I meant to post this back in August when Levi Bryant finally started blogging again, but it somehow got stuck in my drafts (a veritable grave yard of unfinished thoughts and undead ideas). The philosophical spirit Bryant expresses in his writing is rather unique in its capacity to inspire me to resist. I am very grateful to him for this. So many of my posts on Footnotes2Plato have been provoked by the ideas he has shared on Larval Subjects. I’ll add another to that long list.
In his post on the trauma of speculative realism (etc.), Bryant draws on a passage from Foucault’s Archaeology of History to link the essential structure of myth to the synthetic activity of the subject, that is, to the “temporalizing activity of the subject capable of forming a totality for itself in how it links historicity and futurity in the formation of a present” (Bryant’s words). [Speaking of the present, those in the Bay Area should join us at CIIS tonight for a lecture on Foucault’s life and works by Jamie Socci.] He argues that all prior forms of consciousness (i.e., ideologies) were possessed by the drive to mythologize, that is, to long for a lost origin. Speculative realism (etc.), finally, has exorcised humanity (or some posthuman object formerly known as a human subject) of this possession, freeing ‘us’ to contemplate the fact that ‘we’ are already dead. The enlightened speculative realist no longer believes in ghost stories, not even the ghost story called human subjectivity.
There is much I agree with Bryant about. I align myself with the same “minor” tradition in the history of philosophy that he hints at. I also seek to undermine “the self-present mastery of the subject” and take every opportunity I can to remind myself and others that “we live in the orbit–-in the astronomical sense of the word–-of things that exceed us.”
For precisely these reasons, I am drawn to the work of Schelling (no doubt a heterodox thinker not easily categorized by Western philosophical norms). His early Naturphilosophie and later positive philosophy of mythology and revelation were a century ahead of their time as a forerunner of depth psychology.
“The crisis through which the world of the gods unfolds,” writes Schelling, “is not external to the poets. It takes place in the poets themselves, forms their poems” (Introduction to the Philosophy of Mythology, 18).
Joshua Ramey and Daniel Whistler discuss the implications of Schelling’s philosophy of mythology in their essay “The Physics of Sense: Bruno, Schelling, Deleuze” (2014).
For Schelling, myth is not the way the human subject “reconciles itself with itself” or “achieves self-present mastery,” as Bryant puts it. Myth is precisely the opposite: it is another way of speaking of the subject’s inability to achieve complete self-mastery, of the cision at the generative root of subjectivity. Myth is the human imagination’s way of coming to terms with the soul’s creative becoming (i.e., with its lack of substantial being). Myth is soul-making. Humans do not invent myth; rather, argues Schelling, it is myth that invented (and continues to reinvent) humanity.
For Schelling, rejecting the mythopoiesis at the core of our becoming-soul in favor of some supposedly myth-free enlightened view of a meaningless existence (metaphysically speaking) is the route of infantile escapism. His philosophy of mythology urges us to stay with the eternally unfolding crisis and not to fear the infinite depths of its creative becoming. Myth is not a facade painted atop Nature, but Nature’s way of becoming human (and perhaps humanity’s way of becoming other than human).