Responses to Archive Fire and Immanent Transcendence: Egos, Ideas, and Eternal Events

Jason/Immanent Transcendence and Michael/Archive Fire have been continuing the discussion that began almost two weeks ago HERE and HERE. In his latest response to me, Michael writes:

Matt wants to think the Absolute (unity), with an eye towards cultivating the existential implications which flow from an acquaintance therein, while I want to think the Possible (multiplicity), with a wonky fish eye towards negation and the positive mutations that come from reigning in our animal speculations.

Michael goes on to defend “speculative pragmatism” and “creaturely thinking.” He wants us to remain attentive to the raw contingencies unraveling the seams of the seemingly unified perceptual horizon of conscious awareness. This all sounds right-minded to me. I am all for relativizing the rational ego’s claims to mastery of an “external” world. [See, for example, my recent essay on the metaphysical implications of psychedelics.] Whatever “mind” we may be said to possess–or perhaps to be possessed by–it must be fundamentally continuous with its physical, biological, cultural, and cosmological habitats. “Inner” experience, soul, is not something given to us at birth, not a spiritual substance, but something we are tasked with making. Soul-making means not only learning to share flesh with others, but learning to share a language.

Whitehead, somewhere in Adventures of Ideas, writes:

“The mentality of mankind and the language of mankind created each other. If we like to assume the rise of language as a given fact, then it is not going too far to say that the souls of men are the gift from language to mankind. The account of the sixth day should be written: He gave them speech, and they became souls.”

The ego is not as free as it tends to think, nor “external” nature as determined. Both “ego” and “external nature” are artifacts of a particular species of Cartesian-Kantian language game. But I would distinguish all particular languages from Logos. Logos is the language of the universe.

If we are haunted by a spirit, it is the spirit of the universe itself. Logos is the potency of energy that thinks in me, the pregnancy of matter that makes my world. Whatever else the human imagination is, it is also fully animal, fully incarnated. Ideas arise and travel with the warm, damp breath of speaking animals and not apart from it.

In his latest contribution to the conversation, Jason writes:

Matt is using most of that “eternal form” talk.  He takes a religious-spiritual perspective on the ontological, whereas I’m willing to be a quietist.  I also accept a Jamesian “will to believe” on this point, and Matt could argue from that as well.

Jason is right, I could and in fact have argued from a Jamesian perspective before. He goes on to say that, while forms do not exist in their own right, they effect reality as tendencies and future possibilities for actualization. To ask “where” forms are is to falsely spatialize time, as though the future threw itself ahead and is now waiting “out there” for us “in here” to catch up with it. The definite possibilities of the future do not ex-ist, and yet they have perfectly real effects on present actualities. That this is so may be testable by experimentation at the quantum level, and is even easier to prove at the level of conscious animality (“It will be spring soon, I better sow these seeds”). The future doesn’t exist yet. This not yet should not, Jason reminds us, be reified into a divine designer’s giant mould that descends from the sky to shape earthly occasions from beyond. Forms cannot be so simply located “outside” or “inside” actual occasions. They happen only where they are not, since they are eternal events and not finite occasions.

The Beginning and the End of Positive Philosophy

In the Theaeteus, Plato has Socrates say that “wonder is the feeling of a philosopher, and philosophy begins in wonder.” In his Metaphysics, Aristotle echoes this by writing that “it was their wonder, astonishment, that first led men to philosophize and still leads them.”

In the Phaedo, Plato has Socrates say that “those who really apply themselves in the right way to philosophy are directly and of their own accord preparing themselves for dying and death.”

Philosophy, then,–at least if we take Socrates’s, Plato’s, and Aristotle’s words for it–begins in wonder and ends with death.

To become a philosopher, you must first be astonished by your own self-consciousness of the world, by the feeling of knowing your own ignorance of the whole. There is more to this ignorance than meets the eye. Socrates would never deny the truths grasped by geometry or logic. These are true enough. His is a learned ignorance: a gnosis that consists primarily in knowing that he does not know all the things he at first seems to.

Learned ignorance is not simple knowing, since the occult knowledge it provides cannot be stated clearly and distinctly in some logical formula. The Truth it approaches is no good for building marble archways or winning arguments in court. But nor is it simple ignorance, since underlying the philosopher’s knowledge of ignorance is an intuition of the whole. The philosopher is ignorant of this or that particular thing, but of the cosmos, he can be sure it exists-as-one, that it is a unity, a universe.

To wonder is to feel the infinite Whole–and in feeling it to know that it exists (existence), even if you cannot as of yet know what it is (essence). Wonder is not the feeling of everything together, but the intuition of All at once. This is the beginning of philosophy. Emerson describes it in Nature:

Standing on the bare ground,–my head bathed by the blithe air, and uplifted into infinite space,–all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God…

The goal is not to rest in this feeling, in an immediate intuition of the One, but through it to overcome the fear of death. Such a fear is natural for self-conscious animals like us, but by learning to think and to know lovingly–that is, by philosophizing–we can come to meet death willingly, thereby relating to the body not as soul prison by as soul portal.

The soul is individual only so long as it lives with a body. To the extent that philosophy is preparation for death, for the soul’s passage beyond the body, it is the desire to think objectively, without the limitation of subjectivity. The philosopher seeks to think beyond the body. The world, then, is the arena of philosophy. Though of course it remains all the while centered on the soul–that is, the soul of the world.

Between a philosopher’s initial astonishment of the fact of the world and his passage through shadow into source, there is much to think and write about.

Kant thought quite a bit about wonder, even attempting to think methodically so as to make a science of philosophy. In the end, he could only contradict himself. He thought knowledge must begin with sensory experience, with the givens of outer spatiality and inner temporality; on the other hand, he argued that the given world of experience would make no sense in the absence of a priori concepts like substance/accident, cause/effect, and quantity/quality. Kant formulates this contradiction–which is simultaneously the generative paradox underlying the power of his entire philosophical program–with the statement: “thoughts without content are empty, and intuitions without concepts are blind.”

Kant brought forth what Schelling would later call negative philosophy. He forgoes knowledge of the Whole for knowledge of the conditions of the possibility of knowing the Whole. Having then established these conditions (e.g., space-time, the categories), he denies theoretical knowledge of anything but the parts, since it is only parts that we experience with our physical bodies. Schelling describes this negative, critical moment in the movement of philosophy as a necessary step along the way toward a new dogmatism, or a positive philosophy. Positive philosophy is unlike the dogmatisms of old, since it does not assume that the divine’s status as “the most supreme being” leads of itself to this divinity’s “necessary existence.” To think the infinity of the Whole upon feeling it is one thing, actually knowing and expressing its reality is another.

“Schelling characterizes the execution and fulfillment of this task as the never-ending process of demonstrating God’s divinity that, as the interpretation of a process freely initiated, posits an open future incapable of being reduced to the necessary unfolding of any predetermined plan.” (-Bruce Matthews, p. 69, from the introduction of The Grounding of Positive Philosophy by F.W.J Schelling [2007]).

Theologians have long looked to philosophy to prove the existence of God. Not only does this imply that philosophy might come to glimpse God’s essence as though it were a static blueprint it could copy down on paper, it also implies that God is a mere belief in need of abstract justification. Schelling admits that no such a priori proof of God is possible–since God is not merely an idea, but a fact. Philosophy begins in wonder, which is to say it begins in an experience of the divinity of the world. To attempt to logically prove God’s existence would be pointlessly tautological, since the proof itself would always depend upon God as its own condition of possibility. For positive philosophy, the point is to communicate the divine meaning of the actual world as we experience it, to remind the actual soul of its immortality and universality while alive here and now.

“The experience toward which positive philosophy proceeds is not just of a particular kind, but is the entirety of all experience from beginning to end. What contributes to the proof is not a part of experience, but all of experience. For precisely this reason, though, this proof itself is not just the beginning or a part of a science (least of all some type of syllogistic proof posited at the apex of philosophy), it is the entire science, that is, the entire positive philosophy–and this is nothing other than the progressive, strengthening with every step, and continually growing proof of the actually existing God. Because the realm of reality in which this proof moves is not finished and complete–for even if nature is now at its end and stands still, there is, nonetheless, still the unrelenting advance and movement of history–because insofar as the realm of reality is not complete, but is a realm perpetually nearing its consummation, the proof is therefore also never finished, and for this very reason this science is only a philo-sophie” (-Schelling, p. 181, The Grounding of Positive Philosophy).

More Reflections on James Hillman’s Archetypal Psychology

Building on what was said here last week:


View of Mont Ventoux from Mirabel-aux-Baronnies.
Mont Ventoux

James Hillman’s psychology, above all else, aims to remind the modern Western psyche of its roots in the Renaissance. To illustrate his methods, he dwells upon the lives of Renaissance figures like Petrarch, “the first modern man…perhaps…the first psychological man.”1 Most cultural historians focus on Petrarch’s ascent of Mt. Ventoux in 1336 as the symbolic beginning of the Renaissance resulting from his discovery of the spirit of “Man.” Jean Gebser, for example, marks the moment as the dawning of humanity’s conscious mastery of extended, perspectival space as over and against an increasingly interiorized soul life.2 Hillman, who has little patience for often inflated “peak experiences” championed by the humanistic psychologist Abe Maslow, draws attention instead to the significance of Petrarch’s descent. It is not a result of “highs,” but rather the survival of depressive “lows” that determines the true worth of a person.3

Upon reaching the summit, Petrarch opens Augustine’s Confessions randomly and reads the lines:

“And men go abroad to admire the heights of mountains…the compass of the ocean, and the circuits of the stars, and pass themselves by…”4

Stunned by the synchronicity, Petrarch realizes his calling in life is to look inward so as to “know thyself,” as Thales put it many centuries before Augustine. Most historians here refer to the decisive shift to the study of “Man,” to the beginning of the humanities as a distinct discipline separate from theology or natural philosophy. Hillman’s psychological project, on the other hand, is founded upon the dehumanization of the Renaissance. Despite the fact that Petrarch uses the Latin animus when recounting his experience on Mt. Ventoux,5 Hillman insists that it was essentially a deepening into soul. He points to an earlier sentence in the same section of the Confessions which discusses the infinite depths of memory, “the soul’s imaginative faculty,” and argues that

“The revelation on Mont Ventoux opened Petrarch’s eyes to the complexity and mystery of the man-psyche relationship and moved him to write of the marvel of the soul, not the marvel of man.”6

In light of the diverse array of scholarly interpretations of Petrarch’s transformative experience atop Mt. Ventoux, it seems all that can be said for certain is that it generated within him an irresolvable, yet creative, tension between spiritual transcendence and soulful immanence. He felt, perhaps more powerfully than anyone alive around him or before him, the smallness of his ego in relation to the depths of psyche and of cosmos.

English: Illustration of Petrarch's Triumph of...
Petrarch's triumph of death

There is a certain tragedy in Petrarch’s discovery, a certain dis-ease, since after the mutation in consciousness he initiated, the soul became vulnerable to a whole new set of pathologies. No longer swallowed whole by the earth and sky, the human soul began to feel utterly unlike the world around it. More than anything else, Renaissance philosophers like Petrarch, and later, Ficino, contemplated death.

“Yet the more occupied with death, the more these humanists thought, built, wrote, painted, sang.”7

Death became their muse, and in this way Renaissance philosophers hearkened back to Socrates and Plato, who rather than empiricizing or biologizing the soul like Aristotle, sought to dwell upon the shadows cast by the living body, to descend into the underworld in search of metempsychotic transformation. The soul was identified with the death principle instead of the life principle, and in that way “the first metaphor of human existence” was seen through: “that we are not real.”8 The “skin encapsulated ego” (as Alan Watts put it) is a fantasy of soul.

“No longer is it a question of whether I believe in soul, but whether soul believes in me, grants me the capacity to have faith in it, in psychic reality.”9

If Hillman were a metaphysician, he’d have to say that the final real things are images, fantasies of soul. Not facts, but fictions are the stuff out of which reality is woven. Or at least, if facts be our focus, they must be psychologized into acts, the poetic creations of soul. Like Teilhard de Chardin in the preface to The Human Phenomenon (itself a profound metaphysical work), Hillman dubiously claims early in Re-Visioning Psychology that he is not a metaphysician. In fairness, perhaps it would be truer to his intentions to call him a “meta-psychologist” always in search of an ensouled cosmology. After all, his skepticism regarding metaphysics as it has been articulated in the modern West is well-founded. The Cartesian ego’s paranoid search for absolute certainty and formulaic Truth leads to the repression of the ambiguities and paradoxes of soul-making in the valleys of the world.

His emphases upon death and depth are not simply a matter of coming down to earth from the heights of the sky, however, since for Hillman the planets are gods “by means of which every element of our experience can be interpreted.”10 His turn away from the methods of the modern metaphysician to the therapy of the ancient “Doctors of Soul” is not a retreat from the cosmos, but the longing for the renewal of “relations with archetypal principles personified by the planets of the pagan pantheon.”11 Like Plato, Hillman longed to relate to the universe as a living creature, a being ensouled. His dwelling upon individual death is meant to remind the living soul of its embeddedness in and dependence upon the anima mundi, the soul of the world.

“If we could reoriginate psychology at its Western source in Florence, a way might open again toward a meta-psychology that is a cosmology, a poetic vision of the cosmos which fulfills the soul’s need for placing itself in the vast scheme of things.”12

The problem for the disenchanted metaphysician is not that Truth is “merely” fiction–that the real is forever beyond the mind’s conceptual grasp–but that the world’s meaning is immense, immeasurable. There is too much meaning! The literalistic mind’s attempt to explain the real can never be completed. It is for this reason that the metaphysician has so often failed the polyphonic psyche by repressing its desire for soul-making. The philosopher’s search for system, for some Grand Synthesis or Theory of Everything, is all too easily psychologized:

“Western metaphysics, with its inherently world-denying, abstractive tendencies has been thought mostly by men…who did not wed, who did not spawn, who touched the world with mind in such a way that its existence became a ‘problem.’”13

Hillman, then, seeks to return metaphysics to the world, to think the real in service of soul-making. He is after a “metaphysical praxis,” a “psychological metaphysics” closely bound up with the practice of therapeia.14 Existence then becomes, not a problem to be solved, but a pathos to be deepened into in search of insight.

Hillman demands that we stay close to the practical effects of our abstractions by paying attention to the power of archetypes to recursively shape both the creation of theories and the discovery of facts: an archetype is both a way of seeing and a thing seen. True to the etymological meaning of “fact” (from the Latin facere: “to do”), Hillman implores us to ask: What do ideas do to soul, to world? Sticking close to the effects of metaphysical pronouncements means asking of their Truths, “True for who?”

The metaphysician must situate himself in the mythic context of psychic life, where everything is personified and speaks through the masks of image and symbol. Truth is not “mere” fiction if the deeper structure of the universe is semiotic: The Truth is story; theory is a special kind of myth. Where literalisms (whether of the metaphysically scientific or religious sort) would replace–or paste over–the given with their favored abstractions, a psychological metaphysics (or meta-psychology) drops the bottom out of the given by forestalling the paranoid rush to formulaic certainty. Metaphysical knowledge is here checked by–not the limits of–but the infinity of metaphor.

“We practice an alchemical metaphysics: ‘account for the unknown in terms of the more unknown.'”15

Hillman has always defended the poetic basis of mind. In making his imaginative psychology cosmological, he is forced to posit as well a poetic basis of the universe.16 He affirms the inherent intelligibility of things: “The cosmos has a logos.”17 He then asks why this intelligibility has become obscured to the modern mode of intelligence, concluding that we have lost the perceptual capacity to connect soul to world and world to soul. We lack the requisite organ of perception: the “imaginational heart.”18

“A living sense of world requires a corresponding living organ of soul by means of which a living world can be perceived.”19

The heart is no mere pump. Neither is the heart the organ of personal sentiment or subjective feeling. For Hillman, the heart is the seat of the imagination, the microcosmic Sun around which all the world’s meaning revolves.20 It is through the heart that the individual finds their point of entry into the anima mundi. To perceive with the heart is to “[hear] the confession of the anima mundi in the speaking of things.”21 This is a form of aesthesis, of “breathing in” the world, that un-Lockes perception from the chains of prosaic empiricism and places the soul’s horses22 before Descartes’ rationalistic reductionism.

1 Re-Visioning Psychology, 195

2 The Ever-Present Origin, 12-15

3 Re-Visioning Psychology, 66

4 X,8

5 Richard Tarnas, personal correspondence, 12/29/2011

6 Re-Visioning Psychology, 196

7 Re-Visioning Psychology, 206

8 Re-Visioning Psychology, 209

9 Re-Visioning Psychology, 50

10 Archetypal Process, 220

11 Re-Visioning Psychology, 202

12 Anima Mundi, 110

13 Archetypal Process, 218

14 (ibid.)

15 Archetypal Process, 220

16 Archetypal Process, 221

17 Archetypal Process, 225

18 The Thought of the Heart, 7

19 Archetypal Process, 225

20 The Thought of the Heart, 28

21 The Thought of the Heart, 48

22 See Plato’s Chariot Allegory in Phaedrus

Thinking While Naked

Here is an intriguing article in Wired magazine by Jonah Lehrer. He reflects upon the implications of an experiment attempting to gauge the cognitive significance of nakedness. It looked at how our attribution of agency to others is effected by what they wear and how attractive they are. The results: Pictures of the faces of men were more likely than those of women to be thought of by others (male or female) as rational agents, while those pictures which included bodies of attractive men, and especially of attractive women, were usually judged less capable of agency, but more capable of feeling.

Lehrer introduces the concept of the “redistribution of mind,” the leakage of our theory of cognition out of the head and into the feelings of the whole body. This is especially interesting to me. It suggests that mind is not a disembodied rational agency located at some vanishing point behind or before the material world, or pulsing around in a bundle of very special neurons in the pre-frontal cortex somewhere, but rather it is that which emerges between erotically charged bodies in living/experiential spaces and times. Mind is erotic, a relationship, a process of co-determination and mutual transformation of one with another.

Such an embodiment account of mind still makes agency a bit of a mystery in a world of creatures otherwise swimming in and so conditioned by their experience of other creatures and the outside world. We have to reach into the realm of the spiritual if we hope to find a way out of the dilemma of agency.

Lehrer closes the article by referencing Plato:

“the psychologists propose that humans are actually Platonic dualists, following Plato’s belief that there are two distinct types of mind: a mind for thinking and reasoning and a mind for emotions and passions.”

In the Republic, Plato actually offers a trinitarian and not a dualistic anatomy of the soul. There were the rational and the erotic organs, and a spiritual organ to harmonize the two. In other words, there was a rational soul to tell our bodies “no,” making us skeptical of appearances we don’t trust; there was an erotic or appetitive soul to tell our bodies “yes!” to appearances (other sexy bodies); and there was a spiritual soul to judge between the two in any given case. The spiritual soul is the agent, the one who decides, if all goes according to plan, whether to step back and think (rational soul) or step forward and act (appetitive soul).

Rudolf Steiner spoke often of the relationship of thinking, feeling, and willing to the physiology of the body. It is helpful, I think, to read Steiner’s esoteric perspective right alongside the secular materialism of Wired magazine. It makes the shock of disbelief in the one over the other even more intense, though I can’t say for sure which approach makes more sense to you.

Esotericism and the Academy at the American Academy of Religion in San Francisco

Phoenix Rising at the AAR Meeting Saturday Nov. 19th!.

Some of these papers look great. The problem of how to traverse the disciplinary boundary between esoterica and academia is one I will face in my own dissertation. Is it possible to integrate imaginal and rational modes of consciousness, to harmonize sacral and critical attitudes of inquiry? Can one study the arts of magic and alchemy, the sciences of astrology and theology, and remain at an academic distance? Is it possible to feign objectivity when one’s object of inquiry is that out of which inquiry itself emerges?

It is precisely the Imagination, the Muse, the indwelling spirit that brings the subject of objects into focus for us. Subject and Object are both creations of Imagination, or Psyche. Inner and Outer are both modes of Imagination. What some call an Outer Object is really a Mage, that is, a Moving Image in the Eternal Mind’s I. Psyche is All.

Like the Inner and Outer, Time and Space are both productions of the Cosmos. The ensouled Cosmos.

Cosmos Is Psyche. Which is to say that Psyche is not just eternal objects in an abstract Mind, but actual occasions of concrete experience and embodied existence. Archetypes, strictly speaking, do not exist without appetites and enjoyments, without living and playing fully intermixed with the created world.

Taste the Sky, Swallow the Horizon

I screamed so loud,

I could taste the sky.

The stars became buds of light on my tongue,

And the clusters of galaxies

Poured into the tangled sinews of my brain.

I became one of billions of sons,

All circling the heavens

In praise of our life.

And yet,

I was alone;

My father and my mother

Were absent,

And though brother and sister spun beside me,

Our wandering was without course;

Our wishes were without wisdom.

We were blind;

We had not been raised

By the stories of ages.

We had come of age

In a time of tragedy

And of sober revelation.

I screamed so loud,

I could taste the sky,

And I cried so long

That a sea of sadness

Nearly washed away the world

From the valley of my soul.

I saw, as I swallowed the horizon

And unspun the earth from the sun,

That the future cannot be held

But by a bleeding heart.

For the survival of our species,

I prophecy our death:

And when we rise again,


The earth will smile like Zeus

And heaven will shine its light

Upon each and all of us