a talk delivered for the Philosophy, Cosmology, and Consciousness program at CIIS.edu on Friday, January 29th, 2021.
Discussion has continued beneath my last post about Bakker. Below are a few of my comments there:
I advert to common idiom when discussing theoretical incompetence, but it certainly doesn’t turn on any commitment to representationalism – even less correspondance! The fact is, people regularly get things wrong in what appear to be systematically self-serving ways. You don’t need to subscribe to assertion conditions or truth conditions or anything speculative to commit to this.
People generally get things “wrong” in what respect? How are you defining “wrong” here? Upon what scientific criteria do we determine “right” from “wrong”? I assume you mean to speak of “falsity” and “truth,” rather than right and wrong? Even so, the scientific enterprise is not a scantron test where we bubble in T or F after each experiment. Experimental facts are always underdetermined by the theory framing them, which means there is always some degree of extra-scientific hermeneutic, aesthetic, or intuitive selection going on to determine which theory is “best.” For example, even given all empirically verified neuroscientific evidence to date of a brain-mind correlation, brain-based reductionist accounts of what we call “consciousness” represent only one possible causal explanation: it remains entirely possible that the brain functions more like a radio antenna and that the causes of “consciousness” are non-locally distributed beyond the skull (see my reflections on cognitive neuroscientist Michael Persinger and cognitive philosopher Andy Clark, for example). If the scientific enterprise were simply a matter of confirmation or falsification (either a theory is true or it is false) then there’d be very few if any viable scientific theories. That most of our theories fail to account for all the evidence (or if they do, fail to definitively disqualify competing theories which also account for the evidence) suggests either that humans are theoretically incompetent, or that nature/matter is more complex than our mechanistic models generally allow.
The life sciences are mechanistic, so if subjective experience can be explained without some kind of ‘spooky emergence,’ as I fear it can, then all intentional philosophy, be it pragmatic or otherwise, is in for quite a bit of pain.
I’d dispute the statement that the life sciences are mechanistic, depending on what you mean by the machine metaphor. There are major unresolved controversies within the life sciences concerning the status of life, whether mechanism can really account for the self-organizing, biosemiotic, and phenomenological dimensions of even a single living cell (See the cognitive neuroscientist Francisco Varela’s 2002 paper “Life After Kant,” or his colleague cognitive scientist Evan Thompson’s book Mind in Life, for good run downs concerning this controversy). There is no reason to conceive of “emergence” as spooky. This way of thinking about the place of wholes in nature is terribly misleading. There’s no reason to make emergence seem supernatural now that science has the conceptual tools to deal with complexity, chaos, non-equilibrium systems, etc (see Terry Deacon’s recent book Incomplete Nature for the cutting edge attempt to account for intentionality in a non-reductive way).
Where I entirely agree with you is that classical philosophical “metacognition” is over-matched by the complexity of the experiential universe. I don’t take much stock in theories like supervenience, functionalism, or anomalous monism for this reason. They are too abstract and cogni-centric and pay too little attention to the complex textures of lived, embodied reality, textures that unfold at or below the threshold of what usually gets called “consciousness.” I turn instead to philosophers like James and Whitehead who sought to correct for the rationalist biases of so much Western philosophy by turning philosophy’s attention to an investigation of feeling and bodily reference, pushing back against the pretensions of disembodied thought and transcendental deduction.
- Life After Darwin (another response to Benjamin Cain) (footnotes2plato.com)
- The Danger of Scientism? (response to Benjamin Cain) (footnotes2plato.com)
- Reflections on Deleuze’s Engagement with Natural Science in D&R (footnotes2plato.com)
In chapter V of Difference and Repetition, “The Asymmetrical Synthesis of the Sensible,” Deleuze engages with the various scientific theories of 19th and 20th century thermodynamics, not by identifying his fictions with scientific facts, but by detonating the philosophical idea of “intensive depth” in range of the qualitative extensity studied in terms of the scientific concept of entropy. The scientific concept of entropy, when subject to the dogmatic image of thought, comes to be described as the universe’s smooth and continuous causal transition from an improbably heterogeneous past state into more probable homogeneous future state. Deleuze, it seems to me, wants to save the metaphysical implications of the concept of entropy from the physical reductionism of a still all too Cartesian science.
Some commentators, like Badiou and Joe Hughes (A Reader’s Guide, 2009), insist that Deleuze’s engagement with natural scientific concepts is purely metaphorical and not at all physical. Hughes writes (153):
“We therefore have to be careful about concentrating too much on the scientific notion of intensity. Deleuze is concerned with founding representation, not thermodynamics. He says of Nietzsche at one point in the chapter that ‘[i]t is true that Nietzsche was interested in the energetics of his time, but this was not the scientific nostalgia of the philosopher’ (D&R, 243). The same can be said of Deleuze. In the same way that Deleuze’s theory of Ideas was not fundamentally related to mathematics, his theory of intensity is not tied to thermodynamics (and his theory of individuation is not tied to biology). Deleuze is neither a scientist nor a philosopher of science. Science never leaves the realm of fact, but Deleuze is interested in the constitution of facticity itself. What is at issue in these discussions then is not the nature of intensity as it appears in science, or even of founding the scientific notion, but of drawing inspiration from science in order to develop a philosophical concept. ‘Intensive quantity is a transcendental principle, not a scientific concept’” (D&R, 240-241).
I must disagree with Hughes’ reading here. It is at best a partial reading. Partial because, when Hughes quotes Deleuze as saying that intensive quantity is transcendental and not physical, he shortens Deleuze’s sentence, which actually begins: “Energy or intensive quantity is a transcendental principle…” Deleuze is not just drawing inspiration from science, he is ungrounding representational interpretations of natural science to show that general concepts like “energy” in thermodynamics, “differential” in calculus, “gene” in biology, or “phoneme” in linguistics (D&R, 278) are really virtual intensive quantities which only become recognizable to scientific consciousness after they’ve been covered over by qualities and explicated in extensity. Far from turning to the natural sciences merely to extract their metaphorics, Deleuze critiques the naïve physicalism of these sciences in order to install the genetic power of the transcendental at the heart of nature itself.
Deleuze is trying to provide the natural science of his day with a metaphysics; but like Schelling (see Preface to Ideas for a Philosophy of Nature), he meant his metaphysics to come after physics, and not before it. By engaging with the natural sciences, Deleuze doesn’t mean to undermine them by applying transcendental limits to subjective knowledge; his transcendental empiricism aims to unsettle the clear and distinct categories of scientific representation by pointing to the ceaseless rumbling of a volcanic nature whose groundless ground (Abgrund) constantly disturbs the smooth surface features that allow for lawful generalization. The inner nature of the scientist, with all the truth and good sense of his inductive method, projects an external nature that circles and so repeats lawfully without undue difference. Deleuze’s philosophy of difference is a direct assault upon such a Cartesian science, on the way it covers over the implication of ideal intensities without affirming the virtual processes that remain behind or beneath these coverings, processes which Deleuze argues provide the conditions for the actuality of the qualitative extensities measured by the scientist. Deleuze’s differential concept of nature is spiralic: nature is groundlessly creative; it is eternally recurring but only by repeatedly disguising its own intensive depth; it is always spinning out of the general categories or circles of control posited by the spectating scientific Cogito. There is a ceaseless rumbling in nature that forms cracks in every smooth ground or sufficient reason that might pretend to hold back the transcendental volcano of virtual intensities, a rumbling forever forcing thought to think.
The Sunset of Materialism: Whitehead’s Philosophy of Science
“The sun rose on the flawless brimming sea into a sky all brazen–all one brightening for gods immortal and for mortal men on plow lands kind with grain.” -Homer25
“God invented sight and gave it to us so that we might observe the orbits of intelligence in the universe and apply them to the revolutions of our own understanding.” -Plato26
“When you understand all about the sun and all about the atmosphere and all about the rotation of the earth, you may still miss the radiance of the sunset.” -Whitehead27
For ancient poets like Homer, the sun was a being of tremendous spiritual significance. The immense beauty of its rising and setting brought forth a dramatic display of the abiding moral harmony underlying the cosmos. For ancient philosophers like Plato, the sun was similarly a sign of the highest Good, but its visible light was thought to be only partially responsible for the shower of colors drenching earth and sky. Participating in the sunlit phenomena of the outer world was an inner noumenal light emanating from the eyes. Plato suggested that this inner light flows gently outward through the eyes from a psychic fire kindred to that animating the sun. It meets and coalesces with the light of the sun (or at night, the moon and stars) to bring forth the beauty and splendor of the universe.28 Plato’s was a participatory account of our knowledge of nature, such that soul and world were understood to synergetically intermingle in each act of perception. He considered the eyes the noblest of the senses, “source of supreme benefit to us,”
in that none of our present statements about the universe could ever have been made if we had never seen any stars, sun, or heaven. As it is, however, our ability to see the periods of [the heavens] has lead to the invention of number, and has given us the idea of time and opened the path to inquiry into the nature of the universe.29
Not only was Plato’s cosmology inclusive of perceptual experiences in its definition of nature, it felt divine eros and saw eternal eidos at work throughout the cosmos. The circling stars, sun, and moon were considered to be living gods, humanity’s wisest teachers. In his survey of European history, Whitehead places Plato at the center of the first great period of intellectual development, a period with deep influences on all subsequent thought.30 In the main, Plato’s cosmological scheme and account of visual perception, as articulated most profoundly in the dialogue Timaeus, reigned among Europe’s intelligentsia for more than 1,500 years.31 It was not until the height of the scientific revolution in the 17th century that his participatory premises were rejected by the next wave of great geniuses.
“In the year 1500,” writes Whitehead, “Europe knew less than Archimedes who died in the year 212 BCE.”32 The commonsense assumption of a person living in 1500 was that earth stood stationary at the center of a sacred series of eternally circling heavenly hosts. Below the moon, four elements composed everything; above it, something far subtler was thought to be at work. “Yet in the year 1700,” continues Whitehead, “Newton’s Principia had been written and the world was well started on the modern epoch.”33 The new analytic methods of Descartes, Galileo, and Newton succeeded in breaking the bond between the numinosity of the soul and the phenomenality of the world, bifurcating nature into two distinct substances, the material and the mental. Humanity’s understanding of its relationship with the universe underwent a fundamental transformation.
Three hundred years later, despite the evidences of modern physical science, the average 21st century person still unhesitatingly refers to the setting of the sun, to the red hues of its surrounding sky, and to the waning of its warmth as it sinks beneath the horizon. From the perspective of the well-trained mathematical physicist, such a person’s commonsense is mistaken: the sun does not set, nor is it warm, nor is its ambiance red. Its sinking, like its warmth and color, are only subjective appearances, artifacts of our perception and not facts of nature. “If the living creature were removed,” argued Galileo, the first to formalize nature’s bifurcation in terms of primary physical and secondary psychical characteristics, “all these qualities would be wiped away and annihilated.”34 The warmth and hue of a sunset, continues Galileo, “are no more than mere names so far as the object in which we locate them are concerned.”35 They reside not in the essential nature of the cosmos, but in the arbitrary names of consciousness. Plato’s insight into the erotic coupling of inner/spiritual light with outer/physical light has been degraded into the dualistic modern theory of “two natures…one the conjecture and the other the dream.”36 Scientific materialism, in other words, has come to oppose our personal experience of nature (the dream) to an abstract model of nature theorized to be the impersonal cause of that experience (the conjecture).
Following upon Galileo’s initial bifurcation of nature, Descartes brilliantly articulated the ontological and epistemological underpinnings of modern scientific materialism. The eclipse of the illusory geocentric cosmos by the mathematical elegance of Copernicus’ heliocentric model (as improved upon by Kepler) made it clear to Descartes that sensory perception could not be trusted for scientific purposes. Science was to become the study of the mechanisms of the extended things (res extensa) of nature, a study guided by the exact mathematical measurement of primary qualities like length, width, height, mass, and motion. Religion, on the other hand, was to retain responsibility for shaping the unearthly substance of the soul, providing moral guidance for existentially troubled thinking things (res cogitans) like us. Secondary qualities like color, sound, and taste were left to the free play of artists to be combined and recombined for the purpose of heightening the pleasure of appearances, rather than penetrating deeper into the archetypal dimensions of reality.37
In the intervening years since the scientific revolution, a new civilization guided by the ideals of the Enlightenment has taken root on every continent. By 1850, the values of industrial capitalism, justified by the mechanistic cosmology of scientific materialism, had infected much of the Western world, forever altering traditional forms of agriculture, manufacturing, transportation, communication, and religious practice. “[All] thought concerned with social organization,” writes Whitehead,
expressed itself in terms of material things and of capital. Ultimate values were excluded. They were politely bowed to, and then handed over to the clergy to be kept for Sundays. A creed of competitive business morality was evolved…entirely devoid of consideration for the value of…life. The workmen were conceived as mere hands, drawn from the pool of labor. To God’s question, men gave the answer of Cain– “Am I my brother’s keeper?”; and they incurred Cain’s guilt.38
Today, at the peak (if not the beginning of the decline) of humanity’s technoscientific mastery over nature, a coherent cosmology capable of guiding the adventure of civilization safely into the next millennium is just beginning to take root. Still, our knowledge remains fragmented, our society teetering on the brink of self- and world-destruction. What seemed like the cure for all ignorance in the 17th century has since become a curse. Our technoscientific way of knowing–constructed on the metaphysical assumption of the bifurcation of subject and object, fact and value, meaning and matter–threatens the continued existence of the community of life on earth.
Beginning in the early 1920s, Whitehead interrogated modern science and industrialism, not to dismiss them,39 but to remind them of what they had dismissed. He asks: “What has happened to us?” According to Stengers, this question is not an attempt to condemn scientific materialism for the wayward course of civilization, but is rather
a resource for telling our stories in another way, in a way that situates us otherwise–not as defined by the past, but as able, perhaps, to inherit from it another way.40
Whitehead’s creative retrieval of the history of natural philosophy is organized around a new concept of nature and a novel way of framing the activity of science. Instead of construing the task of science to be that of overcoming subjective illusion in order to reach objective reality, as many modern thinkers have done, Whitehead takes the speculative risk of defining nature otherwise: nature becomes, quite simply, “what we are aware of in perception.”41 “Everything perceived is in nature,” says Whitehead, “We may not pick and choose.”42 This reframing of science’s understanding of nature cannot be judged as “true” or “false” a priori; to judge it fairly, we must first trust it enough to take the “leap of the imagination”43 it implies, waiting eagerly to see in what way it transforms experience. Passing judgment on the veracity of Whitehead’s new concept of nature requires first deploying it, experimenting with its effects in the world, establishing its relevance to the values of actual life. Materialist enemies of his philosophy tend to lack the negative capability44 required to pursue the consequences of Whitehead’s unbifurcated image of the universe; they refuse to pay attention to what Whitehead’s concepts make important. Instead, they remain bound within the limits of the same old poorly composed problems (e.g., “how does the brain secrete consciousness?”, or “what sort of thing is curved space-time?”). Whitehead’s cosmology and philosophy of science require the invention and deployment of novel concepts of space, time, causality, and consciousness. These concepts pose new problems for science, allowing it to become attentive to the relevance of both quantitative patterns and qualitative perceptions in the passage of nature, releasing it from the irrational and polemical desire to replace concrete experience with abstract explanation. In this sense, Whitehead’s scientific method can be compared with Goethe’s “gentle empiricism,” which similarly rejected mechanical explanations, instead pursuing nature’s reasons by learning to participate more fully in the archetypal patterns interwoven with experience itself.45 “The divergence of [scientific] formulae about nature from the appearance of nature,” argues Whitehead, “has robbed the formulae of any explanatory character.”46
Equipped with a new kind of science, we can ask again, “What has happened to us?” We must be sensitive to both what Whitehead’s concept of nature discloses and what it makes recede into shadow. In what way does it transform the adventures of science and civilization? What becomes important when the task of natural philosophy is not to explain away value, meaning, and subjectivity at all costs, but rather to avoid the bifurcation of nature at all costs? Whitehead’s new concept of nature, should we commit ourselves to it, implies that
the red glow of the sunset should be as much part of nature as are the molecules and electric waves by which men of science would explain the phenomenon.47
Whitehead’s reframing of the task of science together with his redefinition of nature should not be construed as the imposition of limitations upon scientific knowledge. His aim is not to restrict what science can know, but to remind science what it already knows, and what its knowledge presupposes. By defining nature as “what we are aware of in perception,” Whitehead explicitly brackets “mind” (i.e., “that which perceives”) from nature. This bracketing is done in order to avoid struggling to answer badly formulated problems, such as the so-called “hard problem” of how the brain produces the mind. Posing such a problem immediately drags science into metaphysics, into reflection upon “both what is perceived and what perceives.”48 Metaphysics seeks after the nature of nature beyond what we are aware of in perception, and so pursuing such questions would negate the speculative wager whose consequences for experience Whitehead’s philosophy of science is trying to spell out. For now, says Whitehead, “we leave to metaphysics the synthesis of the knower and the known.”49 Later in his philosophical career, when he turns to full blown cosmological speculation, Whitehead will be forced to tackle such metaphysical issues; but in his early philosophy of science, he keeps his eye on the prize: a coherent foundation for our scientific knowledge of nature. From Whitehead’s re-imagined point of view, the questions of science “do not enable [it] to formulate the problem of the ‘mind’ because these questions and their answers presuppose it.”50 Science is a way of knowing nature; therefore, the pursuit of knowledge of nature presupposes that there is a knower, i.e., a mind.
Knowledge is ultimate. There can be no explanation of the “why” of knowledge; we can only describe the “what” of knowledge.51
If science is going to commit itself to the pursuit of knowledge of nature, there can be no going behind knowledge to explain it by some more fundamental activity (e.g., neurochemistry). The possibility of scientific explanation cannot itself be scientifically explained. Whitehead’s decision to bracket mind from what we are aware of in perception is not the same as the materialist’s decision to bifurcate nature into primary (physical-scientific) and secondary (psychological-aesthetic) qualities. Instead of turning science against commonsense experience through “heroic feats of explaining away,”52 Whitehead defines the truth of science in terms of its experimental achievements and experiential disclosures.53 The numinous glow of the sunset as experienced by the poet comes again to be rooted in nature, no less an aspect of what we come to be aware of in perception than the wavelengths of the photons detected by the sophisticated instrumentation of the physicist. The data of science, no matter how abstract and seemingly removed from everyday experience, must ultimately be translatable back into some operational technique or direct observation. “If the abstractions [of science] are well-founded,” says Whitehead,
that is to say, if they do not abstract from everything that is important in experience, the scientific thought which confines itself to these abstractions will arrive at a variety of important truths relating to our experience of nature.54
The “photon,” for example, is not just an invention of the physicist, nor is it simply a fact of nature. The photon is what the physicist has come to be aware of in his or her perception of light as a result of certain replicable experiments, laboratory technologies, theoretical images, and mathematical equations. The photon, as a scientific-object, is said to be abstract only in that it cannot be grasped in isolation from the “whole structure of events” or “field of activity” (i.e., the creative advance of nature) to which it belongs and through which it endures.55 From the perspective of Whitehead’s philosophy of science, the abstract will never be able to offer a satisfactory explanation for the concrete.56 The wavelength of a photon does not explain the perception of redness, nor does even a connectionist model of neurochemistry explain the artist’s aesthetic encounter with a beautiful sunset. Whenever scientific materialists try to provide such heroic explanations, they succeed only in offering descriptive commentaries in terms of the scientific objects most fashionable in their time–commentaries that presuppose the very thing they pretend to have explained away: consciousness. The only valid method of explanation from Whitehead’s point of view is the reverse of the materialist’s, an explanation which traces the genesis of abstractions back to the concrete consciousness and perceptual presences from which they emerged.57 A science that seeks to explain the concrete by way of the abstract all too easily falls prey to a form of knowledge production whose adequacy is judged instrumentally, i.e., in terms of its capacity to transform and control nature, rather than ecologically, i.e., in terms of its capacity to understand and relate to nature.
Whitehead’s aim in pursuing the philosophy of science was largely in service of pragmatic experience and commonsense: he sought to leap across and straddle the fissure bifurcating nature into the facts of physical reality on the one side and the values of psychical appearance on the other.58 In order to achieve this end, he struggled to imagine a participatory mode of attending to nature–a nature no longer objectified into the inert stuff instrumentally manipulated by an alienated technoscientific mode of knowing. Instead, Whitehead sought to disclose nature to awareness as a community of relationships shaped by the social desires and individual decisions of living organisms. Organisms cannot be characterized merely by mass, extension, and velocity; they are creatures enjoying the value of their own experience, which itself is initially inherited from the feelings of others. Contrary to Galileo, Descartes, and Newton, Whitehead’s vision of the cosmos is ecological: the final real things are individual living organisms, each dependent on their relationships to others for their continued existence as themselves.
By the late 1920s, Whitehead had given up on the problems that framed his earlier inquiry into the philosophy of science in order to pursue the riskier adventure of metaphysics. “Riskier” because “the recourse to metaphysics is like throwing a match into the powder magazine. It blows up the whole arena.”59 For the later, more explicitly metaphysical Whitehead, “mind” can no longer be bracketed from a neatly delimited “nature.” The imaginative enjoyment of the poet and the intellectual reflection of the theoretician resulting from the beauty of the setting sun must themselves be understood as ingredient in the creative advance of the universe. Mind must find its foothold in the midst of things themselves, an inhabitant of nature and not its transcendental knower. In the next section, I further unpack Whitehead’s venture beyond the philosophy of science into the formidable project of constructing a coherent cosmology justifying the civilized phases of human society.
25 Homer, The Odyssey, trans. Robert Fitzgerald (Garden City, New York: Double Day, 1961), bk. 3, lines 1-4.
26 Plato, Timaeus, 47b-c.
27 Whitehead, Science and the Modern World, 178.
28 Plato, Timaeus, 45a-d.
29 Plato, Timaeus, 47a
30 Whitehead, Science and the Modern World, 38.
31 Arthur Zajonc, Catching the Light: The Entwined History of Light and Mind (New York: Oxford University Press, 1993), 21. Plato’s cosmology’s only serious challenger was Aristotle.
32 Whitehead, Science and the Modern World, 13.
33 Whitehead, Science and the Modern World, 13.
34 Galileo Galilei, The Assayer, transl. Stillman Drake, in Discoveries and Opinions of Galileo (New York: Doubleday, 1623/1957), 274.
35 Galileo, The Assayer, 274.
36 Whitehead, The Concept of Nature (Cambridge: Cambridge University Press, 1920/1964), 31.
37 Prior to the differentiation of art, science and religion in the modern period, art served primarily a religious function as a sort of window from the earthly into the archetypal realm (see Whitehead, Science and the Modern World, 20). Art also served science by mastering perspective, allowing for realistic representations of nature (see ibid., 45).
38 Whitehead, Science and the Modern World, 181.
39 “I assume as an axiom that science is not a fairy tale” (Whitehead, The Concept of Nature, 40).
40 Stengers, Thinking With Whitehead, 14.
41 Whitehead, The Concept of Nature, 28.
42 Whitehead, The Concept of Nature, 29.
43 Whitehead, Process and Reality, 4.
44 See John Keats’ letter to his brothers, December 21, 1817: “Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”
45 Zajonc, Catching the Light, 203.
46 Whitehead, Modes of Thought, 154.
47 Whitehead, Modes of Thought, 154.
48 Stengers, Thinking With Whitehead, 34-36.
49 Whitehead, The Concept of Nature, 28.
50 Stengers, Thinking With Whitehead, 35.
51 Whitehead, The Concept of Nature, 32.
52 Whitehead, Process and Reality, 23.
53 Or in William James’ terms (a major influence on Whitehead), scientific truth becomes subject to the tests of pragmatism and radical empiricism, respectively.
54 Whitehead, Science and the Modern World, 58.
55 Whitehead, The Concept of Nature, 170-171.
56 Stengers, Thinking With Whitehead, 99.
57 Stengers, Thinking With Whitehead, 110.
58 Stengers, Thinking With Whitehead, 38.
59 Whitehead, The Concept of Nature, 29.
If a pushy philosopher were to back me into a corner and force me to choose one or the other, naturalism or supernaturalism, I would choose naturalism. But I’d find myself wanting to ask, as Socrates might, what is meant by “nature”?
Physics becomes metaphysics as soon as the word–”nature”–is pronounced. The logos of language of its own accord compels conscious creatures like us to ask the fateful question: “What is nature?” I’ve heard many definitions, each with its own interesting implications for any attempt to interpret experiential reality. Plato suggested that nature was the life of the All. Aristotle posited that nature was the sum total of phenomenal/physical beings. Descartes thought it was energetic vortexes circling in an extended plenum. Newton thought it was atoms colliding in the void of space (space, meanwhile, he considered to be the omniscient sensorium of God).
We might also reframe the question by asking about the proper relationship between the logos which asks and the nature which responds. From this there may emerge important epistemological, aesthetic, and ethical queries, none of which are anything like the pursuits of the specialized natural sciences. These methods of inquiry pose their own kinds of problems and devise their own kinds of solutions, solutions which, though they are relevant (we hope!), still differ greatly from the kinds of solutions sought out by physicists and chemists.
“The recourse to metaphysics,” says Whitehead, “is like throwing a match into the powder magazine. It blows up the whole arena” (The Concept of Nature, 29).
Once the question of nature has been asked, it seems we come to find ourselves in a strange and imaginal land. Appearances can no longer be taken for granted as real. Knowledge comes to seem unfounded. Plato wrote from such a mythical place of not-knowing in the Timaeus, even daring to offer several names for it including chora, matrix, receptacle, nurse, and nurturer. He depicted this matrix hovering between the being of invisible forms and the becoming of visible matter, able to take on any definite form and thereby grant it birth into the physical realm, while itself always remaining formless. I interpret Plato’s nurturing “third kind” between the eidos and chaos not as a fantasy land, but as the event-place of reality’s eruption into concrete experience. Necessary ideas and contingent matter are both abstractions from the real. The real comes to be always in-between.
To even frame a polemic around the dichotomy “naturalism v. supernaturalism,” no matter whether one’s aim to choose the atheistic or theological option, is already to implicate oneself in a logic of transcendence, since each term is defined only by its exclusion of the other. A more friendly inquiry (born out of intellectual philia rather than intellectual polemos) was that of Spinoza, who thought not in the exclusive terms of either God or Nature, but in the integral terms of both God and Nature.
Approaching the metaphysical problems posed by naturalism philosophically, rather than polemically, allows one to delight in the multiplication of possibilities and in the intensification of wonder, rather than in the rush to simplify and explain.
Levi Bryant recently offered some thoughts, and some fighting words, on behalf of the naturalistic interpretation of reality (Skholiast has responded in a way that contextualized Bryant’s remarks for me quite nicely). Bryant’s real enemy in these posts is the Continental tradition of philosophy, which he suggests was founded in the 19th century as an anthropocentric reaction against the tremendously technologically successful (but psychologically traumatizing) scientific naturalism first developed in the 16th century. Bryant’s naturalism has three major requirements: 1) no supernatural causes, 2) no metaphysical telos, 3) culture must be natural. A implication of these requirements is that materiality and insensate efficient forces are to be the only real factors operating anywhere in the natural world. Bryant also rejects the idea of nature constructed in the imaginations of reductionists, eliminativists, and positivists, preferring his own “machine-oriented ontology.”
As I said at the beginning, if the dilemma were posed as such, I’d also want to pursue naturalist over supernaturalist accounts of reality. I think Bryant has rightly avoided the blunders of the other ideas of nature floating around among materialists. His alternative materialist ontology is of great interest to me, if only because on some level I do enjoy the creativity that can be unleashed by polemic (“War is the father of all things…” Heraclitus). For the past four of five years of my graduate study at CIIS, I have had a handful of guides helping to shape my initial approach to questions concerning the nature of nature. Of this handful, I’ve grown most familiar with the voices of Alfred North Whitehead and Friedrich Joseph Schelling. As far as naturalisms go, I’d toss as many of their books into my metaphysical wagon as my horses are able to carry. Spare me your universal acids and logics of extinction, I’ll take an originally duplicitous nature animated by a mytho-logic of creativity.
Of course, the journey through the dessert of the real cannot be completed only by imbibing the spilt ink of dead names. Thoughts must boil up from out of the heat of my own blood and words must be uttered from out of the air of my own lungs. I’m working on it… But let us not forget this is also a conspiracy. Though we wage war with symbolic soldiers on paper battlefields, we still think our thoughts, breathe our words, and take our earthly steps together. There need be no polemic between a machine- and an organic-orientation toward reality if we are able to approach their proper relation in a friendly (i.e., a philosophical) way. Schelling’s Naturphilosophie is an attempt to account for both the appearance of mechanism and the reality of organism. He writes:
the particular successions of causes and effects (that delude us with the appearance of mechanism) disappear as infinitely small straight lines in the universal curvature of the organism in which the world itself persists (On the World Soul, trans. Iain Hamilton Grant, Collapse: Philosophical Research and DevelopmentVI, 70.)
Similarly, from the perspective of Whitehead’s philosophy of organism, physics and chemistry do not study the non-living components of living ecologies; rather, they are themselves the study of living ecologies at scales other than the biological, tracking the migratory behavior of electrons and protons rather than gnats and zebras. I hearken back to the original meaning of the Greek word physis here, which did not refer to the motion of dead stuff through empty space, but to the growth of living form in teleological time. “Life,” in the context of the organism-oriented ontology I’m trying to construct, is not bios but zoö, where the latter comes to designate existence as such. What exists as such are living organisms.
Bryant denies to naturalism anything but material and efficient causality. I am not aware of any coherent interpretation of quantum physics based solely on material and efficient causation. Nor am I aware of any coherent explanation for biological phylo- or ontogenesis that does not employ at least formal if not also final causes. Unless we are willing to ignore much of “what we are aware of in perception” (Whitehead’s definition of the nature studied by science), it is hard not to grant more than the blind conveyance of forces to nature. To be fair, Bryant does think biological purposes can emerge on accident out of the evolutionary algorithm. Human ideals are emergent realities, new features of the world. I’d argue that telos is no accident, but rather, like life, it is of the very essence of existence. To exist is to be a reason. Nature is not aimless, but nor is its telos designed by a transcendent demiurge. Nature is a creative process of birth and perishing persuaded into enduring patterns of harmony by a participating Eros. Harmony is not a metaphysical necessity, though both Creativity and Eros are. Cosmic harmony is an achievement, the contingent result of the values of a society of organisms characteristic of a particular cosmic epoch. Cosmos need not always emerge from chaos; yet it tends to.
Bryant leaves open the possibility that the world’s great religious teachers might have important metaphysical lessons to teach us. One of my projects has been to try to argue for the relevance of religious imaginaries in combatting precisely the sort of anthropocentrism that Bryant claims naturalism vanquishes (see for example this essay on a Christian spiritual response to the social and ecological crises of our day).
Krauss: …Philosophy used to be a field that had content, but then “natural philosophy” became physics, and physics has only continued to make inroads. Every time there’s a leap in physics, it encroaches on these areas that philosophers have carefully sequestered away to themselves, and so then you have this natural resentment on the part of philosophers. This sense that somehow physicists, because they can’t spell the word “philosophy,” aren’t justified in talking about these things, or haven’t thought deeply about them—
Is that really a claim that you see often?
Krauss: It is. Philosophy is a field that, unfortunately, reminds me of that old Woody Allen joke, “those that can’t do, teach, and those that can’t teach, teach gym.” And the worst part of philosophy is the philosophy of science; the only people, as far as I can tell, that read work by philosophers of science are other philosophers of science. It has no impact on physics what so ever, and I doubt that other philosophers read it because it’s fairly technical. And so it’s really hard to understand what justifies it. And so I’d say that this tension occurs because people in philosophy feel threatened, and they have every right to feel threatened, because science progresses and philosophy doesn’t.
“Even the last remaining trump card of the theologian, ‘Why is there something rather than nothing?,’ shrivels up before your eyes as you read these pages. If ‘On the Origin of Species’ was biology’s deadliest blow to supernaturalism, we may come to see ‘A Universe From Nothing’ as the equivalent from cosmology. The title means exactly what it says. And what it says is devastating.”
“…it ought to be mentioned, quite apart from the question of whether anything Krauss says turns out to be true or false, that the whole business of approaching the struggle with religion as if it were a card game, or a horse race, or some kind of battle of wits, just feels all wrong — or it does, at any rate, to me. When I was growing up, where I was growing up, there was a critique of religion according to which religion was cruel, and a lie, and a mechanism of enslavement, and something full of loathing and contempt for everything essentially human. Maybe that was true and maybe it wasn’t, but it had to do with important things — it had to do, that is, with history, and with suffering, and with the hope of a better world — and it seems like a pity, and more than a pity, and worse than a pity, with all that in the back of one’s head, to think that all that gets offered to us now, by guys like these, in books like this, is the pale, small, silly, nerdy accusation that religion is, I don’t know, dumb.”
“When it comes to the real operational issues that govern our understanding of physical reality, ontological definitions of classical philosophers are, in my opinion, sterile. Moreover, arguments based on authority, be it Aristotle, or Leibniz, are irrelevant. In science, there are no authorities, and appeal to quotes from brilliant scholars who lived before we knew the Earth orbited the Sun, or that space can be curved, or that dark matter or dark energy exist do not generally inform our current understanding of nature. Empirical explorations ultimately change our understanding of which questions are important and fruitful and which are not.”
If all possibilities—all universes with all laws—can arise dynamically, and if anything that is not forbidden must arise, then this implies that both nothing and something must both exist, and we will of necessity find ourselves amidst something. A universe like ours is, in this context, guaranteed to arise dynamically, and we are here because we could not ask the question if our universe weren’t here. It is in this sense that I argued that the seemingly profound question of why there is something rather than nothing might be actually no more profound than asking why some flowers are red or some are blue. I was surprised that this very claim was turned around by the reviewer as if it somehow invalidated this possible physical resolution of the something versus nothing conundrum.
Instead, sticking firm to the classical ontological definition of nothing as “the absence of anything”—whatever this means—so essential to theological, and some subset of philosophical intransigence, strikes me as essentially sterile, backward, useless and annoying. If “something” is a physical quantity, to be determined by experiment, then so is ‘nothing’. It may be that even an eternal multiverse in which all universes and laws of nature arise dynamically will still leave open some ‘why’ questions, and therefore never fully satisfy theologians and some philosophers. But focusing on that issue and ignoring the remarkable progress we can make toward answering perhaps the most miraculous aspect of the something from nothing question—understanding why there is ‘stuff’ and not empty space, why there is space at all, and how both stuff and space and even the forces we measure could arise from no stuff and no space—is, in my opinion, impotent, and useless.
Krauss’ rejection of Leibniz’s famous question, “why is there something, rather than nothing?” reminds me a lot of Meillassoux in After Finitude. In the end, though, Krauss’ universe is made up of “stuff” and “space.” I don’t think it is inconsequential that he fails to mention time (be sure to watch Albert’s video linked above on time if you’ve read this far). It is the false spatialization of time that first sent physics astray from Naturphilosophie. Time is intensity, not extension. Krauss can’t help but picture the pre-big bang quantum vacuum of “no stuff and no space” as some kind of stuff in space. What if we temporalize the question of the nature of the physical universe, relating to it not as a given thing or set of things, but as an evolving community of life, a growing, changing, ensouled creature (ensouled, as in not just stuff in space, but an unfolding process)? All the sudden, the big bang is no longer an event which happened back then, 13.7 billion years ago. Creation is what the universe is still doing. Plato already intuited the fundamental presupposition of physical cosmology in Timaeus (Krauss’ formulation is but an obscure footnote): something (the limited) and nothing (the unlimited) have always already been mixed. This mixing constitutes the life of the universe as a moving image of eternity.
- Krauss apologizes for dissing philosophy (whyevolutionistrue.wordpress.com)
- Can Physics and Philosophy Get Along? (opinionator.blogs.nytimes.com)
- Lawrence Krauss and The Anti-philosophy Complex (3quarksdaily.com)
- A Krauss concession (freethoughtblogs.com)
- Lawrence Krauss: another physicist with an anti-philosophy complex (wanderlustmind.com)
- The Consolation of Philosophy – Lawrence M. Krauss – Scientific American (richarddawkins.net)
- Lawrence Krauss has Plenty of Nothing (cardinaldoctrines.wordpress.com)
- Can Physics and Philosophy Get Along? (3quarksdaily.com)
- Lawrence Krauss and the supposed decline of philosophy and religion (philosophyafterdark.wordpress.com)
I’m pasting a dialogue that I’m having on Facebook with Steven Goodheart here so others can chime in if they so please!
Steven remarked that my comment about the paradox of science’s ancestral statements reminded him of Roger Penrose‘s somewhat Platonist take on the matter.
I responded by saying:
I think my statement about a witness being present at the big bang is really just to say that appealing to contemporary physical cosmology to debunk non-materialist accounts of consciousness actually raises more philosophical quandaries than is often assumed. “Science” can’t take a side in this issue. Maybe observation and mathematical inference will eventually allow us to figure out where the “laws” of physics were for the first few seconds of creation, but even if this is understood, basic philosophical questions about the relation between subject and object remain as perplexing as ever.
To which Steven responded:
I think that’s true, and may always be true, because if (and I don’t know if this is finally and only true) IF the stuff that philosophy is perplexed about exists as some sort of emergent aspect of “intelligent matter,” if the qualia of thought are in fact just that and nothing more, with no real referent to some “real” or “deeper reality’ (and again, I don’t know if this is so) then whatever neuroscience and physics can say about the *emergent* philosophical perplexities of this kind of mind and consciousness is, ipso facto, limited and provisional. More simply, the Schrodinger Equations have nothing to say about a Bach cantata, and never will. And the way neural nets fire and how they are organized will never tell us anything definitive about why “Starry Night” is so beautiful.
If there’s some deep, as yet unknown connection between the realm of values and meaning, and the realm of quarks and black holes and Big Bangs, I don’t think that’s obvious. Maybe there is; I’m open to the idea. But in the meantime, I think we do less violence to truth and avoid error if we don’t try to blend the two realms in terms of a “metaphysics” but rather keeping do the hard work of investigation and see what appears as we continue to learn about the nature of mind, consciousness, and matter.
My view is that the two domains–the domain of the qualia, the mental realm where things like meaning, values, truth, beauty, and “the good”—and the realm of brain chemistry and neural nets—are interdependent, are profoundly interrelated, but their subject matter is utterly different and, I believe, disjunctive in some basic way. I think there’s interplay between the two, and increasingly science has had a huge impact on philosophy since the age of science, apparently “solving” or making meaningless some of the old “problems” that reflected the biases of a non-scientific age. But, ironically, now, at the very limits and limitations of physics, are finding that the minds that do the science find that their “philosophy,” their view of “the beautiful, good and true,” seems to be utterly bound up in what mathematical vision of the universe is “right!” Does this mean, that, finally, it’s all been metaphysical and philosophical all along? I don’t think so.
The math of a Wheeler or a Penrose is no less beautiful (and self-consistent) than that of a Susskind or Hawkings (I *don’t* say this as one who can follow it, either, but I can get some of it) but some physicists find Penrose’s mathematical universe compelling, but more, probably, feel an affinity for that of Susskind and Hawkings. But the theory that finally “wins” is the one that proves most predictive, the one that’s verifiable, the one that can be test, and then, whether the theory is “beautiful” or “compelling” finally won’t matter. What’s matters is does the theory explain matter in a way that we can test and prove.
It seems to me that philosophical or metaphysical theories of mind and consciousness that want to, so to speak, step out of the realm of the qualia and their emergent value systems and say something about the physics of matter, space, time, energy, have to meet the same “test” criteria as Penrose’s math or Hawking’s math. And this is exactly where such theories fail again and again, however convincing, self-consistent, (and even true!) the theory may be in the realm of qualia and values.
I don’t think avoiding “error” is necessarily the best way to further Truth. Let me explain: The most disturbing thing about the scientific era for traditional philosophy and metaphysics is evolution. I mean evolution in its cosmic, not just its biological sense. Evolution is the idea that the cosmos is really a cosmogenesis, that it is a process of becoming and not a finished product. It has an origin, and everything that there is emerged from this origin. We can’t yet say if the universe has an end, or if this end is somehow “on purpose,” but we can say that there is something more than the playing out of random collisions between particles. Chaos may be the basis of order, but still, there is order. However, this order is always developing, always evolving. What is “Truth” in the context of an ontology of process and becoming? It cannot be other than “error”; somehow, Truth is produced at the edge of chaos and order, the result of the wanderings and mistakes of the evolutionary process in its human form. It is not quite discovered and not quite created. Truth, because it is not waiting out there for us to find or represent, cannot be understood in isolation from Beauty and Goodness. We know Truth as Truth only when we feel its Beauty and will its Goodness. Truth needs to be appreciated and protected. It never simply is. It is always contested, even at an ontological level. Science discovered evolution empirically, as fact, and philosophers have thought out its implications for our knowledge of Truth (fact is not Truth until the particular instance is unpacked to reveal the universal principle underlying it). Now we need to find a way to apply it to our civilization’s ethical, aesthetic, and theological assumptions, which continue to fragment society and destroy the biosphere. I see natural science as a subset of philosophy. Science is one of humanity’s organs, perhaps the eyes; philosophy is the mind of the whole organism.
About the Sokal affair… one of Sokal’s main foes is the sociologist of science Bruno Latour. He has published extensively about the way that science “constructs” its facts. He really just goes behind the scenes to reveal how messy the process of scientific research is, how bound up in politics and economics it is; in short, he reveals that science is a cultural activity like any other, as much an art as a “science.” Is it really accurate to say, for example, that LHC particle collider is ‘discovering’ something about nature in its undisturbed state? Clearly, we are learning something about nature, but not nature as it would be independent of the artifice of technology that has been constructed to contort and torture matter so as to get it to reveal its “secrets.” In a radically evolutionary context, where even atoms are the products of irreversible processes, how do we know that what is going on in the tunnels of this accelerator isn’t actually changing nature, causing it to wander from its “normal” course? Science and art cannot be so easily separated.