Watch Olafur Eliasson and Bruno Latour re-enact the debate between Einstein and Bergson about space-time and the polarity between art and science.
Though I first heard about Latour’s re-enactment of the Einstein-Bergson debate several years ago, I only uncovered the videos of this conversation while engaging in a FaceBook thread yesterday about Einstein’s bloc universe. Einstein famously claimed that time as we experience it is a mere psychological illusion. If we want the fact of the matter regarding real time, we must accept the verdict of the positive sciences. Einstein didn’t fess up to the covert metaphysic of bifurcation he was employing, and although Bergson wasn’t able to get through to him on this point during their debate in 1922, other philosophers were listening.
Alfred North Whitehead agreed with Bergson’s critique of Einstein, though not with Bergson’s philosophical reconstruction of relativity. Whitehead developed his own alternative (philosophical and geometrical) formulation of relativity in a 1922 book The Principle of Relativity:
It follows from my refusal to bifurcate nature into individual experience and external cause that we must reject the distinction between psychological time which is personal and impersonal time as it is in nature (66).
Whitehead’s reformed principle of relativity is based on the metaphysical priority of actual facts, or occasions of experience, from which the geometrical order of spatiotemporal extension is derived (Epperson, Quantum Mechanics, 5). Through an abstractive process of logical construction rooted in the coordination of the somewhat fragmentary nature of individual occasions of experience, the general character of space-time holding true for our cosmic epoch can be produced (Whitehead, “Space, Time, and Relativity,” in The Aims of Education, 162-163). While Einstein’s proposal of a universal and a priori space-time implies a taut, already fully woven fabric whose spatial curvature is modified by the material bodies situated within it, Whitehead’s alternative theory of a coordinated plurality of space-times implies a fraying fabric always in the process of being repaired by the dipolar physical-mental concrescences of organismic occasions of experience. In this sense, contrary to Levi Bryant’s dismissal of Whitehead as an armchair philosopher who concocted “just so” stories with no empirical grounding (see the FaceBook thread), Whitehead’s innovation was to translate many of the properties that Einstein’s general relativity defines a priori into empirical, or a posteriori facts (Stengers, Thinking With Whitehead, 168). Instead of privileging the misplaced concreteness of an abstract space-time that would “[separate] an organism from its environment” such that “the endurance of the former and the patience of the latter [is defined] in terms of right [or “law”], not of fact,” Whitehead emphasizes the contingency of the evolved habits currently holding sway over the ecology of organisms shaping our cosmic epoch, no matter how general or universal they may appear at this time (Stengers, Thinking With Whitehead, 169).
Whitehead terms the general character of space-time “the uniformity of the texture of experience” (Whitehead, “Space, Time, and Relativity,” 163). “The physical world [i.e., the extensive continuum of space-time],” he goes on, is,
in some general sense of the term, a deduced concept. Our problem is, in fact, to fit the world to our perceptions, and not our perceptions to the world (Whitehead, “Space, Time, and Relativity,” 165).
Here, Whitehead directly contradicts Einstein’s famous statement that our immediate experience of temporality, while perhaps necessary for civilized life (or for biotic existence in general, for that matter), is in reality nothing but a persistent illusion no longer to be believed in by professional physicists. Whitehead’s reconstruction of relativity theory so as to avoid the social and ecological perils of the bifurcation of nature is not based on a denial of Einstein’s physical formulations, but a denial of the unconscious imaginative background shaping Einstein’s metaphysical interpretation of these formulations. Following Stengers, it can be said that Whitehead’s philosophy of organism aims not to belittle or deny the abstractions of the scientific intellect, as Bergson seems to, but rather to articulate an
ecology of abstraction…that creates the possibility of a mutual aesthetic appreciation between specialists of precision and adventurers of generalization (Stengers, Thinking With Whitehead, 141).
What do you think?