Author Archives: Matthew David Segall

About Matthew David Segall

graduate student in philosophy, cosmology, and consciousness at the California Institute of Integral Studies in San Francisco, CA

Reflections on nihilism as a belief system

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Levi Bryant initiated a string of blog posts on nihilism with his “axioms for a dark ontology.” Attempts at Living followed HERE, and Bill Rose Thorn HERE. Both of them accept Bryant’s ontological purposelessness, but raise the important issue of developing a post-nihilistic praxis. I do not accept Bryant’s axioms, of course (he and I have argued about this several times over the years). I think religious institutions and spiritual experiences will always be intrinsic to human individual and social reality, even if they are called by other names. Without a sense of cosmological orientation brought forth through the sort of mythospeculation shared by all religious traditions, human civilization simply would not be possible. I think the axiomatic approach Bryant articulates reflects a certain literal-mindedness that makes the religious imaginary inaccessible to him. Certainly, this literal-mindedness infects not only those of a more materialist persuasion, like Bryant, but also those of a religious bent. When religion becomes dogmatic, based upon lists of unassailable axioms and commandments written on stone tablets, the creative life of the human socius is threatened. An education in the power of imagination is the best cure for either form of literalism.

My dismissal of Bryant’s “dark ontology” is not a dismissal of the merits of immanence in philosophy. My recent essay, “Worldly Religion in Deleuze and Whitehead: On the Possibility of a Secular Divinity“ (accepted by the 9th International Whitehead Conference later this year–hopefully I can find the funding to get to Poland! for a PDF of the essay, click HERE), is an attempt to articulate a philosophy of religion compatible with modern standards of belief and practice. Religion, like science, is about more than just belief in certain propositions, of course. Both religion and science are complex assemblages which include ritual practices (meditation, prayer, experimentation) and communal experiences (liturgy, peer review). Certainly, the aims of science are different from those of religion (one is largely descriptive, the other largely prescriptive), but from my Jamesian pragmatic perspective, the philosophical test of each is not to ask about the truth or falsity of their propositional claims (can we please be done with the dogmatic representational image of thought already?), but to ask about the effects of their practices on living organisms and their (noetical and physical) habitats.

Nihilism of the sort expressed by Bryant in terms of axioms like “there is no meaning to existence or anything in the universe” is itself already a sort of religious response to human life, a mythopoeic way of coping with the mystery of being, even if it is in this case a scientistic religious response whereby the epistemic limits of the scientific method have been hypostatized into a mechanistic-materialistic ontology. There is no reason to construe the facts of science in the atheistic, anti-teleological way that Bryant does. There are other interpretations of contemporary scientific cosmology, most notably that offered by Alfred North Whitehead’s philosophy of organism (for a PDF of this essay, click HERE).

Reflections on Deleuze’s Engagement with Natural Science in D&R

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In chapter V of Difference and Repetition, “The Asymmetrical Synthesis of the Sensible,” Deleuze engages with the various scientific theories of 19th and 20th century thermodynamics, not by identifying his fictions with scientific facts, but by detonating the philosophical idea of “intensive depth” in range of the qualitative extensity studied in terms of the scientific concept of entropy. The scientific concept of entropy, when subject to the dogmatic image of thought, comes to be described as the universe’s smooth and continuous causal transition from an improbably heterogeneous past state into more probable homogeneous future state. Deleuze, it seems to me, wants to save the metaphysical implications of the concept of entropy from the physical reductionism of a still all too Cartesian science.

Some commentators, like Badiou and Joe Hughes (A Reader’s Guide, 2009), insist that Deleuze’s engagement with natural scientific concepts is purely metaphorical and not at all physical. Hughes writes (153):

“We therefore have to be careful about concentrating too much on the scientific notion of intensity. Deleuze is concerned with founding representation, not thermodynamics. He says of Nietzsche at one point in the chapter that ‘[i]t is true that Nietzsche was interested in the energetics of his time, but this was not the scientific nostalgia of the philosopher’ (D&R, 243). The same can be said of Deleuze. In the same way that Deleuze’s theory of Ideas was not fundamentally related to mathematics, his theory of intensity is not tied to thermodynamics (and his theory of individuation is not tied to biology). Deleuze is neither a scientist nor a philosopher of science. Science never leaves the realm of fact, but Deleuze is interested in the constitution of facticity itself. What is at issue in these discussions then is not the nature of intensity as it appears in science, or even of founding the scientific notion, but of drawing inspiration from science in order to develop a philosophical concept. ‘Intensive quantity is a transcendental principle, not a scientific concept’” (D&R, 240-241).

I must disagree with Hughes’ reading here. It is at best a partial reading. Partial because, when Hughes quotes Deleuze as saying that intensive quantity is transcendental and not physical, he shortens Deleuze’s sentence, which actually begins: “Energy or intensive quantity is a transcendental principle…” Deleuze is not just drawing inspiration from science, he is ungrounding representational interpretations of natural science to show that general concepts like “energy” in thermodynamics, “differential” in calculus, “gene” in biology, or “phoneme” in linguistics (D&R, 278) are really virtual intensive quantities which only become recognizable to scientific consciousness after they’ve been covered over by qualities and explicated in extensity. Far from turning to the natural sciences merely to extract their metaphorics, Deleuze critiques the naïve physicalism of these sciences in order to install the genetic power of the transcendental at the heart of nature itself.

Deleuze is trying to provide the natural science of his day with a metaphysics; but like Schelling (see Preface to Ideas for a Philosophy of Nature), he meant his metaphysics to come after physics, and not before it. By engaging with the natural sciences, Deleuze doesn’t mean to undermine them by applying transcendental limits to subjective knowledge; his transcendental empiricism aims to unsettle the clear and distinct categories of scientific representation by pointing to the ceaseless rumbling of a volcanic nature whose groundless ground (Abgrund) constantly disturbs the smooth surface features that allow for lawful generalization. The inner nature of the scientist, with all the truth and good sense of his inductive method, projects an external nature that circles and so repeats lawfully without undue difference. Deleuze’s philosophy of difference is a direct assault upon such a Cartesian science, on the way it covers over the implication of ideal intensities without affirming the virtual processes that remain behind or beneath these coverings, processes which Deleuze argues provide the conditions for the actuality of the qualitative extensities measured by the scientist. Deleuze’s differential concept of nature is spiralic: nature is groundlessly creative; it is eternally recurring but only by repeatedly disguising its own intensive depth; it is always spinning out of the general categories or circles of control posited by the spectating scientific Cogito. There is a ceaseless rumbling in nature that forms cracks in every smooth ground or sufficient reason that might pretend to hold back the transcendental volcano of virtual intensities, a rumbling forever forcing thought to think.

Historical Background and Overview for “Etheric Imagination in Process Philosophy”

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I realized I posted the same section twice last week, so here is the real historical and overview section of my dissertation proposal.

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This dissertation examines the metaphysics of imagination in the process philosophies of Schelling and Whitehead through the hermeneutical lens of a certain stream of Western esotericism. In describing the process-philosophical imagination as etheric, I aim in particular to cross-fertilize the process tradition with 20th century esotericist Rudolf Steiner’s conception of the Ätherleib, or ether body. The concept of an ether body did not originate with Steiner, but he provides an example of a modern hermetic practitioner whose knowledge of natural science and deep familiarity with the esoteric history of philosophy, particularly German Idealism, make him among the best possible candidates for such a comparative project. The exact origins of the Western esoteric tradition are notoriously difficult to trace. According to The Catholic Encyclopedia, esotericism’s beginnings “have long been a matter of controversy and are still largely a subject of research. The more these origins are studied, the farther they seem to recede in the past.”5 In her groundbreaking study of Renaissance hermeticism, Francis Yates argued that it was Issaac Casaubon’s post-Christian dating of hermetic texts supposed by Renaissance magi like Ficino to predate Moses that definitively “shattered at one blow” the entire conceptual edifice of the esoteric prisci theologi.6 In contrast to Yates, Garth Fowden makes the case that these early hermetic texts are more continuous with the Egyptian alchemical tradition than Casaubon realized.7 The question of the origin of any tradition is inherently controversial. The true source of the hermetic tradition is especially contested due in no small part to its penchant for religious hybridization. Rather than try to stake out a position in this controversy, my research into the weird family of esoteric traditions will proceed without any assumption of purity. Steiner is foregrounded only because of his familiarity with Schelling and modern science, not because his Anthroposophy is somehow the most “authentic” expression of esotericism.

In his introduction to The Hermetic Deleuze (2012), Joshua Ramey laments the “general academic-philosophical prejudice” against esotericism, suggesting that this prejudice “constitutes a symptomatic repression of the complexity of both the history of modern philosophy and the stakes of contemporary culture.”8 Ramey’s more pessimistic attitude is tempered by S. J. McGrath, who in the introduction to The Dark Ground of Spirit: Schelling and the Unconscious (2012) suggests that esotericism “is gaining respect in non-foundationalist academic circles” due largely to “the postmodern absence of authoritative arguments for continuing to exclude whole genres of Western literature from more canonically respectable studies in religion and philosophy.”9

Like the esoteric traditions, the process tradition has also found itself on the margins of the Western philosophical canon, and is only more recently being creatively retrieved by a number of academics across multiple disciplines. Most standard readings of the history of modern philosophy consider Schelling to be a mere stepping-stone between Fichte’s subjective and Hegel’s absolute idealism. Though usually characterized along with them as an “idealist” himself, I will follow thinkers like Iain Hamilton Grant10 and Arran Gare11 by situating Schelling within the process tradition as a thinker primarily of nature (be it human, divine, or cosmic nature).

Contemporary Schelling scholar Jason Wirth finds it regrettable that “many have long thought that we are done with Schelling, that he is a ‘dead dog.’”12 It seems that the only respectable academic tasks remaining are to “[dissect] the corpus of Schelling into its various periods and phases,…expose inconsistencies in his thinking, attach various isms to his arguments, [and/or to] situate him in some narrative within the history of philosophy.”13 More recently, however, due in some part to Wirth’s and Grant’s efforts, this sentiment seems to be shifting; as Wirth writes, “after more than a century and a half of neglect, Schelling’s time has come.”14 One of the principle reasons for this emerging Schelling renaissance, I’ll argue, is the relevance of his process-oriented Naturphilosophie to the task of re-thinking the relationship between humanity and earth in light of the planetary ecological crisis.

The longstanding neglect of Schelling, especially in the Anglo-American academy, has not been without reason. There is indeed something strange and extravagant, even occult, about Schelling’s thought, at least when judged from within the intellectual strictures of modern academic philosophy. However, the severity of the ecological crisis has brought many of the foundational assumptions of modern philosophy into doubt,15 opening the way for a reconsideration not only of Schelling’s conception of an ensouled cosmos, but of a whole swathe of previously marginalized esoteric philosophical literature. Schelling’s approach to philosophy was deeply influenced by the theosophy of Jakob Böhme, Friedrich Christoph Oetinger, Philipp Matthäus Hahn, and Franz von Baader, which makes the cross-fertilization of the process and esoteric traditions sought in my dissertation all the more appropriate.

Though somewhat influential among American theologians during the later half of the 20th century, until quite recently Whitehead, like Schelling, has been neglected by academic philosophers. According to Michel Weber and Anderson Weekes, this neglect is largely the fault of Whiteheadians themselves, whose almost total focus on scholastic textual exegesis and lack of interdisciplinary outreach has threatened Whitehead’s ideas with extinction by creating the perception that they are only available “in fossil form.”16 Weber and Weekes’ negative assessment of the last half-century of Whitehead scholarship may be somewhat overstated, especially considering the many examples of interdisciplinary engagement in the work of Whiteheadian theologians like Charles Hartshorne, John Cobb, and David Ray Griffin. Though there may have been an element of “scholasticism” that assumed the superior capacity of Whitehead’s technical system to conduct and translate interdisciplinary disagreement, the more probable reason for process philosophy’s academic marginalization is the fact that it conceives of nature as enchanted and takes notions like panpsychism and the existence of an encosmic divinity seriously.

Whether or not Weber and Weekes’ have overstated the insularity of the first wave of Whitehead scholarship, they represent part of a second wave of outsiders who are, as they put it, “storming the museum.”17 Another second wave Whiteheadian, Isabelle Stengers, argues that the Whiteheadian palette is currently being greatly enriched “by practitioners from the most diverse horizons, from ecology to feminism, practices that unite political struggle and spirituality with the sciences of education…in a singularly lively and tenacious way.”18 Rather than approaching Schelling and Whitehead as a museum curator, my dissertation will aim to breathe new life into their thought, to think with them towards a more imaginative philosophy of mind and of nature enriched by the speculative resources of esoteric wisdom.

According to McGrath, though the esoteric schools represent a diverse set of theories and practices, they are nonetheless “united by a common enemy: the desacralization of nature (material nature, human nature, cosmological nature) by techno-science and capitalist consumerism.”19 He argues that critiques of esotericism as “regressive,” “anti-modern,” and “anti-scientific” are misguided. Although esotericism shares modernity’s “impulse toward human amelioration through science,” it seeks this amelioration through an alternative conception of the human-cosmos relation: “Western esoteric nature-philosophy refuses to follow mainstream natural science and split mind from matter, spirit from animal, finite from infinite…Esoteric modernity is a road not taken in the history of science…a modern approach to nature which was openly rejected in the seventeenth century because it did not grant us the calculative control which techno-science demanded of the Western mind.”20 One of the major goals of this dissertation is to show that, along with Western esotericism, process philosophy also contains the seeds of an alternative conception of modernity no longer bent on the domination of human and earthly nature by alienated modes of theoretical and practical rationality. Both the esoteric and process traditions provide philosophy with a new way of seeing the universe–a way of seeing (i.e., the etheric imagination) which in turn may provide humanity with a new way of living in concert with the wider community of life on earth.

Imagination itself has had a rather tense, even tumultuous, relationship to philosophy going all the way back to Plato, who infamously denied poets entry to his ideal city.21 For many philosophers in the modern Western tradition, its ineffable, largely non-rational and often erotically charged powers were considered deeply suspect, both for epistemological and for ethical reasons–even when imagination played a central role in their own philosophical systems! For example, as Alexander Schlutz argues, even though Descartes “forcefully excludes imagination from his conception of the cogito,”22 he nonetheless draws upon its poetic powers repeatedly in his physical speculations, and even admits during his autobiographical narration in Discourse on the Method (1637) that “doubt itself…is a product of imagination.”23 Similarly, though Kant affirms imagination as an “indispensable function of the human soul,” he also denigrates it as “a potential source of madness, delusion, and mental derangement.”24 I will revisit the paradox of this “double gesturing” by the major figures in the history of philosophy throughout my dissertation, connecting it to the polar, oscillatory dynamism so characteristic of imagination. I will attempt to articulate a less ambiguous, esoterically-inflected approach to the philosophical imagination that is responsive to the challenges made evident by these major figures.

Footnotes

5 The Catholic Encyclopedia, Volume IV: Esotericism and Gnosticism.

6 Yates, Giordano Bruno and the Hermetic Tradition (1964), 400.

7 Fowden, The Egyptian Hermes: A Historical Approach to the Late Pagan Mind (1986), 34-35.

8 Ramey, The Hermetic Deleuze, 6-8.

9 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 21.

10 Philosophies of Nature after Schelling (2006).

11 “From Kant to Schelling to Process Metaphysics: On the Way to Ecological Civilization” in Cosmos and History: The Journal of Natural and Social Philosophy, vol. 7, no. 2, 2011.

12 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1. Wirth here employs the philosopher Gotthold Ephraim Lessing’s epithet originally coined as a reference to Spinoza, a controversial figure in Germany at the turn of the 19th century, as well as a major influence on Schelling.

13 Wirth, The Conspiracy of Life: Meditations on Schelling and His Time (2003), 1-2.

14 Wirth, ed., Schelling Now: Contemporary Readings (2005), 9.

15 Schelling was ahead of his time in this respect, writing in 1809 that “The entire new European philosophy since its beginning (with Descartes) has the common defect that nature is not available for it and that it lacks a living ground” (Philosophical Investigations into the Essence of Human Freedom, 26).

16 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.

17 Process Approaches to Consciousness in Psychology, Neuroscience, and Philosophy of Mind (2009), 2.

18 Stengers, Thinking With Whitehead: A Free and Wild Creation of Concepts (2011), 6.

19 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.

20 McGrath, The Dark Ground of Spirit: Schelling and the Unconscious (2012), 22.

21 Though of course, Plato’s relationship to imagination and poetry is not so cut and dry. He may have banished the poets from his Republic, but he himself was one of the most imaginative and poetic writers in the history of letters.

22 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.

23 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 77.

24 Schlutz, Mind’s World: Imagination and Subjectivity from Descartes to Romanticism (2009), 4.

Robert Romanyshyn’s “alchemical hermeneutics” as the foundation of a method in the participatory study of esotericism

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Romanyshyn’s alchemical hermeneutics as the foundation of a method in the participatory study of esotericism

Robert Romanyshyn has developed a depth psychological method informed by hermeneutic phenomenology but ultimately rooted in alchemy. In approaching my research on the etheric imagination, I’ve turned to Romanyshyn’s method of alchemical hermeneutics because it allows for the retrieval of pre-modern esoteric wisdom in a post-modern academic context. An alchemical hermeneutics avails me of many of the same symbolic spells and metaphoric magic once invoked by ancient alchemists in the ritual performance of their ensouled universe stories. Romanyshyn has made it easier to become methodologically aware of the creative power of the very etheric imagination my historical research aims to discover. My study of esoteric philosophy can thus itself proceed by way of a magical method. As Fichte wrote, the sufficiently imaginative philosopher “has the power of telling his hearers in advance what he will produce in them and, if they will but understand him, the power of producing it.”57

Fichte, despite being a philosopher of absolute subjectivity, immediately adds to the above statement that he not only has the power to produce insight in his listeners, he has the power to do so “with certainty.” Philosophy has long been dreaming of an infallible, scientific method–a way of presenting its findings that would imitate geometry (more geometrico) so as to force any listeners to accept its objectively derived verdict. Romanyshyn argues that anxiety concerning the ambiguous presence of the subject in scientific work provides the principle motivation underlying “method” in the sciences.58 Scientific method in this sense becomes “technique” and is “designed to replace the presence of the researcher as subject.”59 In practice, such methods only succeed in repressing the “transference field”60 that inevitably emerges between a researcher and his or her work.

Romanyshyn draws on Martin Packer and Richard Addison’s Entering the Circle: Hermeneutic Investigation in Psychology (1989) by suggesting that philosophers and psychologists have had only two “traditional twins” to draw from in pursuit of a method that apes the sciences: rationalism and empiricism. “In both stances,” they write, “method is considered a matter of procedure or technique, involving analytical operations that require no involvement of human judgment and valuation.”61 Romanyshyn, like Schelling and Whitehead, opts for a third way beyond the simple opposition between empiricism and rationalism by articulating an imaginal approach to philosophical hermeneutics.

For Schelling, it may seem at first that idealism would be preferred over empiricism, but even in his early System of Transcendental Idealism (1800),62 he already understood how these apparently distinct philosophical schools represent the dependently co-arising active/intellectual and passive/sensory poles of imagination. Imagination always oscillates between the ideal and the real without settling on either as primary.63 From Whitehead’s perspective, both the empiricist and the rationalist branches of modern epistemology stem from an identical set of related mistakes: 1) the assumption that the five senses are the only definite “avenues of communication” between human experience and the external world, and 2) the assumption that conscious introspection is our sole means of analyzing experience.64 The first mistake is to ignore the fact that “the living organ of experience is the living body as a whole.”65 This “living organ” is etheric imagination, capable of perceiving the creative advance of nature through a sub-sensory mode of experience referred to by Whitehead as “causal efficacy.” The second, related mistake is to ignore the way that conscious introspection, though it “lifts the clear-cut data of sensation into primacy,” for that very reason “cloaks the vague compulsions and derivations which form the main stuff of experience.”66 Whitehead’s speculative philosophical method, like Romanyshyn’s psychologically-informed method of alchemical hermeneutics, attempts to draw its data not only from the clear and distinct ideas of conscious attention, but from the unconscious depths of psychosomatic experience.

Rather than attempting to remove the subject from research by repressing the transference field between researcher and work, an alchemical hermeneutics is ever attentive to the depths of the unconscious psyche, depths ranging “from the personal through the cultural-historical and collective-archetypal to the eco-cosmological realms of the psychoid archetype.”67 Contrary to those who cling to the solar rationality of consciousness by dismissing the unconscious as purely irrational, Romanyshyn affirms the capacity of the unconscious to think in its own lunar way, a way of thinking the ancients believed was reflective of the lumen naturae, the “light of nature.” Despite the daytime brightness of our egoic consciousness, we still ultimately live within the unconscious of nature and so remain at least dimly aware of nature’s “dark-light.”68 Just as Plato suspected in Timaeus, the soul is active in perception due to a dark-light that streams from the eyes to meet the day-light reflected off of material things. Before the “dayenglish” of our spoken signs, “dark precursors” silently run ahead of conscious meaning to dissolve and coagulate the meaning of things themselves. The meaning of the world, like language itself, is encrypted. If words, sentences, and stories lose their living spirit, language dissolves into letters, mere bones lying still in a silent crypt. An alchemical hermeneutics approaches imaginative work as a magical, theurgical practice–a practice capable, with proper cultivation, of raising the dead letter to its spiritual meaning.

Romanyshyn etymologically links “method” to the images of a path or a journey. When one articulates a method, they are mapping out the journey to be taken from a place of not knowing one’s topic to the place of coming to know it.69 A researcher’s chosen method already incarnates and enacts his beliefs about his subject. The “transference field” that emerges between a researcher and his work is a function of these beliefs and the metaphors deployed to support them. “Method is a perspective that both reveals a topic and conceals it,” writes Romanyshyn.70 Whitehead similarly suggests that, while “theory dictates method,” method provides the criteria determining in advance what can count as evidence in support of the theory.71 This means the researcher must remain hermeneutically sensitive to the way the metaphors deployed by his theoretical method have their generative roots in the polarity between identity and difference. The goal is to maintain a tension between these poles in the deployment of metaphors, without allowing them to slacken such that one or the other pole becomes the sole focus of one’s theory.72 If identity becomes the focus, the researcher becomes trapped in a sort of literalist realism, while if difference becomes the focus, he becomes trapped in relativism. It follows that we should not ask whether a theoretical method is true or false; rather, we should remain ever-attentive to the scope of its pragmatic application in the elucidation of experience.73

Hermeneutics is the method of choice whenever an ambiguous experiential topos, like etheric imagination, is the site of one’s interpretative activity. Romanyshyn links hermeneutics to the phenomenological practice of distinguishing between a text’s “presence” and “meaning.”74 This practice involves following the way meaning unfolds through repeated acts of turning and returning to the text. “Within the embrace of this circle of understanding, the knower approaches a text with some foreknowledge of it, which in turn is questioned and challenged and amplified by the text, thereby transforming the knower who returns to the text with a different understanding of it.”75 The hermeneutic circle of interpretation is a never-ending and so infinite task whereby the reader and the text entire a “spiral of engaged confrontation.”76 In the context of Schelling and Whitehead’s etheric process philosophies of nature, the researcher must be understood not only to turn and return to the latent meaning of historical texts, but also to find himself immersed in the sub-sensory textures of the physical cosmos, encompassed by the elemental forces of earth and sky informing our experience of the visible world. “The time of merely historical faith is past,” writes Schelling, “as soon as the possibility of immediate knowledge is given. We have an earlier revelation than any written one–nature. It contains archetypes which no one has yet interpreted, whereas the written ones have long since received their fulfillment and exegesis. If the understanding of that unwritten revelation were inaugurated, the only true system of religion and science would appear, not in the miserable garb pieced together out of a few philosophical and critical conceptions, but at once in the full significance of truth and nature.”77

By bringing hermeneutics to bear on alchemy, Romanyshyn aims to make the research process as receptive as it is reactive. By bringing alchemy to bear on hermeneutics, he aims to allow the researcher to be content to linger in reverie before immediately turning to critical analysis. Romanyshyn writes: “Alchemical hermeneutics is a way of remaining present to the fact that the wholly and holy other is present in the complexes that haunt our concepts, as well as in the myths that haunt our meanings, in the dreams that haunt our reasons, in the symptoms that haunt our symbols, in the fantasies that haunt our facts, in the fictions that haunt our ideas, and in the images…that dwell in events.”78 In this sense, alchemical hermeneutics aims to return the critical mind to its virginal state, such that Sophia and Hermes can stand beside one another: “To let Sophia join Hermes in the hermeneutic act challenges the usual position of the critical ego-mind in the research process,” writes Romanyshyn. “Alchemical hermeneutics is a joint affair, an animated hermeneutics of reveries and hospitality akin to the kind of presence that the alchemists and soror mysitca of old brought to their work.”79 Schelling calls the “mystical sister” of his own modern alchemical philosophy Beauty: “finally the idea which unites all, the idea of beauty, the word taken in the higher platonic sense. I am convinced that the highest act of reason…is an aesthetic act, and that truth [Hermes] and goodness [Sophia] are united like sisters only in beauty–The philosopher must possess just as much aesthetic power as the poet. The people without aesthetic sense are our philosophers of the letter. The philosophy of the spirit is an aesthetic philosophy.”80

As in alchemy, the key to an imaginal process philosophy is to continually “dissolve and coagulate,” since the goal is not to arrive at some final meaning as a solution, but to continually dissolve the meanings that emerge until the deeper soul of the work has been heard.81 We can be sure myth is operating unconsciously whenever we read a philosopher claiming self-certainty in method and meaning. To make myth consciously, we must engage the process of knowing poetically, which is to say, we must approach philosophy imaginatively. This means re-searching not for explanation, and not simply for understanding, but primarily for transmutation of both self and world. In service to such transmutation, an alchemical hermeneutics takes seriously not only conscious thoughts and sensations, but unconscious feelings and intuitions. In other words, all four of Jung’s psychological functions, or imaginal powers, are brought to the table (thinking, sensing, feeling, and intuiting). As an imaginal method, alchemical hermeneutics begins at the root of these four functions: imagination, which is not simply the common sense, but rather the protean organism without organs underlying each sense organ’s specialized function.82

Romanyshyn lists seven characteristic of an alchemical hermeneutic83:

Creative- it remains open “to whatever emerges from the ongoing dialogue between researcher and topic;

Dialogical- it seeks not a self-certain monological deduction or formal proof, but an other-hospitable con-spiracy capable of discovering truth not only through “complete speech” but through active listening (Hermes married to Sophia);

Imaginative- it “gives primacy to the invisible, an invisible that lends all sensible phenomena an other, supersensible reality”;

Aesthetic- it encourages writing poetically from experience, or writing that arises out of experience, rather than writing about experience;

Hierarchic- it “transmutes everything visible into symbols,” thereby “saving the appearances” of things by returning them to their original form (akin to Henri Corbin’s mystical method of “ta’wil”). “Maybe all our attempts at re-search,” writes Romanyshyn, “are sacred acts whose deep motive is salvation or redemption. Maybe all our research re-enacts the Gnostic dream of the fall of soul into time and its desire to return home”;

Spiritual- research can and must become an aspect of the individuation process;

Recreational- it is never finished, an infinite task, an ongoing play with others, with ancestors, those who shepherd the work. Akin to alchemical “meditatio” where the practitioner engages in inner dialogue with someone unseen.

 

Footnotes

57 Fichte, The Basic Traits of the Present Age (1804), transl. by Fritz Marti, introduction to On the Unconditioned, 18.

58 Romanyshyn, The Wounded Researcher, 208.

59 Romanyshyn, The Wounded Researcher, 209.

60 The “transference field” is “the alchemical vessel in which the complex researcher and the unfinished business in the soul of the work are mixed” (Romanyshyn, The Wounded Researcher, 227).

61 Romanyshyn, The Wounded Researcher, 27.

62 Before his later differentiation between negative, rationalistic philosophy, and positive, “metaphysically empiricist,” philosophy.

63 Schelling, System of Transcendental Idealism, 70.

64 Whitehead, Adventures of Ideas, 225.

65 Whitehead, Adventures of Ideas, 225.

66 Whitehead, Adventures of Ideas, 226.

67 Romanyshyn, The Wounded Researcher, 210. The “psychoid,” following Jung, is “the place where consciousness matters and matter is ‘conscious’” (Romanyshyn, The Wounded Researcher, 255).

68 Romanyshyn, The Wounded Researcher, 256.

69 Romanyshyn, The Wounded Researcher, 215.

70 Romanyshyn, The Wounded Researcher, 212.

71 Whitehead, Adventures of Ideas, 221-222.

72 Romanyshyn, The Wounded Researcher, 213.

73 Whitehead, Adventures of Ideas, 221.

74 Romanyshyn, The Wounded Researcher, 221.

75 Romanyshyn, The Wounded Researcher, 221.

76 Romanyshyn, The Wounded Researcher, 233.

77 Schelling, Philosophical Inquiries into the Nature of Human Freedom transl. by James Gutman (Peru, Illinois: Open Court, 1936), 98.

78 Romanyshyn, The Wounded Researcher, 226.

79 Romanyshyn, The Wounded Researcher, 233.

80 “Oldest System Program of German Idealism”

81 Romanyshyn, The Wounded Researcher, 233.

82 See my discussion of Deleuze’s “body without organs” in relation to the synthesis of the faculties.

83 Romanyshyn, The Wounded Researcher, 265-271.

 

William Irwin Thompson on Planetary Transformation

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Adam/Knowledge-Ecology and I interviewed the integral philosopher William Irwin Thompson a while back. He recently posted a transcription of part of that encounter on his blog. Here’s a sample:

So imagine in a noetic polity that a girl is born, the very fact that she is a member of that polity would empower her to get an education, to go to a good school, to not starve on the street, to participate in the economic exchange of values with the idea that she’ll go on to contribute to her culture by creating Apple computers or new kinds of art or philosophy or technology, and that rather than being seen as a drain on the system, she makes a contribution. Recall that Reagan used to like to talk about welfare mothers in Chicago driving Cadillacs and living well while doing nothing but watching TV. This image comes from Reagan’s postwar TV culture of illusion and deception—Death Valley Days and Westerns. But in a post-television, post-national, post-market world, the culture would not be about passive consumption but participation in noetic polities through the growth of consciousness. Education becomes a primary institution of exchange in the same way that monasteries were in the Dark Ages.

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One has to look at religion, economics and political structures as all part of this transition. Unfortunately, we’re living in the transition-state and we’re out of the event-horizon of the old basin of attraction, and we’ve entered the turbulent zone between two event-horizons, so we’re in for a very bumpy ride, because we haven’t yet entered the event horizon of the new cultural ecology of noetic polities. This transition probably won’t come easily, but will be characterized by die backs, pandemics, and ecological catastrophes, because for the past 40 years we’ve made all the wrong decisions, as you guys are aware. When Gore did not contest his plurality, but let the Supreme Court interfere with the election by supporting George W. Bush, we lost our last chance to avoid a catastrophic transition. Bush and the Neocons gave us the two trillion dollar war of Iraq and blocked the transition from economics to ecology as the governing science of a new planetary culture.

…

President Coolidge said that the business of America is business. Now most college kids want to get a job and make their education mean something as an investment from their parents.  They want to get an MBA from Harvard or Wharton, so our culture is still based upon  the business model of economics. Congress is still filled with businessmen and lawyers. The governing politicians now won’t accept ecological science, hence their denial of global warming, despite the fact that every major scientist in the prestigious journal Nature affirms that global warming is real and not a plot of Euro-intellectuals to introduce Socialism. Climate change is real. David Orr even goes so far as to call our situation one of climate collapse.  But Good ol’ Republican businessmen still insist that it is all a fraud, a scam. So our politicians are still trying to run this system with market theory and economics with good old-fashioned common business sense.  They’re now trying to run universities as profit-making systems, and thus they are getting rid of the humanities the way they got rid of the classics 40 years ago.  They are trying to get rid of intellectuals to mass-produce business, economics, and government majors. And to keep the Plebs happy, they invest more in sports and their required facilities than they do in the Humanities. So they are getting rid of literature, philosophy, and English—the kind of majors that encourage thinking instead of consuming. But here too, things are changing, because Creative Writing is now a consumers’ market and has been absorbed by the publishing and media industries. There are now literary journals that have no other purpose than to publish these artificial academic works in order to secure tenure for their A List writers. Creative Writing literature is like a yeast infection: it is a surface colony that parasitizes the reproductive system and gets in the way of the real thing. Writers should know things, so they should major in another subject from Astronomy to Zoology. The kind of liberal arts college education in which I studied anthropology, philosophy, and literature at Pomona College fifty years ago is now no longer available or valued. You’re not going to get it at the Iowa Writers Workshop.

 

So that’s a big change in the notion of an educated citizenry. All the people who are now part of the government are the wrong kind of people for our global crisis. People like the McConnells and the Boehners–they don’t know what the hell is going on. So we are going to learn the hard way.

 

If we had listened to the first prophetic warnings in the environmental movement of the sixties and seventies–in all the work that Lindisfarne did 30 to 40 years ago–and even before that to Earth Day stuff in 1968, then we might have had leaders that were more open to a new world-view. Jerry Brown, when he was governor of California the first time, did listen and did come to some of our Lindisfarne meetings. Brown appointed  people like Gregory Bateson, Sim Van der Ryn, and Rusty Schweickart  who introduced new ways of thinking and new technologies of solar and wind and organic farming. Brown made the green architect Sim Van der Ryn to be state architect; so Brown did try to energize new ideas, but he was dismissed as “Governor Moonbeam” by the popular press–which is, of course, owned by the media corporations, of folks like Rupert Murdoch.  Jerry Brown would go to a Zen monastery like Tassajara and meditate, and so the popular press ridiculed him. Jerry has a lot of problems, like the rest of us, but he did have a political sense that these issues were the wave of the future, so it will be interesting to see now that he is governor again how he handles this transition we are in.

 

But for sure the concreteness of markets, solid gold currency–all of these instruments are inadequate and are an application of the wrong geometry to the behavior of the system we’re in. So often times it is outlaws, poets, mystics, and philosophers who get a sense of what the new thing is—as Bucky Fuller with his global-thinking pirates pointed out.

 

Remember even when science was replacing religion at the time of Newton, most of those guys were Rosicrucians and hermetic mystics (in the way Francis Yates has explored), and they were pretty wacky and really far-out kind of guys. They weren’t just classical scientific materialists– that came later with materialists like Lavoisier. So there is often a whole lunatic fringe, or cutting edge group of people, out there who are beginning to express the transition, but they are not the people who are governing us, so there is a time lag.

Theoretical Perspectives on Etheric Imagination

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The following is the “theoretical perspectives” section of my dissertation. It introduces the ether concept I am attempting to imaginally construct with the help of Schelling, Steiner, and Whitehead.

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This dissertation argues that philosophical thinking, to eclipse the dualistic dogmas of today’s commonsense, must ally itself with the creative power of the etheric imagination. Why? Because every author is a poet, and to the extent that a philosopher grasps his tongue to speak or his pen to write, he becomes author and artist rather than simply reader or representer of Nature. The universe is not inertly given for representation: Nature, too, participates in varying degrees of animation and I-ness. The processual, or etheric, imagination approaches the task of philosophy primarily as a work of artistic interpretation of Nature’s inner life. Art, as Schelling puts it, becomes “at once the only true and eternal organ and document of philosophy,” while “through the world of sense [Nature], there glimmers, as if through words the meaning, as if through dissolving mists the land of phantasy, of which [the philosopher is] in search.”25 Or as Steiner puts it, the philosopher’s artistic interpretation of Nature “appears as the herald of that lawfulness that the poet has grasped by listening to the world spirit within the depths of nature’s working. At this level, art becomes the interpreter of the mysteries of the world just as science is also, in a different sense.”26 Unlike the poet, who is all artist, the philosopher is also a scientist. The philosopher not only creates art, he discovers nature; he not only inscribes acts of mind, he reads facts of nature.

In describing the power of imagination in the work of Schelling and Whitehead as etheric, I aim not only to cross-fertilize the process tradition with Rudolf Steiner’s esoteric conception of the Ätherleib, or ether body, but to creatively retrieve Schelling and Whitehead’s own cosmological ether theories.

Schelling shared the cosmological ether theory with most of his scientific contemporaries.27 He identified the infinite elasticity of the ether with the original polarity of forces animating both the one soul of the universe and the many souls within it.28 For Schelling, the ether is not just a scientific hypothesis about the natural world, it is the speculative philosophical postulate required to justify the pursuit of scientific knowledge of the physical world in the first place. If there were no organic unity to nature–if nature were not a self-organizing whole, but just a random assemblage of externally related parts–then we could never learn anything by way of natural scientific investigation. Schelling’s ether postulate secures the possibility of natural science by engendering a Naturphilosophie powered by etheric imagination, whereby the spiritual ether “in me” finds its point of indifference with the natural ether “out there.”29 Or as Schelling himself put it, “What in us knows is the same as what is known.”30

The ether remained the foundation of science’s understanding of electromagnetic phenomena until Einstein dismissed it as “an unnecessary burden on space” in 1905.31 In 1919, Whitehead began articulating a cosmological ether theory as a direct response to Einstein’s replacement of the traditional “material ether” with a pre-given “space-time fabric.” In place of Einstein’s static ontology of space-time “tubes” pieced together out of static material instants, Whitehead constructed an “ether of events” on the basis of his own novel process ontology.32 “We must not conceive of events as in a given Time, a given Space, and consisting of changes in given persistent material,” writes Whitehead, because “Time, Space, and Material are adjuncts of events.”33 “On the old theory of relativity,” he continues, “Time and Space are relations between materials; on our theory they are relations between events.”34 Whitehead’s evental ether is not the undetectable “shy ether behind the veil” thought to exist by 19th century physicists; rather, “the ether is exactly the apparent world, neither more nor less.”35 The ether, in other words, is that which gives experiential coherence and causal continuity to “the whole complex of events” constituting the universe.36 For Whitehead, as for Schelling, the ether is no mere scientific hypothesis about the mind-independent external world. Rather, it is a metaphysical principle constructed precisely to avoid “this unfortunate bifurcation” between subjective mind and objective nature by “[construing] our knowledge of the apparent world as being an individual experience of something which is more than personal.”37 “Nature,” Whitehead continues, “is thus a totality including individual experiences, so that we must reject the distinction between nature as it really is and experiences of it which are purely psychological. Our experiences of the apparent world are nature itself.”38

As for the esoteric conception of an ether body, although it did not originate with Steiner, he provides an example of a 20th century hermetic practitioner whose knowledge of modern science, not to mention his deep familiarity with German Idealist philosophy, make him among the best possible candidates for the type of comparative project I am attempting. Steiner, like Schelling and Whitehead, explicitly distinguishes his own use of the concept from the “hypothetical ether of the physicist.”39 The ether body is therefore not best imagined as an invisible gaseous substance floating around the physical body of an organism. To imagine the ether as an extended, three-dimensional body–even if a “subtle” body–is only to fashion an idol, to reflect upon a finished product instead of intuiting the creative process responsible for generating that product. An organism’s Ätherleib is then better imagined as a continually self-generating four-dimensional vortex of Ätherkräfte, or etheric forces. These forces are the non-spatial form-generating and form-remembering “agent-patients” of cosmic evolution.40 They are perceivable only to a self-cultivated (i.e., not innate or given by the birth of the physical body) etheric organ of affective thinking/intuitive intellection: the etheric imagination. The etheric imagination is not generated by the brain, but is rather the conscious expression of an otherwise unconscious morphogenic process that is itself responsible for generating the physical brain and body.41 As a four-dimensional process, the activity of the Ätherkräfte that both generates the body and rises to consciousness as the etheric imagination is best pictured, if it must be pictured at all, as an undulating torus fluidly turning itself inside-out to leave the living organism in its wake.

Picturing the activity of the etheric forces is ultimately impossible (since pictures are derived from sense experience of extended bodies), but the toroidal image seems to me better than imaging some kind of gaseous cloud floating around and guiding an otherwise mechanical physical body.

According to Steiner, “We can only find nature outside us if we first know her within us. What is akin to her within us will be our guide.”42 This statement is nearly identical to those of Schelling and Whitehead above. “So long as I myself am identical with Nature,” says Schelling, “I understand what a living nature is as well as I understand my own life.”43 “As soon, however, as I separate myself, and with me everything ideal from nature,” he continues, “nothing remains to me but a dead object, and I cease to comprehend how a life outside me can be possible.”44 As we’ve seen, Whitehead similarly argues that understanding the life of the actual occasions of nature requires first becoming conscious of, and then imaginatively generalizing the etheric structure-dynamic underlying our own conscious experience too all the individualities of nature. Such generalization allows for the creation of an experiential category applicable to the etheric dimension of any actual occasion.45 Only the etheric imagination can intuit the formative forces flowing through the natural world behind or within its outward sensory surfaces. Such an imaginative thinking represents the individual’s discovery within themselves of the etheric forces of natura naturans, the inner dimension of nature that is always in dynamic motion, sloughing off external nature (natura naturata) like a snake shedding its skin. “Nature alive,” as Whitehead called it,46 never sits still long enough to be caught in the conceptual net of merely reflective sense-bound understanding. “Nature speaks to us the more intelligibly the less we think of her in a merely refelctive way,” writes Schelling.47 To think nature as living, our own thinking must come to life, must become etheric.

According to Owen Barfield, who along with Jonael Schickler will assist my retrieval of Steiner’s work, the forces of the etheric organ of perception can be understood as “imagination operating in reverse…Whereas imagination uses the spatial to get to the non-spatial, what the organic [etheric] force is doing is moving out of the non-spatial realm (the creative logos, if you like) to convert it into space–[it moves out] of the immaterial producing a material, spatial world…What the etheric does is, to put it crudely, convert time into space.”48

Like the “force of imagination” (a literal translation of Einbildungskraft), the formative-force of the etheric organ, when properly cultivated, can release the philosopher from the Kantian restrictions placed on knowing by opening the normally sense-inhered intellect to the sub-sensory “intensive depth” (Bortoft, 1996) or super-sensory “inner infinitude” (Adams and Whicher, 1982) of living Nature, there revealing the invisible creative forces animating her from within-out.

In the terms of Whitehead’s three-fold theory of perception, which my dissertation will explore in relation to the synthetic role of imagination, non-etheric perception of external nature via bare sensory universals and abstract laws is perception “spatialized” in the mode of “presentational immediacy,” while etheric perception of the creative life of the sub-sensory dimension is perception “temporalized” in the mode of “causal efficacy.”49 Whitehead’s third mode of perception, “symbolic reference,” imaginatively synthesizes our intuitions of space and time into the meaningful and coherent world of everyday life. The synthetic work (or play) of the force of imagination can be in service either to the maintenance of the habits of every day conscious experience (commonsense), or else to the creative disruption of those habits in favor of alternative imaginations of the flow of etheric time-space.

The etheric image-forces animating Nature and her organisms are autonomous; that is, they are I-beings in their own right. The etheric imagination which perceives them is then not simply the transcendental ground of the ego’s sensory intuitions of the physical world–it is the genetic principle of the universe itself, the poetic root of all life (more like a creative abyss than a stable ground). Unlike Kant’s transcendental faculties of understanding, reason, and judgment, which provide only the necessary universal conditions of possible (theoretical, ethical, or aesthetic) experience, etheric imagination provides the necessary conditions of actual experience (whether of truth, goodness, or beauty). Etheric imagination schematizes not only the formal or abstract, but the material and concrete dimensions of experiential reality–that is, it not only makes possible the universal and impersonal, it actualizes the unique and individual.

So what is real for the process-philosophical imagination? Following Whitehead, time, space, and causality come to be understood as emergent products of an evolving ecology of organisms. “External” and “internal” are the effect of a distinction drawn in what Coleridge referred to as secondary imagination by an individual living organism. Enveloping the many organisms is the one Cosmic Organism, or primary imagination, the ceaseless yearning for wholeness which is nothing other than Spirit’s abyssal desire for Itself.

The root images, or elemental forces, that for so long grounded the reality of the human organism were earth and sky. But since the Galilean-Newtonian “[cancellation] of the ancient dichotomy between earth and sky in the interest of universally valid laws,” and especially since satellization has technologically realized this once merely theoretical extra-terrestriality, what has become of humanity’s earthly embeddedness?50 Have we not become homeless? This may be the case, unless the once solid ground of earth is understood to have been superseded, not by the en-framing (Ge-stell) of technology, but by the ground-generating forces of etheric imagination, the creative abyss that pre-exists any apparent separation between the finite conditioned things in space and the infinite creativity of time.

Footnotes

25 Schelling, System of Transcendental Idealism (1800), 231.

26 Steiner, Goethean Science, 93.

27 Grant, “Introduction to Schelling’s On the World Soul,” Collapse: Philosophical Research and Development, VI, 65.

28 Miklós Vassányi, Anima Mundi: The Rise of the World Soul Theory in Modern German Philosophy, 143, 384; Frederick Beiser, German Idealism: The Struggle Against Subjectivism, 541-547.

29 According to Frederick Beiser, Schelling thereby “[reintegrates] the transcendental ‘I’ into nature” by showing how   human self-consciousness is a more intense expression of nature’s original etheric forces (German Idealism: The Struggle Against Subjectivism, 559).

30 Schelling, On the History of Modern Philosophy, trans. Bowie, 130.

31 Leon Lederman, The God Particle, 101, 375.

32 Whitehead, The Principle of Relativity (New York: Cosimo, 1922/2007), 36-38; Whitehead, The Principles of Natural Knowledge (London: Cambridge University Press, 1919), 25.

33 Whitehead, The Principles of Natural Knowledge, 26.

34 Whitehead, The Principles of Natural Knowledge, 26. For more on Whitehead’s philosophical critique of Einstein’s interpretation of relativity theory, see also my own Physics of the World-Soul: The Relevance of Alfred North Whitehead’s Philosophy of Organism to Contemporary Scientific Cosmology (2013), 35-43 [http://matthewsegall.files.wordpress.com/2010/05/physics-of-the-world-soul-whitehead-and-cosmology.pdf (accessed 5/1/2013)].

35 Whitehead, The Principle of Relativity, 37.

36 Whitehead, The Principles of Natural Knowledge, 66.

37 Whitehead, The Principle of Relativity, 62.

38 Whitehead, The Principle of Relativity, 62.

39 Rudolf Steiner, Theosophy: An Introduction to the Supersensible Knowledge of the World and the Destination of Man, transl. by E. D. S. (Chicago: Rand McNally & Company Publishers, 1910), 28.

40 As “agent-patients,” these etheric forces are akin to Whitehead’s dipolar actual occasions, the “buds of experience” responsible both for the prehension of past form and the ingression of future form in the creative advance of nature.

41 Whitehead’s understanding of the relationship between the physiology of the brain and the ether of events leads him to suggest that the “nature” known to materialistic science “is an abstraction from something more concrete than itself which must also include imagination, thought, and emotion” (Whitehead, The Principle of Relativity, 63).

42 Steiner, Intuitive Thinking as a Spiritual Path: A Philosophy of Freedom, 25.

43 Schelling, Ideas for a Philosophy of Nature, 36.

44 Schelling, Ideas for a Philosophy of Nature, 36.

45 Whitehead, Adventures of Ideas, 221.

46 Whitehead, Modes of Thought (1938)

47 Ideas for a Philosophy of Nature, 35.

48 Towards Interview, 1980, 9.

49 These two modes are akin to Jonael Schickler’s phenomenological account of the life of the concept in terms of physical inherence and etheric metamorphosis, respectively. Schickler’s account is unpacked in the literature review below.

50 See Sallis, Force of Imagination, 160-161

Deleuze’s Pedagogy of Problematic Ideas as an Example of Etheric Imagination

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Below is another section of my dissertation proposal…

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In What Is Philosophy?, Deleuze and Guattari distinguish between a singular pedagogy of the concept and a universal encyclopedia of the concept.155 What does it mean to say that Deleuze’s philosophical method is pedagogical, rather than encyclopedic? It means that philosophical concepts are not catalogued in advance, they are individually invented as needed to dissolve the poorly posed problems that emerge in the course of research.156 In Difference and Repetition, Deleuze makes a similar distinction between learning and knowledge.157 Knowledge is the memorization of specific facts and general laws that can only pretend to final comprehension, while learning is the incarnation of Ideas, an ongoing apprenticeship to problematic concepts that initiates one into the sub-sensory creativity of paradox. “Philosophers are always recasting and even changing their concepts,” Deleuze writes. “Sometimes the development of a point of detail that produces a new condensation, that adds or withdraws components, is enough. Philosophers sometimes exhibit a forgetfulness that almost makes them ill. According to Jaspers, Nietzsche ‘corrected his ideas himself in order to create new ones without explicitly admitting it; when his health deteriorated he forgot the conclusions he had arrived at earlier.’ Or, as Leibniz said, ‘I thought I had reached port; but…I seemed to be cast back again into the open sea.’”158 In his preface to Difference and Repetition, Deleuze describes his method of writing from a place of ignorance; like Leibniz, he is always beginning again, lost at sea. Deleuze writes: “How else can one write but of those things which one doesn’t know, or knows badly? It is precisely there that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one into the other. Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow–or rather, to make it impossible.”159

The philosopher can only begin in media res, like Odysseus, lost at sea. He first finds itself there at the elemental limits of things, at the oceanic horizon of earth with only the starry heavens as a compass. He first task is to steady his metaphysical gaze upon these limits, thereby stilling the nausea associated with rootlessness. His final task is an infinite one, not merely to steadily “hover between heaven and earth,” or to “drop anchor permanently in some safe cove,” but to “dare to meet the truth freely,” without fear “of shipwreck on the rocks or sandbars”; the philosopher, continues Schelling, must “risk everything, desiring either the whole truth, in its entire magnitude, or no truth at all.”160

The philosophical researcher must accept that he can only begin writing in muddled confusion of poorly posed problems. This is the initial condition of the philosopher after the end of philosophy, when the history of philosophy, with all its truth and good sense, no longer claims authority over thinking. The history of philosophy no longer provides today’s thinkers with a steady stairway to the heaven of eternal ideas. Though it is true, as Whitehead suggests, that “philosophy is dominated by its past literature to a greater extent than any other science,”161 my attempt to philosophize anew must find a way to allow this history to function as collage does in painting: like a palette of personalities available for dramatizing concepts in response to the problems that matter today.162

“Method,” writes Deleuze, “is the means of that knowledge which regulates the collaboration of all the faculties. It is therefore the manifestation of a common sense or the realization of a Cogitatio natura, and presupposes a good will as though this were a ‘premeditated decision’ of the thinker.”163 Contrary to the pretense of a scientific method seeking certain knowledge, a pedagogical method is attentive to the fact that “learning is, after all, an infinite task.” For Deleuze, “it is from ‘learning,’ not from knowledge, that the transcendental conditions of thought must be drawn.”164 This pedagogical transcendental is not based on Kant’s fixed table of logical categories, the a priori conditions for all possible knowledge of objects, but rather on an experimental set of aesthetic categories, the genetic conditions for new becomings-with objects. Deleuze mentions Whitehead’s categoreal scheme as an example of the new transcendental aesthetic, where unlike representational categories, it is not only possible experience that is conditioned, but actual experience. He calls Whitehead’s categories “phantastical,” in that they represent novel creations of the imagination never before encountered by philosophers.165 For Whitehead, because each experient is a perspective on the world and an element in the world, the categories of an experientially adequate philosophical scheme must elucidate the “paradox of the connectedness of things:–the many things, the one world without and within.”166 In other words, while Whitehead accepts modern philosophy’s focus on the self-created perspective of the subject–that, in some sense, the world is within the subject (as in Kantian transcendental idealism)–he holds this insight in imaginative polar unity with the common sense presupposition that the subject is within the world. This refusal to remove subjective experience from the world of actual entities bring’s Whitehead’s panexperientialism very close to Deleuze’s transcendental empiricism.

The mind is not the only problem solver; it is not the intelligent observer and manipulator of a stupid and passive nature. The etheric formative forces driving nature’s evolutionary “education of the senses” are just as creative and problematically arrayed as are the imaginative forces shaping the historical education of the human mind. As Deleuze argues, “problematic Ideas are precisely the ultimate elements of nature and the subliminal objects of little perceptions. As a result, ‘learning’ always takes place in and through the unconscious, thereby establishing the bond of a profound complicity between nature and mind.”167 Mind is simply a more complexly folded nature. The proper maintenance of their conscious complicity depends upon what Deleuze calls the “education of the senses,” by which he means the raising of each power of the imagination to its limit so that their mutual intra-action quickens the whole into the creation of difference in itself. The path of the learner is “amorous” (we learn by heart), but also potentially fatal,168 since the creation of difference–though free from the anxieties of method, free of having to know with certainty–for precisely this reason always risks the creation of nonsense, or worse, the descent into madness. But in the end, the researcher must take these risks, since “to what are we dedicated if not to those problems which demand the very transformation of our body and our language?”169 Deleuze’s transcendental empiricism does not privilege the faculty of thought, as does Kant’s transcendental idealism. While thought concerns itself with the domains or levels of virtuality (what Whitehead refers to as the hierarchy of eternal objects, or definite possibilities), it is the faculty of imagination that “[grasps] the process of actualization,” that “crosses domains, orders, and levels, knocking down the partitions coextensive with the world, guiding our bodies and inspiring our souls, grasping the unity of mind and nature.”170 Imagination, continues Deleuze, is “a larval consciousness which moves endlessly from science to dream and back again.”171 Deleuze’s faculty of imagination is no mere conveyer belt, transporting fixed categories back and forth along the schematic supply line between thought and sensation. By bringing the imagination face to face with the wilderness of existence, Deleuze forces it to rediscover the wildness within itself. Faced with what Schelling called “the unprethinkable” (das Unvordenkliche)172 sublimity of the elemental forces of the universe, the imagination becomes unable to perform its domesticated role in service to the a prioris of the understanding. “That which just exists,” writes Schelling, “is precisely that which crushes everything that may derive from thought, before which thought becomes silent…and reason itself bows down.”173 It is upon confronting the unprethinkability of these elemental forces that “imagination finds itself blocked before its own limit: the immense ocean, the infinite heavens, all that overturns it, it discovers its own impotence, it starts to stutter.”174 But, continues Deleuze, imagination’s sublime wounding is not without consolation: “At the moment that imagination finds that it is impotent, no longer able to serve the understanding, it makes us discover in ourselves a still more beautiful faculty which is like the faculty of the infinite. So much so that at the moment we feel our imagination and suffer with it, since it has become impotent, a new faculty is awakened in us, the faculty of the supersensible.”175

Like Whitehead, who wrote in The Concept of Nature that “the recourse to metaphysics is like throwing a match into the powder magazine. It blows up the whole arena,”176 Deleuze’s pedagogical metaphysics quickens the philosophical imagination’s powers into “a harmony such that each transmits its violence to the other by powder fuse.”177 Rather than converging on a common sense, Deleuze’s education of the senses approaches the point of “para-sense,” where “thinking, speaking, imagining, feeling, etc.” overcome themselves to create new forms of perception responsive to encounters with paradoxical Ideas and capable of incarnating them as meaningful symbols through a process of learning.178 Deleuze would here seem to approach Steiner’s spiritual science, where it is thought that “there slumber within every human being faculties by means of which individuals can acquire for themselves knowledge of higher worlds.”179 Like Steiner, Schelling’s understanding of the Idea’s gradual incarnation in the course of an evolutionary cosmogenesis leads him to argue that “the time has come for a new species, equipped with new organs of thought, to arise.”180

Deleuze’s pedagogy of the concept and problematic method of enduring within the symbolic fields constellated by encounters with Ideas is especially relevant to my research on the process philosophical tradition, since, according to Deleuze, “problems are of the order of events–not only because cases of solution emerge like real events, but because the conditions of a problem themselves imply events.”181 For Whitehead, as for Deleuze, “the ultimate realities are the events in their process of origination.”182 Whitehead calls this process of origination concrescence. Concrescence refers to the process of “growing together” whereby “many become one and are increased by one.”183 Each individual concrescing event, according to Whitehead, “is a passage between two…termini, namely, its components in their ideal disjunctive diversity passing into these same components in their [real] concrete togetherness.”184 Similarly, Deleuze describes the incarnation of a problematic Idea as an event that unfolds in two directions at once, along a real and an ideal axis: “At the intersection of these lines,” writes Deleuze, “–where a powder fuse forms the link between the Idea and the actual–the ‘temporally eternal’ is formed.”185 Whitehead’s evental ontology, wherein eternal objects intersect with actual occasions in the process of concrescence, can be read in terms of Deleuze’s account of the incarnation of Ideas, whereby concrescence becomes a temporary solution achieved through the condensation of the fragmentary multiplicity of past actualities and future possibilities into a precipitated drop of unified experience. The problematically condensed occasion of experience cannot endure in its unity long since it is perpetually perishing into objective immortality, leading “the solution to explode like something abrupt, brutal and revolutionary,”186 becoming experiential debris to be gathered up again by the occasions that follow it.

Deleuze also describes incarnating Ideas as a two-faced expression of both the power of love (the ideal principle which seeks to progressively harmonize the fragmented times of past and future to form a unified “temporally eternal” solution) and the power of wrath (the real principle which angrily condenses these solutions until they explode, creatively issuing in revolutionary new problems). He argues that the most important aspect of Schelling’s process theology is his consideration of these divine powers of love and wrath, where love relates to God’s existence and wrath to God’s ground.187 Schelling conceives of both love and wrath as positive powers which therefore do not simply negate one another as opposed concepts in a Hegelian dialectic of contradiction, where wrath would struggle with love before both were sublated in some higher Identity. Rather, the eternal encounter between divine love and divine wrath leads to their mutual potentialization into a dynamic succession of evolutionary stages in nature (Stufenfolge). “These two forces [infinitely expanding love and infinitely retarding wrath], clashing or represented in conflict, leads to the Idea of an organizing, self-systematizing principle. Perhaps this is what the ancients wanted to hint at by the soul of the world,” writes Schelling.188

For Deleuze, “Ideas no more than Problems do not exist only in our heads but occur here and there in the production of an actual historical world.”189 Ideas are not simply located inside the head. Nor can Ideas be entirely captured inside the grammatical form of a logical syllogism, even if that syllogism is dialectically swallowed up and digested in the course of history by an Absolute Spirit. Even though the primary instrument of speculative philosophy is language, Ideas should never be reduced to propositions, nor should philosophy be reduced to the labor of “mere dialectic.”190 Dialectical discussion “is a tool,” writes Whitehead, “but should never be a master.”191 According to Schelling, the age old view that “philosophy can be finally transformed into actual knowledge through the dialectic…betrays more than a little narrowness.”192 That which gets called from the outside “dialectic” and becomes formalized as syllogistic logic is a mere copy, “an empty semblance and shadow” of the authentic mystery of the philosopher, which, for Schelling, is freedom. Freedom is the original principle underlying both mind and nature, the archetypal cision generative of all Ideas through the “secret circulation” between the knowledge-seeking soul and its unconsciously knowing Other.193 The authenticity of the philosopher’s “inner art of conversation” depends upon this doubling of the soul into I and Other through an act of imagination. Without this imaginal doubling, the original cision of freedom is repressed and philosophy devolves into the formulaic dialectical refinement of the customary sayings and conceptual peculiarities of contemporary commonsense.194

Dialectic leads at best only to a kind of Urdoxa, or original opinion: “The dialectic,” writes Deleuze, “claims to discover a specifically philosophical discursiveness, but it can only do this by linking opinions together. It has indeed gone beyond opinion toward knowledge, but opinion breaks through and continues to break through. Even with the resources of an Urdoxa, philosophy remains a doxography. It is always the same melancholy that raises disputed Questions and Quodlibets from the Middle Ages where one learns what each doctor thought without knowing why he thought it (the Event), and that one finds again in many histories of philosophy in which solutions are reviewed without ever determining what the problem is (substance in Aristotle, Descartes, Leibniz), since the problem is only copied from the propositions that serve as its answer.”195

As Whitehead describes it, “the very purpose of philosophy is to delve below the apparent clarity of common speech”196 by creatively imagining “linguistic expressions for meanings as yet unexpressed.”197 Whitehead’s adventure of Ideas, like Schelling’s and Deleuze’s, is not a search for some original opinion, or for the “complete speech” (teleeis logos) of encyclopedic knowledge.198 Ideas are not merely represented inside an individual conscious mind, they are detonated in the imaginal depths of the world itself. Exploding Ideas seed symbolic vibrations that echo along the cosmic membrane (or “plane of immanence”) and unfold at the level of representational consciousness as a profound complicity between mind and nature: Ideas generate synchronicities.

It follows that Ideas, for Whitehead as for Deleuze, “are by no means essences,” but rather “belong on the side of events, affections, or accidents.”199 As Steven Shaviro writes of Whitehead’s “eternal objects,” they ingress into events as “alternatives, contingencies, situations that could have been otherwise.”200 Ideas, that is, are tied “to the evaluation of what is important and what is not, to the distribution of singular and regular, distinctive and ordinary.”201 “The sense of importance,” writes Whitehead, “is embedded in the very being of animal experience. As it sinks in dominance, experience trivializes and verges toward nothingness.”202 The Western philosophical tradition’s obsession with pinning down general essences instead of open-endedly investigating particular experiences–its emphasis on asking “what is…?” instead of “how much?,” “how?,” “in what cases?” in its pursuit of Ideas–has fostered only stupidity, erroneousness, and confusion.203 “Ideas emanate from imperatives of adventure,” writes Deleuze, not from the banality of encyclopedic classification.204 The mistaken identification of Ideas with dead essences has lead to the inability of modern philosophy to grasp the utter dependence of rationality on “the goings-on of nature,” and to the forgetfulness of “the thought of ourselves as process immersed in process beyond ourselves.”205

Despite the shared conceptual emphasis of much of Deleuze’s, Schelling’s, and Whitehead’s philosophical work, Deleuze’s dismissive attitude toward methodological knowledge in favor of a culture of learning may at times fall prey to Whitehead’s “fallacy of discarding method.” Though Whitehead was critical of tradition-bound and narrow-minded methodologies as well (as is evidenced by his corresponding “dogmatic fallacy”), he distances himself from philosophers like Nietzsche and Bergson (perhaps Deleuze’s two most important influences) because they tend to assume that intellectual analysis is “intrinsically tied to erroneous fictions” in that it can only proceed according to some one discarded dogmatic method.206 “Philosopher’s boast that they uphold no system,” writes Whitehead. “They are then prey to the delusive clarities of detached expressions which it is the very purpose of their science to surmount.”207 “We must be systematic,” continues Whitehead, “but we should keep our systems open [and remain] sensitive to their limitations.”208

 

Footnotes

155 Deleuze and Guattari, What is Philosophy?, 12.

156 Deleuze and Guattari, What is Philosophy?, 16.

157 Deleuze, Difference and Repetition, 164.

158 Deleuze, Difference and Repetition, 21-22.

159 Deleuze, Difference and Repetition, xxi.

160 Schelling, “Of the I as Principle of Philosophy” (1795) in The Unconditioned in Human Knowledge (1980), 64.

161 Whitehead, Adventures of Ideas, 229.

162 Deleuze, Difference and Repetition, xxi.

163 Deleuze, Difference and Repetition, 165.

164 Deleuze, Difference and Repetition, 166.

165 Deleuze, Difference and Repetition, 284-285

166 Whitehead, Adventures of Ideas, 228.

167 Deleuze, Difference and Repetition, 165.

168 Deleuze, Difference & Repetition, 23.

169 Deleuze, Difference and Repetition, 192.

170 Deleuze, Difference and Repetition, 220.

171 Deleuze, Difference and Repetition, 220.

172 “Das Unvordenklichkeit” is, according to Dale Snow, “one of the most difficult German expressions to translate.” He suggests it might be “somewhat clumsily…rendered as ‘the unpreconceivability of Being,’ implying that there is always that in reality which will remain beyond thought” (Snow, Schelling and the End of Idealism (New York: SUNY, 1996), 235n8. My translation of “das Unvordenkliche” derives from Bruce Matthews, who renders it as “that before which nothing can be thought” (Matthews, Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (New York: SUNY, 2011), 28.

173 Schelling, Schellings sämtliche Werke, trans. Matthews, II/3, 161.

174 Deleuze, Kant seminar (4/4/1978); http://www.webdeleuze.com/php/texte.php?cle=65&groupe=Kant&langue=2 [accessed 4/26/2013].

175 Deleuze, Kant seminar (4/4/1978); http://www.webdeleuze.com/php/texte.php?cle=65&groupe=Kant&langue=2 [accessed 4/26/2013].

176 Whitehead, The Concept of Nature, 29.

177 Deleuze, Difference and Repetition, 193.

178 Deleuze, Difference and Repetition, 194.

179 Steiner, Knowledge of the Higher Worlds, ch. 1 [http://wn.rsarchive.org/Books/GA010/English/RSPC1947/GA010_c01.html]).

180 Schelling, Einleitung in die Philosophie (1830), trans. Grant, Philosophies, 55.

181 Deleuze, Difference and Repetition, 188.

182 Whitehead, Adventures of Ideas, 236.

183 Whitehead, Process and Reality, 21.

184 Whitehead, Adventures of Ideas, 236.

185 Deleuze, Difference and Repetition, 189.

186 Deleuze, Difference and Repetition, 190.

187 Schelling, Philosophical Investigations into the Essence of Human Freedom (1809).

188 Schelling, On the World Soul, transl. by Iain Hamilton Grant, Philosophies of Nature After Schelling, 145.

189 Deleuze, Difference and Repetition, 190.

190 Whitehead, Adventures of Ideas, 228.

191 Whitehead, Adventures of Ideas, 228.

192 Schelling, Ages of the World, xxxvii.

193 Schelling, Ages of the World, xxxvi.

194 Schelling, Ages of the World, xxxvii.

195 Deleuze, What Is Philosophy?, 80.

196 Whitehead, Adventures of Ideas, 222.

197 Whitehead, Adventures of Ideas, 227.

198 See Glenn Magree, Hegel and the Hermetic Tradition, intro.

199 Deleuze, Difference and Reptition, 187.

200 Shaviro, Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics, 40.

201 Deleuze, Difference and Reptition, 189.

202 Whitehead, Modes of Thought, 9.

203 Deleuze, Difference and Repetition, 188-190.

204 Deleuze, Difference and Repetition, 197.

205 Whitehead, Modes of Thought, 8.

206 Whitehead, Adventures of Ideas, 222.

207 Whitehead, Adventures of Ideas, 222.

208 Whitehead, Modes of Thought, 6.

John Sallis’ Logic of Imagination as an Example of Etheric Imagination

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Below is another section of my dissertation proposal. More to come…

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John Sallis begins his Force of Imagination: The Sense of the Elemental (2000) by regretting the Husserlian phenomenological tradition’s tendency to subordinate imagination to pure perception in an effort to “[protect] the bodily presence of the perceived from imaginal contamination.”208 Sallis argues that the force of imagination cannot be reduced without remainder to the “image-consciousness” studied by phenomenology, since it is primarily deployed at the generative roots of conscious experience where the intentional ego finds itself ecstatically undone by the powers of the World-Soul and the sublime depths of the elemental cosmos. For Sallis, there is “a more anterior operation of imagination” than mere fancy or superficial imagining, an operation beyond the horizontal limits of consciousness and so “constitutive even for perception”: “If such a deployment of the force of imagination should prove already in effect in the very event in which things come to show themselves,” writes Sallis, “then perhaps one could begin to understand how, at another level, imagination could issue in a disclosure pertinent to things themselves.”209

The phenomenological tradition’s theoretical image of imagination as “no more than the self-entertainment of conjuring up images of the purely possible” is derived, according to Sallis, from the modern age’s largely instrumentalist commonsense, whereby important decisions concerning the future are made “based merely on calculation and prediction” without concern for their aesthetic or ethical implications.210 Imagination, reduced to its merely recreative function, is deemed to work only with one’s personal memories and fantasies without any deeper participation in the sub-sensory history or super-sensory destiny of the evolving universe. For today’s materialistic commonsense, “the very relation of imagination to time comes to border on the inconceivable.”211 Sallis’ sense for the constitutive role of imagination in synthesizing the experience of past and future in a living present allies him with the process tradition. In his Ages of the World project, for example, Schelling attempted to narrate the past, discern the present, and intimate the future ages of the World-Soul by coming to experience a recapitulation of these ages within his own soul.212 Jason Wirth, Schelling’s translator, suggests that the unfolding of such an experience within the soul might allow thinking to become “the same…as the autopoietic movement of time,”213 thereby re-establishing the profound connection between mind and nature known to all pre-modern peoples, though now in a modern, evolutionary context. “Created out of the source of things and the same as it,” writes Schelling, “the human soul is conscientious [Mitwissenschaft] of creation.”214

For Whitehead, every actual occasion, whether atomic, anthropic, or galactic in scale, “includes that which in cognitive experience takes the form of memory, anticipation, imagination, and thought.”215 The exercise of imagination via the ingression of eternal objects orients a concrescing actual occasion of experience to the real possibilities available to it in the future. Whitehead’s process ontology provides a coherent account of the interplay of both final causality (lure of the future) and efficient causality (pressure of the past) in nature, thereby making the relation of human imagination to evolutionary time conceivable once again.

After critically situating his inquiry into imagination in relation to the phenomenological tradition, Sallis cautiously lauds the legacy of Romanticism. “Cautiously” because he notes the tendency of contemporary culture to waver indecisively between dismissiveness and empty valorization of the “almost unprecedented inceptiveness and intensity” of Romantic thought and poetry.216 It is as if the accomplishments of this era, though almost universally appreciated, are too beautiful to be true, and so the Romantic vision of the world persists today only as a fantastic dream. Sallis calls upon his contemporaries to look again at the “almost singular texts” of the Romantics, to reread them slowly and carefully so as to allow “their provocative force to come into play.”217 The continued relevance of the process tradition to which Schelling and Whitehead belong (as well as the esoteric tradition I aim to cross-fertilize with them) is closely bound up with the fate of the Romantic tradition. Sallis’ attempt to retrieve the radical implications of the Romantic imagination is therefore essential to my research.

Is the Romantic vision of the world too beautiful to be true? Sallis turns to the poet John Keats to get a handle on the way that imagination is said to possess “a privileged comportment…to truth.” “What the imagination seizes as Beauty,” writes Keats, “must be truth–whether it existed before or not.”218 Imagination’s comportment to the truth of beauty is then twofold, establishing itself in both the beauty of what already is, and the beauty of what is not yet but might be made so. “The truth may have existed before the establishing,” writes Sallis, “in which case the establishing would consist in…remembering it; or the truth may not have existed before the establishing, in which case the establishing would consist in…originating the truth, or, in Keats’ idiom, creating it.”219 Sallis reads Keats’ statement as an expression of the paradoxical nature of imagination, enabling it to seize beauty as truth in a simultaneously “originary” and “memorial” way, a kind of creative discovery. The logic of imagination in this sense is not bound by the law of non-contradiction, but hovers between opposed moments allowing contradiction to be sustained.220 “Schelling expresses it most succinctly,” according to Sallis, when he writes in his System of Transcendental Idealism that it is only through imagination that “we are capable of thinking and holding together even what is contradictory.”221

Perhaps the most important consequence of imagination’s ability to generate polarity by hovering between contraries rather than allowing them to degenerate into dualistic opposition is that the all too familiar subordination of the sensible to the intelligible world must be radically reformulated. Again, Sallis draws on Keats, who calls us to look upon the sensory world with an imaginal passion or creative love whose reflected light, “thrown in our eyes, genders a novel sense.”222 The truth of Beauty is not perceived abstractly as by an intellect seeking “a fellowship with essence,”223 but rather by an etheric sense which wreathes “a flowery band to bind us to the earth.”224 The true world is not to be found in “the clear religion of heaven,”225 but in the “green world”226 of earth.

Like Keats’ “novel sense” engendered when imagination is lovingly seized by the true light of Beauty, Whitehead speaks of the “basic Eros which endows with agency all ideal possibilities.”227 In Whitehead’s philosophical scheme, intelligible essences become the ideal possibilities or conceptual feelings evaluated by the mental pole of a concrescing occasion. No longer distant unmoved movers, these Ideas erotically yearn for immanent realization, for incarnation in an actual occasion of experience. Ideas act as lures for feeling generative of “novel senses,” thereby creatively shaping the purposes of individual actual occasions. The creative advance of the universe is driven forward by the integration of the real feelings of the physical pole (prehensions of past actualities) with the ideal feelings of the mental pole (ingressions of future possibilities): Novelty, in other words, “results from the fusion of the ideal with the actual:–The light that never was, on sea or land.”228

The light Keats and Whitehead speak of is perceivable only with the power of etheric imagination, the novel sense that, if it becomes common, can heal the bifurcation of nature instituted by modern scientific materialism. “Nature knows not by means of science,” writes Schelling, “but…in a magical way. There will come a time when the sciences will gradually disappear and be replaced by immediate knowledge. All sciences as such have been invented only because of the absence of such knowledge. Thus, for instance, the whole labyrinth of astronomical calculations exists because it has not been given to humanity immediately to perceive the necessity of the heavenly movements, or spiritually to share in the real life of the universe. There have existed and there will exist humans who do not need science, through whom nature herself perceives, and who in their vision have become nature. These are the true clairvoyants, the genuine empiricists, and the men who now describe themselves by that name stand to them in the same relation as pretentious demagogues stand to prophets sent from God.”229

Sallis connects Keats’ reversal of the typical philosophical evaluation of intelligible originals as truer than sensible images to Nietzsche’s “revaluation of all values” in Thus Spoke Zarathustra. “I beseech you, my brothers,” Nietzsche has Zarathustra say, “remain true to the earth!”230 In his account of “How the ‘True World’ Finally Became a Fable,” Nietzsche traces the historical development of the dualism between the True and the apparent world from Plato, through Christianity, to Kant. Finally, in Nietzsche’s day, the subordination of appearance to Truth had come to be refuted: “The true world–we have done away with it: what world was left? the apparent one perhaps?…But no! with the true world we have also done away with the apparent one!”231 The return to the sensible called for by Sallis, Keats, and Nietzsche, and Whitehead and Schelling in their own way, is then not a simple reversal that would place appearances above intelligibles. Such an inversion would be nonsensical. Rather, the very dichotomy must itself be overcome so as to provide an entirely new interpretation of the sense of the sensible.232 Sallis suggests that this new orientation to the sensory world will require also a new orientation to logos, to speech. His work toward a “logic of imagination” is largely an attempt to reconstruct the sense of speech so that it is no longer “subordinated…to an order of signification absolutely anterior to it.”233 In other words, rather than the meaning of speech being thought of as a derivative of some preconstituted intelligible order, this meaning is to be brought forth out of the sense of the sensible itself. “What is now required,” writes Sallis, “is a discourse that would double the sensible–interpret it, as it were–without recourse to the intelligible.”234 Instead of the old dichotomy between the intelligible and the sensible, Sallis turns to elemental forces like earth and sky for philosophical orientation: “Distinct both from intelligible άρχαί [archetypes] and from sensible things, the elementals constitute a third kind that is such as to disrupt the otherwise exclusive operation of the distinction between intelligible and sensible. At the limit where, in a certain self-abandonment, philosophy turns back to the sensible, this third kind, the elemental…serves to expose and restore the locus of the primal sense of vertical directionality, on which was founded the sense of philosophical ascendency, indeed the very metaphorics of philosophy itself. One recognizes the Platonic image of the cave is not one image among others; rather, in the depiction of the ascent from within the earth to its surface where it becomes possible to cast one’s vision upward to the heaven, the very translation is enacted that generates the philosophical metaphorics.”235

Sallis admits that such a logic of imagination, in that it “[disturbs] the very order of fundamentality and [withdraws] from every would-be absolute its privileging absolution,”236 places philosophy in a somewhat unsettled, even ungrounded, position. Indeed, Nietzsche’s call to return to our senses by being true to the earth is not an attempt to erect a new foundation for philosophy on more solid ground. Nietzsche sought a new beginning for philosophy in the groundless world of becoming–the world of “death, change, age, as well as procreation and growth.”237 Even the earth is made groundless by the geological forces slowing turning it inside out. Nietzsche subjected all prior philosophers to the earthquakes of his hammer, showing mercy only to Heraclitus, perhaps the first process philosopher, for challenging Parmenides’ emphasis on static Being. Heraclitus declared instead that all things flow.

Although Sallis articulates his logic of imagination largely in the context of Nietzsche’s anti-foundationalism, Whitehead’s aesthetically-oriented process ontology may provide a more consctructive example of how to philosophize after the “True world” has become a fable. In Contrast to Nietzsche’s more demolitional approach, you might say Whitehead philosophizes with a paint brush. For Whitehead, the dichotomy between appearance and reality is not as metaphysically fundamental as has been assumed from ancient Greek philosophy onwards.238 The over-emphasis of this dichotomy is based upon the misleading notion that perception in the mode of “presentational immediacy” is the basis of experience, when in fact, perception in the mode of “causal efficacy” is more primordial. Another way of phrasing it would be to say that, instead of seeing consciousness as the highly refined end product of a complex process of experiential formation rooted in the vague feelings of the body and the emotional vectors of its environment, philosophers have made the clear and distinct ideas of conscious attention their starting point. “Consciousness,” writes Whitehead, “raises the importance of the final Appearance [presentational immediacy] relatively to that of the initial Reality [causal efficacy]. Thus it is Appearance which in consciousness is clear and distinct, and it is Reality which lies dimly in the background with its details hardly to be distinguished in consciousness. What leaps into conscious attention is a mass of presuppositions about Reality rather than the intuitions of Reality itself. It is here that the liability to error arises.”239 The main error of traditional philosophy has been to overemphasize the metaphysical importance of the clarity and distinctness of conscious attention. “[We] are conscious of more than clarity,” writes Whitehead. “The importance of clarity does not arise until we have interpreted it in terms of the vast issues vaguely haunting the fullness of existence.”240 Whitehead argues that this overemphasis on clarity, already in germ in ancient Greece, eventually lead, in the modern period, to the disastrous separation of mind from nature and the related doctrine of “physical matter passively illustrating qualities and devoid of self-enjoyment.”241

“In the discussion of our experience,” writes Whitehead, “the first point for notice is the superficial variability in our clear consciousness of qualitative detail. [It] results from an effort of concentration and elimination. Also it is never sustained. There is always a flickering variation, varied by large scale transference of attention. Consciousness is an ever-shifting process of abstracting shifting quality from a massive process of essential existence. It emphasizes. And yet, if we forget the background, the result is triviality…The whole notion of our massive experience conceived as a reaction to clearly envisaged details is fallacious. The relationship should be inverted.”242

Whitehead avoids this modern bifurcation of nature by not organizing his philosophizing around the clear sensa and distinct ideas projected before his conscious attention. He vastly expands the speculative scope of his adventure in cosmology by beginning to philosophize in media res, caught amidst the passions of bodily inheritance streaming in from the depths of space and time, lured forward by the ideal possibilities yearning to flow back into the world. There is a kind of “intellectual intuition” at the generative root of Whitehead’s cosmology, an initiatory experience of the cosmic crucifixion eternally binding the Idea to space and time. Whitehead himself suggests as much when, in The Concept of Nature (1919),243 he approvingly quotes Schelling’s account of intellectual intuition: “In the ‘Philosophy of Nature,’” writes Schelling, “I considered the subject-object called nature in its activity of self-constructing. In order to understand it, we must rise to an intellectual intuition of nature. The empiricist does not rise thereto, and for this reason in all his explanations it is always he himself that proves to be constructing nature. It is no wonder, then, that his construction and that which was to be constructed so seldom coincide. A Naturphilosoph raises nature to independence, and makes it construct itself, and he never feels, therefore, the necessity of opposing nature as constructed (i.e., as experience) to real nature, or of correcting the one by means of the other.”244 Whitehead’s intellectual intuition of nature leads him to imaginatively generalize the archetypal dynamics of his own experience so that they can be applied to the experience of actual occasions of every grade. Causal efficacy finds its analogue in the initial “physical pole” of a concrescing occasion, while presentational immediacy is related to the final “mental pole.” In Whitehead’s universe, there is no longer any passive matter lacking experience whose qualities are projected onto it by conscious animals. Rather, the final real things are actual occasions and the entire universe is a living organism.

Whitehead, as well as Schelling, Sallis and company, do not prescribe any simple inversion of the traditional subordination of the sensible world of earthly existence to the intelligible heaven of divine Ideas. Both Whitehead’s philosophy of organism and Schelling’s Naturphilosophie provide examples of the generative power of a new organ of philosophical perception (or intellectual intuition)–the etheric imagination. This organ dissolves the bifurcated consciousness of the spatially frozen intellect by sensorily opening to the “becoming of Being,” to the ingressions of eternity into the aesthetic (e)motions of organic time. In the process philosophies of Schelling and Whitehead, not even God escapes becoming: “God is a life, not merely a Being,”245 as Schelling writes. In the final chapter of Whitehead’s Process and Reality, he imagines how a merely “primordial” God (i.e., God as original Being or perfect Act beyond all beings) would remain buried in the eternal ground of unconscious darkness like a dormant seed unless it was drawn forth by the light and wisdom of a “consequent” pole. Schelling agrees with Whitehead when he writes that “Being becomes aware of itself only in becoming.”246 God must thereby everlastingly integrate original action and complete passion: God is beyond all beings while at the same time becoming-with all beings. As Schelling argues, “Without the concept of a humanly suffering God, one which is common to all mysteries and spiritual religions of earliest time, all of history would be incomprehensible; scripture also distinguishes periods of revelation and posits as a distant future the time when God will be all in all things, that is, when he will be fully realized.”247

Neither Schelling nor Whitehead seek to invert Plato; they seek only to truly understand the mystery his philosophy attempts to convey. Plato’s philosophic method was rooted in the generation of problematic encounters between appearances and reality. His philosophical investigations were spiritual exercises which in his own day and for many centuries after proved liberating both for individual souls and for political bodies. But his initiatory Idea of eternity’s participation in the (e)motions of the World-Soul degraded, for the idolatrous moderns, into the nonsensical idea that an active and intelligent mind “in here” must attack and overcome a blind and stupid nature “out there.” “It is here,” writes Whitehead, “that the prominent epistemology of the modern centuries has been so weak. It has interpreted the totality of experience as a mere reaction to an initial clarity of sensa [via presentational immediacy]. The result is that the reaction is limited to the data provided by the sensa … the mass of our moral, emotional, and purposive experience is rendered trivial and accidental.”248 This idea was first formalized by Galileo into the doctrine of the primary and secondary qualities: Primary qualities are the real, mathematizable aspects of nature accessible only to the intellect (as mediated by telescopes and calculators), while secondary qualities are appearances projected onto primary things/numbers by the contingently evolved sensory organs of the body. Things/numbers are said to determine the necessary and universal laws of mechanistic physics, while organic appearances (species with their attendant psyches) are said to transform haphazardly in the blind struggle for existence. “Things” are here equivalent to Whitehead’s notion of abstract “scientific-objects” constructed in the course of scientific investigation. These abstract objects, according to Whitehead, “embody those aspects of the character of the situations of the physical objects which are most permanent and are expressible without reference to a multiple relation including a percipient event.”249 “Numbers” are not themselves scientific-objects, rather they are “formulae for calculation [which] refer to things in nature,” while “scientific objects are the things in nature to which the formulae refer.”250

It has been known since at least Plato that, to learn the laws of nature, it is best to study the motions of the stars overhead. As for planet earth, down here there are no things/numbers. Down here are only occasions of experience, incandescent tear drops of a creatively dying divinity, an ever-complexifying entanglement between eternal Ideas and actual events. Things/numbers are real enough “up there” in the abstract space of calculation. But here on earth, where we are, a thing is but a distant flickering in the sky. The geometers have forgotten that all measurement begins with geo- and remains planted on the planet. A thing’s trail can be traced, but we always tell the star’s tale with the soil beneath our feet, swallowed by the weight of our inherited bodies, overwhelmed by the fate of our enculturated minds. It is not only the heavens who are spinning; it is we, too. What we see “out there” is an imaginal achievement of the World-Soul whose organs extend from quarks through human beings and trees out to stars and galaxies. All of it is here with us when we are there with it.

Sallis’ attempt to articulate a “logic of imagination” that brings logos down to earth, returning it to its senses, can further assist my reading of Schelling by making the challenges of translation explicit. I am not a fluent reader of the German language, which may be an important reason not to write on Schelling. However, even if I cannot claim expertise in German, I believe I have been able to familiarize myself with what is at stake philosophically in the translation of certain key words, not the least of which are Einbildungskraft (which Sallis translates as “force of imagination”) and Schelling’s neologism Ineinsbildung (which Coleridge translates as “esemplastic power”). For Sallis, translation is not simply the problem of carrying meaning from one language over to another; it is a problem internal to each language, the problem of signification itself. That is to say, even if I were to draw upon only English-speaking authors, the problem of the translation of their “true meaning” would remain. When there are no longer any pre-constituted intelligible signifieds for the sense of a language to signify, logos can no longer be grounded in Reason but must instead find its footing in “the sense of the sensible.”251 The classical sense of translation, where two different languages are said to signify the same transcendent signified, is no longer credible.252 A logic of imagination thus calls for the creation of a novel philosophical style, a new linguistic idiom or rhetorical flowering that “[lets] the discourse engender sense in and through the very movement in which it comes to double the sensible.”253 Rather than approaching the problem of translation, then, as that of carrying over the original meaning of Schelling’s German texts, I will approach the sense of Schelling’s (and the other German authors in his milieu’s) work not just in an attempt to “to teach philosophy to speak English,”254 but also to irreversibly disrupt any sense of a presupposed purity or simple identity to “the English language.” As the English translator of Schelling’s early essays on transcendental philosophy, Fritz Marti, has written, “Philosophy is not a matter of denominational schools, nor does it have one sacred language. Whatever is philosophically true ought to appeal to man as man. Therefore every philosophical formulation demands translation and retranslation. This is why philosophy has a genuine history. Religious words seem timeless. Philosophy demands perpetual aggiornamento. It must be up-to-date. Its truths are reborn by translation.”255 Philosophy, that is, requires constant updating. It remains always unfinished, always lacking the logical completeness of a definitive translation, not because it is pointless or would then come to contradict itself, but because its task is infinite. The telos of philosophy is not wisdom, the goal is not to be wise; rather, the philosopher’s telos is eros, the love of wisdom, becoming-with her instead of replacing her with himself. If the generative form of all philosophy is the absolute I, then the living content of philosophy must be “an infinity of actions whose total enumeration forms the content of an infinite task.”256

I will not encounter Schelling’s German texts as a fluent reader of his language, and so must depend largely upon the sensitivities of certain translators. Even so, in proceeding by way of a logic of imagination, I’ve learned that the problem of translation was already internal to my own language. For this reason, my reading of German (as well as French, Latin, Greek, …) texts is part of an attempt to take English to the very limits of its sense, to philosophize in a style rooted in a logic of imagination, rather than a logic of designation.257 “The truly universal philosophy,” writes Schelling, “cannot possibly be the property of a single nation, and as long as any philosophy does not go beyond the borders of a single people one can be safe in assuming that it is not yet the true philosophy.”258

In my reading of Schelling and Whitehead, I will draw attention to the creative “errors” in their translations of their own philosophical predecessors. I will also attend to the paradox of creative plagiarism exemplified in the poet-philosophers who carried this new process philosophy of imagination from Europe to England to America. “This is the constant ambiguity of the notion of origin,” writes Deleuze, “Origins are assigned only in a world which challenges the original as much as the copy, and an origin assigns a ground only in a world already precipitated into universal ungrounding.”259

Footnotes

208 Sallis, Force of Imagination, 14.

209 Sallis, Force of Imagination, 15.

210 Sallis, Force of Imagination, 15.

211 Sallis, Force of Imagination, 16.

212 Schelling, Ages of the World, p. xxxv.

213 Schelling, Ages of the World,  p. 136n5.

214 Schelling, Ages of the World, p. xxxvi, transl. by Jason Wirth. In a footnote Wirth adds that his translation of Mitwissenschaft as “conscientious” is meant “to evoke at least three senses of the Latin conscientiæ: joint knowledge, consciousness, as well as the ethical sense of the conscience” (136n5).

215 Whitehead, Science and the Modern World, 154.

216 Sallis, Force of Imagination, 16.

217 Sallis, Force of Imagination, 16.

218 The Letters of John Keats 1814-1821, ed. Hyder Edward Rollins (Cambridge, Mass.: Harvard University Press, 1958), 1:183-87.

219 Sallis, Force of Imagination, 17-18.

220 Sallis, Logic of Imagination, 161.

221 Sallis, Logic of Imagination, 4.

222 John Keats, Endymion Book I, line 808.

223 John Keats, Endymion Book I, line 779.

224 John Keats, Endymion Book I, line 7.

225 John Keats, Endymion Book I, line 781.

226 John Keats, Endymion Book I, line 16.

227 Whitehead, Adventures of Ideas, 210.

228 Whitehead, Adventures of Ideas, 211.

229 Schelling, Gesam. Werke, Abt. I. Bd. vii. “Kritische Fragmente,” p. 246; quoted in The Intuitive Basis of Knowledge: An Epistemological Inquiry by Nikolaĭ Onufrievich Losskiĭ, transl. by Nathalie A. Duddington (London: Macmillan, 1919), 170.

230 Nietzsche, Also Sprach Zarathustra, in vol. VI 1 of Werke: Kritische Gesamtausgabe, ed. Giorgio Colli and Mazzino Montinari (Berlin: Walter de Gruyter, 1968), 9. Transl. by John Sallis.

231 Twilight of the Idols: Or, How to Philosophize with a Hammer (1888), in The Nietzsche Reader, ed. Keith Ansell Pearson and Duncan Large (Oxford: Blackwell, 2006), p. 465.

232 Sallis, Force of Imagination, 33.

233 Sallis, Force of Imagination, 23.

234 Sallis, Force of Imagination, 33.

235 Sallis, Force of Imagination, 173.

236 Sallis, Force of Imagination, 21.

237 Twilight of the Idols: Or, How to Philosophize with a Hammer (1888), in The Nietzsche Reader, ed. Keith Ansell Pearson and Duncan Large (Oxford: Blackwell, 2006), 462.

238 Whitehead, Adventures of Ideas, 209.

239 Whitehead, Adventures of Ideas, 270.

240 Whitehead, Modes of Thought, 147-148.

241 Whitehead, Adventures of Ideas, 210, 212.

242 Whitehead, Modes of Thought, 147-148.

243 Whitehead, The Concept of Nature, 47.

244 Schelling, Gesam. Werke, Abt. I. Bd. iv. “Ueber den wahren Begriff der Naturphilosophie” (“On the True Concept of Naturphilosophie”), 96; quoted in The Intuitive Basis of Knowledge: An Epistemological Inquiry by Nikolaĭ Onufrievich Losskiĭ, transl. by Nathalie A. Duddington (London: Macmillan, 1919), 170.

245 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

246 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

247 Schelling, Philosophical Investigations into the Essence of Human Freedom, 66.

248 Whitehead, Modes of Thought, 147.

249 Whitehead, The Concept of Nature, 74.

250 Whitehead, The Concept of Nature, 74.

251 Sallis, Force of Imagination, 32.

252 Sallis, Force of Imagination, 36.

253 Sallis, Force of Imagination, 34.

254 Sallis, Force of Imagination, 35.

255 Schelling, The Unconditional in Human Knowledge: Four Early Essays (1794-1796), transl. and comm. by Fritz Marti (London: Bucknell University Press, 17-18).

256 Schelling, System of Transcendental Idealism (1800), 50.

257 See Sallis, Force of Imagination, 122, for more on how the images of imagination withdraw from simple designation by words. A logic of designation assumes an original meaning exists that might be successfully indicated in the lingo of another language, while a logic of imagination endlessly blurs the distinction between an original and its copies.

258 Schelling, On the History of Modern Philosophy, 190.

259 Deleuze, Difference and Repetition, 202.

Michael Marder’s Vegetal Philosophy as an Example of Etheric Imagination

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The following is excerpted from my dissertation proposal, which is tentatively titled “Etheric Imagination in Process Philosophy from Schelling to Whitehead.” I’ll be posting more selections in the coming days. 

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To become rooted in the etheric forces of imagination, the process philosopher must learn to think like a plant. Michael Marder’s “vegetal metaphysics”80 provides a contemporary example of the power of plant-thinking to (re)turn modern philosophy to its etheric senses. Marder’s critical account of the history of Western metaphysics exhaustively details philosophy’s theoretical incoherences and practical inadequacies as regards the vegetal dimension of reality. He shames Aristotle for the “violence” his formal logic of identity and non-contradiction “unleashed against plants,”81 diagnoses Hegel’s negative dialectic as a mere symptom of his “[allergy] to vegetal existence,”82 and regrets Husserl’s essentializing “failure to think the tree” itself.83

To be fair to these philosophers, Steiner’s four-fold ontology is an evolutionarily re-formulated version of Aristotle’s psychological anthropology as described in De Anima, wherein “physical…,vegetative, sensitive and intellectual souls” are each set to work within the whole human being.84 Husserl, like Steiner, was initiated into the intentional structure of consciousness by Franz Brentano, but ultimately both Steiner’s and Husserl’s etheric imaginations hearken to a form of post-Copernican geocentrism (“the original ark, earth, does not move”85). As for Hegel, Schickler points to Steiner’s mediating conception of a living ether circulating between mind and nature as a cure for his allergic reaction to the supposed linearity of plants (by which he understood them to be closer to crystals than to animals).86 Hegel’s dialectical logic forces him to leave the blind growth of plant-life outside the autopoietic circle of the Concept, thereby alienating a self-conscious mind from a dead, petrified nature.87 Unlike Hegel and the idealist tradition, who “[retreated] from the world of the senses” and so failed “to consider an ontology intrinsic to life,” Steiner “[cultivated] organs of cognition which [enabled] him to enter ever more deeply into” the etheric sub-dimension of the sensory world.88 In Marder’s terms, Steiner learned to think like a plant. “The plant sets free the entire realm of petrified nature, including mineral elements, if not the earth itself,” writes Marder.89

David Hume, though not mentioned in Marder’s historical account, had his own bout of vegetal thinking in the midst of composing his Dialogues on Natural Religion, dialogues in which Cleanthes at one point is made to deploy an ontophytological critique of Philo’s over-determined analogization of the universe to an animal. Unlike an animal, argues Cleanthes, the universe we experience has “no organs of sense; no seat of thought or reason; no one precise origin of motion and action.” “In short,” Cleanthes jests, “[the universe] seems to bear a stronger resemblance to a vegetable than to an animal.”90 Cleanthes’ does not really believe the universe is a self-generating plant, he only suggests as much in order to undermine the credibility of Philo’s animal analogy.91 Philo responds by accepting the critique of the animal analogy, but then opportunistically turns the relative credibility of the vegetable analogy against Cleanthes’ own argument for design: “The world plainly resembles more…a vegetable, than it does a watch or a knitting-loom,” says Philo. “Its cause, therefore, it is more probable, resembles…generation or vegetation…In like manner as a tree sheds its seed into the neighboring fields, and produces other trees; so the great vegetable, the world, or this planetary system, produces within itself certain seeds, which, being scattered into the surrounding chaos, vegetate into new worlds.”92 Philo, of course, is no more sincere in his vegetal speculations than Cleanthes was in his. He doubts whether philosophy will ever have enough data to determine the true nature and cause of the universe. In the intervening two centuries since Hume published his Dialogues, mathematical and technological advances have allowed scientific cosmology to drastically expanded and complexify the range of data available to assist the natural philosopher’s speculative imagination. Modern scientific cosmology, especially when interpreted in light of the organic process ontology of Schelling and Whitehead, with their emphasis on self-organization and evolutionary emergence, only seems to have made the reality of Hume’s giant vegetable more probable.

Marder’s “plant-nature synecdoche,” which posits that plants are “the miniature mirror of phusis,” has only become more scientifically plausible in the intervening centuries since Hume’s vegetal conjecture.93 Why, despite the breadth of his “ontophytological” deconstruction of Western metaphysics, Marder makes no mention of Hume’s imaginatively generative double gesturing toward plants, I do not know.

Hume, of course, was not the first to philosophize about the vegetal life of the universe. That honor belongs to Plato, who wrote in Timaeus that the philosopher is a “heavenly plant” or “heavenly flower.” “We declare,” Plato has Timaeus say, “that God has given to each of us, as his daemon, that kind of soul which is housed in the top of our body and which raises us–seeing that we are not an earthly but a heavenly plant–up from earth towards our kindred in the heaven. And herein we speak most truly; for it is by suspending our head and root from that region whence the substance of our soul first came that the divine power keeps upright our whole body.”94

The next to carry forward Plato’s plant-thinking was Plotinus, into whose philosophy Marder writes that “there is no better point of entry…than the allegory of the world–permeated by what he calls ‘the Soul of All’–as a single plant, one gigantic tree, on which we alongside all other living beings (and even inorganic entities, such as stones) are offshoots, branches, twigs, and leaves.”95 Plotinus’ World-Tree grows from a single inverted root. The inverted root of the World-Tree is an image of the ever-living One that, though it “gives to the plant its whole life in its multiplicity,”96 itself remains forever “unaffected by the dispersion of the living.”97 Neither Marder, Whitehead, or Schelling accepts Plotinus’ emanational monism. Marder calls for an “anarchic radical pluralism,”98 a title which could just as well describe Whitehead and Schelling’s process ontology. Nonetheless, though they reject monism in favor of pluralism, all three carry forward Plotinus’ root image of an organic, vegetal universe.

Marder, like Schelling and Whitehead, conceives of nature “as suffused with subjectivity.”99 He likens the life of the plant (phutō) to the whole of nature (phusis), arguing that plant-life “replicates the activity of phusis itself.”100 “Phusis,” continues Marder, “with its pendular movement of dis-closure, revelation and concealment, is yet another…name for being.”101 Hume had Philo argue against the plausibility of divining the nature of the whole based on an acquaintance with its parts,102 but in daring to ontologize the vegetal life of the whole of nature (making its “life” more than a “mere” metaphor), Marder displays his allegiance to the ancient hermetic principle of correspondence: “as it is above, so it is below; as it is below, so it is above.”103

The hermetic principle of circular correspondence between the one above and the many below is not simply an abstract mental concept. It is a magical symbol whose power is enacted not only in the ideal meanings of the mind, but in the living movements of nature. These movements are made most obviously apparent by the mystery of the seasonal life-cycle of the plant realm. Though Hume clearly recognized that plant-life presented a definite limit to traditional metaphysical speculation, he remained uninitiated into the death/rebirth mystery esoterically encrypted in this vegetal threshold. Whitehead also invoked the hermetic principle by balancing Plato and Plotinus’ preferential treatment of the One with his own more Heraclitian “Category of the Ultimate.” Creativity is an ultimate category that dissolves the classical metaphysical dichotomy separating the single supreme Creator from its many subsidiary creatures. “Creativity,” writes Whitehead, “is the universal of universals characterizing ultimate matter of fact. It is that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively.”104 Through this process of creative advance from disjunction to conjunction, a novel entity is created not present in the prior dispersion. “The novel entity,” continues Whitehead, “is at once the togetherness of the ‘many’ which it finds, and also it is one among the disjunctive ‘many’ which it leaves; it is a novel entity, disjunctively among the many entities which it synthesizes. The many become one, and are increased by one.”105 The many down below thereby enter into and pass through the one up above, just as the one up above enters into and passes through the many down below. Schelling also creatively inherits the hermetic principle of correspondence by analogizing the metaphysical polarity of the many below and the one above to the physical pulsation–the “systole” and “diastole” rhythm–of living nature. “The antithesis eternally produces itself,” writes Schelling, “in order always again to be consumed by the unity, and the antithesis is eternally consumed by the unity in order always to revive itself anew. This is the sanctuary, the hearth of the life that continually incinerates itself and again rejuvenates itself from the ash. This is the tireless fire through whose quenching, as Heraclitus claimed, the cosmos was created.”106 Schelling offers the telling example of a tree to show how this cosmogenetic rhythm resonates through the whole to the parts and back again: “Visible nature, in particular and as a whole, is an allegory of this perpetually advancing and retreating movement. The tree, for example, constantly drives from the root to the fruit, and when it has arrived at the pinnacle, it again sheds everything and retreats to the state of fruitlessness, and makes itself back into a root, only in order again to ascend. The entire activity of plants concerns the production of seed, only in order again to start over from the beginning and through a new developmental process to produce again only seed and to begin again. Yet all of visible nature appears unable to attain settledness and seems to transmute tirelessly in a similar circle.”107

Schelling is not only one of a handful of philosophers to escape deconstruction by Marder’s vegetal anti-metaphysics, he even earns Marder’s praise for defending the continuity between life and thought.108 Schelling suggests that “every plant is a symbol of the intelligence,”109 and that this symbolic intelligence finds expression precisely in the plant’s power of “sensibility,” which–even when the pendulum of organic nature has swung toward its opposite but complimentary pole of “irritability”–remains the “universal cause of life.”110 The whole of nature being organic, its supposedly inorganic material dimension is therefore described by Schelling as only one half of the universal polarity between gravity and light, where light as the formal/ideal force exists in dynamic tension with gravity as the material/real force. What appears at first to be inorganic matter, when considered in its full concreteness as always already conditioned by the universal communicability of light, is really just the germ of organic life.111 As an illustration of the life-producing relationship between gravity and light, Schelling offers the example of the electromagnetic connection between earth and the sun responsible for calling forth plant-life out of the planet.112 Steiner similarly remarks that any attempt to understand the inorganic, mineral dimension of earth independently of the plant-life it supports will remain hopelessly abstract: “Just as our skeleton first separates itself out of the organism,” says Steiner, “so we have to look at the earth’s rock formations as the great skeleton of the earth organism.”113 Steiner further argues that the cultivation of etheric imagination will allow the philosopher to come to see “the plant covering of our earth [as] the sense organ through which earth spirit and sun spirit behold each other.”114 The mineral and plant realms are to earth what the skeletal and sensorial organs are to the human body. As Plotinus wrote, “earth is ensouled, as our flesh is, and any generative power possessed by the plant world is of its bestowing.”115

A process philosophy rooted in the power of etheric imagination requires an inversion or reversal of our commonsense experience of the universe. It is as if the world were turned inside out, or as if we were walking upside down upon the earth, with our head rooted in the ethereal soil of formative forces streaming in from the cosmos above, our limbs yearning for the living ground below, and our heart circulating between the two in rhythmic harmony. Rather than stretching for the abstract heights of the intelligible as if to steal a glimpse of heaven, the force of etheric imagination returns philosophy’s attention to earth, and to the roots, branches, leaves, flowers, fruits, and seeds of plants, earth’s most generous life forms, and indeed the generative source of life itself. Thinking with etheric imagination is thinking with a plant-soul. Plant-souls, according to Marder, partake of a “kind of primordial generosity that gives itself to all other creatures, animates them with this gift,…allows them to surge into being, to be what they are.”116

Heraclitus’ oft cited fragment 123–“nature loves to hide” (phusis kryptesthai philei)–should not be understood as a negation of the generous growth of the plant realm described by Marder.117 As with the natural world, there is more to Heraclitus’ paradoxical statement than first meets the eye. The earliest recorded use of phusis in ancient Greek literature is in Homer’s Odyssey, where it refers specifically to the “magic” and “holy force” of the molü plant given by Hermes to Odysseus to keep his “mind and senses clear” of Circe’s sorcery. The molü plant grows duplicitously into “black root and milky flower” and can be safely uprooted only by the gods.118 As we’ve seen, then, phusis suggests not only a tendency toward concealment in the darkness of the soil, but also a tendency toward revelation in the light of the sun. As is typical both of the plant-life of nature and of the semantic structure of his sentences, there is an underlying duplicity to Heraclitus’ fragment. Understanding the poetic meaning of his occult philosophy, or of a plant’s process of growth, is impossible without cultivating a logic of etheric imagination. The logics of techno-scientific manipulation and abstract conceptual analysis, in attempting to uproot and expose the etheric dimension of mind and nature to total illumination, succeed only in making it perish.119 Instead of objectifying nature, etheric imagination approaches it hermeneutically (i.e., with Hermes’s help), not by “[shying] away from darkness and obscurity,” but by letting plants “appear in their own light…emanating from their own kind of being.”120 Marder’s plant-thinking approaches a logic of imagination, in that he aims to begin his vegetal philosophizing, not from the purified perspective of disembodied rationality, but in media res, always in the middle of things: “To live and to think in and from the middle, like a plant partaking of light and of darkness…is to…refashion oneself–one’s thought and one’s existence–into a bridge between divergent elements: to become a place where the sky communes with the earth and light encounters but does not dispel darkness.”121

Only by finding its vegetal roots can philosophy become planetary, true to the earth and to the plant-like, etheric forces of imagination. But because the etheric imagination is in fact ungrounded, its plant-like growth becomes inverted: it has “underground stems” and “aerial roots,” as Deleuze and Guattari put it.122 Or, as Gaston Bachelard suggests, the properly rooted philosopher imagines “a tree growing upside down, whose roots, like a delicate foliage, tremble in the subterranean winds while its branches take root firmly in the blue sky.”123 For Bachelard, the plant is the root image of all life: “The imagination [must take] possession of all the powers of plant life,” he writes. “It lives between earth and sky…[it] becomes imperceptibly the cosmological tree, the tree which epitomizes a universe, which makes a universe.”124

Marder argues that “plants are resistant to idealization,”125 which is just another way of saying that the plant-realm is the etheric receptacle of Ideas, the resistance providing matrix that, in the course of evolutionary history, gradually raises unconscious nature to consciousness of itself as spirit. Etheric imagination is the esemplastic power through which eternal Ideas become incarnate in the concrescing occasions of the world, like seeds taking root in the ground, growing skyward through branch, leaf, flower, and fruit, only to fall again into the soil to be born again, and again… Marder’s “post-metaphysical task of de-idealization” makes him especially attentive to the association between the aesthetic power of plant-life (particularly flowers) and the pathos of death: flowers–“the free beauties of nature,”126 as Kant called them–have since the beginning of history been customarily “discarded along the path of Spirit’s glorious march through the world,” “abandoned” and thereby “freed from dialectical totality.”127 “In contrast to the death borne by Geist,” continues Marder, plant-life can become “neither mediated nor internalized.”128 Idealist philosophy is therefore always in a rush to “[unchain] the flower from its organic connection to the soil and [put] it on the edge of culture as a symbol of love, religious devotion, mourning, friendship, or whatever else might motivate the culling.”129 The end result of modern idealist rationality’s “thorough cultivation” and “biotechnological transformation” of plant-life is “a field of ruins.”130

The “economic-teleological” principle guiding modern rationality–whereby, for example, “trees in and of themselves have no worth save when turned into furniture”131–is largely the result of Kant’s failure to grasp the life of nature as more than a merely regulative judgment of the understanding: while he found it acceptable for human subjects to think the internal possibility of nature as organic, he refused to grant that life could be understood as constitutive of nature itself. “It is absurd,” Kant writes, “to hope that another Newton will arise in the future who would explain to us how even a mere blade of grass is produced.”132 It followed that the only avenue open to reason in its untamable desire to know nature was by way of the “economic-teleological” principle, whereby the philosopher of nature, in order to know his object, “must first manufacture it.”133 In order to avoid the deleterious ecological effects of modern rationality, which in its techno-capitalist phase has succeeded in turning the entire planet into mere raw material awaiting consumption, it is necessary to return to and to heal the simultaneously vegetal and sensorial repression from which this rationality stems.134

The repression of vegetal existence, according to Marder, began as early as Aristotle, who was willing to grant of plants, due to their lack of both locomotion and perception, only that they “seem to live.”135 This seeming life of plants, which from the perspective of the formal logic of Aristotle presented a taxonomic problem (i.e., are plants ensouled, or not?), from the perspective of a logic of imagination (no longer subject to the principle of non-contradiction) reveals precisely what has been repressed by so much of Western metaphysics: that it is towards the ambiguous ontology of plant-life that philosophy must turn if it hopes to discover the aesthetic ground of sensory experience. Aristotle does finally grant a kind of life to plants by pointing to their nutritive capacity (to threptikon), which in animal life is homologous to the haptic sense (i.e., touch).136 Touch is the basis of all aesthesis, only subsequently becoming differentiated into the other specialized senses.137 In light of the vegetal origins of sensation, Marder is lead to wonder “whether the sensory and cognitive capacities of the psyche, which in human beings have been superadded to the vegetal soul, are anything but an outgrowth, an excrescence, or a variation of the latter. The sensitivity of the roots seeking moisture in the dark of the soil [or leaves seeking light in the brightness of the sky]…and human ideas or representations we project, casting them in front of ourselves, are not as dissimilar from one another as we tend to think.”138

Whereas Kant argued that “real metaphysics” must be “devoid of all mixture with the sensual,”139 Marder suggests that the idealist reduction of plant-life to dead linear crystals140 “[survives] in human thought in the shape of Kantian immutable categories and forms of intuition to which all novel experiences must in one way or another conform.”141 Instead of forcing lived experience to obey the crystalline categories of thought, Marder’s plant-thinking, akin to the logic of etheric imagination guiding my dissertation, “destroys the Procrustean bed of formal logic and transcendental a priori structures–those ideal standards to which no living being can measure up fully.”142

The plant-thinking of etheric imagination breaks through the crystalline molds of “dead thought”–what Bergson called “the logic of solids”143–to bring forth instead a plastic logic, a way of thinking-with the creative life of nature, rather than against it.144 Whereas in a crystalline logic of solids, thought “has only to follow its natural [intrinsic] movement, after the lightest possible contact with experience, in order to go from discovery to discovery, sure that experience is following behind it and will justify it invariably,”145 in a fluid logic of plastics, thought becomes etheric, overflowing the sense-inhered intellect’s a priori categorical antinomies and pre-determined forms of intuition to participate in the imaginal life of cosmogenesis itself. “A theory of life that is not accompanied by a criticism of knowledge,” according to Bergson, “is obliged to accept, as they stand, the concepts which the understanding puts at its disposal: it can but enclose the facts, willing or not, in preexisting frames which it regards as ultimate.”146 The plasticity of etheric imagination, on the other hand, preserves the unprethinkability of the creative advance of nature by remaining “faithful to the obscurity of vegetal life,” protecting it from the searing clarity of crystallized rationality.147

Like Marder and Bergson, Schelling refuses to accept modern rationality’s inability to know the life of nature. For Schelling, after the Kantian revolution, philosophy began to deal “with the world of lived experience just as a surgeon who promises to cure your ailing leg by amputating it.”148 Instead of amputating the life of nature, Schelling attempted to reform philosophy’s bias toward abstraction by returning it to its senses. He strove to root philosophy in “that which precedes the logos of thinking,” namely, “an aesthetic act of poesis” paralleling the creative naturans that underlies the dead naturata of the natural world.149 Schellingian philosopher Bruce Matthews likens the imaginative act at the generative root of Schelling’s philosophy to “the explosive power of the sublime.” “This initial moment of aesthetic production,” continues Matthews, “provides us with the very real, but very volatile stuff of our intellectual world, since as aesthetic, this subsoil of discursivity remains beyond the oppositional predicates of all thought that otherwise calms and comforts the knowing mind.”150

Marder’s plant-thinking, like Schelling’s logic of etheric imagination, “rejects the principle of non-contradiction in its content and its form.”151 “The human who thinks like a plant,” continues Marder, “literally becomes a plant, since the destruction of classical logos annihilates the thing that distinguishes us from other living beings.”152 Unlike modern rationality, which is said to be self-grounding, plant-life is open to otherness, dependent on something other than itself (i.e., earth, water, air, and light). In the same way, etheric imagination receives its power from the elemental life of nature. It is no longer “I” who thinks nature; rather, “it thinks in me.” Or as Schelling put it, the philosopher who is properly attuned to nature becomes “nature itself philosophizing (autophusis philosophia).”153

Footnotes

80 Michael Marder’s blog posts entitled “The Philosopher’s Plant”: http://www.project-syndicate.org/blog/plato-s-plane-tree, as well as Deleuze and Guattari on “tree” (ATP, 12, 18)

81 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 21.

82 Marder, Plant-Thinking, 126.

83 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 75-78.

84 Schickler, Metaphysics as Christology, 162.

85 Edmund Husserl, “Foundational Investigations of the Phenomenological Origin of the Spatiality of Nature,” trans. Fred Kersten, in Husserl, Shorter Works, ed. Peter McCormick and Frederick A. Elliston (Indiana: University of Notre Dame Press, 1981), 222-33.

86 Marder, Plant-Thinking, 124-126.

87 See Petrified Intelligence: Nature in Hegel’s Philosophy by Alison Stone (New York: SUNY, 2005).

88 Schickler, Metaphysics as Christology, 143.

89 Marder, Plant-Thinking, 127.

90 Hume, Dialogues Concerning Natural Religion (1779), VI.

91 Cleanthes really believes the universe to be a law-abiding machine designed, built, and maintained by a perfect God.

92 Hume, Dialogues on Natural Religion (1779), VII.

93 Marder, Plant-Thinking, 120.

94 Plato, Timaeus, 90a-b.

95 Marder, “The Philosopher’s Plant 3.0: Plotinus’ Anonymous ‘Great Plant’” (2013), http://www.project-syndicate.org/blog/the-philosopher-s-plant-3-0–plotinus–anonymous–great-plant (accessed 4/24/2013).

96 Plotinus, Ennead III.8.10, 5-15.

97 Marder, “The Philosopher’s Plant 3.0: Plotinus’ Anonymous ‘Great Plant.”

98 Marder, Plant-Thinking, 58.

99 Marder, Plant-Thinking, 35.

100 Marder, Plant-Thinking, 28; Both “plant” and “nature” derive from the same Greek prefix (phuo-) and verb (phuein), meaning “to generate,” or “to bring forth.”

101 Marder, Plant-Thinking, 28-29.

102 Hume, Dialogues on Natural Religion, VI.

103 The Emerald Tablet. 

104 Whitehead, Process and Reality, 21.

105 Whitehead, Process and Reality, 21.

106 Schelling, The Ages of the World, transl. Jason Wirth (New York: SUNY, 2000), 20-21.

107 Schelling, The Ages of the World, transl. Jason Wirth (New York: SUNY, 2000), 21.

108 Marder, Plant-Thinking, 157.

109 Schelling, System of Transcendental Idealism, 122.

110 Schelling, First Outline of a System of the Philosophy of Nature, 146.

111 Schelling, First Outline of the System of a Philosophy of Nature, 186.

112 Schelling, First Outline of the System of a Philosophy of Nature, 185-186.

113 Steiner, The Spirit in the Realm of Plants, transl. by G. F. Karnow (Spring Valley, NY: Mercury Press, 1984); http://wn.rsarchive.org/Lectures/19101208p01.html (accessed 4/23/2013).

114 Steiner, The Spirit in the Realm of Plants, transl. by G. F. Karnow (Spring Valley, NY: Mercury Press, 1984); http://wn.rsarchive.org/Lectures/19101208p01.html (accessed 4/23/2013).

115 Plotinus, Ennead IV.2.27.

116 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 46.

117 Marder, Plant-Thinking, 28.

118 Odyssey, Book 10, lines 328-342.

119 Marder, Plant-Thinking, 30.

120 Marder, Plant-Thinking, 30.

121 Marder, Plant-Thinking, 178.

122 A Thousand Plateaus, p. 15

123 Poetic Imagination and Reverie, 85

124 Poetic Reverie, 85

125 Marder, Plant-Thinking: A Philosophy of Vegetal Life, 13.

126 Kant, Critique of Judgment.

127 Marder, Plant-Thinking, 126.

128 Marder, Plant-Thinking, 126.

129 Marder, Plant-Thinking, 123.

130 Marder, Plant-Thinking, 128.

131 Bruce Matthews, Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom, 4; Schelling, Schellings sämtliche Werke, I/7, 18.

132 Kant, Critique of Judgment, §75.

133 Kant, Opus Postumum, trans. Echkart Förster, 240.

134 Marder, Plant-Thinking, 22.

135 Emphasis added. Aristotle, De anima, 410b23.

136 Aristotle, De anima, 413b1-10.

137 Marder, Plant-Thinking, 38.

138 Marder, Plant-Thinking, 27.

139 Kant, De mundi sensibilis atque intelligibilis forma et principiis; AK II, 394, transl. Bruce Matthews, Schelling’s Organic Form of Philosophy, 4.

140 Hegel considered plant growth to be linear, like crystals, whereas proper animals are elliptical in their movements (see pages 32-33 above).

141 Marder, Plant-Thinking, 163.

142 Marder, Plant-Thinking, 164.

143 Bergson, Creative Evolution, transl. by Arthur Mitchell (New York: Barnes and Noble, 2005), xvii.

144 Marder, Plant-Thinking, 166.

145 Bergson, Creative Evolution, xviii.

146 Bergson, Creative Evolution, xx.

147 Marder, Plant-Thinking, 173; For more on Schelling’s concept of “the unprethinkable,” see page 51 below.

148 Schelling, System der Weltalter: Münchener Vorlesung 1827/28 in einer Nachschrift von Ernst von Lasaulux, ed. by Siegbert Peetz (Frankfurt am Main: Vittorio Klostermann, 1990), 92.

149 Matthews, Schelling’s Organic Form of Philosophy, 5.

150 Matthews, Schelling’s Organic Form of Philosophy, 5

151 Marder, Plant-Thinking, 164.

152 Marder, Plant-Thinking, 164.

153 Schelling, Schellings sämtliche Werke, trans. Iain Hamilton Grant, 11:258.

 

Iain Hamilton Grant Interview

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Leon Niemoczynski has posted a FANTASTIC interview with Iain Hamilton Grant.

A small sample to wet your appetite:

 As directly as possible, Idealism is that philosophy that affirms the reality of the Idea. The point is not that any account of reality must be from the standpoint of the Idea, of the Ideal, or that the conceptual is insuperable, as for example McDowell has it; but rather that reality is incompletely furnished unless the Idea is included in it. Idealism is therefore eliminative just when the Idea is accounted the species of which other entities – usually nature or matter, but also appearances – are genera. Nothing in this case is or can be on the far side of the concept. This is eliminative in that it doesn’t allow that the Idea be the Idea while nature be nature; rather the one must become an instance of the other, and the problem is exactly the same whether posed from the perspective of eliminative idealism or eliminative materialism. Idealism, when not eliminative, it seems to me – and I am particularly fond of pointing to some of its less read exemplars, such as Bosanquet or Pringle-Pattison – does not seek to account for one thing in terms of another, but for each thing exactly as it is. Such a view is evident in the fact that, for example, Plato’s auto kath’auto has less to do with Kant’s Ding an sich than with a simpler “itself by itself”: it is a causal account of subjectivityindependent of consciousness, or the “it-attractor” by which whatever becomes becomes what it is.

Images of Earth and Eros in Walt Whitman’s Poetry

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Images of Earth and Eros in Walt Whitman’s Poetry
A Presentation by Matthew D. Segall at the 2013 Cosmology of Love Conference

 

Steel engraving of Walt Whitman. Published in ...

Steel engraving of Walt Whitman. Published in 1855 edition of Leaves of Grass (Photo credit: Wikipedia)

Come, said the Muse, 

Sing me a song no poet yet has chanted, 

Sing me the universal. 

 

In this broad earth of ours,

Amid the measureless grossness and the slag,

Enclosed and safe within its central heart, 

Nestles the seed perfection. 

 

By every life a share or more or less, 

None born but it is born, conceal’d or unconceal’d the seed is 

waiting. 

- “Song of the Universal” (Leaves of Grass, p. 380)

 

For the next 20 minutes or so, we’re going to dive into the kosmic personality of Walt Whitman. I turn today to Whitman’s poetry in a time of widespread ethical and ecological autism because its provides a powerful reminder, a reminder from a more idealistic age when the dream of American democracy was still gestating and had not yet become the nightmare we are struggling to awaken from, a reminder of how we might make the magnetic lure of transcendent spirit transparent to the feelings and desires of our earthly, electrified bodies.

For those interested in such things, Whitman was born in Long Island, New York, at 1:45 in the morning on May 31st, 1819. He died on March 26, 1892–almost exactly 121 years ago today.  In this short talk I’d like to draw from a handful of Whitman’s poems in an attempt to draw out the cosmological and spiritual implications of his images of earth and eros. I will also try to shed light on the philosophy underlying his image of imagination itself, particularly as enacted in the poem “Eidolons.”

You could say that Whitman provides we mere plebeians with a rough-and-ready American version of high German Idealist philosophy. But there is more than abstract metaphysics flowering in his verse, there is love. In the poem “The Base of All Metaphysics” (Leaves of Grass, p. 281), Whitman comes right out and confesses to us his philosophical influences, his teachers. He also offers us his poetic argument that it is not finally science, philosophy, or theology that provides the basis of metaphysics, but love [change slide]:

 

And now gentlemen, 

A word I give to remain in your memories and minds, 

As base and finale too for all metaphysics. 

 

(So to the students the old professor, 

At the close of his crowded course.)

 

Having studied the new and antique, the Greek and Germanic

systems, 

Kant having studied and stated, Fichte and Schelling and

Hegel, 

Stated the lore of Plato, and Socrates greater than Plato, 

And greater than Socrates sought and stated, Christ divine having

studied long, 

I see reminiscent to-day those Greek and Germanic systems,

See the philosophies all, Christian churches and tenets see, 

Yet underneath Socrates clearly see, and underneath Christ the

divine I see, 

The dear love of man for his comrade, the attraction of friend to

friend, 

Of the well-married husband and wife, of children and parents, 

Of city for city and land for land.

 

Whitman, it is true, is perhaps the most original poet in the history of the English language. However, as I will explore a bit later in my discussion of his image of imagination in the poem “Eidolon,” when it comes to the songs sung by a creative genius–a Conway, an Emerson, a Goethe, or a Shakespeare–clearly distinguishing between the copy and the original may be more difficult than we at first suppose. The genius, despite his or her unique originality, is able to dip into and express a universally recognizable substratum of beauty.

For initiates into the imagery of Whitman’s poetry, several spiritual commitments tend to result: One recognizes first of all that truly becoming responsible for the self- and world-making power that we each wield within us and together must weave between us–I mean the power of imagination–will require a dramatic alchemical re-formulation of all the habitual dualistic dramas determining our daily lives: life v. death, male v. female, egoic identity v. corporeal existence, society v. nature, master v. slave, rich v. poor, Spirit v. matter, etc. These divisions are but blood clots in our collective cardiovascular circuit, clots that must be dissolved and coagulated anew according to the living power of the human imagination.

 

[Change Slide] The following is from Whitman’s “I Sing the Body Electric”: 


This is the female form

…

This the bath of birth, this the merge of small and large, and the 

outlet again.

 

Be not ashamed women, your privilege encloses the rest, and is 

the exit of the rest, 

You are the gates of the body, and you are the gates of the soul. 

 

The female contains all qualities and tempers them, 

She is in her place and moves with perfect balance, 

She is all things duly veil’d, she is both passive and active, 

She is to conceive daughters as well as sons, and sons as well as 

daughters. 

 

As I see my soul reflected in Nature, 

As I see through a mist, One with inexpressible completeness, 

sanity, beauty, 

See the bent head and arms folded over the breast, the Female

I see. 

 

The male is not less the soul nor more, he too is in his place, 

He too is all qualities, he is action and power, 

The flush of the known universe is in him

…

The man’s body is sacred and the woman’s body is sacred, 

No matter who it is, it is sacred–is it the meanest one in the 

laborers’ gang?

Is it one of the dull-faced immigrants just landed on the wharf?

Each belongs here or anywhere just as much as the well-off,  just

as much as you, 

Each has his or her place in the procession. 

 

(All is a procession, 

The universe is a procession with measured and perfect motion.)

 

Do you know so much yourself that you call the meanest

ignorant?

Do you suppose you have the right to a good sight, and he or she

has no right to a sight? 

Do you think matter has cohered together from its diffuse float, 

and the soil is on the surface, and water runs and vegetation 

sprouts, 

For you only, and not for him or her? 

 

Most literary scholarship during the 20th century has focused almost exclusively on the erotic and psychological dimensions of Whitman’s poetry. According to Whitman Scholar David Reynolds, this is likely due to the prevailing interest in Freud’s psychoanalytic materialism for much of the last century, such that “many have preferred to contemplate Whitman as Oedipal father-hater and mother-lover or Whitman as homosexual rather than Whitman as religious seer” (Walt Whitman’s America, p. 252).

Now, to be fair to literary scholars, one hardly needs to exaggerate the sexual content of many of Whitman’s poems: an older, ailing Whitman even wrote to a friend in 1889 (three years before his death) summarizing the content of Leaves of Grass with the following:

“Sex; sex; sex; whether you sing or make a machine, or go to the North Pole, or love your mother, or build a house, or black shoes, or anything–anything at all–it’s sex, sex, sex: sex is the root of it all. Sex–the coming together of men and women: sex: sex” (letter to Traubel, quoted in Williams, p. 103).

Despite all this, the scholarly focus on sexuality has tended to background the cosmological and religious dimension of eros expressed in almost every line of his nearly 300 published poems. In 1872, when he was 53 years old and just a year before his first stroke left him partially paralyzed, Whitman again offered a summation of his poetic adventure, not with reference to sex, but this time to spirit. Whitman wrote that “one deep purpose underlay the others, and has underlain it and its execution ever since,” namely, “the religious purpose” (WWA, 252).

Of course, this isn’t an either/or dilemma–either sex or spirit–but a question of both/and: most of us in this room would probably agree that any dualism said to exist between the erotic lures of our earthly lives and the lure of Spirit into the realm beyond is evidence only of a cultural wound that needs to be healed with great care. “Was it doubted,” asks Whitman, [Change Slide]

…that those who corrupt their own bodies conceal themselves? 

And if those who defile the living are as bad as they who defile 

the dead? 

And if the body does not do fully as much as the soul?

And if the body were not the soul, what is the soul? 

-“I Sing the Body Electric”

 

In another poem, “The World Below the Brine,” Whitman sings an earthly, animal poem that shamelessly weaves together the bottom-dwelling weeds of the sea with the wings of angels in heaven: [Change slide]

The world below the brine,

Forests at the bottom of the sea, the branches and leaves,

Sea-lettuce, vast lichens, strange flowers and seeds, the thick

tangle openings, and pink turf,

Different colors, pale gray and green, purple, white, and gold, the

play of light through the water,

Dumb swimmers there among the rocks, coral, gluten, grass, rushes,

and the aliment of the swimmers,

Sluggish existences grazing there suspended, or slowly crawling

close to the bottom,

The sperm-whale at the surface blowing air and spray, or disporting

with his flukes,

The leaden-eyed shark, the walrus, the turtle, the hairy

sea-leopard, and the sting-ray,

Passions there, wars, pursuits, tribes, sight in those ocean-depths,

breathing that thick-breathing air, as so many do,

The change thence to the sight here, and to the subtle air breathed

by beings like us who walk this sphere,

The change onward from ours to that of beings who walk other spheres.

 

Any inquiry into Whitman’s poetic mission will inevitably encounter the erotic and earthly imagery of his songs, but it is precisely here that we have the best chance to catch a glimmer of his somewhat secret vision of the Spirit of the Universe and the religion of imagination. Scholars have focused on the surface of these images, but they are more than skin deep, they point to something deeper still than matter.

From Whitman’s point of view, the modern, scientific materialist age, with all its encyclopedic knowledge of and industrial power over nature, did not undermine religion or natural theology; it rather handed the spiritual reigns from popes and priests, back to poets and artists. Now the poets are the “divine literati,” no longer content to remain the unacknowledged legislators of the world (Shelly), they must become the most widely recognized expressions of pure truth, beauty, and goodness heard the whole world round. Whitman taught us that we must discover the poetic roots of our knowledge if we hope to wield its power responsibly. This is Whitman’s message, that poetry is the voice of the common people sung in the language of Creation itself; that poetry is our most powerful weapon in the cosmopolitical war against the modern misenchantment project.

So what are the secrets of Whitman’s poetic religion of imagination? They shine through most brightly in the poem “Eidolons,” which is Greek for “images.” In this poem he swiftly translates the language of physis into psyche, and psyche back into physis, revealing how both of these powers speak the same language, that of images. It is not the language of eternal forms stamped onto mutable material by a perfect mold, as though the earth were just a poor imitation of some far off divine sphere. The spell of such a language no longer holds our human heart’s attention, since it turns God into a distant designer when what we so desire is a “fellow-sufferer who understands” (Whitehead). Whitman’s God, like Whitehead’s, is the poet of the world, the maker and wearer of the endless procession of sacred masks passing their lives upon the surface of earth. Here, then, is Whitman’s “Eidolons”: [Change Slide]

I met a seer,

Passing the hues and objects of the world,

The fields of art and learning, pleasure, sense,

To glean eidolons.

Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
That of eidolons.

Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
Eidolons! eidolons!

Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
Issuing eidolons.

Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
But really build eidolons.

The ostent evanescent,
The substance of an artist’s mood or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils,
To fashion his eidolon.

Of every human life,
(The units gather’d, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ’d, added up,
In its eidolon.

The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell’d,
The old, old urge, eidolons.

The present now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate for only thence releasing,
To-day’s eidolons.

These with the past,
Of vanish’d lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages,
Joining eidolons.

Densities, growth, facades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
Eidolons everlasting.

Exalte, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
The mighty earth-eidolon.

All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
Fill’d with eidolons only.

The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
The true realities, eidolons.

Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
Eidolons, eidolons.

Beyond thy lectures learn’d professor,
Beyond thy telescope or spectroscope observer keen, beyond all mathematics,
Beyond the doctor’s surgery, anatomy, beyond the chemist with his chemistry,
The entities of entities, eidolons.

Unfix’d yet fix’d,
Ever shall be, ever have been and are,
Sweeping the present to the infinite future,
Eidolons, eidolons, eidolons.

The prophet and the bard,
Shall yet maintain themselves, in higher stages yet,
Shall mediate to the Modern, to Democracy, interpret yet to them,
God and eidolons.

And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
Thy mates, eidolons.

Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
An image, an eidolon.

Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
A round full-orb’d eidolon.

This poem so perfectly shares Whitman’s secret of cosmic imagination that I fear anything I might try to add after reading it can only obscure its brilliance! In an attempt to avoid muddying the waters, I’ll turn to another brilliant prophet for hermeneutic help. Not long after Whitman, Nietzsche wrote in Twilight of the Idols of “how the True World finally became a fable”:

The “true” world — an idea which is no longer good for anything, not even obligating — an idea which has become useless and superfluous — consequently, a refuted idea: let us abolish it!

…

The true world — we have abolished. What world has remained? The apparent one perhaps? But no! With the true world we have also abolished the apparent one.”

Whitman, like Nietzsche, is no longer willing to resent the world, to repent for being flesh and blood, to long for another, less earthly existence. His earthly poetry tells a different tale, not of sinful life haunted by fallen copies of original Ideas, but of a sensuous life, a life lived dancing with appearances saved by poetic song–appearances, images, eidolons, lifted from their derivative status to become the many faces of an always disguised, always disporting divinity. In “Eidolons,” Whitman is able to tie together everything from the birth and death of stars, to his inmost personal identity, to the voyages of countless captains in their warships, to the facts and instruments of science, to the industrial and political might of America, to the geological forces of earth as so many instances of the one “old, old urge” driving divine imagination. “Eidolon” is saying, quite simply, that Images are the only true realities, and that Imagination is the only true religion.

…

End

Deleuzian Ideas

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Deleuze writes:

“Ideas no more than Problems do not exist only in our heads but occur here and there in the production of an actual historical world” (Difference and Repetition, p. 190).

Ideas are not simply located inside the head. Nor can Ideas be entirely captured inside the grammatical form of a logical syllogism, even if that syllogism is dialectically swallowed up and digested in the course of history by an Absolute Spirit.

Ideas are not merely represented inside an individual conscious mind, they are detonated in the imaginal depths of the world itself. Exploding Ideas seed symbolic vibrations that echo along the cosmic membrane and unfold at the level of representational consciousness as a profound complicity between mind and nature. Ideas are productive of synchronicities.

Speculations on Obama’s Brain Initiative

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Francis Collins, director of the National Institute of Health and author of The Language of God: A Scientist Presents Evidence for Belief (2006), introduces President Obama as the “scientist-in-chief.” Collins’ “BioLogos” theory is a brand of theistic evolution I have to admit I am not all that familiar with. But I do think he is a good choice to head the NIH since he believes in the compatibility of science and religion, as the majority of Americans seem to.

Obama, for his part, does not begin his speech by situating the latest public investment in brain research in the context of human spirituality. That, of course, is a private matter. Rather, he immediately places this government-funded research in its proper economic context (i.e., techno-capitalism). Investing in science is important, he tells us. Why? Because sometimes it leads to important inventions, some of which may eventually make their way to the marketplace in the form of profitable products and services. If we’re really lucky, science might just lead to the creation of more jobs! The goal of this, and any scientific initiative, is not “understanding.” No, it is economic growth!

Not that Obama is entirely blind to the mystery being approached:

“The most powerful computer in the world isn’t nearly as intuitive as the one we’re born with. There’s this enormous mystery waiting to be unlocked. The Brain Initiative will change that by giving scientists the tools they need to get a dynamic picture of the brain in action and better understand how we think, and how we learn, and how we remember. That knowledge could be–will be–transformative.”

Not to worry, Obama is going to appoint a presidential bio-ethics committee to make sure all the mystery explaining remains “safe” and all the re-programming remains “legal.” No unnecessary risks will be taken. The only necessary risks will be those whose eventual pay-off as techno-scientific capital can be calculated to outweigh any present cost in human life, liberty, and/or happiness.

Am I being too harsh? Surely there are a few people on the ethics board with a conscience… But is a conscience enough? Isn’t some deeper understanding of the interweaving of cosmos, psyche, and spirit also necessary to guide such research? I guess I’m just disappointed that our scientist-in-chief is a materialist who has totally bought in to the techno-capitalist dream of a future artificial earth whose perfection is won through the progress of industry. Obama seems to joke that one day, after we’ve “cracked the code” in the brain, even politics will be made more perfect by techno-science.

“If we knew everything about how the brain worked, presumably my life here would be simpler. It could explain all kinds of things that go on in Washington… we could prescribe something…”

I suspect that human consciousness is a supreme mystery different in kind and not just more difficult in degree than the mere problems routinely solvable by the scientific method. Method cannot approach mystery. I’m not saying that we might not make important and beneficial medical discoveries as a result of investing in brain research. I’m certainly not saying that the brain should not be studied from as many angles as possible. I’m all for scientific inquiry. I’m just trying to air out the ideology I see painted all over Obama’s announcement. In this case it would certainly seem that the pursuit of scientific understanding has been co-opted by techno-capitalism. I must stick this initiative in the “Capitalist Sorcery” file.

I leave you with the words of a man who understood the difference between philosophical mysteries and scientific problems. Here is Alfred North Whitehead on “speculative Reason,” by which he means the human faculty that desires knowledge for its own sake:

“The speculative Reason is in its essence untrammeled by method. Its function is to pierce into the general reasons beyond limited reasons, to understand all methods as coordinated in a nature of things only to be grasped by transcending all method. This infinite ideal is never to be attained by the bounded intelligence of mankind. But what distinguishes men from the animals, some humans from other humans, is the inclusion in their natures, waveringly and dimly, of a disturbing element, which is the flight after the unattainable. This element is that touch of infinity which has goaded races onward, sometimes to their destruction. It is a tropism to the beckoning light–to the sun passing toward the finality of things, and to the sun arising from their origin. The speculative Reason turns east and west, to the source and to the end, alike hidden below the rim of the world. Reason which is methodic is content to limit itself within the bounds of a successful method. It works in the secure daylight of traditional practical activity. It is the discipline of shrewdness. Reason which is speculative questions the methods, refusing to let them rest. The passionate demand for freedom of thought is a tribute to the deep connection of the speculative Reason with religious intuitions” -pgs. 65-66, The Function of Reason (1929)

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Reflections on “The Function of Reason” (1929) by Alfred North Whitehead

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“The function of Reason,” says Whitehead, “is to promote the art of life” (4). Reason thereby becomes primarily an aesthetic concern, a matter of appetition, and of the appetition of appetition with “emphasis upon novelty” (20). Reason is not simply the art of surviving, but of living well, and living better.

If some degree of life is active at every level of nature (the boundary between organic and inorganic being endlessly blurred), selective appetition–or Reason–would also then be active not only in the evolution of earth-bound plants, animals, and humans, but in the formation of the material cosmos itself.

“The material universe has contained in itself, and perhaps still contains, some mysterious impulse for its energy to run upwards,” says Whitehead (24).

What is the “upward trend,” the “counter-agency” that is already necessary to account for the genesis of those organized beings known to science as protons, electrons, molecules, stars, and galaxies? From whence comes the purposiveness of nature, the urge towards higher forms of organization despite the equally real tendency towards decay and fatigue? For Whitehead, the counter-agency to entropy is Reason. “Reason is the special embodiment in us of the disciplined counter-agency which saves the world” (34). Reason is then not only the presupposition of civilized human society and the ground of our scientific knowledge of nature, it is the creative source of the cosmic order itself.

“Mankind has gradually developed from the lowliest forms of life, and must therefore be explained in terms applicable to all such forms. But why construe the later forms by analogy to the earlier forms? Why not reverse the process? … In the course of evolution why should the trend have arrived at mankind, if his activities of Reason remain without influence on his bodily actions?” (15, 27).

Whitehead reverses the typical evolutionary epistemology that would attempt to explain away human consciousness and Reason by reducing them to seemingly inanimate physical and chemical processes. Instead, he attempts to understand the simplest processes of the physical universe in terms applicable to the presuppositions of civilized human life. His cosmologizing begins with what science must assume in all its investigations into nature, namely that human consciousness is capable of rational reflection upon the facts as observed. The human being is the primary instrument of all scientific investigation: we cannot separate the consciousness of the scientist or the purposeful process of his or her research from the scientific knowledge that is produced. The knowledge claimed by materialistic science that life is a mere mechanism governed by physics, chemistry, and the absolutely purposeless pressures of natural selection undermines this science’s own epistemic foundations. If unconscious Reason were not already rooted in every cosmic process, its conscious form could never have flowered in human scientists. To argue otherwise is to fall victim to blatant self-contradiction by denying in theory what no one can deny in practice. “Scientists animated by the purpose of proving that they are purposeless constitute an interesting subject for study,” says Whitehead (16).

 

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