the extent to which Stengers’ book contributes to understanding Whitehead in his own terms. She often (I think fruitfully) reads Whitehead through a Deleuzean lens, and, more importantly for the authors of Quantum, she leans heavily on Lewis Ford’s “compositional analysis” of Whitehead’s philosophical genesis. Auxier and Herstein make many contributions to understanding Whitehead in their book, but one of the most forceful is their attempt to rebut Ford’s influential reading of Whitehead’s supposed “temporal atomism.” While Ford makes use of his theological training by applying methods of New Testament analysis to Whitehead’s texts, there discovering (or inventing?) evidence of radical breaks in his thinking during the 1920s, Auxier and Herstein argue rather convincingly for an unbroken continuity in Whitehead’s thought from his early work at Cambridge on the foundations of mathematics and logic through his philosophy of science to his work at Harvard on metaphysics and cosmology. Unlike Ford, Auxier and Herstein believe that Whitehead, in keeping with his mathematical training, published the organized results of his thinking, not the scattered pieces of its development (QE 26).

Much of their book focuses on explicating Whitehead’s non-metrical theory of extension. This is originally what drew my attention to their unpublished manuscript: my dissertation also attempts to make sense of this notoriously difficult but central feature of Whitehead’s thought. I describe his “extensive continuum” in my dissertation as a new kind of ether theory, comparing it to the ether theories of Plato (i.e., the Receptacle), Kant, Schelling, and Rudolf Steiner (see chapter 4 of my dissertation). This may seem like a stretch, but Whitehead does refer to the extensive continuum as an “ether of events” in An Enquiry Concerning the Principles of Natural Knowledge (1919) and in The Principle of Relativity (1922). He likely dropped the term in future books because of the way Einsteinian physicists ridiculed the old ether idea as akin to phlogiston, as it was made superfluous by Einstein’s special theory of relativity (despite the fact that Einstein himself claimed his general theory of relativity posited a “new ether”). But Whitehead’s novel ether theory is not the materialistic sort deployed by 19th century physicists, nor is it the relativistic sort deployed by Einstein.* Whitehead’s ether is not a physical “stuff” or space-time “fabric,” but a logical space or topological nexus allowing us to understand how self-creating actual occasions become coordinated participants in the same cosmic epoch. 

“We shall term the traditional ether an ‘ether of material’ or a ‘material ether,’ and shall employ the term ‘ether of events’ to express the assumption of this enquiry, which may be loosely stated as being ‘that something is going on everywhere and always.’ It is our purpose to express accurately the relations between these events so far as they are disclosed by our perceptual experience, and in particular to consider those relations from which the essential concepts of Time, Space, and persistent material are derived. Thus primarily we must not conceive of events as in a given Time, a given Space, and consisting of changes in given persistent material. Time, Space, and Material are adjuncts of events. On the old theory of relativity, Time and Space are relations between materials; on our theory they are relations between events” -Whitehead (Principles of Natural Knowledge 26).

The search for a proper theory of extension or spatiality was the guiding thread in all of Whitehead’s philosophizing, culminating in the infamously impenetrable Part IV of Process and Reality, wherein Whitehead invents what has since come to be called mereotopology (current applications include programming the visual systems of robots). But his magnum opus is titled Process and Reality, not Extension and Reality. Why?

In a second edition of Principles of Natural Knowledge (202), Whitehead writes:

“this book is dominated by the idea that the relation of extension has a unique preeminence and that everything can be got out of it. During the development of this theme, it gradually became evident that this is not the case…[T]he true doctrine, that ‘process’ is the fundamental idea, was not in my mind with sufficient emphasis. Extension is derivative from process, and is required by it.”

Auxier and Herstein remind students of Whitehead not to neglect his pre-Harvard “triptych” on the philosophy of science (Principles of Natural Knowledge [1919], The Principle of Relativity [1920], and The Concept of Nature [1922]) under the false assumption that he radically departs from these earlier texts in Process and Reality. All three of these books were written as a response to Einstein’s misguided identification of a preferred model of curved geometry with physical space-time (QE 30), but they carry forward physico-mathematical hypotheses that Whitehead had already been constructing for decades. Auxier and Herstein argue for the continuity of Whitehead’s thought by pointing out that already in A Treatise on Universal Algebra (1897) Whitehead was hard at work on the problem of spatiality (QE 63). I agree with them that Whitehead’s theory of extension is the golden thread linking his work in mathematics, physics, philosophy of science, cosmology, and metaphysics. There are no sharp breaks or revolutions in the story of his philosophical genesis, but there is evidence of a gradual shift in Whitehead’s thought toward an emphasis on the creative originality of process and its accretion of value over the pure possibility of extension. Yes: process requires extension to express itself. But extension, and the process of extensive abstraction by which we come to know anything about it, are functions of process. The primality of process or tension** as such over extension is part of what follows, I would think, from Auxier and Herstein’s stated radical empiricism, “that concrete existence explains the abstract aspects of experience and not vice-versa.”

My dissertation treats Whitehead’s process philosophy as a 20th century re-emergence of Schellingian Naturphilosophie. I thus treat Whitehead as a post-Kantian thinker, which is to say I read his philosophy of organism as an attempt to correct Kant’s wrong turn. Though there is little direct influence, I argue that Whitehead in effect follows Schelling by inverting the Kantian method, replacing transcendentalism with what I refer to as “descendental” philosophy. I do not believe this is the only fruitful way to interpret Whitehead’s contribution to modern philosophy, but given Auxier and Herstein’s criticisms of “habitual” readings of Whitehead as a post-Kantian (QE 35), I feel the need to defend my approach (see also pages 19-21 of my dissertation, which cites the earlier manuscript version of QE). While Whitehead does state in the first pages of Process and Reality that his philosophy of organism is a recursion to pre-Kantian modes of thought, I must disagree with Auxier and Herstein’s claim that Whitehead viewed his speculative philosophy as entirely unrelated to the Kantian project. On my reading, Whitehead explicitly and repeatedly engages with Kant’s transcendentalism throughout Process and Reality as well as other texts. I believe he did so because he recognized the significance of Kant’s Critique of Pure Reason for the pursuit of knowledge of Nature and the need to demonstrate the ways his own speculative thinking did not fall prey to transcendental illusions. It is true that “rationality” is entirely re-imagined by Whitehead in relational and radically empirical terms. His is a “critique of feeling” rather than pure Reason. Whitehead is a realist, but his realism does not ignore or recede from the challenge to knowledge of reality posed by Kant. Like Schelling, Whitehead wanted to respond to Kant, to point out and fix his errors, and to re-establish the possibility of rational cosmology, theology, and psychology on organic and aesthetic grounds. 

In addition to shedding much needed light on Whitehead’s theory of extension, Auxier and Herstein dismantle “model-centric” approaches to physics (including the standard model of gravitational cosmology), redefine naturalism in radically empiricist terms, and contribute profoundly to carrying forward Whitehead’s urgent call to secularize the concept of God’s functions in the world (see Process and Reality 207). I hope to offer further blog reflections on each of these topics in the coming weeks. 

 


* I unpack Whitehead’s processual and organic alternative to Einstein’s mechanistic relativity theory at length in Physics of the World-Soul (2018).

** see pgs. 101 and 180 of my dissertation

I’ll be teaching another short course at Schumacher College in the UK the week of April 22nd-26th, 2019.

Here’s a link if you’re interested in registering:

https://www.schumachercollege.org.uk/courses/short-courses/re-enchanting-the-cosmos

Here’s what I’ll be teaching on:

“The Evolution of Consciousness and the Cosmological Imagination”

This week-long course will trace the evolution of consciousness in the West from ancient Greece through to the present. The goal is twofold: to understand the historical process whereby humanity severed itself from a meaningful universe and to re-ignite the cosmological imagination allowing us to reconnect to the soul of the world. The course begins by exploring Plato’s cosmology and theory of participation and moves on to consider the Scientific Revolution and the Romantic reaction to it. It concludes with a study of several contemporary efforts to re-enchant the cosmos by grounding human consciousness back in the more-than-human creative process responsible for generating it. In addition to Plato, the course draws upon the archetypal astronomy of Johannes Kepler, the Naturphilosophie of Goethe and Schelling, the nature poetry of Coleridge and Wordsworth, the esoteric philosophy of Rudolf Steiner and Owen Barfield, the process philosophy of Alfred North Whitehead, and the contemporary participatory theory of Jorge Ferrer.

 

*featured image above by Jakob Boehme

My dissertation defense is on Monday morning. I’ve just finished the “pre-defense” draft. I have until April 11th to finalize the published version. Below are the abstract, table of contents, and acknowledgements. 

7ca63c7350aa457ee75c05f4d0860068


  • Jacob Sherman, PhD, Chair
    Associate Professor, Philosophy and Religion Department, California Institute of Integral Studies

 

  • Sean Kelly, PhD
    Professor, Philosophy and Religion Department, California Institute of Integral Studies

 

 

  • Frederick Amrine, PhD
    Arthur F. Thurnau Professor, German Department, University of Michigan

 

COSMOTHEANTHROPIC IMAGINATION IN THE POST-KANTIAN PROCESS PHILOSOPHY OF SCHELLING AND WHITEHEAD

Abstract

In this dissertation, I lure the process philosophies of F.W.J Schelling and A.N. Whitehead into orbit together around the transcendental philosophy of Immanuel Kant. I argue that Schelling and Whitehead’s descendental aesthetic ontology provides a way across the epistemological chasm that Kant’s critiques opened up between experience and reality. While Kant’s problematic scission between phenomena and the thing-in-itself remains an essential phase in the maturation of the human mind, it need not be the full realization of mind’s potential in relation to Nature. I contrast Schelling and Whitehead’s descendental philosophy with Kant’s transcendentalism by showing how their inverted method bridges the chasm—not by resolving the structure of reality into clear and distinct concepts—but by replanting cognition in the aesthetic processes from which it arises. Hidden at the generative root of our seemingly separate human capacities for corporeal sensation and intellectual reflection is the same universally distributed creative power underlying star formation and blooming flowers. Human consciousness is not an anomaly but is a product of the Earth and wider universe, as natural as leaves on a tree. Through a creative interweaving of their process-relational orientations, I show how the power of imagination so evident in Schelling and Whitehead’s thought can provide philosophy with genuine experiential insight into cosmos, theos, and anthropos in the aftermath of the Kantian revolution. The two—anthropos and cosmos—are perceived as one by a common sense described in this dissertation as etheric imagination. This etheric sense puts us in touch with the divine life of Nature, which the ancients personified as the ψυχὴ του κόσμου or anima mundi.

Table of Contents

Abstract iv
Acknowledgements vii
Prologue — Imagining Cosmos, Theos, and Anthropos in Post-Kantian Process Philosophy 2
Chapter 1 — Kant as Guardian of the Threshold of Imagination 9
1.1 Whitehead, Schelling, and the Aftermath of Kant 16
1.2 The Kantian Mode of Thought 24
1.2.1 Thinking 27
1.2.2 Desiring 38
1.2.3 Feeling 42
Chapter 2 — Descendental Philosophy and Aesthetic Ontology: Reimagining the Kantian Mode of Thought 55
2.1 Aesthetic Ontology and Nietzsche’s Confrontation with Nihilism 70
2.2 Aesthetic Ontology in Sallis’ Elemental Phenomenology 95
2.3 Aesthetic Ontology in Deleuze’s Transcendental Empiricism 99
Chiasmus — Schelling and Whitehead’s Descendental Aesthetic: Crossing the Kantian Threshold 111
Chapter 3 — The Inversion of Kant: From a Mechanistic to an Organic Cosmology 132
3.1 The Refutation of Kant’s “Refutation of Idealism”: From Subject-Substance Correlation to Process-Relational Creativity 150
3.2 From Geometric Conditions of Possibility to Genetic Conditions of Actuality 167
Chapter 4 — Etheric Imagination in Naturphilosophie: Toward a Physics of the World-Soul 177
4.1 Traces of the Ether in Kant’s Opus Postumum 181
4.2 Etheric Imagination in Schelling and Whitehead 192
4.3 Nature Philosophy as “Spiritual Sensation” 201
4.4 Etheric Imagination and Vegetal Metaphysics 209
Epilogue — Incarnational Process Philosophy in the Worldly Religion of Schelling, Whitehead, and Deleuze 230
References 254

Acknowledgements

Without the intellectual encouragement and personal friendships of Jake Sherman, Sean Kelly, Fred Amrine, Brian Swimme, Robert McDermott, Eric Weiss, Elizabeth Allison, and Rick Tarnas, this dissertation could not have been written. Thanks to each of them, and also to the entire community of students in the Philosophy, Cosmology, and Consciousness Program for sharing their philosophical passion and for the conversations that helped spark many of the ideas expressed in what follows. Thank you, finally, to my fiancée Becca for her inspiring imagination, for her encouragement, and for her patience as I labored over drafts of this text for so many consecutive weeks.

I’ve just submitted my dissertation proposal for review. Click on the title below for the PDF.

Etheric Imagination in Process Philosophy From Schelling and Steiner to Whitehead

I welcome suggestions, critiques, sources, and/or extensions.

Basically, I’m doing a comparative study of the philosopher Friedrich Schelling, the esotericist Rudolf Steiner, and the mathematician and cosmologist Alfred North Whitehead. In particular, I want to interpret their respective “etheric” ontologies (Schelling’s “world-soul/universal organizing principle,” Steiner’s “etheric formative forces,” and Whitehead’s “evental ether/Creativity”) as typical of the process-relational imagination.
solis6The plate above, a painting of the Philosopher’s Tree, is from Splendor Solis, an alchemical treatise published by Solomon Trismosin in 1582.

Wanted to share this before going to bed. Here are a few words about “the famous but misunderstood Dr. Rudolf Steiner” from Bellow’s Pulitzer Prize winning work of fiction Humboldt’s Gift:

It wasn’t that I minded giving information to honest scholars, or even to young people on the make, but I just then was busy, fiercely, painfully busy–personally and impersonally busy: personally, with Renata and Denise, and Murra the accountant, and the lawyers and the judge, and a multitude of emotional vexations; impersonally, participating in the life of my country and of Western Civilization and global society (a mixture of reality and figment). As editor of an important magazine, The Ark, which would probably never come out, I was always thinking of statements that must be made and truths of which the world must be reminded. The world, identified by a series of dates (1789-1914-1917-1939) and by key words (revolution, Technology, Science, and so forth), was another cause of busyness. You owed your duty to these dates and words. The whole thing was so momentous, overmastering, tragic, that in the end what I really wanted was to lie down and go to sleep. I have always had an exceptional gift for passing out. I look at snapshots taken in some of the most evil hours of mankind and I see that I have lots of hair and am appealingly youthful. I am wearing an ill-fitting double-breasted suit of the Thirties or Forties, smoking a pipe, standing under a tree, holding hands with a plump and pretty bimbo – and I am asleep on my feet, out cold. I have snoozed through many a crisis (while millions died).            This is all terrifically relevant. For one thing, I may as well admit that I came back to settle in Chicago with the secret motive of writing a significant work. This lethargy of mine is related to that project–I got the idea of doing something with the chronic war between sleep and consciousness that goes on in human nature. My subject, in the final Eisenhower years, was boredom. Chicago was the ideal place in which to write my master essay on Boredom. In raw Chicago you could examine the human spirit under industrialism. If someone were to arise with a new vision of Faith, Love, and Hope, he would want to understand to whom he was offering it–he would have to understand the kind of deep suffering we call boredom. I was going to try to do with boredom what Malthus and Adam Smith and John Stuart Mill or Durkheim had done with population, wealth, or the division of labor. History and temperament had put me in a peculiar position, and I was going to turn it to advantage. I hadn’t read those great modern boredom experts, Stendhal, Kierkegaard, and Baudelaire, for nothing. Over the years I had worked a lot on this essay. The difficulty was that I kept being over come by the material, like a miner by gas fumes. I wouldn’t stop, though. I’d say to myself that even Rip van Winkle had slept for only twenty years, I had gone him at least two decades better and I was determined to make the lost time yield illumination. So I kept doing advanced mental work in Chicago, and also joined a gymnasium, playing ball with commodity brokers and gentleman-hoodlums in an effort to strengthen the powers of consciousness. Then my respected friend Durnwald mentioned, kiddingly, that the famous but misunderstood Dr. Rudolf Steiner had much to say on the deeper aspects of sleep. Steiner’s books, which I began to read lying down, made me want to get up. He argued that between the conception of an act and its execution by the will there fell a gap of sleep. It might be brief but it was deep. For one of man’s souls was a sleep-soul. In this, human beings resembled the plants, whose whole existence is sleep. This made a very deep impression on me. The truth about sleep could only be seen from the perspective of an immortal spirit. I had never doubted that I had such a thing. But I had set this fact aside quite early.            I kept it under my hat. These beliefs under your hat also press on your brain and sink you down into the vegetable realm. Even now, to a man of culture like Durnwald, I hesitated to mention the spirit. He took no stock in Steiner, of course. Durnwald was reddish, elderly but powerful, thickset and bald, a bachelor of cranky habits but a kind man. He had a peremptory blunt butting even bullying manner, but if he scolded it was because he loved me–he wouldn’t have bothered otherwise. A great scholar, one of the most learned people on earth, he was a rationalist. Not narrowly rationalistic, by any means. Nevertheless, I couldn’t talk to him about the powers of a spirit separated from a body. He wouldn’t hear of it. He had simply been joking about Steiner. I was not joking, but I didn’t want to be thought a crank. I had begun to think a lot about the immortal spirit. Still, night after night, I kept dreaming that I had become the best player in the club, a racquet demon, that my backhand shot skimmed the left wall of the court and fell dead in the corner, it had so much English on it. I dreamed that I was beating all the best players–all those skinny, hairy, speedy fellows who in reality avoided playing with me because I was a dud. I was badly disappointed by the shallow interests such dreams betrayed. Even my dreams were asleep. And what about money? Money is necessary for the protection of the sleeping. Spending drives you into wakefulness. As you purge the inner film from the eye and rise into higher consciousness, less money should be required.            Under the circumstances (and it should now be clearer what I mean by circumstances: Renata, Denise, children, courts, lawyers, Wall Street, sleep, death, metaphysics, karma, the presence of the universe in us, our being present in the universe itself) I had not paused to think about Humboldt, a precious friend hid in death’s dateless night, a camerado from a former existence (almost), well-beloved but dead. I imagined at times that I might see him in the life to come, together with my mother and my father…hough I was about to leave town and had much business to attend to, I decided to suspend all practical activities for one morning. I did this to keep from cracking under strain. I had been practicing some of the meditative exercises recommended by Rudolf Steiner in Knowledge of the Higher Worlds and Its Attainment. As yet I hadn’t attained much, but then my soul was well along in years and very much stained and banged up, and I had to be patient. Characteristically, I had been trying too hard, and I remembered again that wonderful piece of advice given by a French thinker: Trouve avant de cher-cher – Valery, it was. Or maybe Picasso. There are times when the most practical thing is to lie down. …

Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death.            There were even profounder questions. For instance, the history of the universe would be very boring if one tried to think of it in the ordinary way of human experience.            All that time without events! Gases over and over again, and heat and particles of matter, the sun tides and winds, again this creeping development, bits added to bits, chemical accidents–whole ages in which almost nothing happens, lifeless seas, only a few crystals, a few protein compounds developing. The tardiness of evolution is so irritating to contemplate. The clumsy mistakes you see in museum fossils. How could such bones crawl, walk, run? It is agony to think of the groping of the species–all this fumbling, swamp-creeping, munching, preying, and reproduction, the boring slowness with which tissues, organs, and members developed.            And then the boredom also of the emergence of the higher types and finally of mankind, the dull life of paleolithic forests, the long long incubation of intelligence, the slowness of invention, the idiocy of peasant ages. These are interesting only in review, in thought. No one could bear to experience this.            The present demand is for a quick forward movement, for a summary, for life at the speed of intensest thought.            As we approach, through technology, the phase of instantaneous realization, of the realization of eternal human desires or fantasies, of abolishing time and space the problem of boredom can only become more intense. The human being, more and more oppressed by the peculiar terms of his existence – one time around for each, no more than a single life per customer–has to think of the boredom of death. O those eternities of nonexistence! For people who crave continual interest and diversity, O! how boring death will be! To lie in the grave, in one place, how frightful!            Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves.            On this obligation they don’t always make good.            However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive.            By this is implied that our world-view has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects.            They, however, are not necessarily in themselves objects as modern rationality defines objects.            For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever–by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of non-caring lies upon this painfully free consciousness.            It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.”

Maybe these sudden illuminations of mine were an effect of the metaphysical changes I was undergoing. Under the recent influence of Steiner I seldom thought of death in the horrendous old way.            I wasn’t experiencing the suffocating grave or dreading an eternity of boredom, nowadays.            Instead I often felt unusually light and swift-paced, as if I were on a weightless bicycle and sprinting through the star world. Occasionally I saw myself with exhilarating objectivity, literally as an object among objects in the physical universe. One day that object would cease to move and when the body collapsed the soul would simply remove itself. So, to speak again of the lawyers, I stood between them, and there we were, three naked egos, three creatures belonging to the lower grade of modern rationality and calculation. In the past the self had had garments, the garments of station, of nobility or inferiority, and each self had its carriage, its looks, wore the sheath appropriate to it. Now there were no sheaths and it was naked self with naked self burning intolerably and causing terror. I saw this now, in a fit of objectivity. It felt ecstatic.

I had no book to read, I took this opportunity to meditate briefly. The object I chose for meditation was a bush covered with roses. I often summoned up this bush, but sometimes it made its appearance independently. It was filled, it was dense, it was choked with tiny dark garnet roses and fresh healthy leaves. So for the moment I thought “rose,” “rose” and nothing else. I visualized the twigs, the roots, the harsh fuzz of the new growth hardening into spikes, plus all the botany I could remember: phloem xylem cambium chloroplasts soil sun water chemistry, attempting to project myself into the very plant and to think how its green blood produced a red flower. Ah, but new growth in rosebushes was always red before it turned green. I recalled very accurately the inset spiral order of rose petals, the whitey faint bloom over the red and the slow opening that revealed the germinating center. I concentrated all the faculties of my soul on this vision and immersed it in the flowers. Then I saw, next to these flowers, a human figure standing. The plant, said Rudolf Steiner, expressed the pure passionless laws of growth, but the human being, aiming at higher perfection, assumed a greater burden–instincts, desires, emotions. So a bush was a sleeping life. But mankind took a chance on the passions. The wager was that the higher powers of the soul could cleanse these passions. Cleansed, they could be reborn in a finer form. The red of the blood was a symbol of this cleansing process. But even if all this wasn’t so, to consider the roses always put me into a kind of bliss.            After a while I contemplated something else. I visualized an old black iron Chicago lamp post from forty years back, the type with a lid like a bullfighter’s hat or a cymbal. Now it was night, there was a blizzard. I was a young boy and I watched from my bedroom window. It was a winter gale, the wind and snow banged the iron lamp, and the roses rotated under the light. Steiner recommended the contemplation of a cross wreathed with roses but for reasons of perhaps Jewish origin I preferred a lamp post. The object didn’t matter as long as you went out of the sensible world. When you got out of the sensible world, you might feel parts of the soul awakening that never had been awake before.

Whenever Thaxter and I met we had at least one intimate conversation. I spoke freely to him and let myself go. In spite of his eccentric nonsense, and my own, there was a bond between us. I was able to talk to Thaxter. At times I told myself that talking to him was as good for me as psychoanalysis. Over the years, the cost had been about the same. Thaxter could elicit what I was really thinking. A more serious learned friend like Richard Durnwald would not listen when I tried to discuss the ideas of Rudolf Steiner.            “Nonsense!” he said. “Simply nonsense!            I’ve looked into that.” In the learned world anthroposophy was not respectable. Durnwald dismissed the subject sharply because he wished to protect his esteem for me. But Thaxter said, “What is this Consciousness Soul, and how do you explain the theory that our bones are crystallized out of the cosmos itself?”

A lover in the lockup gave Renata a classic floozy opportunity for free behavior. Because of my habit of elevating such mean considerations to the theoretical level it will surprise no one that I started to think about the lawlessness of the unconscious and its independence from the rules of conduct. But it was only antinomian, not free.            According to Steiner, true freedom lived in pure consciousness. Each microcosm had been separated from the macrocosm. In the arbitrary division between Subject and Object the world had been lost. The zero self sought diversion. It became an actor. This was the situation of the Consciousness Soul as I interpreted it. But there now passed through me a qualm of dissatisfaction with Rudolf Steiner himself.            This went back to an uncomfortable passage in Kafka’s Diaries pointed out to me by my friend Durnwald, who felt that I was still capable of doing serious intellectual work and wanted to save me from anthroposophy. Kafka too had been attracted by Steiner’s visions and found the clairvoyant states he described similar to his own, feeling himself on the outer boundaries of the human. He made an appointment with Steiner at the Victoria Hotel on Jungmannstrasse. It is recorded in the Diaries that Steiner was wearing a dusty and spotted Prince Albert and that he had a terrible head cold. His nose ran and he kept working his handkerchief deep into his nostrils with his fingers while Kafka, observing this with disgust, told Steiner that he was an artist stuck in the insurance business.            Health and character, he said, prevented him from following a literary career. If he added theosophy to literature and the insurance business, what would become of him? Steiner’s answer is not recorded.            Kafka himself of course was crammed to the top with this same despairing fastidious mocking Consciousness Soul. Poor fellow, the way he stated his case didn’t do him much credit. The man of genius trapped in the insurance business? A very banal complaint, not really much better than a head cold.            Humboldt would have agreed. We used to talk about Kafka and I knew his views. But now Kafka and Steiner and Humboldt were together in death where, presently, all the folk in Stronson’s office would join them. Reappearing, perhaps, centuries hence in a more sparkling world. It wouldn’t have to sparkle much to sparkle more than this one. Nevertheless, Kafka’s description of Steiner upset me.

the view, if you cared for views, was remarkable. I was very good myself at putting other people on to views for the purpose of absenting myself. Below, Fifth Avenue glowed with Christmas decorations and the headlights of the jammed traffic, solid between the Seventies and the Thirties, and shop illuminations, multicolored, crystalline, and like the cells in a capillary observed through a microscope, elastically changing shape, bumping and pulsatory. All this I saw in a single instant. I was like a deft girl, scooping all the jacks before the ball bounced back. It was as it had been with Renata last spring when we took the train to Chartres, “Isn’t that beautiful out there!” she had said. I looked and yes, it was indeed beautiful. No more than a glance was necessary. You saved yourself a lot of time that way. The question was what you were going to do with the minutes gained by these economies.            This, I may say, was all due to the operation of what Steiner describes as the Consciousness Soul.

“Trying to keep up with your interests,” said Thaxter, “I’ve been reading your man Rudolf Steiner, and he’s fascinating. I expected something like Madame Blavatsky, but he turns out to be a very rational kind of mystic. What’s his angle on Goethe?”            “Don’t start that, Thaxter,” said Renata.            But I needed a serious conversation. I longed for it. “It isn’t mysticism,” I said. “Goethe simply wouldn’t stop at the boundaries drawn by the inductive method. He let his imagination pass over into objects. An artist sometimes tries to see how close he can come to being a river or a star, playing at becoming one or the other–entering into the forms of the phenomena painted or described. Someone has even written of an astronomer keeping droves of stars, the cattle of his mind, in the meadows of space. The imaginative soul works in that way, and why should poetry refuse to be knowledge? For Shelley, Adonais in death became part of the loveliness he had made more lovely. So according to Goethe the blue of the sky was the theory. There was a thought in blue. The blue became blue when human vision received it. A wonderful man like my late friend Humboldt was overawed by rational orthodoxy, and because he was a poet this probably cost him his life. Isn’t it enough to be a poor naked forked creature without also being a poor naked forked spirit? Must the imagination be asked to give up its own full and free connection with the universe–the universe as Goethe spoke of it? As the living garment of God? And today I found out that Humboldt really believed that human beings were supernatural beings. He too!”            “There he goes,” said Renata. “What did you want to start him spouting for?”            “Thought is a real constituent of being,” I tried to continue.            “Charlie! Not now,” said Renata.            Thaxter who was normally polite to Renata spoke stiffly to her when she barged into these higher conversations. He said, “I take a real interest in the way Charles’s mind works.” He was smoking his pipe, his mouth drawn wide and dark, under the big Western brim.            “Try living with it,” said Renata. “Charlie’s kinky theorizing puts together combinations nobody else could imagine, like the way the US Congress does its business, with Immanuel Kant, Russian Gulag camps, stamp collecting, famine in India, love and sleep and death and poetry. The less said about the way his mind works, the better. But if you do have to be a guru, Charlie, go the whole distance–wear a silk gown, get a turban, grow a beard. You’d make a hell of a good-looking spiritual leader with a beard and those paisley nostrils of yours. I’d dress up with you, and we’d be a smash. The way you carry on and for free! I sometimes have to pinch myself. I think I’ve taken fifty Valiums and am hearing things.”            “People of powerful intellect never are quite sure whether or not it’s all a dream.”            “Well, people who don’t know whether they’re awake or dreaming don’t necessarily have that powerful intellect,” Renata answered. “My theory is that you’re punishing me with this anthroposophy. You know what I mean. That blonde runt introduced you to her dad, and since then it’s all been really spooky.” “I wish you’d finish what you started to say,”            Thaxter turned again to me.            “It comes to this, that the individual has no way to prove out what’s in his heart–I mean the love, the hungering for the external world, the swelling excitement over beauty for which there are no acceptable terms of knowledge. True knowledge is supposed to be a monopoly of the scientific world view. But human beings have all sorts of knowledge. They don’t have to apply for the right to love the world. But to see what goes on in this respect, take the career of someone like Von Humboldt Fleisher?            “Ah, that guy again,” said Renata.            “Is it true that as big-time knowledge advances poetry must drop behind, that the imaginative mode of thought belongs to the childhood of the race? A boy like Humboldt, full of heart and imagination, going to the public library and finding books, leading a charmed life bounded by lovely horizons, reading old masterpieces in which human life has its full value, filling himself with Shakespeare, where there is plenty of significant space around each human being, where words mean what they say, and looks and gestures also are entirely meaningful. Ah, that harmony and sweetness, that art! But there it ends. The significant space dwindles and disappears. The boy enters the world and learns its filthy cutthroat tricks, the enchantment stops. But is it the world that is disenchanted?”            “No,” said Renata. “I know the answer to that one.”            “It’s rather our minds that have allowed themselves to be convinced that there is no imaginative power to connect every individual to the creation independently.”            It occurred to me suddenly that Thaxter in his home-on-the-range outfit might as well have been in church and that I was behaving like his minister. This was not a Sunday, but I was in my Palm Court pulpit. As for Renata, smiling–her dark eyes, red mouth, white teeth, smooth throat-though she interrupted and heckled during these sermons she got a kick out of the way I delivered them. I knew her theory well. Whatever was said, whatever was done, either increased or diminished erotic satisfaction, and this was her practical test for any idea. Did it produce a bigger bang? “We could have been at the Scala tonight,” she said, “and part of a brilliant audience hearing Rossini. Instead, do you know what we were doing today, Thaxter? We went out to Coney Island so Charlie could collect his inheritance from his dear dead old pal Humboldt Fleisher. It’s been Humboldt, Humboldt, Humboldt, like “Figaro, Figaro.” Humboldt’s eighty-year-old uncle gave Charlie a bunch of papers, and Charlie read ’em and wept. Well, for a month now I’ve heard nothing but Humboldt and death and sleep and metaphysics and how the poet is the arbiter of the diverse and Walt Whitman and Emerson and Plato and the World Historical Individual. Charlie is like Lydia the Tattooed Lady, covered with information. You remember that song, “You Can Learn a Lot from Lydia”?”

Now Renata was, as a biologically noble beauty, in a false category–Goya’s Maja smoking a cigar, or Wallace Stevens’ fretful Concubine who whispered “Pfui!” That is she wished to defy and outsmart the category to which she was assigned by common opinion. But with this she also collaborated. And if there is one historical assignment for us it is to break with false categories. Vacate the personae. I once suggested to her, “A woman like you can be called a dumb broad only if Being and Knowledge are entirely separate. But if Being is also a form of Knowledge, one’s own Being is one’s own accomplishment in some degree…?            “Then I’m not a dumb broad after all. I can’t be, if I’m so beautiful. That’s super!            You’ve always been kind to me, Charlie.”            “Because I really love you, kid.”            Then she wept a little because, sexually, she was not all that she was cracked up to be. She had her hang-ups. Sometimes she accused herself wildly, crying, “The truth! I’m a phony! I like it better under the table.” I told her not to exaggerate.            I explained to her that the Ego had emancipated itself from the Sun and it must undergo the pain of this emancipation (steiner). The modern sexual ideology could never counteract this. Programs of uninhibited natural joy could never free us from the universal tyranny of selfbood. Flesh and blood never could live up to such billing. And so on.

…I devoted long hours to Steiner meditation and did my best to draw close to the dead. I had very strong feelings about this and could no longer neglect the possibility of communication with them. Ordinary spiritualism I dismissed. My postulate was that there was a core of the eternal in every human being. Had this been a mental or logical problem I would have dealt logically with it. However, it was no such thing. What I had to deal with was a lifelong intimation. This intimation must be either a tenacious illusion or else the truth deeplyburied. The mental respectability of good members of educated society was something I had come to despise with all my heart. I admit that I was sustained by contempt whenever the esoteric texts made me uneasy. For there were passages in Steiner that set my teeth on edge. I said to myself, this is lunacy. Then I said, this is poetry, a great vision. But I went on with it, laying out all that he told us of the life of the soul after death. Besides, did it matter what I did with myself? Elderly, heart-injured, meditating in kitchen odors, wearing Renata’s cloak in the biffy–should it concern anyone what such a person did with himself? The strangeness of life, the more you resisted it, the harder it bore down on you. The more the mind opposed the sense of strangeness, the more distortions it produced. What if, for once, one were to yield to it? Moreover I was convinced that there was nothing in the material world to account for the more delicate desires and perceptions of human beings. I concurred with the dying Bergotte in Proust’s novel. There was no basis in common experience for the Good, the True, and the Beautiful. And I was too queerly haughty to take stock in the respectable empiricism in which I had been educated. Too many fools subscribed to it. Besides, people were not really surprised when you spoke to them about the soul and the spirit.            How odd! No one was surprised. Sophisticated people were the only ones who expressed surprise.            Perhaps the fact that I had learned to stand apart from my own frailties and the absurdities of my character might mean that I was a little dead myself. This detachment was a sobering kind of experience. I thought sometimes how much it must sober the dead to pass through the bitter gates.            No more eating, bleeding, breathing. Without the pride of physical existence the shocked soul would surely become more sensible.            It was my understanding that the untutored dead blundered and suffered in their ignorance. In the first stages especially, the soul, passionately attached to its body, stained with earth, suddenly severed, felt cravings much as amputees feel their missing legs. The newly dead saw from end to end all that had happened to them, the whole of lamentable life. They burned with pain. The children, the dead children especially, could not leave their living but stayed invisibly close to those they loved and wept. For these children we needed rituals – something for the kids, for God’s sake!            The elder dead were better prepared and came and went more wisely. The departed worked in the unconscious part of each living soul and some of our highest designs were very possibly instilled by them. The Old Testament commanded us to have no business with the dead at all and this was, the teachings said, because in its first phase, the soul entered a sphere of passionate feeling after death, of something resembling a state of blood and nerves.

I realized I posted the same section twice last week, so here is the real historical and overview section of my dissertation proposal.

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This dissertation examines the metaphysics of imagination in the process philosophies of Schelling and Whitehead through the hermeneutical lens of a certain stream of Western esotericism. In describing the process-philosophical imagination as etheric, I aim in particular to cross-fertilize the process tradition with 20th century esotericist Rudolf Steiner’s conception of the Ätherleib, or ether body. The concept of an ether body did not originate with Steiner, but he provides an example of a modern hermetic practitioner whose knowledge of natural science and deep familiarity with the esoteric history of philosophy, particularly German Idealism, make him among the best possible candidates for such a comparative project. The exact origins of the Western esoteric tradition are notoriously difficult to trace. According to The Catholic Encyclopedia, esotericism’s beginnings “have long been a matter of controversy and are still largely a subject of research. The more these origins are studied, the farther they seem to recede in the past.”5 In her groundbreaking study of Renaissance hermeticism, Francis Yates argued that it was Issaac Casaubon’s post-Christian dating of hermetic texts supposed by Renaissance magi like Ficino to predate Moses that definitively “shattered at one blow” the entire conceptual edifice of the esoteric prisci theologi.6 In contrast to Yates, Garth Fowden makes the case that these early hermetic texts are more continuous with the Egyptian alchemical tradition than Casaubon realized.7 The question of the origin of any tradition is inherently controversial. The true source of the hermetic tradition is especially contested due in no small part to its penchant for religious hybridization. Rather than try to stake out a position in this controversy, my research into the weird family of esoteric traditions will proceed without any assumption of purity. Steiner is foregrounded only because of his familiarity with Schelling and modern science, not because his Anthroposophy is somehow the most “authentic” expression of esotericism.

In his introduction to The Hermetic Deleuze (2012), Joshua Ramey laments the “general academic-philosophical prejudice” against esotericism, suggesting that this prejudice “constitutes a symptomatic repression of the complexity of both the history of modern philosophy and the stakes of contemporary culture.”8 Ramey’s more pessimistic attitude is tempered by S. J. McGrath, who in the introduction to The Dark Ground of Spirit: Schelling and the Unconscious (2012) suggests that esotericism “is gaining respect in non-foundationalist academic circles” due largely to “the postmodern absence of authoritative arguments for continuing to exclude whole genres of Western literature from more canonically respectable studies in religion and philosophy.”9

Like the esoteric traditions, the process tradition has also found itself on the margins of the Western philosophical canon, and is only more recently being creatively retrieved by a number of academics across multiple disciplines. Most standard readings of the history of modern philosophy consider Schelling to be a mere stepping-stone between Fichte’s subjective and Hegel’s absolute idealism. Though usually characterized along with them as an “idealist” himself, I will follow thinkers like Iain Hamilton Grant10 and Arran Gare11 by situating Schelling within the process tradition as a thinker primarily of nature (be it human, divine, or cosmic nature).

Contemporary Schelling scholar Jason Wirth finds it regrettable that “many have long thought that we are done with Schelling, that he is a ‘dead dog.’”12 It seems that the only respectable academic tasks remaining are to “[dissect] the corpus of Schelling into its various periods and phases,…expose inconsistencies in his thinking, attach various isms to his arguments, [and/or to] situate him in some narrative within the history of philosophy.”13 More recently, however, due in some part to Wirth’s and Grant’s efforts, this sentiment seems to be shifting; as Wirth writes, “after more than a century and a half of neglect, Schelling’s time has come.”14 One of the principle reasons for this emerging Schelling renaissance, I’ll argue, is the relevance of his process-oriented Naturphilosophie to the task of re-thinking the relationship between humanity and earth in light of the planetary ecological crisis.

The longstanding neglect of Schelling, especially in the Anglo-American academy, has not been without reason. There is indeed something strange and extravagant, even occult, about Schelling’s thought, at least when judged from within the intellectual strictures of modern academic philosophy. However, the severity of the ecological crisis has brought many of the foundational assumptions of modern philosophy into doubt,15 opening the way for a reconsideration not only of Schelling’s conception of an ensouled cosmos, but of a whole swathe of previously marginalized esoteric philosophical literature. Schelling’s approach to philosophy was deeply influenced by the theosophy of Jakob Böhme, Friedrich Christoph Oetinger, Philipp Matthäus Hahn, and Franz von Baader, which makes the cross-fertilization of the process and esoteric traditions sought in my dissertation all the more appropriate.

Though somewhat influential among American theologians during the later half of the 20th century, until quite recently Whitehead, like Schelling, has been neglected by academic philosophers. According to Michel Weber and Anderson Weekes, this neglect is largely the fault of Whiteheadians themselves, whose almost total focus on scholastic textual exegesis and lack of interdisciplinary outreach has threatened Whitehead’s ideas with extinction by creating the perception that they are only available “in fossil form.”16 Weber and Weekes’ negative assessment of the last half-century of Whitehead scholarship may be somewhat overstated, especially considering the many examples of interdisciplinary engagement in the work of Whiteheadian theologians like Charles Hartshorne, John Cobb, and David Ray Griffin. Though there may have been an element of “scholasticism” that assumed the superior capacity of Whitehead’s technical system to conduct and translate interdisciplinary disagreement, the more probable reason for process philosophy’s academic marginalization is the fact that it conceives of nature as enchanted and takes notions like panpsychism and the existence of an encosmic divinity seriously.

Whether or not Weber and Weekes’ have overstated the insularity of the first wave of Whitehead scholarship, they represent part of a second wave of outsiders who are, as they put it, “storming the museum.”17 Another second wave Whiteheadian, Isabelle Stengers, argues that the Whiteheadian palette is currently being greatly enriched “by practitioners from the most diverse horizons, from ecology to feminism, practices that unite political struggle and spirituality with the sciences of education…in a singularly lively and tenacious way.”18 Rather than approaching Schelling and Whitehead as a museum curator, my dissertation will aim to breathe new life into their thought, to think with them towards a more imaginative philosophy of mind and of nature enriched by the speculative resources of esoteric wisdom.

According to McGrath, though the esoteric schools represent a diverse set of theories and practices, they are nonetheless “united by a common enemy: the desacralization of nature (material nature, human nature, cosmological nature) by techno-science and capitalist consumerism.”19 He argues that critiques of esotericism as “regressive,” “anti-modern,” and “anti-scientific” are misguided. Although esotericism shares modernity’s “impulse toward human amelioration through science,” it seeks this amelioration through an alternative conception of the human-cosmos relation: “Western esoteric nature-philosophy refuses to follow mainstream natural science and split mind from matter, spirit from animal, finite from infinite…Esoteric modernity is a road not taken in the history of science…a modern approach to nature which was openly rejected in the seventeenth century because it did not grant us the calculative control which techno-science demanded of the Western mind.”20 One of the major goals of this dissertation is to show that, along with Western esotericism, process philosophy also contains the seeds of an alternative conception of modernity no longer bent on the domination of human and earthly nature by alienated modes of theoretical and practical rationality. Both the esoteric and process traditions provide philosophy with a new way of seeing the universe–a way of seeing (i.e., the etheric imagination) which in turn may provide humanity with a new way of living in concert with the wider community of life on earth.

Imagination itself has had a rather tense, even tumultuous, relationship to philosophy going all the way back to Plato, who infamously denied poets entry to his ideal city.21 For many philosophers in the modern Western tradition, its ineffable, largely non-rational and often erotically charged powers were considered deeply suspect, both for epistemological and for ethical reasons–even when imagination played a central role in their own philosophical systems! For example, as Alexander Schlutz argues, even though Descartes “forcefully excludes imagination from his conception of the cogito,”22 he nonetheless draws upon its poetic powers repeatedly in his physical speculations, and even admits during his autobiographical narration in Discourse on the Method (1637) that “doubt itself…is a product of imagination.”23 Similarly, though Kant affirms imagination as an “indispensable function of the human soul,” he also denigrates it as “a potential source of madness, delusion, and mental derangement.”24 I will revisit the paradox of this “double gesturing” by the major figures in the history of philosophy throughout my dissertation, connecting it to the polar, oscillatory dynamism so characteristic of imagination. I will attempt to articulate a less ambiguous, esoterically-inflected approach to the philosophical imagination that is responsive to the challenges made evident by these major figures.

Footnotes

5 The Catholic Encyclopedia, Volume IV: Esotericism and Gnosticism.

6 Yates, Giordano Bruno and the Hermetic Tradition (1964), 400.

7 Fowden, The Egyptian Hermes: A Historical Approach to the Late Pagan Mind (1986), 34-35.

8 Ramey, The Hermetic Deleuze, 6-8.

9 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 21.

10 Philosophies of Nature after Schelling (2006).

11 “From Kant to Schelling to Process Metaphysics: On the Way to Ecological Civilization” in Cosmos and History: The Journal of Natural and Social Philosophy, vol. 7, no. 2, 2011.

12 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1. Wirth here employs the philosopher Gotthold Ephraim Lessing’s epithet originally coined as a reference to Spinoza, a controversial figure in Germany at the turn of the 19th century, as well as a major influence on Schelling.

13 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1-2.

14 Wirth, ed., Schelling Now: Contemporary Readings (2005), 9.

15 Schelling was ahead of his time in this respect, writing in 1809 that “The entire new European philosophy since its beginning (with Descartes) has the common defect that nature is not available for it and that it lacks a living ground” (Philosophical Investigations into the Essence of Human Freedom, 26).

16 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.

17 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.

18 Stengers, Thinking With Whitehead: A Free and Wild Creation of Concepts (2011), 6.

19 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.

20 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.

21 Though of course, Plato’s relationship to imagination and poetry is not so cut and dry. He may have banished the poets from his Republic, but he himself was one of the most imaginative and poetic writers in the history of letters.

22 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.

23 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 77.

24 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.

The following is the “theoretical perspectives” section of my dissertation. It introduces the ether concept I am attempting to imaginally construct with the help of Schelling, Steiner, and Whitehead.

……………………………………..

This dissertation argues that philosophical thinking, to eclipse the dualistic dogmas of today’s commonsense, must ally itself with the creative power of the etheric imagination. Why? Because every author is a poet, and to the extent that a philosopher grasps his tongue to speak or his pen to write, he becomes author and artist rather than simply reader or representer of Nature. The universe is not inertly given for representation: Nature, too, participates in varying degrees of animation and I-ness. The processual, or etheric, imagination approaches the task of philosophy primarily as a work of artistic interpretation of Nature’s inner life. Art, as Schelling puts it, becomes “at once the only true and eternal organ and document of philosophy,” while “through the world of sense [Nature], there glimmers, as if through words the meaning, as if through dissolving mists the land of phantasy, of which [the philosopher is] in search.”25 Or as Steiner puts it, the philosopher’s artistic interpretation of Nature “appears as the herald of that lawfulness that the poet has grasped by listening to the world spirit within the depths of nature’s working. At this level, art becomes the interpreter of the mysteries of the world just as science is also, in a different sense.”26 Unlike the poet, who is all artist, the philosopher is also a scientist. The philosopher not only creates art, he discovers nature; he not only inscribes acts of mind, he reads facts of nature.

In describing the power of imagination in the work of Schelling and Whitehead as etheric, I aim not only to cross-fertilize the process tradition with Rudolf Steiner’s esoteric conception of the Ätherleib, or ether body, but to creatively retrieve Schelling and Whitehead’s own cosmological ether theories.

Schelling shared the cosmological ether theory with most of his scientific contemporaries.27 He identified the infinite elasticity of the ether with the original polarity of forces animating both the one soul of the universe and the many souls within it.28 For Schelling, the ether is not just a scientific hypothesis about the natural world, it is the speculative philosophical postulate required to justify the pursuit of scientific knowledge of the physical world in the first place. If there were no organic unity to nature–if nature were not a self-organizing whole, but just a random assemblage of externally related parts–then we could never learn anything by way of natural scientific investigation. Schelling’s ether postulate secures the possibility of natural science by engendering a Naturphilosophie powered by etheric imagination, whereby the spiritual ether “in me” finds its point of indifference with the natural ether “out there.”29 Or as Schelling himself put it, “What in us knows is the same as what is known.”30

The ether remained the foundation of science’s understanding of electromagnetic phenomena until Einstein dismissed it as “an unnecessary burden on space” in 1905.31 In 1919, Whitehead began articulating a cosmological ether theory as a direct response to Einstein’s replacement of the traditional “material ether” with a pre-given “space-time fabric.” In place of Einstein’s static ontology of space-time “tubes” pieced together out of static material instants, Whitehead constructed an “ether of events” on the basis of his own novel process ontology.32 “We must not conceive of events as in a given Time, a given Space, and consisting of changes in given persistent material,” writes Whitehead, because “Time, Space, and Material are adjuncts of events.”33 “On the old theory of relativity,” he continues, “Time and Space are relations between materials; on our theory they are relations between events.”34 Whitehead’s evental ether is not the undetectable “shy ether behind the veil” thought to exist by 19th century physicists; rather, “the ether is exactly the apparent world, neither more nor less.”35 The ether, in other words, is that which gives experiential coherence and causal continuity to “the whole complex of events” constituting the universe.36 For Whitehead, as for Schelling, the ether is no mere scientific hypothesis about the mind-independent external world. Rather, it is a metaphysical principle constructed precisely to avoid “this unfortunate bifurcation” between subjective mind and objective nature by “[construing] our knowledge of the apparent world as being an individual experience of something which is more than personal.”37 “Nature,” Whitehead continues, “is thus a totality including individual experiences, so that we must reject the distinction between nature as it really is and experiences of it which are purely psychological. Our experiences of the apparent world are nature itself.”38

As for the esoteric conception of an ether body, although it did not originate with Steiner, he provides an example of a 20th century hermetic practitioner whose knowledge of modern science, not to mention his deep familiarity with German Idealist philosophy, make him among the best possible candidates for the type of comparative project I am attempting. Steiner, like Schelling and Whitehead, explicitly distinguishes his own use of the concept from the “hypothetical ether of the physicist.”39 The ether body is therefore not best imagined as an invisible gaseous substance floating around the physical body of an organism. To imagine the ether as an extended, three-dimensional body–even if a “subtle” body–is only to fashion an idol, to reflect upon a finished product instead of intuiting the creative process responsible for generating that product. An organism’s Ätherleib is then better imagined as a continually self-generating four-dimensional vortex of Ätherkräfte, or etheric forces. These forces are the non-spatial form-generating and form-remembering “agent-patients” of cosmic evolution.40 They are perceivable only to a self-cultivated (i.e., not innate or given by the birth of the physical body) etheric organ of affective thinking/intuitive intellection: the etheric imagination. The etheric imagination is not generated by the brain, but is rather the conscious expression of an otherwise unconscious morphogenic process that is itself responsible for generating the physical brain and body.41 As a four-dimensional process, the activity of the Ätherkräfte that both generates the body and rises to consciousness as the etheric imagination is best pictured, if it must be pictured at all, as an undulating torus fluidly turning itself inside-out to leave the living organism in its wake.

Picturing the activity of the etheric forces is ultimately impossible (since pictures are derived from sense experience of extended bodies), but the toroidal image seems to me better than imaging some kind of gaseous cloud floating around and guiding an otherwise mechanical physical body.

According to Steiner, “We can only find nature outside us if we first know her within us. What is akin to her within us will be our guide.”42 This statement is nearly identical to those of Schelling and Whitehead above. “So long as I myself am identical with Nature,” says Schelling, “I understand what a living nature is as well as I understand my own life.”43 “As soon, however, as I separate myself, and with me everything ideal from nature,” he continues, “nothing remains to me but a dead object, and I cease to comprehend how a life outside me can be possible.”44 As we’ve seen, Whitehead similarly argues that understanding the life of the actual occasions of nature requires first becoming conscious of, and then imaginatively generalizing the etheric structure-dynamic underlying our own conscious experience too all the individualities of nature. Such generalization allows for the creation of an experiential category applicable to the etheric dimension of any actual occasion.45 Only the etheric imagination can intuit the formative forces flowing through the natural world behind or within its outward sensory surfaces. Such an imaginative thinking represents the individual’s discovery within themselves of the etheric forces of natura naturans, the inner dimension of nature that is always in dynamic motion, sloughing off external nature (natura naturata) like a snake shedding its skin. “Nature alive,” as Whitehead called it,46 never sits still long enough to be caught in the conceptual net of merely reflective sense-bound understanding. “Nature speaks to us the more intelligibly the less we think of her in a merely refelctive way,” writes Schelling.47 To think nature as living, our own thinking must come to life, must become etheric.

According to Owen Barfield, who along with Jonael Schickler will assist my retrieval of Steiner’s work, the forces of the etheric organ of perception can be understood as “imagination operating in reverse…Whereas imagination uses the spatial to get to the non-spatial, what the organic [etheric] force is doing is moving out of the non-spatial realm (the creative logos, if you like) to convert it into space–[it moves out] of the immaterial producing a material, spatial world…What the etheric does is, to put it crudely, convert time into space.”48

Like the “force of imagination” (a literal translation of Einbildungskraft), the formative-force of the etheric organ, when properly cultivated, can release the philosopher from the Kantian restrictions placed on knowing by opening the normally sense-inhered intellect to the sub-sensory “intensive depth” (Bortoft, 1996) or super-sensory “inner infinitude” (Adams and Whicher, 1982) of living Nature, there revealing the invisible creative forces animating her from within-out.

In the terms of Whitehead’s three-fold theory of perception, which my dissertation will explore in relation to the synthetic role of imagination, non-etheric perception of external nature via bare sensory universals and abstract laws is perception “spatialized” in the mode of “presentational immediacy,” while etheric perception of the creative life of the sub-sensory dimension is perception “temporalized” in the mode of “causal efficacy.”49 Whitehead’s third mode of perception, “symbolic reference,” imaginatively synthesizes our intuitions of space and time into the meaningful and coherent world of everyday life. The synthetic work (or play) of the force of imagination can be in service either to the maintenance of the habits of every day conscious experience (commonsense), or else to the creative disruption of those habits in favor of alternative imaginations of the flow of etheric time-space.

The etheric image-forces animating Nature and her organisms are autonomous; that is, they are I-beings in their own right. The etheric imagination which perceives them is then not simply the transcendental ground of the ego’s sensory intuitions of the physical world–it is the genetic principle of the universe itself, the poetic root of all life (more like a creative abyss than a stable ground). Unlike Kant’s transcendental faculties of understanding, reason, and judgment, which provide only the necessary universal conditions of possible (theoretical, ethical, or aesthetic) experience, etheric imagination provides the necessary conditions of actual experience (whether of truth, goodness, or beauty). Etheric imagination schematizes not only the formal or abstract, but the material and concrete dimensions of experiential reality–that is, it not only makes possible the universal and impersonal, it actualizes the unique and individual.

So what is real for the process-philosophical imagination? Following Whitehead, time, space, and causality come to be understood as emergent products of an evolving ecology of organisms. “External” and “internal” are the effect of a distinction drawn in what Coleridge referred to as secondary imagination by an individual living organism. Enveloping the many organisms is the one Cosmic Organism, or primary imagination, the ceaseless yearning for wholeness which is nothing other than Spirit’s abyssal desire for Itself.

The root images, or elemental forces, that for so long grounded the reality of the human organism were earth and sky. But since the Galilean-Newtonian “[cancellation] of the ancient dichotomy between earth and sky in the interest of universally valid laws,” and especially since satellization has technologically realized this once merely theoretical extra-terrestriality, what has become of humanity’s earthly embeddedness?50 Have we not become homeless? This may be the case, unless the once solid ground of earth is understood to have been superseded, not by the en-framing (Ge-stell) of technology, but by the ground-generating forces of etheric imagination, the creative abyss that pre-exists any apparent separation between the finite conditioned things in space and the infinite creativity of time.

Footnotes

25 Schelling, System of Transcendental Idealism (1800), 231.

26 Steiner, Goethean Science, 93.

27 Grant, “Introduction to Schelling’s On the World Soul, Collapse: Philosophical Research and Development, VI, 65.

28 Miklós Vassányi, Anima Mundi: The Rise of the World Soul Theory in Modern German Philosophy, 143, 384; Frederick Beiser, German Idealism: The Struggle Against Subjectivism, 541-547.

29 According to Frederick Beiser, Schelling thereby “[reintegrates] the transcendental ‘I’ into nature” by showing how   human self-consciousness is a more intense expression of nature’s original etheric forces (German Idealism: The Struggle Against Subjectivism, 559).

30 Schelling, On the History of Modern Philosophy, trans. Bowie, 130.

31 Leon Lederman, The God Particle, 101, 375.

32 Whitehead, The Principle of Relativity (New York: Cosimo, 1922/2007), 36-38; Whitehead, The Principles of Natural Knowledge (London: Cambridge University Press, 1919), 25.

33 Whitehead, The Principles of Natural Knowledge, 26.

34 Whitehead, The Principles of Natural Knowledge, 26. For more on Whitehead’s philosophical critique of Einstein’s interpretation of relativity theory, see also my own Physics of the World-Soul: The Relevance of Alfred North Whitehead’s Philosophy of Organism to Contemporary Scientific Cosmology (2013), 35-43 [https://matthewsegall.files.wordpress.com/2010/05/physics-of-the-world-soul-whitehead-and-cosmology.pdf (accessed 5/1/2013)].

35 Whitehead, The Principle of Relativity, 37.

36 Whitehead, The Principles of Natural Knowledge, 66.

37 Whitehead, The Principle of Relativity, 62.

38 Whitehead, The Principle of Relativity, 62.

39 Rudolf Steiner, Theosophy: An Introduction to the Supersensible Knowledge of the World and the Destination of Man, transl. by E. D. S. (Chicago: Rand McNally & Company Publishers, 1910), 28.

40 As “agent-patients,” these etheric forces are akin to Whitehead’s dipolar actual occasions, the “buds of experience” responsible both for the prehension of past form and the ingression of future form in the creative advance of nature.

41 Whitehead’s understanding of the relationship between the physiology of the brain and the ether of events leads him to suggest that the “nature” known to materialistic science “is an abstraction from something more concrete than itself which must also include imagination, thought, and emotion” (Whitehead, The Principle of Relativity, 63).

42 Steiner, Intuitive Thinking as a Spiritual Path: A Philosophy of Freedom, 25.

43 Schelling, Ideas for a Philosophy of Nature, 36.

44 Schelling, Ideas for a Philosophy of Nature, 36.

45 Whitehead, Adventures of Ideas, 221.

46 Whitehead, Modes of Thought (1938)

47 Ideas for a Philosophy of Nature, 35.

48 Towards Interview, 1980, 9.

49 These two modes are akin to Jonael Schickler’s phenomenological account of the life of the concept in terms of physical inherence and etheric metamorphosis, respectively. Schickler’s account is unpacked in the literature review below.

50 See Sallis, Force of Imagination, 160-161

Below is another section of my dissertation proposal…

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In What Is Philosophy?, Deleuze and Guattari distinguish between a singular pedagogy of the concept and a universal encyclopedia of the concept.155 What does it mean to say that Deleuze’s philosophical method is pedagogical, rather than encyclopedic? It means that philosophical concepts are not catalogued in advance, they are individually invented as needed to dissolve the poorly posed problems that emerge in the course of research.156 In Difference and Repetition, Deleuze makes a similar distinction between learning and knowledge.157 Knowledge is the memorization of specific facts and general laws that can only pretend to final comprehension, while learning is the incarnation of Ideas, an ongoing apprenticeship to problematic concepts that initiates one into the sub-sensory creativity of paradox. “Philosophers are always recasting and even changing their concepts,” Deleuze writes. “Sometimes the development of a point of detail that produces a new condensation, that adds or withdraws components, is enough. Philosophers sometimes exhibit a forgetfulness that almost makes them ill. According to Jaspers, Nietzsche ‘corrected his ideas himself in order to create new ones without explicitly admitting it; when his health deteriorated he forgot the conclusions he had arrived at earlier.’ Or, as Leibniz said, ‘I thought I had reached port; but…I seemed to be cast back again into the open sea.’”158 In his preface to Difference and Repetition, Deleuze describes his method of writing from a place of ignorance; like Leibniz, he is always beginning again, lost at sea. Deleuze writes: “How else can one write but of those things which one doesn’t know, or knows badly? It is precisely there that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one into the other. Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow–or rather, to make it impossible.”159

The philosopher can only begin in media res, like Odysseus, lost at sea. He first finds himself there at the elemental limits of things, at the oceanic horizon of earth with only the starry heavens as a compass. He first task is to steady his metaphysical gaze upon these limits, thereby stilling the nausea associated with rootlessness. His final task is an infinite one, not merely to steadily “hover between heaven and earth,” or to “drop anchor permanently in some safe cove,” but to “dare to meet the truth freely,” without fear “of shipwreck on the rocks or sandbars”; the philosopher, continues Schelling, must “risk everything, desiring either the whole truth, in its entire magnitude, or no truth at all.”160

The philosophical researcher must accept that he can only begin writing in muddled confusion of poorly posed problems. This is the initial condition of the philosopher after the end of philosophy, when the history of philosophy, with all its truth and good sense, no longer claims authority over thinking. The history of philosophy no longer provides today’s thinkers with a steady stairway to the heaven of eternal ideas. Though it is true, as Whitehead suggests, that “philosophy is dominated by its past literature to a greater extent than any other science,”161 my attempt to philosophize anew must find a way to allow this history to function as collage does in painting: like a palette of personalities available for dramatizing concepts in response to the problems that matter today.162

“Method,” writes Deleuze, “is the means of that knowledge which regulates the collaboration of all the faculties. It is therefore the manifestation of a common sense or the realization of a Cogitatio natura, and presupposes a good will as though this were a ‘premeditated decision’ of the thinker.”163 Contrary to the pretense of a scientific method seeking certain knowledge, a pedagogical method is attentive to the fact that “learning is, after all, an infinite task.” For Deleuze, “it is from ‘learning,’ not from knowledge, that the transcendental conditions of thought must be drawn.”164 This pedagogical transcendental is not based on Kant’s fixed table of logical categories, the a priori conditions for all possible knowledge of objects, but rather on an experimental set of aesthetic categories, the genetic conditions for new becomings-with objects. Deleuze mentions Whitehead’s categoreal scheme as an example of the new transcendental aesthetic, where unlike representational categories, it is not only possible experience that is conditioned, but actual experience. He calls Whitehead’s categories “phantastical,” in that they represent novel creations of the imagination never before encountered by philosophers.165 For Whitehead, because each experient is a perspective on the world and an element in the world, the categories of an experientially adequate philosophical scheme must elucidate the “paradox of the connectedness of things:–the many things, the one world without and within.”166 In other words, while Whitehead accepts modern philosophy’s focus on the self-created perspective of the subject–that, in some sense, the world is within the subject (as in Kantian transcendental idealism)–he holds this insight in imaginative polar unity with the common sense presupposition that the subject is within the world. This refusal to remove subjective experience from the world of actual entities bring’s Whitehead’s panexperientialism very close to Deleuze’s transcendental empiricism.

The mind is not the only problem solver; it is not the intelligent observer and manipulator of a stupid and passive nature. The etheric formative forces driving nature’s evolutionary “education of the senses” are just as creative and problematically arrayed as are the imaginative forces shaping the historical education of the human mind. As Deleuze argues, “problematic Ideas are precisely the ultimate elements of nature and the subliminal objects of little perceptions. As a result, ‘learning’ always takes place in and through the unconscious, thereby establishing the bond of a profound complicity between nature and mind.”167 Mind is simply a more complexly folded nature. The proper maintenance of their conscious complicity depends upon what Deleuze calls the “education of the senses,” by which he means the raising of each power of the imagination to its limit so that their mutual intra-action quickens the whole into the creation of difference in itself. The path of the learner is “amorous” (we learn by heart), but also potentially fatal,168 since the creation of difference–though free from the anxieties of method, free of having to know with certainty–for precisely this reason always risks the creation of nonsense, or worse, the descent into madness. But in the end, the researcher must take these risks, since “to what are we dedicated if not to those problems which demand the very transformation of our body and our language?”169 Deleuze’s transcendental empiricism does not privilege the faculty of thought, as does Kant’s transcendental idealism. While thought concerns itself with the domains or levels of virtuality (what Whitehead refers to as the hierarchy of eternal objects, or definite possibilities), it is the faculty of imagination that “[grasps] the process of actualization,” that “crosses domains, orders, and levels, knocking down the partitions coextensive with the world, guiding our bodies and inspiring our souls, grasping the unity of mind and nature.”170 Imagination, continues Deleuze, is “a larval consciousness which moves endlessly from science to dream and back again.”171 Deleuze’s faculty of imagination is no mere conveyer belt, transporting fixed categories back and forth along the schematic supply line between thought and sensation. By bringing the imagination face to face with the wilderness of existence, Deleuze forces it to rediscover the wildness within itself. Faced with what Schelling called “the unprethinkable” (das Unvordenkliche)172 sublimity of the elemental forces of the universe, the imagination becomes unable to perform its domesticated role in service to the a prioris of the understanding. “That which just exists,” writes Schelling, “is precisely that which crushes everything that may derive from thought, before which thought becomes silent…and reason itself bows down.”173 It is upon confronting the unprethinkability of these elemental forces that “imagination finds itself blocked before its own limit: the immense ocean, the infinite heavens, all that overturns it, it discovers its own impotence, it starts to stutter.”174 But, continues Deleuze, imagination’s sublime wounding is not without consolation: “At the moment that imagination finds that it is impotent, no longer able to serve the understanding, it makes us discover in ourselves a still more beautiful faculty which is like the faculty of the infinite. So much so that at the moment we feel our imagination and suffer with it, since it has become impotent, a new faculty is awakened in us, the faculty of the supersensible.”175

Like Whitehead, who wrote in The Concept of Nature that “the recourse to metaphysics is like throwing a match into the powder magazine. It blows up the whole arena,”176 Deleuze’s pedagogical metaphysics quickens the philosophical imagination’s powers into “a harmony such that each transmits its violence to the other by powder fuse.”177 Rather than converging on a common sense, Deleuze’s education of the senses approaches the point of “para-sense,” where “thinking, speaking, imagining, feeling, etc.” overcome themselves to create new forms of perception responsive to encounters with paradoxical Ideas and capable of incarnating them as meaningful symbols through a process of learning.178 Deleuze would here seem to approach Steiner’s spiritual science, where it is thought that “there slumber within every human being faculties by means of which individuals can acquire for themselves knowledge of higher worlds.”179 Like Steiner, Schelling’s understanding of the Idea’s gradual incarnation in the course of an evolutionary cosmogenesis leads him to argue that “the time has come for a new species, equipped with new organs of thought, to arise.”180

Deleuze’s pedagogy of the concept and problematic method of enduring within the symbolic fields constellated by encounters with Ideas is especially relevant to my research on the process philosophical tradition, since, according to Deleuze, “problems are of the order of events–not only because cases of solution emerge like real events, but because the conditions of a problem themselves imply events.”181 For Whitehead, as for Deleuze, “the ultimate realities are the events in their process of origination.”182 Whitehead calls this process of origination concrescence. Concrescence refers to the process of “growing together” whereby “many become one and are increased by one.”183 Each individual concrescing event, according to Whitehead, “is a passage between two…termini, namely, its components in their ideal disjunctive diversity passing into these same components in their [real] concrete togetherness.”184 Similarly, Deleuze describes the incarnation of a problematic Idea as an event that unfolds in two directions at once, along a real and an ideal axis: “At the intersection of these lines,” writes Deleuze, “–where a powder fuse forms the link between the Idea and the actual–the ‘temporally eternal’ is formed.”185 Whitehead’s evental ontology, wherein eternal objects intersect with actual occasions in the process of concrescence, can be read in terms of Deleuze’s account of the incarnation of Ideas, whereby concrescence becomes a temporary solution achieved through the condensation of the fragmentary multiplicity of past actualities and future possibilities into a precipitated drop of unified experience. The problematically condensed occasion of experience cannot endure in its unity long since it is perpetually perishing into objective immortality, leading “the solution to explode like something abrupt, brutal and revolutionary,”186 becoming experiential debris to be gathered up again by the occasions that follow it.

Deleuze also describes incarnating Ideas as a two-faced expression of both the power of love (the ideal principle which seeks to progressively harmonize the fragmented times of past and future to form a unified “temporally eternal” solution) and the power of wrath (the real principle which angrily condenses these solutions until they explode, creatively issuing in revolutionary new problems). He argues that the most important aspect of Schelling’s process theology is his consideration of these divine powers of love and wrath, where love relates to God’s existence and wrath to God’s ground.187 Schelling conceives of both love and wrath as positive powers which therefore do not simply negate one another as opposed concepts in a Hegelian dialectic of contradiction, where wrath would struggle with love before both were sublated in some higher Identity. Rather, the eternal encounter between divine love and divine wrath leads to their mutual potentialization into a dynamic succession of evolutionary stages in nature (Stufenfolge). “These two forces [infinitely expanding love and infinitely retarding wrath], clashing or represented in conflict, leads to the Idea of an organizing, self-systematizing principle. Perhaps this is what the ancients wanted to hint at by the soul of the world,” writes Schelling.188

For Deleuze, “Ideas no more than Problems do not exist only in our heads but occur here and there in the production of an actual historical world.”189 Ideas are not simply located inside the head. Nor can Ideas be entirely captured inside the grammatical form of a logical syllogism, even if that syllogism is dialectically swallowed up and digested in the course of history by an Absolute Spirit. Even though the primary instrument of speculative philosophy is language, Ideas should never be reduced to propositions, nor should philosophy be reduced to the labor of “mere dialectic.”190 Dialectical discussion “is a tool,” writes Whitehead, “but should never be a master.”191 According to Schelling, the age old view that “philosophy can be finally transformed into actual knowledge through the dialectic…betrays more than a little narrowness.”192 That which gets called from the outside “dialectic” and becomes formalized as syllogistic logic is a mere copy, “an empty semblance and shadow” of the authentic mystery of the philosopher, which, for Schelling, is freedom. Freedom is the original principle underlying both mind and nature, the archetypal cision generative of all Ideas through the “secret circulation” between the knowledge-seeking soul and its unconsciously knowing Other.193 The authenticity of the philosopher’s “inner art of conversation” depends upon this doubling of the soul into I and Other through an act of imagination. Without this imaginal doubling, the original cision of freedom is repressed and philosophy devolves into the formulaic dialectical refinement of the customary sayings and conceptual peculiarities of contemporary commonsense.194

Dialectic leads at best only to a kind of Urdoxa, or original opinion: “The dialectic,” writes Deleuze, “claims to discover a specifically philosophical discursiveness, but it can only do this by linking opinions together. It has indeed gone beyond opinion toward knowledge, but opinion breaks through and continues to break through. Even with the resources of an Urdoxa, philosophy remains a doxography. It is always the same melancholy that raises disputed Questions and Quodlibets from the Middle Ages where one learns what each doctor thought without knowing why he thought it (the Event), and that one finds again in many histories of philosophy in which solutions are reviewed without ever determining what the problem is (substance in Aristotle, Descartes, Leibniz), since the problem is only copied from the propositions that serve as its answer.”195

As Whitehead describes it, “the very purpose of philosophy is to delve below the apparent clarity of common speech”196 by creatively imagining “linguistic expressions for meanings as yet unexpressed.”197 Whitehead’s adventure of Ideas, like Schelling’s and Deleuze’s, is not a search for some original opinion, or for the “complete speech” (teleeis logos) of encyclopedic knowledge.198 Ideas are not merely represented inside an individual conscious mind, they are detonated in the imaginal depths of the world itself. Exploding Ideas seed symbolic vibrations that echo along the cosmic membrane (or “plane of immanence”) and unfold at the level of representational consciousness as a profound complicity between mind and nature: Ideas generate synchronicities.

It follows that Ideas, for Whitehead as for Deleuze, “are by no means essences,” but rather “belong on the side of events, affections, or accidents.”199 As Steven Shaviro writes of Whitehead’s “eternal objects,” they ingress into events as “alternatives, contingencies, situations that could have been otherwise.”200 Ideas, that is, are tied “to the evaluation of what is important and what is not, to the distribution of singular and regular, distinctive and ordinary.”201 “The sense of importance,” writes Whitehead, “is embedded in the very being of animal experience. As it sinks in dominance, experience trivializes and verges toward nothingness.”202 The Western philosophical tradition’s obsession with pinning down general essences instead of open-endedly investigating particular experiences–its emphasis on asking “what is…?” instead of “how much?,” “how?,” “in what cases?” in its pursuit of Ideas–has fostered only stupidity, erroneousness, and confusion.203 “Ideas emanate from imperatives of adventure,” writes Deleuze, not from the banality of encyclopedic classification.204 The mistaken identification of Ideas with dead essences has lead to the inability of modern philosophy to grasp the utter dependence of rationality on “the goings-on of nature,” and to the forgetfulness of “the thought of ourselves as process immersed in process beyond ourselves.”205

Despite the shared conceptual emphasis of much of Deleuze’s, Schelling’s, and Whitehead’s philosophical work, Deleuze’s dismissive attitude toward methodological knowledge in favor of a culture of learning may at times fall prey to Whitehead’s “fallacy of discarding method.” Though Whitehead was critical of tradition-bound and narrow-minded methodologies as well (as is evidenced by his corresponding “dogmatic fallacy”), he distances himself from philosophers like Nietzsche and Bergson (perhaps Deleuze’s two most important influences) because they tend to assume that intellectual analysis is “intrinsically tied to erroneous fictions” in that it can only proceed according to some one discarded dogmatic method.206 “Philosopher’s boast that they uphold no system,” writes Whitehead. “They are then prey to the delusive clarities of detached expressions which it is the very purpose of their science to surmount.”207 “We must be systematic,” continues Whitehead, “but we should keep our systems open [and remain] sensitive to their limitations.”208

Footnotes

155 Deleuze and Guattari, What is Philosophy?, 12.

156 Deleuze and Guattari, What is Philosophy?, 16.

157 Deleuze, Difference and Repetition, 164.

158 Deleuze, Difference and Repetition, 21-22.

159 Deleuze, Difference and Repetition, xxi.

160 Schelling, “Of the I as Principle of Philosophy” (1795) in The Unconditioned in Human Knowledge (1980), 64.

161 Whitehead, Adventures of Ideas, 229.

162 Deleuze, Difference and Repetition, xxi.

163 Deleuze, Difference and Repetition, 165.

164 Deleuze, Difference and Repetition, 166.

165 Deleuze, Difference and Repetition, 284-285

166 Whitehead, Adventures of Ideas, 228.

167 Deleuze, Difference and Repetition, 165.

168 Deleuze, Difference & Repetition, 23.

169 Deleuze, Difference and Repetition, 192.

170 Deleuze, Difference and Repetition, 220.

171 Deleuze, Difference and Repetition, 220.

172 “Das Unvordenklichkeit” is, according to Dale Snow, “one of the most difficult German expressions to translate.” He suggests it might be “somewhat clumsily…rendered as ‘the unpreconceivability of Being,’ implying that there is always that in reality which will remain beyond thought” (Snow, Schelling and the End of Idealism (New York: SUNY, 1996), 235n8. My translation of “das Unvordenkliche” derives from Bruce Matthews, who renders it as “that before which nothing can be thought” (Matthews, Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (New York: SUNY, 2011), 28.

173 Schelling, Schellings sämtliche Werke, trans. Matthews, II/3, 161.

174 Deleuze, Kant seminar (4/4/1978); http://www.webdeleuze.com/php/texte.php?cle=65&groupe=Kant&langue=2 [accessed 4/26/2013].

175 Deleuze, Kant seminar (4/4/1978); http://www.webdeleuze.com/php/texte.php?cle=65&groupe=Kant&langue=2 [accessed 4/26/2013].

176 Whitehead, The Concept of Nature, 29.

177 Deleuze, Difference and Repetition, 193.

178 Deleuze, Difference and Repetition, 194.

179 Steiner, Knowledge of the Higher Worlds, ch. 1 [http://wn.rsarchive.org/Books/GA010/English/RSPC1947/GA010_c01.html]).

180 Schelling, Einleitung in die Philosophie (1830), trans. Grant, Philosophies, 55.

181 Deleuze, Difference and Repetition, 188.

182 Whitehead, Adventures of Ideas, 236.

183 Whitehead, Process and Reality, 21.

184 Whitehead, Adventures of Ideas, 236.

185 Deleuze, Difference and Repetition, 189.

186 Deleuze, Difference and Repetition, 190.

187 Schelling, Philosophical Investigations into the Essence of Human Freedom (1809).

188 Schelling, On the World Soul, transl. by Iain Hamilton Grant, Philosophies of Nature After Schelling, 145.

189 Deleuze, Difference and Repetition, 190.

190 Whitehead, Adventures of Ideas, 228.

191 Whitehead, Adventures of Ideas, 228.

192 Schelling, Ages of the World, xxxvii.

193 Schelling, Ages of the World, xxxvi.

194 Schelling, Ages of the World, xxxvii.

195 Deleuze, What Is Philosophy?, 80.

196 Whitehead, Adventures of Ideas, 222.

197 Whitehead, Adventures of Ideas, 227.

198 See Glenn Magree, Hegel and the Hermetic Tradition, intro.

199 Deleuze, Difference and Reptition, 187.

200 Shaviro, Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics, 40.

201 Deleuze, Difference and Reptition, 189.

202 Whitehead, Modes of Thought, 9.

203 Deleuze, Difference and Repetition, 188-190.

204 Deleuze, Difference and Repetition, 197.

205 Whitehead, Modes of Thought, 8.

206 Whitehead, Adventures of Ideas, 222.

207 Whitehead, Adventures of Ideas, 222.

208 Whitehead, Modes of Thought, 6.

Below is another section of my dissertation proposal. More to come…

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John Sallis begins his Force of Imagination: The Sense of the Elemental (2000) by regretting the Husserlian phenomenological tradition’s tendency to subordinate imagination to pure perception in an effort to “[protect] the bodily presence of the perceived from imaginal contamination.”208 Sallis argues that the force of imagination cannot be reduced without remainder to the “image-consciousness” studied by phenomenology, since it is primarily deployed at the generative roots of conscious experience where the intentional ego finds itself ecstatically undone by the powers of the World-Soul and the sublime depths of the elemental cosmos. For Sallis, there is “a more anterior operation of imagination” than mere fancy or superficial imagining, an operation beyond the horizontal limits of consciousness and so “constitutive even for perception”: “If such a deployment of the force of imagination should prove already in effect in the very event in which things come to show themselves,” writes Sallis, “then perhaps one could begin to understand how, at another level, imagination could issue in a disclosure pertinent to things themselves.”209

The phenomenological tradition’s theoretical image of imagination as “no more than the self-entertainment of conjuring up images of the purely possible” is derived, according to Sallis, from the modern age’s largely instrumentalist commonsense, whereby important decisions concerning the future are made “based merely on calculation and prediction” without concern for their aesthetic or ethical implications.210 Imagination, reduced to its merely recreative function, is deemed to work only with one’s personal memories and fantasies without any deeper participation in the sub-sensory history or super-sensory destiny of the evolving universe. For today’s materialistic commonsense, “the very relation of imagination to time comes to border on the inconceivable.”211 Sallis’ sense for the constitutive role of imagination in synthesizing the experience of past and future in a living present allies him with the process tradition. In his Ages of the World project, for example, Schelling attempted to narrate the past, discern the present, and intimate the future ages of the World-Soul by coming to experience a recapitulation of these ages within his own soul.212 Jason Wirth, Schelling’s translator, suggests that the unfolding of such an experience within the soul might allow thinking to become “the same…as the autopoietic movement of time,”213 thereby re-establishing the profound connection between mind and nature known to all pre-modern peoples, though now in a modern, evolutionary context. “Created out of the source of things and the same as it,” writes Schelling, “the human soul is conscientious [Mitwissenschaft] of creation.”214

For Whitehead, every actual occasion, whether atomic, anthropic, or galactic in scale, “includes that which in cognitive experience takes the form of memory, anticipation, imagination, and thought.”215 The exercise of imagination via the ingression of eternal objects orients a concrescing actual occasion of experience to the real possibilities available to it in the future. Whitehead’s process ontology provides a coherent account of the interplay of both final causality (lure of the future) and efficient causality (pressure of the past) in nature, thereby making the relation of human imagination to evolutionary time conceivable once again.

After critically situating his inquiry into imagination in relation to the phenomenological tradition, Sallis cautiously lauds the legacy of Romanticism. “Cautiously” because he notes the tendency of contemporary culture to waver indecisively between dismissiveness and empty valorization of the “almost unprecedented inceptiveness and intensity” of Romantic thought and poetry.216 It is as if the accomplishments of this era, though almost universally appreciated, are too beautiful to be true, and so the Romantic vision of the world persists today only as a fantastic dream. Sallis calls upon his contemporaries to look again at the “almost singular texts” of the Romantics, to reread them slowly and carefully so as to allow “their provocative force to come into play.”217 The continued relevance of the process tradition to which Schelling and Whitehead belong (as well as the esoteric tradition I aim to cross-fertilize with them) is closely bound up with the fate of the Romantic tradition. Sallis’ attempt to retrieve the radical implications of the Romantic imagination is therefore essential to my research.

Is the Romantic vision of the world too beautiful to be true? Sallis turns to the poet John Keats to get a handle on the way that imagination is said to possess “a privileged comportment…to truth.” “What the imagination seizes as Beauty,” writes Keats, “must be truth–whether it existed before or not.”218 Imagination’s comportment to the truth of beauty is then twofold, establishing itself in both the beauty of what already is, and the beauty of what is not yet but might be made so. “The truth may have existed before the establishing,” writes Sallis, “in which case the establishing would consist in…remembering it; or the truth may not have existed before the establishing, in which case the establishing would consist in…originating the truth, or, in Keats’ idiom, creating it.”219 Sallis reads Keats’ statement as an expression of the paradoxical nature of imagination, enabling it to seize beauty as truth in a simultaneously “originary” and “memorial” way, a kind of creative discovery. The logic of imagination in this sense is not bound by the law of non-contradiction, but hovers between opposed moments allowing contradiction to be sustained.220 “Schelling expresses it most succinctly,” according to Sallis, when he writes in his System of Transcendental Idealism that it is only through imagination that “we are capable of thinking and holding together even what is contradictory.”221

Perhaps the most important consequence of imagination’s ability to generate polarity by hovering between contraries rather than allowing them to degenerate into dualistic opposition is that the all too familiar subordination of the sensible to the intelligible world must be radically reformulated. Again, Sallis draws on Keats, who calls us to look upon the sensory world with an imaginal passion or creative love whose reflected light, “thrown in our eyes, genders a novel sense.”222 The truth of Beauty is not perceived abstractly as by an intellect seeking “a fellowship with essence,”223 but rather by an etheric sense which wreathes “a flowery band to bind us to the earth.”224 The true world is not to be found in “the clear religion of heaven,”225 but in the “green world”226 of earth.

Like Keats’ “novel sense” engendered when imagination is lovingly seized by the true light of Beauty, Whitehead speaks of the “basic Eros which endows with agency all ideal possibilities.”227 In Whitehead’s philosophical scheme, intelligible essences become the ideal possibilities or conceptual feelings evaluated by the mental pole of a concrescing occasion. No longer distant unmoved movers, these Ideas erotically yearn for immanent realization, for incarnation in an actual occasion of experience. Ideas act as lures for feeling generative of “novel senses,” thereby creatively shaping the purposes of individual actual occasions. The creative advance of the universe is driven forward by the integration of the real feelings of the physical pole (prehensions of past actualities) with the ideal feelings of the mental pole (ingressions of future possibilities): Novelty, in other words, “results from the fusion of the ideal with the actual:–The light that never was, on sea or land.”228

The light Keats and Whitehead speak of is perceivable only with the power of etheric imagination, the novel sense that, if it becomes common, can heal the bifurcation of nature instituted by modern scientific materialism. “Nature knows not by means of science,” writes Schelling, “but…in a magical way. There will come a time when the sciences will gradually disappear and be replaced by immediate knowledge. All sciences as such have been invented only because of the absence of such knowledge. Thus, for instance, the whole labyrinth of astronomical calculations exists because it has not been given to humanity immediately to perceive the necessity of the heavenly movements, or spiritually to share in the real life of the universe. There have existed and there will exist humans who do not need science, through whom nature herself perceives, and who in their vision have become nature. These are the true clairvoyants, the genuine empiricists, and the men who now describe themselves by that name stand to them in the same relation as pretentious demagogues stand to prophets sent from God.”229

Sallis connects Keats’ reversal of the typical philosophical evaluation of intelligible originals as truer than sensible images to Nietzsche’s “revaluation of all values” in Thus Spoke Zarathustra. “I beseech you, my brothers,” Nietzsche has Zarathustra say, “remain true to the earth!”230 In his account of “How the ‘True World’ Finally Became a Fable,” Nietzsche traces the historical development of the dualism between the True and the apparent world from Plato, through Christianity, to Kant. Finally, in Nietzsche’s day, the subordination of appearance to Truth had come to be refuted: “The true world–we have done away with it: what world was left? the apparent one perhaps?…But no! with the true world we have also done away with the apparent one!”231 The return to the sensible called for by Sallis, Keats, and Nietzsche, and Whitehead and Schelling in their own way, is then not a simple reversal that would place appearances above intelligibles. Such an inversion would be nonsensical. Rather, the very dichotomy must itself be overcome so as to provide an entirely new interpretation of the sense of the sensible.232 Sallis suggests that this new orientation to the sensory world will require also a new orientation to logos, to speech. His work toward a “logic of imagination” is largely an attempt to reconstruct the sense of speech so that it is no longer “subordinated…to an order of signification absolutely anterior to it.”233 In other words, rather than the meaning of speech being thought of as a derivative of some preconstituted intelligible order, this meaning is to be brought forth out of the sense of the sensible itself. “What is now required,” writes Sallis, “is a discourse that would double the sensible–interpret it, as it were–without recourse to the intelligible.”234 Instead of the old dichotomy between the intelligible and the sensible, Sallis turns to elemental forces like earth and sky for philosophical orientation: “Distinct both from intelligible άρχαί [archetypes] and from sensible things, the elementals constitute a third kind that is such as to disrupt the otherwise exclusive operation of the distinction between intelligible and sensible. At the limit where, in a certain self-abandonment, philosophy turns back to the sensible, this third kind, the elemental…serves to expose and restore the locus of the primal sense of vertical directionality, on which was founded the sense of philosophical ascendency, indeed the very metaphorics of philosophy itself. One recognizes the Platonic image of the cave is not one image among others; rather, in the depiction of the ascent from within the earth to its surface where it becomes possible to cast one’s vision upward to the heaven, the very translation is enacted that generates the philosophical metaphorics.”235

Sallis admits that such a logic of imagination, in that it “[disturbs] the very order of fundamentality and [withdraws] from every would-be absolute its privileging absolution,”236 places philosophy in a somewhat unsettled, even ungrounded, position. Indeed, Nietzsche’s call to return to our senses by being true to the earth is not an attempt to erect a new foundation for philosophy on more solid ground. Nietzsche sought a new beginning for philosophy in the groundless world of becoming–the world of “death, change, age, as well as procreation and growth.”237 Even the earth is made groundless by the geological forces slowing turning it inside out. Nietzsche subjected all prior philosophers to the earthquakes of his hammer, showing mercy only to Heraclitus, perhaps the first process philosopher, for challenging Parmenides’ emphasis on static Being. Heraclitus declared instead that all things flow.

Although Sallis articulates his logic of imagination largely in the context of Nietzsche’s anti-foundationalism, Whitehead’s aesthetically-oriented process ontology may provide a more consctructive example of how to philosophize after the “True world” has become a fable. In Contrast to Nietzsche’s more demolitional approach, you might say Whitehead philosophizes with a paint brush. For Whitehead, the dichotomy between appearance and reality is not as metaphysically fundamental as has been assumed from ancient Greek philosophy onwards.238 The over-emphasis of this dichotomy is based upon the misleading notion that perception in the mode of “presentational immediacy” is the basis of experience, when in fact, perception in the mode of “causal efficacy” is more primordial. Another way of phrasing it would be to say that, instead of seeing consciousness as the highly refined end product of a complex process of experiential formation rooted in the vague feelings of the body and the emotional vectors of its environment, philosophers have made the clear and distinct ideas of conscious attention their starting point. “Consciousness,” writes Whitehead, “raises the importance of the final Appearance [presentational immediacy] relatively to that of the initial Reality [causal efficacy]. Thus it is Appearance which in consciousness is clear and distinct, and it is Reality which lies dimly in the background with its details hardly to be distinguished in consciousness. What leaps into conscious attention is a mass of presuppositions about Reality rather than the intuitions of Reality itself. It is here that the liability to error arises.”239 The main error of traditional philosophy has been to overemphasize the metaphysical importance of the clarity and distinctness of conscious attention. “[We] are conscious of more than clarity,” writes Whitehead. “The importance of clarity does not arise until we have interpreted it in terms of the vast issues vaguely haunting the fullness of existence.”240 Whitehead argues that this overemphasis on clarity, already in germ in ancient Greece, eventually lead, in the modern period, to the disastrous separation of mind from nature and the related doctrine of “physical matter passively illustrating qualities and devoid of self-enjoyment.”241

“In the discussion of our experience,” writes Whitehead, “the first point for notice is the superficial variability in our clear consciousness of qualitative detail. [It] results from an effort of concentration and elimination. Also it is never sustained. There is always a flickering variation, varied by large scale transference of attention. Consciousness is an ever-shifting process of abstracting shifting quality from a massive process of essential existence. It emphasizes. And yet, if we forget the background, the result is triviality…The whole notion of our massive experience conceived as a reaction to clearly envisaged details is fallacious. The relationship should be inverted.”242

Whitehead avoids this modern bifurcation of nature by not organizing his philosophizing around the clear sensa and distinct ideas projected before his conscious attention. He vastly expands the speculative scope of his adventure in cosmology by beginning to philosophize in media res, caught amidst the passions of bodily inheritance streaming in from the depths of space and time, lured forward by the ideal possibilities yearning to flow back into the world. There is a kind of “intellectual intuition” at the generative root of Whitehead’s cosmology, an initiatory experience of the cosmic crucifixion eternally binding the Idea to space and time. Whitehead himself suggests as much when, in The Concept of Nature (1919),243 he approvingly quotes Schelling’s account of intellectual intuition: “In the ‘Philosophy of Nature,’” writes Schelling, “I considered the subject-object called nature in its activity of self-constructing. In order to understand it, we must rise to an intellectual intuition of nature. The empiricist does not rise thereto, and for this reason in all his explanations it is always he himself that proves to be constructing nature. It is no wonder, then, that his construction and that which was to be constructed so seldom coincide. A Naturphilosoph raises nature to independence, and makes it construct itself, and he never feels, therefore, the necessity of opposing nature as constructed (i.e., as experience) to real nature, or of correcting the one by means of the other.”244 Whitehead’s intellectual intuition of nature leads him to imaginatively generalize the archetypal dynamics of his own experience so that they can be applied to the experience of actual occasions of every grade. Causal efficacy finds its analogue in the initial “physical pole” of a concrescing occasion, while presentational immediacy is related to the final “mental pole.” In Whitehead’s universe, there is no longer any passive matter lacking experience whose qualities are projected onto it by conscious animals. Rather, the final real things are actual occasions and the entire universe is a living organism.

Whitehead, as well as Schelling, Sallis and company, do not prescribe any simple inversion of the traditional subordination of the sensible world of earthly existence to the intelligible heaven of divine Ideas. Both Whitehead’s philosophy of organism and Schelling’s Naturphilosophie provide examples of the generative power of a new organ of philosophical perception (or intellectual intuition)–the etheric imagination. This organ dissolves the bifurcated consciousness of the spatially frozen intellect by sensorily opening to the “becoming of Being,” to the ingressions of eternity into the aesthetic (e)motions of organic time. In the process philosophies of Schelling and Whitehead, not even God escapes becoming: “God is a life, not merely a Being,”245 as Schelling writes. In the final chapter of Whitehead’s Process and Reality, he imagines how a merely “primordial” God (i.e., God as original Being or perfect Act beyond all beings) would remain buried in the eternal ground of unconscious darkness like a dormant seed unless it was drawn forth by the light and wisdom of a “consequent” pole. Schelling agrees with Whitehead when he writes that “Being becomes aware of itself only in becoming.”246 God must thereby everlastingly integrate original action and complete passion: God is beyond all beings while at the same time becoming-with all beings. As Schelling argues, “Without the concept of a humanly suffering God, one which is common to all mysteries and spiritual religions of earliest time, all of history would be incomprehensible; scripture also distinguishes periods of revelation and posits as a distant future the time when God will be all in all things, that is, when he will be fully realized.”247

Neither Schelling nor Whitehead seek to invert Plato; they seek only to truly understand the mystery his philosophy attempts to convey. Plato’s philosophic method was rooted in the generation of problematic encounters between appearances and reality. His philosophical investigations were spiritual exercises which in his own day and for many centuries after proved liberating both for individual souls and for political bodies. But his initiatory Idea of eternity’s participation in the (e)motions of the World-Soul degraded, for the idolatrous moderns, into the nonsensical idea that an active and intelligent mind “in here” must attack and overcome a blind and stupid nature “out there.” “It is here,” writes Whitehead, “that the prominent epistemology of the modern centuries has been so weak. It has interpreted the totality of experience as a mere reaction to an initial clarity of sensa [via presentational immediacy]. The result is that the reaction is limited to the data provided by the sensa … the mass of our moral, emotional, and purposive experience is rendered trivial and accidental.”248 This idea was first formalized by Galileo into the doctrine of the primary and secondary qualities: Primary qualities are the real, mathematizable aspects of nature accessible only to the intellect (as mediated by telescopes and calculators), while secondary qualities are appearances projected onto primary things/numbers by the contingently evolved sensory organs of the body. Things/numbers are said to determine the necessary and universal laws of mechanistic physics, while organic appearances (species with their attendant psyches) are said to transform haphazardly in the blind struggle for existence. “Things” are here equivalent to Whitehead’s notion of abstract “scientific-objects” constructed in the course of scientific investigation. These abstract objects, according to Whitehead, “embody those aspects of the character of the situations of the physical objects which are most permanent and are expressible without reference to a multiple relation including a percipient event.”249 “Numbers” are not themselves scientific-objects, rather they are “formulae for calculation [which] refer to things in nature,” while “scientific objects are the things in nature to which the formulae refer.”250

It has been known since at least Plato that, to learn the laws of nature, it is best to study the motions of the stars overhead. As for planet earth, down here there are no things/numbers. Down here are only occasions of experience, incandescent tear drops of a creatively dying divinity, an ever-complexifying entanglement between eternal Ideas and actual events. Things/numbers are real enough “up there” in the abstract space of calculation. But here on earth, where we are, a thing is but a distant flickering in the sky. The geometers have forgotten that all measurement begins with geo- and remains planted on the planet. A thing’s trail can be traced, but we always tell the star’s tale with the soil beneath our feet, swallowed by the weight of our inherited bodies, overwhelmed by the fate of our enculturated minds. It is not only the heavens who are spinning; it is we, too. What we see “out there” is an imaginal achievement of the World-Soul whose organs extend from quarks through human beings and trees out to stars and galaxies. All of it is here with us when we are there with it.

Sallis’ attempt to articulate a “logic of imagination” that brings logos down to earth, returning it to its senses, can further assist my reading of Schelling by making the challenges of translation explicit. I am not a fluent reader of the German language, which may be an important reason not to write on Schelling. However, even if I cannot claim expertise in German, I believe I have been able to familiarize myself with what is at stake philosophically in the translation of certain key words, not the least of which are Einbildungskraft (which Sallis translates as “force of imagination”) and Schelling’s neologism Ineinsbildung (which Coleridge translates as “esemplastic power”). For Sallis, translation is not simply the problem of carrying meaning from one language over to another; it is a problem internal to each language, the problem of signification itself. That is to say, even if I were to draw upon only English-speaking authors, the problem of the translation of their “true meaning” would remain. When there are no longer any pre-constituted intelligible signifieds for the sense of a language to signify, logos can no longer be grounded in Reason but must instead find its footing in “the sense of the sensible.”251 The classical sense of translation, where two different languages are said to signify the same transcendent signified, is no longer credible.252 A logic of imagination thus calls for the creation of a novel philosophical style, a new linguistic idiom or rhetorical flowering that “[lets] the discourse engender sense in and through the very movement in which it comes to double the sensible.”253 Rather than approaching the problem of translation, then, as that of carrying over the original meaning of Schelling’s German texts, I will approach the sense of Schelling’s (and the other German authors in his milieu’s) work not just in an attempt to “to teach philosophy to speak English,”254 but also to irreversibly disrupt any sense of a presupposed purity or simple identity to “the English language.” As the English translator of Schelling’s early essays on transcendental philosophy, Fritz Marti, has written, “Philosophy is not a matter of denominational schools, nor does it have one sacred language. Whatever is philosophically true ought to appeal to man as man. Therefore every philosophical formulation demands translation and retranslation. This is why philosophy has a genuine history. Religious words seem timeless. Philosophy demands perpetual aggiornamento. It must be up-to-date. Its truths are reborn by translation.”255 Philosophy, that is, requires constant updating. It remains always unfinished, always lacking the logical completeness of a definitive translation, not because it is pointless or would then come to contradict itself, but because its task is infinite. The telos of philosophy is not wisdom, the goal is not to be wise; rather, the philosopher’s telos is eros, the love of wisdom, becoming-with her instead of replacing her with himself. If the generative form of all philosophy is the absolute I, then the living content of philosophy must be “an infinity of actions whose total enumeration forms the content of an infinite task.”256

I will not encounter Schelling’s German texts as a fluent reader of his language, and so must depend largely upon the sensitivities of certain translators. Even so, in proceeding by way of a logic of imagination, I’ve learned that the problem of translation was already internal to my own language. For this reason, my reading of German (as well as French, Latin, Greek, …) texts is part of an attempt to take English to the very limits of its sense, to philosophize in a style rooted in a logic of imagination, rather than a logic of designation.257 “The truly universal philosophy,” writes Schelling, “cannot possibly be the property of a single nation, and as long as any philosophy does not go beyond the borders of a single people one can be safe in assuming that it is not yet the true philosophy.”258

In my reading of Schelling and Whitehead, I will draw attention to the creative “errors” in their translations of their own philosophical predecessors. I will also attend to the paradox of creative plagiarism exemplified in the poet-philosophers who carried this new process philosophy of imagination from Europe to England to America. “This is the constant ambiguity of the notion of origin,” writes Deleuze, “Origins are assigned only in a world which challenges the original as much as the copy, and an origin assigns a ground only in a world already precipitated into universal ungrounding.”259

Footnotes

208 Sallis, Force of Imagination, 14.

209 Sallis, Force of Imagination, 15.

210 Sallis, Force of Imagination, 15.

211 Sallis, Force of Imagination, 16.

212 Schelling, Ages of the World, p. xxxv.

213 Schelling, Ages of the World,  p. 136n5.

214 Schelling, Ages of the World, p. xxxvi, transl. by Jason Wirth. In a footnote Wirth adds that his translation of Mitwissenschaft as “conscientious” is meant “to evoke at least three senses of the Latin conscientiæ: joint knowledge, consciousness, as well as the ethical sense of the conscience” (136n5).

215 Whitehead, Science and the Modern World, 154.

216 Sallis, Force of Imagination, 16.

217 Sallis, Force of Imagination, 16.

218 The Letters of John Keats 1814-1821, ed. Hyder Edward Rollins (Cambridge, Mass.: Harvard University Press, 1958), 1:183-87.

219 Sallis, Force of Imagination, 17-18.

220 Sallis, Logic of Imagination, 161.

221 Sallis, Logic of Imagination, 4.

222 John Keats, Endymion Book I, line 808.

223 John Keats, Endymion Book I, line 779.

224 John Keats, Endymion Book I, line 7.

225 John Keats, Endymion Book I, line 781.

226 John Keats, Endymion Book I, line 16.

227 Whitehead, Adventures of Ideas, 210.

228 Whitehead, Adventures of Ideas, 211.

229 Schelling, Gesam. Werke, Abt. I. Bd. vii. “Kritische Fragmente,” p. 246; quoted in The Intuitive Basis of Knowledge: An Epistemological Inquiry by Nikolaĭ Onufrievich Losskiĭ, transl. by Nathalie A. Duddington (London: Macmillan, 1919), 170.

230 Nietzsche, Also Sprach Zarathustra, in vol. VI 1 of Werke: Kritische Gesamtausgabe, ed. Giorgio Colli and Mazzino Montinari (Berlin: Walter de Gruyter, 1968), 9. Transl. by John Sallis.

231 Twilight of the Idols: Or, How to Philosophize with a Hammer (1888), in The Nietzsche Reader, ed. Keith Ansell Pearson and Duncan Large (Oxford: Blackwell, 2006), p. 465.

232 Sallis, Force of Imagination, 33.

233 Sallis, Force of Imagination, 23.

234 Sallis, Force of Imagination, 33.

235 Sallis, Force of Imagination, 173.

236 Sallis, Force of Imagination, 21.

237 Twilight of the Idols: Or, How to Philosophize with a Hammer (1888), in The Nietzsche Reader, ed. Keith Ansell Pearson and Duncan Large (Oxford: Blackwell, 2006), 462.

238 Whitehead, Adventures of Ideas, 209.

239 Whitehead, Adventures of Ideas, 270.

240 Whitehead, Modes of Thought, 147-148.

241 Whitehead, Adventures of Ideas, 210, 212.

242 Whitehead, Modes of Thought, 147-148.

243 Whitehead, The Concept of Nature, 47.

244 Schelling, Gesam. Werke, Abt. I. Bd. iv. “Ueber den wahren Begriff der Naturphilosophie” (“On the True Concept of Naturphilosophie”), 96; quoted in The Intuitive Basis of Knowledge: An Epistemological Inquiry by Nikolaĭ Onufrievich Losskiĭ, transl. by Nathalie A. Duddington (London: Macmillan, 1919), 170.

245 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

246 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

247 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

248 Whitehead, Modes of Thought, 147.

249 Whitehead, The Concept of Nature, 74.

250 Whitehead, The Concept of Nature, 74.

251 Sallis, Force of Imagination, 32.

252 Sallis, Force of Imagination, 36.

253 Sallis, Force of Imagination, 34.

254 Sallis, Force of Imagination, 35.

255 Schelling, The Unconditional in Human Knowledge: Four Early Essays (1794-1796), transl. and comm. by Fritz Marti (London: Bucknell University Press, 17-18).

256 Schelling, System of Transcendental Idealism (1800), 50.

257 See Sallis, Force of Imagination, 122, for more on how the images of imagination withdraw from simple designation by words. A logic of designation assumes an original meaning exists that might be successfully indicated in the lingo of another language, while a logic of imagination endlessly blurs the distinction between an original and its copies.

258 Schelling, On the History of Modern Philosophy, 190.

259 Deleuze, Difference and Repetition, 202.

The following is excerpted from my dissertation proposal, which is tentatively titled “Etheric Imagination in Process Philosophy from Schelling to Whitehead.” I’ll be posting more selections in the coming days. 

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To become rooted in the etheric forces of imagination, the process philosopher must learn to think like a plant. Michael Marder’s “vegetal metaphysics”80 provides a contemporary example of the power of plant-thinking to (re)turn modern philosophy to its etheric senses. Marder’s critical account of the history of Western metaphysics exhaustively details philosophy’s theoretical incoherences and practical inadequacies as regards the vegetal dimension of reality. He shames Aristotle for the “violence” his formal logic of identity and non-contradiction “unleashed against plants,”81 diagnoses Hegel’s negative dialectic as a mere symptom of his “[allergy] to vegetal existence,”82 and regrets Husserl’s essentializing “failure to think the tree” itself.83

To be fair to these philosophers, Steiner’s four-fold ontology is an evolutionarily re-formulated version of Aristotle’s psychological anthropology as described in De Anima, wherein “physical…,vegetative, sensitive and intellectual souls” are each set to work within the whole human being.84 Husserl, like Steiner, was initiated into the intentional structure of consciousness by Franz Brentano, but ultimately both Steiner’s and Husserl’s etheric imaginations hearken to a form of post-Copernican geocentrism (“the original ark, earth, does not move”85). As for Hegel, Schickler points to Steiner’s mediating conception of a living ether circulating between mind and nature as a cure for his allergic reaction to the supposed linearity of plants (by which he understood them to be closer to crystals than to animals).86 Hegel’s dialectical logic forces him to leave the blind growth of plant-life outside the autopoietic circle of the Concept, thereby alienating a self-conscious mind from a dead, petrified nature.87 Unlike Hegel and the idealist tradition, who “[retreated] from the world of the senses” and so failed “to consider an ontology intrinsic to life,” Steiner “[cultivated] organs of cognition which [enabled] him to enter ever more deeply into” the etheric sub-dimension of the sensory world.88 In Marder’s terms, Steiner learned to think like a plant. “The plant sets free the entire realm of petrified nature, including mineral elements, if not the earth itself,” writes Marder.89

David Hume, though not mentioned in Marder’s historical account, had his own bout of vegetal thinking in the midst of composing his Dialogues on Natural Religion, dialogues in which Cleanthes at one point is made to deploy an ontophytological critique of Philo’s over-determined analogization of the universe to an animal. Unlike an animal, argues Cleanthes, the universe we experience has “no organs of sense; no seat of thought or reason; no one precise origin of motion and action.” “In short,” Cleanthes jests, “[the universe] seems to bear a stronger resemblance to a vegetable than to an animal.”90 Cleanthes’ does not really believe the universe is a self-generating plant, he only suggests as much in order to undermine the credibility of Philo’s animal analogy.91 Philo responds by accepting the critique of the animal analogy, but then opportunistically turns the relative credibility of the vegetable analogy against Cleanthes’ own argument for design: “The world plainly resembles more…a vegetable, than it does a watch or a knitting-loom,” says Philo. “Its cause, therefore, it is more probable, resembles…generation or vegetation…In like manner as a tree sheds its seed into the neighboring fields, and produces other trees; so the great vegetable, the world, or this planetary system, produces within itself certain seeds, which, being scattered into the surrounding chaos, vegetate into new worlds.”92 Philo, of course, is no more sincere in his vegetal speculations than Cleanthes was in his. He doubts whether philosophy will ever have enough data to determine the true nature and cause of the universe. In the intervening two centuries since Hume published his Dialogues, mathematical and technological advances have allowed scientific cosmology to drastically expanded and complexify the range of data available to assist the natural philosopher’s speculative imagination. Modern scientific cosmology, especially when interpreted in light of the organic process ontology of Schelling and Whitehead, with their emphasis on self-organization and evolutionary emergence, only seems to have made the reality of Hume’s giant vegetable more probable.

Marder’s “plant-nature synecdoche,” which posits that plants are “the miniature mirror of phusis,” has only become more scientifically plausible in the intervening centuries since Hume’s vegetal conjecture.93 Why, despite the breadth of his “ontophytological” deconstruction of Western metaphysics, Marder makes no mention of Hume’s imaginatively generative double gesturing toward plants, I do not know.

Hume, of course, was not the first to philosophize about the vegetal life of the universe. That honor belongs to Plato, who wrote in Timaeus that the philosopher is a “heavenly plant” or “heavenly flower.” “We declare,” Plato has Timaeus say, “that God has given to each of us, as his daemon, that kind of soul which is housed in the top of our body and which raises us–seeing that we are not an earthly but a heavenly plant–up from earth towards our kindred in the heaven. And herein we speak most truly; for it is by suspending our head and root from that region whence the substance of our soul first came that the divine power keeps upright our whole body.”94

The next to carry forward Plato’s plant-thinking was Plotinus, into whose philosophy Marder writes that “there is no better point of entry…than the allegory of the world–permeated by what he calls ‘the Soul of All’–as a single plant, one gigantic tree, on which we alongside all other living beings (and even inorganic entities, such as stones) are offshoots, branches, twigs, and leaves.”95 Plotinus’ World-Tree grows from a single inverted root. The inverted root of the World-Tree is an image of the ever-living One that, though it “gives to the plant its whole life in its multiplicity,”96 itself remains forever “unaffected by the dispersion of the living.”97 Neither Marder, Whitehead, or Schelling accepts Plotinus’ emanational monism. Marder calls for an “anarchic radical pluralism,”98 a title which could just as well describe Whitehead and Schelling’s process ontology. Nonetheless, though they reject monism in favor of pluralism, all three carry forward Plotinus’ root image of an organic, vegetal universe.

Marder, like Schelling and Whitehead, conceives of nature “as suffused with subjectivity.”99 He likens the life of the plant (phutō) to the whole of nature (phusis), arguing that plant-life “replicates the activity of phusis itself.”100 “Phusis,” continues Marder, “with its pendular movement of dis-closure, revelation and concealment, is yet another…name for being.”101 Hume had Philo argue against the plausibility of divining the nature of the whole based on an acquaintance with its parts,102 but in daring to ontologize the vegetal life of the whole of nature (making its “life” more than a “mere” metaphor), Marder displays his allegiance to the ancient hermetic principle of correspondence: “as it is above, so it is below; as it is below, so it is above.”103

The hermetic principle of circular correspondence between the one above and the many below is not simply an abstract mental concept. It is a magical symbol whose power is enacted not only in the ideal meanings of the mind, but in the living movements of nature. These movements are made most obviously apparent by the mystery of the seasonal life-cycle of the plant realm. Though Hume clearly recognized that plant-life presented a definite limit to traditional metaphysical speculation, he remained uninitiated into the death/rebirth mystery esoterically encrypted in this vegetal threshold. Whitehead also invoked the hermetic principle by balancing Plato and Plotinus’ preferential treatment of the One with his own more Heraclitian “Category of the Ultimate.” Creativity is an ultimate category that dissolves the classical metaphysical dichotomy separating the single supreme Creator from its many subsidiary creatures. “Creativity,” writes Whitehead, “is the universal of universals characterizing ultimate matter of fact. It is that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively.”104 Through this process of creative advance from disjunction to conjunction, a novel entity is created not present in the prior dispersion. “The novel entity,” continues Whitehead, “is at once the togetherness of the ‘many’ which it finds, and also it is one among the disjunctive ‘many’ which it leaves; it is a novel entity, disjunctively among the many entities which it synthesizes. The many become one, and are increased by one.”105 The many down below thereby enter into and pass through the one up above, just as the one up above enters into and passes through the many down below. Schelling also creatively inherits the hermetic principle of correspondence by analogizing the metaphysical polarity of the many below and the one above to the physical pulsation–the “systole” and “diastole” rhythm–of living nature. “The antithesis eternally produces itself,” writes Schelling, “in order always again to be consumed by the unity, and the antithesis is eternally consumed by the unity in order always to revive itself anew. This is the sanctuary, the hearth of the life that continually incinerates itself and again rejuvenates itself from the ash. This is the tireless fire through whose quenching, as Heraclitus claimed, the cosmos was created.”106 Schelling offers the telling example of a tree to show how this cosmogenetic rhythm resonates through the whole to the parts and back again: “Visible nature, in particular and as a whole, is an allegory of this perpetually advancing and retreating movement. The tree, for example, constantly drives from the root to the fruit, and when it has arrived at the pinnacle, it again sheds everything and retreats to the state of fruitlessness, and makes itself back into a root, only in order again to ascend. The entire activity of plants concerns the production of seed, only in order again to start over from the beginning and through a new developmental process to produce again only seed and to begin again. Yet all of visible nature appears unable to attain settledness and seems to transmute tirelessly in a similar circle.”107

Schelling is not only one of a handful of philosophers to escape deconstruction by Marder’s vegetal anti-metaphysics, he even earns Marder’s praise for defending the continuity between life and thought.108 Schelling suggests that “every plant is a symbol of the intelligence,”109 and that this symbolic intelligence finds expression precisely in the plant’s power of “sensibility,” which–even when the pendulum of organic nature has swung toward its opposite but complimentary pole of “irritability”–remains the “universal cause of life.”110 The whole of nature being organic, its supposedly inorganic material dimension is therefore described by Schelling as only one half of the universal polarity between gravity and light, where light as the formal/ideal force exists in dynamic tension with gravity as the material/real force. What appears at first to be inorganic matter, when considered in its full concreteness as always already conditioned by the universal communicability of light, is really just the germ of organic life.111 As an illustration of the life-producing relationship between gravity and light, Schelling offers the example of the electromagnetic connection between earth and the sun responsible for calling forth plant-life out of the planet.112 Steiner similarly remarks that any attempt to understand the inorganic, mineral dimension of earth independently of the plant-life it supports will remain hopelessly abstract: “Just as our skeleton first separates itself out of the organism,” says Steiner, “so we have to look at the earth’s rock formations as the great skeleton of the earth organism.”113 Steiner further argues that the cultivation of etheric imagination will allow the philosopher to come to see “the plant covering of our earth [as] the sense organ through which earth spirit and sun spirit behold each other.”114 The mineral and plant realms are to earth what the skeletal and sensorial organs are to the human body. As Plotinus wrote, “earth is ensouled, as our flesh is, and any generative power possessed by the plant world is of its bestowing.”115

A process philosophy rooted in the power of etheric imagination requires an inversion or reversal of our commonsense experience of the universe. It is as if the world were turned inside out, or as if we were walking upside down upon the earth, with our head rooted in the ethereal soil of formative forces streaming in from the cosmos above, our limbs yearning for the living ground below, and our heart circulating between the two in rhythmic harmony. Rather than stretching for the abstract heights of the intelligible as if to steal a glimpse of heaven, the force of etheric imagination returns philosophy’s attention to earth, and to the roots, branches, leaves, flowers, fruits, and seeds of plants, earth’s most generous life forms, and indeed the generative source of life itself. Thinking with etheric imagination is thinking with a plant-soul. Plant-souls, according to Marder, partake of a “kind of primordial generosity that gives itself to all other creatures, animates them with this gift,…allows them to surge into being, to be what they are.”116

Heraclitus’ oft cited fragment 123–“nature loves to hide” (phusis kryptesthai philei)–should not be understood as a negation of the generous growth of the plant realm described by Marder.117 As with the natural world, there is more to Heraclitus’ paradoxical statement than first meets the eye. The earliest recorded use of phusis in ancient Greek literature is in Homer’s Odyssey, where it refers specifically to the “magic” and “holy force” of the molü plant given by Hermes to Odysseus to keep his “mind and senses clear” of Circe’s sorcery. The molü plant grows duplicitously into “black root and milky flower” and can be safely uprooted only by the gods.118 As we’ve seen, then, phusis suggests not only a tendency toward concealment in the darkness of the soil, but also a tendency toward revelation in the light of the sun. As is typical both of the plant-life of nature and of the semantic structure of his sentences, there is an underlying duplicity to Heraclitus’ fragment. Understanding the poetic meaning of his occult philosophy, or of a plant’s process of growth, is impossible without cultivating a logic of etheric imagination. The logics of techno-scientific manipulation and abstract conceptual analysis, in attempting to uproot and expose the etheric dimension of mind and nature to total illumination, succeed only in making it perish.119 Instead of objectifying nature, etheric imagination approaches it hermeneutically (i.e., with Hermes’s help), not by “[shying] away from darkness and obscurity,” but by letting plants “appear in their own light…emanating from their own kind of being.”120 Marder’s plant-thinking approaches a logic of imagination, in that he aims to begin his vegetal philosophizing, not from the purified perspective of disembodied rationality, but in media res, always in the middle of things: “To live and to think in and from the middle, like a plant partaking of light and of darkness…is to…refashion oneself–one’s thought and one’s existence–into a bridge between divergent elements: to become a place where the sky communes with the earth and light encounters but does not dispel darkness.”121

Only by finding its vegetal roots can philosophy become planetary, true to the earth and to the plant-like, etheric forces of imagination. But because the etheric imagination is in fact ungrounded, its plant-like growth becomes inverted: it has “underground stems” and “aerial roots,” as Deleuze and Guattari put it.122 Or, as Gaston Bachelard suggests, the properly rooted philosopher imagines “a tree growing upside down, whose roots, like a delicate foliage, tremble in the subterranean winds while its branches take root firmly in the blue sky.”123 For Bachelard, the plant is the root image of all life: “The imagination [must take] possession of all the powers of plant life,” he writes. “It lives between earth and sky…[it] becomes imperceptibly the cosmological tree, the tree which epitomizes a universe, which makes a universe.”124

Marder argues that “plants are resistant to idealization,”125 which is just another way of saying that the plant-realm is the etheric receptacle of Ideas, the resistance providing matrix that, in the course of evolutionary history, gradually raises unconscious nature to consciousness of itself as spirit. Etheric imagination is the esemplastic power through which eternal Ideas become incarnate in the concrescing occasions of the world, like seeds taking root in the ground, growing skyward through branch, leaf, flower, and fruit, only to fall again into the soil to be born again, and again… Marder’s “post-metaphysical task of de-idealization” makes him especially attentive to the association between the aesthetic power of plant-life (particularly flowers) and the pathos of death: flowers–“the free beauties of nature,”126 as Kant called them–have since the beginning of history been customarily “discarded along the path of Spirit’s glorious march through the world,” “abandoned” and thereby “freed from dialectical totality.”127 “In contrast to the death borne by Geist,” continues Marder, plant-life can become “neither mediated nor internalized.”128 Idealist philosophy is therefore always in a rush to “[unchain] the flower from its organic connection to the soil and [put] it on the edge of culture as a symbol of love, religious devotion, mourning, friendship, or whatever else might motivate the culling.”129 The end result of modern idealist rationality’s “thorough cultivation” and “biotechnological transformation” of plant-life is “a field of ruins.”130

The “economic-teleological” principle guiding modern rationality–whereby, for example, “trees in and of themselves have no worth save when turned into furniture”131–is largely the result of Kant’s failure to grasp the life of nature as more than a merely regulative judgment of the understanding: while he found it acceptable for human subjects to think the internal possibility of nature as organic, he refused to grant that life could be understood as constitutive of nature itself. “It is absurd,” Kant writes, “to hope that another Newton will arise in the future who would explain to us how even a mere blade of grass is produced.”132 It followed that the only avenue open to reason in its untamable desire to know nature was by way of the “economic-teleological” principle, whereby the philosopher of nature, in order to know his object, “must first manufacture it.”133 In order to avoid the deleterious ecological effects of modern rationality, which in its techno-capitalist phase has succeeded in turning the entire planet into mere raw material awaiting consumption, it is necessary to return to and to heal the simultaneously vegetal and sensorial repression from which this rationality stems.134

The repression of vegetal existence, according to Marder, began as early as Aristotle, who was willing to grant of plants, due to their lack of both locomotion and perception, only that they “seem to live.”135 This seeming life of plants, which from the perspective of the formal logic of Aristotle presented a taxonomic problem (i.e., are plants ensouled, or not?), from the perspective of a logic of imagination (no longer subject to the principle of non-contradiction) reveals precisely what has been repressed by so much of Western metaphysics: that it is towards the ambiguous ontology of plant-life that philosophy must turn if it hopes to discover the aesthetic ground of sensory experience. Aristotle does finally grant a kind of life to plants by pointing to their nutritive capacity (to threptikon), which in animal life is homologous to the haptic sense (i.e., touch).136 Touch is the basis of all aesthesis, only subsequently becoming differentiated into the other specialized senses.137 In light of the vegetal origins of sensation, Marder is lead to wonder “whether the sensory and cognitive capacities of the psyche, which in human beings have been superadded to the vegetal soul, are anything but an outgrowth, an excrescence, or a variation of the latter. The sensitivity of the roots seeking moisture in the dark of the soil [or leaves seeking light in the brightness of the sky]…and human ideas or representations we project, casting them in front of ourselves, are not as dissimilar from one another as we tend to think.”138

Whereas Kant argued that “real metaphysics” must be “devoid of all mixture with the sensual,”139 Marder suggests that the idealist reduction of plant-life to dead linear crystals140 “[survives] in human thought in the shape of Kantian immutable categories and forms of intuition to which all novel experiences must in one way or another conform.”141 Instead of forcing lived experience to obey the crystalline categories of thought, Marder’s plant-thinking, akin to the logic of etheric imagination guiding my dissertation, “destroys the Procrustean bed of formal logic and transcendental a priori structures–those ideal standards to which no living being can measure up fully.”142

The plant-thinking of etheric imagination breaks through the crystalline molds of “dead thought”–what Bergson called “the logic of solids”143–to bring forth instead a plastic logic, a way of thinking-with the creative life of nature, rather than against it.144 Whereas in a crystalline logic of solids, thought “has only to follow its natural [intrinsic] movement, after the lightest possible contact with experience, in order to go from discovery to discovery, sure that experience is following behind it and will justify it invariably,”145 in a fluid logic of plastics, thought becomes etheric, overflowing the sense-inhered intellect’s a priori categorical antinomies and pre-determined forms of intuition to participate in the imaginal life of cosmogenesis itself. “A theory of life that is not accompanied by a criticism of knowledge,” according to Bergson, “is obliged to accept, as they stand, the concepts which the understanding puts at its disposal: it can but enclose the facts, willing or not, in preexisting frames which it regards as ultimate.”146 The plasticity of etheric imagination, on the other hand, preserves the unprethinkability of the creative advance of nature by remaining “faithful to the obscurity of vegetal life,” protecting it from the searing clarity of crystallized rationality.147

Like Marder and Bergson, Schelling refuses to accept modern rationality’s inability to know the life of nature. For Schelling, after the Kantian revolution, philosophy began to deal “with the world of lived experience just as a surgeon who promises to cure your ailing leg by amputating it.”148 Instead of amputating the life of nature, Schelling attempted to reform philosophy’s bias toward abstraction by returning it to its senses. He strove to root philosophy in “that which precedes the logos of thinking,” namely, “an aesthetic act of poesis” paralleling the creative naturans that underlies the dead naturata of the natural world.149 Schellingian philosopher Bruce Matthews likens the imaginative act at the generative root of Schelling’s philosophy to “the explosive power of the sublime.” “This initial moment of aesthetic production,” continues Matthews, “provides us with the very real, but very volatile stuff of our intellectual world, since as aesthetic, this subsoil of discursivity remains beyond the oppositional predicates of all thought that otherwise calms and comforts the knowing mind.”150

Marder’s plant-thinking, like Schelling’s logic of etheric imagination, “rejects the principle of non-contradiction in its content and its form.”151 “The human who thinks like a plant,” continues Marder, “literally becomes a plant, since the destruction of classical logos annihilates the thing that distinguishes us from other living beings.”152 Unlike modern rationality, which is said to be self-grounding, plant-life is open to otherness, dependent on something other than itself (i.e., earth, water, air, and light). In the same way, etheric imagination receives its power from the elemental life of nature. It is no longer “I” who thinks nature; rather, “it thinks in me.” Or as Schelling put it, the philosopher who is properly attuned to nature becomes “nature itself philosophizing (autophusis philosophia).”153

Footnotes

80 Michael Marder’s blog posts entitled “The Philosopher’s Plant”: http://www.project-syndicate.org/blog/plato-s-plane-tree, as well as Deleuze and Guattari on “tree” (ATP, 12, 18)

81 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 21.

82 Marder, Plant-Thinking, 126.

83 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 75-78.

84 Schickler, Metaphysics as Christology, 162.

85 Edmund Husserl, “Foundational Investigations of the Phenomenological Origin of the Spatiality of Nature,” trans. Fred Kersten, in Husserl, Shorter Works, ed. Peter McCormick and Frederick A. Elliston (Indiana: University of Notre Dame Press, 1981), 222-33.

86 Marder, Plant-Thinking, 124-126.

87 See Petrified Intelligence: Nature in Hegel’s Philosophy by Alison Stone (New York: SUNY, 2005).

88 Schickler, Metaphysics as Christology, 143.

89 Marder, Plant-Thinking, 127.

90 Hume, Dialogues Concerning Natural Religion (1779), VI.

91 Cleanthes really believes the universe to be a law-abiding machine designed, built, and maintained by a perfect God.

92 Hume, Dialogues on Natural Religion (1779), VII.

93 Marder, Plant-Thinking, 120.

94 Plato, Timaeus, 90a-b.

95 Marder, “The Philosopher’s Plant 3.0: Plotinus’ Anonymous ‘Great Plant’” (2013), http://www.project-syndicate.org/blog/the-philosopher-s-plant-3-0–plotinus–anonymous–great-plant (accessed 4/24/2013).

96 Plotinus, Ennead III.8.10, 5-15.

97 Marder, “The Philosopher’s Plant 3.0: Plotinus’ Anonymous ‘Great Plant.”

98 Marder, Plant-Thinking, 58.

99 Marder, Plant-Thinking, 35.

100 Marder, Plant-Thinking, 28; Both “plant” and “nature” derive from the same Greek prefix (phuo-) and verb (phuein), meaning “to generate,” or “to bring forth.”

101 Marder, Plant-Thinking, 28-29.

102 Hume, Dialogues on Natural Religion, VI.

103 The Emerald Tablet. 

104 Whitehead, Process and Reality, 21.

105 Whitehead, Process and Reality, 21.

106 Schelling, The Ages of the World, transl. Jason Wirth (New York: SUNY, 2000), 20-21.

107 Schelling, The Ages of the World, transl. Jason Wirth (New York: SUNY, 2000), 21.

108 Marder, Plant-Thinking, 157.

109 Schelling, System of Transcendental Idealism, 122.

110 Schelling, First Outline of a System of the Philosophy of Nature, 146.

111 Schelling, First Outline of the System of a Philosophy of Nature, 186.

112 Schelling, First Outline of the System of a Philosophy of Nature, 185-186.

113 Steiner, The Spirit in the Realm of Plants, transl. by G. F. Karnow (Spring Valley, NY: Mercury Press, 1984); http://wn.rsarchive.org/Lectures/19101208p01.html (accessed 4/23/2013).

114 Steiner, The Spirit in the Realm of Plants, transl. by G. F. Karnow (Spring Valley, NY: Mercury Press, 1984); http://wn.rsarchive.org/Lectures/19101208p01.html (accessed 4/23/2013).

115 Plotinus, Ennead IV.2.27.

116 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 46.

117 Marder, Plant-Thinking, 28.

118 Odyssey, Book 10, lines 328-342.

119 Marder, Plant-Thinking, 30.

120 Marder, Plant-Thinking, 30.

121 Marder, Plant-Thinking, 178.

122 A Thousand Plateaus, p. 15

123 Poetic Imagination and Reverie, 85

124 Poetic Reverie, 85

125 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 13.

126 Kant, Critique of Judgment.

127 Marder, Plant-Thinking, 126.

128 Marder, Plant-Thinking, 126.

129 Marder, Plant-Thinking, 123.

130 Marder, Plant-Thinking, 128.

131 Bruce Matthews, Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom, 4; Schelling, Schellings sämtliche Werke, I/7, 18.

132 Kant, Critique of Judgment, §75.

133 Kant, Opus Postumum, trans. Echkart Förster, 240.

134 Marder, Plant-Thinking, 22.

135 Emphasis added. Aristotle, De anima, 410b23.

136 Aristotle, De anima, 413b1-10.

137 Marder, Plant-Thinking, 38.

138 Marder, Plant-Thinking, 27.

139 Kant, De mundi sensibilis atque intelligibilis forma et principiis; AK II, 394, transl. Bruce Matthews, Schelling’s Organic Form of Philosophy, 4.

140 Hegel considered plant growth to be linear, like crystals, whereas proper animals are elliptical in their movements (see pages 32-33 above).

141 Marder, Plant-Thinking, 163.

142 Marder, Plant-Thinking, 164.

143 Bergson, Creative Evolution, transl. by Arthur Mitchell (New York: Barnes and Noble, 2005), xvii.

144 Marder, Plant-Thinking, 166.

145 Bergson, Creative Evolution, xviii.

146 Bergson, Creative Evolution, xx.

147 Marder, Plant-Thinking, 173; For more on Schelling’s concept of “the unprethinkable,” see page 51 below.

148 Schelling, System der Weltalter: Münchener Vorlesung 1827/28 in einer Nachschrift von Ernst von Lasaulux, ed. by Siegbert Peetz (Frankfurt am Main: Vittorio Klostermann, 1990), 92.

149 Matthews, Schelling’s Organic Form of Philosophy, 5.

150 Matthews, Schelling’s Organic Form of Philosophy, 5

151 Marder, Plant-Thinking, 164.

152 Marder, Plant-Thinking, 164.

153 Schelling, Schellings sämtliche Werke, trans. Iain Hamilton Grant, 11:258.